• Mezzo Live HD

    • Mezzo Live HD od do

      • Budapest Festival Orchestra and Iván Fischer: Symphony No. 2 by Mahler

        Budapest Festival Orchestra, Czech Philharmonic Choir (Brno), Iván Fischer (Conductor); Christiane Karg (soprano), Elisabeth Kulman (alto); Gustav Mahler; Symphony No. 2 in C minor 'Resurrection'; Recorded at the Müpa, Budapest, on May 12, 2018; TV Director, Sébastien Glas (91 min)

      • InterMezzo

        (42 min)

      • Valery Gergiev and the Mariinsky Orchestra: Prokofiev, Shostakovich

        Mariinsky Orchestra, Valery Gergiev (Conductor); Denis Matsuev (piano); Sergei Prokofiev (1891 - 1953); Piano Concerto no 3; Dmitri Shostakovich (1906 - 1975); Symphony no 5; Recorded at the Zaryadye Hall, Moscow, 4 November 2019; Directed by Corentin Leconte; 18.01.2021 (76 min)

      • Opening concert of the Zaryadye Hall in Moscow

        Mariinsky Theater Orchestra, Valery Gergiev (Conductor); Daniil Trifonov (piano), Denis Matsuev (piano), Anna Netrebko (soprano), Yusif Eyvazov (tenor), Ildar Abdrazakov (bass); Modest Mussorgsky; Prelude to Khovantchina; Pictures of an exhibition; Nikolai Rimsky-Korsakov; The Tsar's Bride, Air of Marfa; Piotr Tchaikovsky; Iolanta, duo and final; Sergei Rachmaninov; Variations on a theme of Paganini; Modest Mussorgsky; Boris Godounov, air of Boris; Sergei Prokofiev; Concerto for piano and orchestra n ° 2; Rodion Shchedrin; Solemn Overture; Recorded at the Zaryadye Hall, Moscow, 8 September 2018; TV Director, François-René Martin (108 min)

      • Fre3 Women - Banlieues Bleues

        Fre3 Women; Susana Santos Silva (trumpet); Morgane Carnet (saxophone); Blanche Lafuente (drums); Recorded on March 11, 2020 at the festival Banlieues Bleues; RV Director, Guillaume Dero, (50 min)

      • InterMezzo

        (58 min)

      • Valery Gergiev conducts Samson et Dalila by Saint-Säens at the Mariinsky Theatre

        Samson et Dalila, opera in three acts by Camille Saint-Saëns (1835 - 1921); Libretto by Ferdinand Lemaire. First performance in Weimar, Grossherzogliches Theater, 2 December 1877; Mariinski Theatre Orchestra & Chorus, Valery Gergiev (Conductor); Andrei Petrenko (Chorus Master); Yannis Kokkos (Stage Director, Sets); Yannis Kokkos, Paola Mariani (Costumes), Anne Blancard (Dramaturgy), Michael Bauer (Lighting), Maxim Petrov (Choreography), Eric Duranteau (Video); Ekaterina Semenchuk (Dalila); Gregory Kunde (Samson); Roman Burdenko (Le Grand Pretre de Dagon); Mikhail Petrenko (Abimélech); Recorded on 25 Mai & 2 June 2016 at the Mariinsky (Saint Petersburg); Directed by Louise Narboni; 20.01.2021 (132 min)

      • InterMezzo

        (104 min)

      • Khatia Buniatishvili & Soloists of the Orchestre Philharmonique de Monte-Carlo

        Khatia Buniatishvili (piano); Solists of the Philharmonic Orchestra of Monte-Carlo; Félix Mendelssohn; String Octuor op. 20; Franz Schubert; Impromptu, op. 90 N°3; Claude Debussy; Suite Bergamasque, N°3 ' clair de lune '; César Franck; Quintet for piano and string; stino; Recorded on August 3, 2020 at the Garnier Hall | Opera of Monte-Carlo, Monaco; TV Director, Julien Faustino (86 min)

      • Orchestre Philharmonique de Monte-Carlo, Kazuki Yamada, Francesco Piemontesi: Mozart, Schoenberg

        Philharmonic orchestra of Monte-Carlo; Kazuki Yamada (Conductor); Francesco Piemontesi (piano); Wolfgang Amadeus Mozart; Serenade N°13, Little night music K 525; Concerto for piano N°12 K414; A. Schönberg; Transfigured Night, Op.4 (version 1943); Recorded on August 2, 2020 at the courtyard of honour of the Princely Palace of Monaco; TV Director, Julien Faustino (83 min)

      • InterMezzo

        (30 min)

