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      • The Nutcracker by Vasily Vainonen, Ballet of the Mariinsky Theatre

        The Nutcracker; Ballet in three acts; Choreography by Vasily Vainonen; Pyotr Illitch Tchaikovsky, composer; Libretto by Marius Petipa based on the story by E.T.A. Hoffmann; Orchestra of the Mariinsky Theatre; Valery Gergiev, conductor; Simon Virsaladze, sets; With; The Ballet of the Mariinsky Theatre; Stahlbaum, Vladimir Ponomarev; His wife, Elena Bazhenova; Masha, Renata Shakirova; Luisa, Svetlana Tychina; Franz, Alisa Petrenko; Drosselmeyer, Andrei Yakovlev; The Grandmother, Lira Khuslamova; The Grandfather, Vasily Shcherbakov; The Nanny, Yana Tikhonova; The Princess, Renata Shakirova; The Nutcracker Prince, David Zaleyev; The Nutcracker, Alisa Petrenko; Clown, Maxim Izmestiev; Doll, Sofia Ivanova-Skoblikova; Blackamoor, Grigory Popov; The Mouse King, Alexei Kuzmin; Waltz of the Snowflakes (Act II), Shamala Guseinova, Yekaterina Ivannikova; Elegant Ladies and Gentlemen, Anastasia Yaromenko, Alexandra Popova, Artem Kellerman, Alexander Beloborodov; Spanish Dance, Alisa Rusina, Roman Malyshev; Oriental Dance, Maria Shevyakova and artists of the Ballet Company; Chinese Dance, Anastasia Asaben, Grigory Popov; Trepak, Maria Lebedeva, Alisa Petrenko, Maxim Lynda; Pas de trois, Yana Selina, Svetlana Ivanova, Vasily Tkachenko; Waltz of the Flowers, Diana Smirnova, Yevgenia Gonzalez, Anastasia Nikitina, Kumiko Ishii, Alexander Beloborodov, Roman Belyakov, Fuad Mamedov, Nikita Korneyev and artists of the Ballet Company; Live from the Mariinsky Theatre on June 9th; TV Director (107 min)

      • InterMezzo

        (15 min)

      • Valery Gergiev conducts Samson et Dalila by Saint-Säens at the Mariinsky Theatre

        Samson et Dalila, opera in three acts by Camille Saint-Saëns (1835 - 1921); Libretto by Ferdinand Lemaire. First performance in Weimar, Grossherzogliches Theater, 2 December 1877; Mariinski Theatre Orchestra & Chorus, Valery Gergiev (Conductor); Andrei Petrenko (Chorus Master); Yannis Kokkos (Stage Director, Sets); Yannis Kokkos, Paola Mariani (Costumes), Anne Blancard (Dramaturgy), Michael Bauer (Lighting), Maxim Petrov (Choreography), Eric Duranteau (Video); Ekaterina Semenchuk (Dalila); Gregory Kunde (Samson); Roman Burdenko (Le Grand Pretre de Dagon); Mikhail Petrenko (Abimélech); Recorded on 25 Mai & 2 June 2016 at the Mariinsky (Saint Petersburg); Directed by Louise Narboni; 20.01.2021 (132 min)

      • InterMezzo

        (38 min)

      • Steve Coleman & the Council of Balance - Jazz á la Villette

        Steve Coleman & The Council of Balance; Steve Coleman - alto saxophone; Jonathan Finlayson - trumpet; Jen Shyu - lyric; Rane Moore - clarinet, bass clarinet; Maria Grand - tenor saxophone; Mike Lormand - trombone; Kristin Lee - violin; David Bryant - piano; Miles Okazaki - guitar; Anthony Tidd - bass guitar; Greg Chudzik - bass guitar; Sean Rickman - drums; Alex Lipowski - drums; Barry J. Crawford - flute; Jeffrey Missal - trompet; Elizabeth Weisser - viola; Jay Campbell - Cello; Recorded at La Villette Jazz Festival on September 5th 2015; TV Director, Samuel Thiebaut 25.01.2021 (71 min)

      • InterMezzo

        (46 min)

      • The Tatarstan National Symphony Orchestra and Alexander Sladkovsky: Strauss, Mahler

        Tatarstan National Symphony Orchestra, Alexander Sladkovsky (conductor); Anastasia Kalagina (soprano); Richard Strauss (1864 - 1949); Death and Transfiguration, tone poem, Op. 24 /; Four Last Songs, for soprano and orchestra, Op. 150/; Gustav Mahler (1860 - 1911); Symphony No. 5 in C-sharp minor; Recorded at the Tchaikovsky Concert Hall, Moscow, 16 February 2019 (122 min)

      • Boris Giltburg plays Russian Masters of the Piano

        Boris Giltburg (piano); Sergei Rachmaninov (1873 - 1943); Variations on a theme by Corelli, Op.42; Dimitri Shostakovich (1906 - 1976); String Quartet no 8 in C minor, Op.110 (tr. Boris Giltburg); Nikolay Medtner (1879 - 1951); Sonata-Reminiscenza, Op.38 No.1; Alexander Scriabin (1871 - 1915); Piano Sonata no 5 in F sharp major, Op.53; Igor Stravinsky; Three movements from Petrouchka; Recorded at the Auditorium de la Maison de la Radio, Paris; Directed by Nathan Benisly (100 min)

      • InterMezzo

        (14 min)

      • Beethoven's Fidelio at the Theater an der Wien

        Fidelio; Opera in two acts by Ludwig van Beethoven (1770 - 1827); Libretto by Joseph Sonnleitner and Stephan von Breuning; First performance in Vienna, Theater and der Wien, 20 November 1805; Wiener Symphoniker Manfred Honeck (Conductor); Arnold Schoenberg Chor; Christoph Waltz (Stage Director); Barkow Leibinger (Sets), Judith Holste (Costumes), Henry Braham (Lighting); Eric Cutler (Florestan); Nicole Chevalier (Leonore); Gábor Bretz (Don Pizarro); Christof Fischesser (Rocco); Károly Szemerédy (Don Fernando); Benjamin Hulett (Jaquino); Anna Lucia Richter (Marzelline); Recorded at the Theater an der Wien, Vienna, 20 March 2020 (135 min)

      • InterMezzo

        (72 min)

      • Wiener Philharmoniker, Christian Thielemann: Beethoven's Symphony No.7

        Wiener Philharmoniker, Christian Thielemann (conductor); Ludwig van Beethoven (1770 - 1827); Symphony No.7 in A major op. 92; Recorded in 2008 at the Musikverein, Vienna; Directed by Agnes Méth (42 min)

      • Wiener Philharmoniker, Christian Thielemann: Beethoven's Symphony No.8

        Wiener Philharmoniker, Christian Thielemann (conductor); Ludwig van Beethoven (1770 - 1827); Symphony No.8 in F major op. 93; Recorded in 2008 at the Musikverein, Vienna; Directed by Agnes Méth (33 min)

      • Wiener Philharmoniker, Christian Thielemann: Beethoven's Symphony No.3 'Eroica'

        Wiener Philharmoniker, Christian Thielemann (conductor); Ludwig van Beethoven (1770 - 1827); Symphony No.3 in E flat major op. 55 'Eroica'; Recorded in 2008 at the Musikverein, Vienna; Directed by Agnes Méth (62 min)

      • InterMezzo

        (40 min)

      • The Tatarstan National Symphony Orchestra and Alexander Sladkovsky: The Flying Dutchman by Wagner