      • Beethoven's Fidelio at the Theater an der Wien

        Fidelio; Opera in two acts by Ludwig van Beethoven (1770 - 1827); Libretto by Joseph Sonnleitner and Stephan von Breuning; First performance in Vienna, Theater and der Wien, 20 November 1805; Wiener Symphoniker Manfred Honeck (Conductor); Arnold Schoenberg Chor; Christoph Waltz (Stage Director); Barkow Leibinger (Sets), Judith Holste (Costumes), Henry Braham (Lighting); Eric Cutler (Florestan); Nicole Chevalier (Leonore); Gábor Bretz (Don Pizarro); Christof Fischesser (Rocco); Károly Szemerédy (Don Fernando); Benjamin Hulett (Jaquino); Anna Lucia Richter (Marzelline); Recorded at the Theater an der Wien, Vienna, 20 March 2020 (135 min)

      • InterMezzo

        (71 min)

      • Coppelia by Sergey Vikharev, Bolshoi Theatre Ballet

        Coppelia; Ballet in three acts; Libretto by Charles Nuitter and Arthur Saint-Leon; after the stories by Ernst Theodore Amadeus Hoffmann; Music, Léo Delibes; Choreography, Marius Petipa and Enrico Cecchetti; Staging and new choreographic versionn Sergei Vikharev; Designer, Boris Kaminsky; Costume Designer, Tatiana Noginova; Lighting Designer, Damir Ismagilov; Bolshoi Orchestra; Conductor, Pavel Sorokin; Choreography Revival, Vladimir Grigoriev; Sets Revival, Dmitry Fialkovsky; Costumes Revival, Olga Nikulina; Lighting Design Revival, Mikhail Sokolov, Igor Deryugin; With the use of decor sketches by Pyotr Lambin (Acts I and III) and Heinrich Levot (Act II) and costume sketches by Adolph Charlemagne, Pyotr Grigoriev and Evgeny Ponomaryov. Sets reproduced by vgeny Yakimenko and Anton Danilov (Acts I and III), Elena Kinkulskaya (Act II); Archive Researches and Coordination: Pavel Gershenzon; With; The Bolshoi ballet; Margarita Shrainer (Swanilda) - Artem Ovcharenko (Frantz) - Alexei Loparevich (Coppelius) - Ksenia Averina, Daria Bochkova, Bruna Cantanhede Gaglianone, Antonina Chapkina, Anastasia Denisova, Elizaveta Kruteleva, Svetlana Pavlova et Yulia Skvortsova (Swenilda's friends) - Tatiana Kravtsova (Coppelia - automaton) - Alexander Fadeyechev (The ord of the Manor) - Yuri Ostrovsky (the mayor) - Ekaterina Besedina, Oxana Sharova, Dmitry Ekaterinin and Alexander Vodopeto (Mazurka), Kristina Karasyova and Vitaly Biktimirov (Czardas), Anastasia Denisova (The Dawn), Antonina Chapkina (The prayer), Daria Bochkova, Xenia Averina, Maria Mishina, Stanislava Postnova and Tatiana Tiliguzova (The work), Elizaveta Kruteleva (The Folly), Nikolai Mayorov (Chronos); Recorded on June 8 & 10 2018 at the Bolshoi Theater; TV Director, Isabelle Julien (99 min)

      • La Bayadére by Nacho Duato after Marius Petipa - Mikhailovsky Theatre

        La Bayadére; Choreography by Nacho Duato after Marius Petipa; Ballet in three acts; Music by Ludwig Minkus; Conductor, Pavel Sorokin; Stage Designer, Costume Designer, Angelina Atlagić; Lighting Design, Brad Fields; With; (Nikiya) Angelina Vorontsova; (Solor) Victor Lebedev; (Gamzatti) Andrea Laššáková; and the Mikhailovsky Ballet and Orchestra; Live from the Mikhailovsky Theatre, Saint Petersburg; TV Director,Andy Sommer (94 min)

      • InterMezzo

        (19 min)

      • The Tatarstan National Symphony Orchestra and Alexander Sladkovsky: The Flying Dutchman by Wagner

        Tatarstan National Symphony Orchestra, Alexander Sladkovsky (Conductor); Grand Choir Masters of Choral Singing; Richard Wagner (1813 - 1883); Der fliegende Holländer (The Flying Dutchman), romantic opera in three acts by Richard Wagner (1813 - 1883); Libretto by Richard Wagner after Heinrich Heine's 'Aus den Memoiren des Herren von Schnabelewopski'; First performance in Dresden, Königliches Sächsisches Hostheater, 2 January 1843; Albert Dohmen (bass-baritone) Le Hollandais; Dmitry Skorikov (basse) Daland; Natalia Muradymova (soprano) Senta; Artyom Safronov (tenor) Erik; Yevgenia Segenyuk (mezzo-soprano) Mary; Kirill Matveyev (tenor) Le pilote; Recorded on 10 March 2020 at the Tchaikovsky Concert Hall, Moscow; Directed by Elena Schaptchits (136 min)

      • The Tatarstan National Symphony Orchestra and Alexander Sladkovsky: Strauss, Bruckner

        Tatarstan Symphony Orchestra, Alexander Sladkovsky (conductor); Mario Brunello (cello), Aidar Bagautdinov (viola); Richard Strauss (1864 - 1949); Don Quixote, fantastic variations on a knightly theme for cello and viola soli and orchestra, Op. 35; Anton Bruckner (1824 - 1987); Symphony No. 9 in D minor; Recorded at the Tchaikovsky Hall, Moscow, 12 February 2019; TV Director, Elena Schaptchits (106 min)

      • InterMezzo

        (14 min)

      • Dvořák's Rusalka at the Teatro Real

        Rusalka; Opera in three acts by Antonín Dvořák (1841-1904); Libretto by Jaroslav Kvapil; First performance in Prague, National Theatre, 31 March 1901; Coro y Orquesta Titulares del Teatro Real (Coro Intermezzo / Orquesta Sinfónica de Madrid), Ivor Bolton (Condutor); Andrés Máspero (Chorus Master); Christof Loy (Stage Direction); Johannes Leiacker (Sets), Ursula Renzenbrink (costumes), Bernd Purkrabek (Lighting), Klevis Elmazaj (choreography); Asmik Grigorian (Rusalka); Eric Cutler (Prince); Karita Mattila (Cizi Knezna); Maxim Kuzmin-Karavaev (Vodnik); Katarina Dalayman (Ježibaba); Sebastiá Peris (Lovec); Manel Esteve (Hajny); Solenn' Lavanant Linke (Kuchtik); Julietta Aleksanyan (First nymph); Rachel Kelly (Second nymph); Silvia de la Muela (Third nymph); Recorded at the Teatro Real, Madrid, 25 November 2020 (165 min)

      • Shabaka Hutchings 'The comet is coming' - Like a jazz machine

        The comet is coming; Shabaka Hutchings, saxophone ténor; Dan Leavers, synthétiseur; Max Hallet, batterie; Sixty years after Sun Ra released his debut album, the influence of the late avant garde jazz musician and 'cosmic philosopher' persists. Sun Ra is a clear touchstone for futurists band The Comet is coming. They're formed of saxophonist Shabaka Hutchings (aka King Shabaka), and the two members of Soccer96: synths guy Dan Leavers (aka Danalogue The Conqueror) and drums man Maxwell Hallett (aka Betamax Killer). Formed in 2013 after saxophonist Shabaka Hutchings spontaneously joined funk duo Soccer96 on stage, the trio combines Sun Ra's mythological themes and love of the experimental, whipping up a fusion of jazz, Afrobeat and electronica in an improvisational, intergalactic mash-upstyle, starting with an orthodox jazz sensibility and taking it to the dancefloor. For millennia, humankind has viewed comets as harbingers of doom, portents of change and destruction. The Comet Is Coming are here to recognize these world-altering prophecies and to help us dance like it's the end of the world. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg; TV Director, Samuel Thiebaut (57 min)

      • InterMezzo

        (60 min)

      • Wiener Philharmoniker, Christian Thielemann: Beethoven's Symphony No.7

        Wiener Philharmoniker, Christian Thielemann (conductor); Ludwig van Beethoven (1770 - 1827); Symphony No.7 in A major op. 92; Recorded in 2008 at the Musikverein, Vienna; Directed by Agnes Méth (42 min)

      • Wiener Philharmoniker, Christian Thielemann: Beethoven's Symphony No.3 'Eroica'

        Wiener Philharmoniker, Christian Thielemann (conductor); Ludwig van Beethoven (1770 - 1827); Symphony No.3 in E flat major op. 55 'Eroica'; Recorded in 2008 at the Musikverein, Vienna; Directed by Agnes Méth (62 min)

      • Wiener Philharmoniker, Christian Thielemann: Beethoven's Symphony No.8

        Wiener Philharmoniker, Christian Thielemann (conductor); Ludwig van Beethoven (1770 - 1827); Symphony No.8 in F major op. 93; Recorded in 2008 at the Musikverein, Vienna; Directed by Agnes Méth (33 min)