        Tatarstan National Symphony Orchestra, Alexander Sladkovsky (Conductor); Grand Choir Masters of Choral Singing; Richard Wagner (1813 - 1883); Der fliegende Holländer (The Flying Dutchman), romantic opera in three acts by Richard Wagner (1813 - 1883); Libretto by Richard Wagner after Heinrich Heine's 'Aus den Memoiren des Herren von Schnabelewopski'; First performance in Dresden, Königliches Sächsisches Hostheater, 2 January 1843; Albert Dohmen (bass-baritone) Le Hollandais; Dmitry Skorikov (basse) Daland; Natalia Muradymova (soprano) Senta; Artyom Safronov (tenor) Erik; Yevgenia Segenyuk (mezzo-soprano) Mary; Kirill Matveyev (tenor) Le pilote; Recorded on 10 March 2020 at the Tchaikovsky Concert Hall, Moscow; Directed by Elena Schaptchits (136 min)

      • The Tatarstan National Symphony Orchestra and Alexander Sladkovsky: Strauss, Bruckner

        Tatarstan Symphony Orchestra, Alexander Sladkovsky (conductor); Mario Brunello (cello), Aidar Bagautdinov (viola); Richard Strauss (1864 - 1949); Don Quixote, fantastic variations on a knightly theme for cello and viola soli and orchestra, Op. 35; Anton Bruckner (1824 - 1987); Symphony No. 9 in D minor; Recorded at the Tchaikovsky Hall, Moscow, 12 February 2019; TV Director, Elena Schaptchits (106 min)

      • InterMezzo

        (14 min)

      • The Rosenberg Family Project - Jazz in Marciac

        The Rosenberg Family Project; The Rosenbergs; Mozes Rosenberg guitar solo; Johnny Rosenberg rythmic guitar; Sani van Mullem double bass; The Rosenberg trio; Stochelo Rosenberg guitar solo; Nonnie Rosenberg double bass; In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods; Recorded on July 31, 2019 at Jazz in Marciac; TV Director, (61 min)

      • Gilberto Gil - Jazz in Marciac

        Gilberto Gil; Gilberto Gil guitar, voice; Thiagô Queiroz saxophone, flute; Diogo Gomes trumpet, bugle; Bem Gil musical director, guitar, voice; Danilo Andrade keyboard, piano; Bruno Di Lullo bass; Jose Gil batterie, percussion; Domenico Lancellotti drums, percussion; Nara Gil voice, chorus; Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac; TV Director, 23.01.2021 (62 min)

      • Roberto Fonseca - Jazz in Marciac

        Roberto Fonseca; Roberto Fonseca piano, claviers; Joe Lovano saxophone; Yandy Martinez contrebasse, basse; Ruly Herrera batterie; Andres Coayo Batista percussions; Omara Portuondo voix; Mayra Andrade voix; Rossio Jimenez Blanco chœur; Like all musicians born in Cuba and having grown-up in Havana, Roberto Fonseca came out of school ready for work. This multi-disciplinary aptitude enabled numerous projects and encounters. His contribution to Latin music was to have extended his roots into contemporary expression, often with instrumentation closer to that of modern jazz, and this, whilst not losing one ounce of poetry. Because it really is this capacity to make his public dream which characterises this composer/singer/arranger that his female admirers recognise from afar because of the hat which never leaves him and close up by the harmonious lines of his face. Adding on successes in Marciac like so many pearls on his musical necklace, Roberto Fonseca could almost stake claim to having the status of an event organiser. Using ingredients which guarantee his artistic longevity in the domain of Afrocubanism, he put on stage a new group of which the guests are Omara Portuondo, Mayra Andrade, Joe Lovano and an orchestra of pupils from the conservatoires of the Occitanie Region, conducted by Jean-Pierre Peyrebelle. Enregistré le 06 aout 2019 á Jazz in Marciac; Réalisateur, 23.01.2021 (63 min)

      • InterMezzo

        (50 min)

      • Yaroslavna - Mariinsky Theatre Ballet

        Yaroslavana; Vladimir Varnava, choreographer; Boris Tishchenko, Music; Vladimir Varnava and Konstantin Fyodorov, Libretto; Konstantin Fyodorov, script; Galya Solodovnikova, Set and Costume Designer; Igor Fomin, Lighting Designer; Ilya Starilov, Video Graphics Designer; Mariinsky Theater orchestra; Valery Gergiev, conductor; Mariinsky Theater ballet; Recorded on June 30th and July 1st, 2017 at the Mariinsky Theatre, Saint Petersburg; TV Director, Louise Narboni (107 min)

      • The Nutcracker by Vasily Vainonen, Ballet of the Mariinsky Theatre

        The Nutcracker; Ballet in three acts; Choreography by Vasily Vainonen; Pyotr Illitch Tchaikovsky, composer; Libretto by Marius Petipa based on the story by E.T.A. Hoffmann; Orchestra of the Mariinsky Theatre; Valery Gergiev, conductor; Simon Virsaladze, sets; With; The Ballet of the Mariinsky Theatre; Stahlbaum, Vladimir Ponomarev; His wife, Elena Bazhenova; Masha, Renata Shakirova; Luisa, Svetlana Tychina; Franz, Alisa Petrenko; Drosselmeyer, Andrei Yakovlev; The Grandmother, Lira Khuslamova; The Grandfather, Vasily Shcherbakov; The Nanny, Yana Tikhonova; The Princess, Renata Shakirova; The Nutcracker Prince, David Zaleyev; The Nutcracker, Alisa Petrenko; Clown, Maxim Izmestiev; Doll, Sofia Ivanova-Skoblikova; Blackamoor, Grigory Popov; The Mouse King, Alexei Kuzmin; Waltz of the Snowflakes (Act II), Shamala Guseinova, Yekaterina Ivannikova; Elegant Ladies and Gentlemen, Anastasia Yaromenko, Alexandra Popova, Artem Kellerman, Alexander Beloborodov; Spanish Dance, Alisa Rusina, Roman Malyshev; Oriental Dance, Maria Shevyakova and artists of the Ballet Company; Chinese Dance, Anastasia Asaben, Grigory Popov; Trepak, Maria Lebedeva, Alisa Petrenko, Maxim Lynda; Pas de trois, Yana Selina, Svetlana Ivanova, Vasily Tkachenko; Waltz of the Flowers, Diana Smirnova, Yevgenia Gonzalez, Anastasia Nikitina, Kumiko Ishii, Alexander Beloborodov, Roman Belyakov, Fuad Mamedov, Nikita Korneyev and artists of the Ballet Company; Live from the Mariinsky Theatre on June 9th; TV Director (107 min)

      • Knower - Jazz á la Villette

        Knower; Genevieve Artadi - vocal; Rai Thisthlethwayte - keyboard; Jacob Mann - keyboard; Sam Wilkes - bass; Louis Cole - drums; A futuristic electro-pop duo borrowing vocabulary and harmony from contemporary jazz, Knower is truly in a league of its own, straight from LA. Embarking upon their international career, they are likely to make a strong impression with French audiences, unaccustomed to such extravagant combos! Recorded on September, 2018 á la Grande Halle de la Villette, Jazz á la villette; TV Director, Pornon (48 min)

      • InterMezzo

        (26 min)

      • The Rosenberg Family Project - Jazz in Marciac

        The Rosenberg Family Project; The Rosenbergs; Mozes Rosenberg guitar solo; Johnny Rosenberg rythmic guitar; Sani van Mullem double bass; The Rosenberg trio; Stochelo Rosenberg guitar solo; Nonnie Rosenberg double bass; In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods; Recorded on July 31, 2019 at Jazz in Marciac; TV Director, (61 min)

      • Gilberto Gil - Jazz in Marciac

        Gilberto Gil; Gilberto Gil guitar, voice; Thiagô Queiroz saxophone, flute; Diogo Gomes trumpet, bugle; Bem Gil musical director, guitar, voice; Danilo Andrade keyboard, piano; Bruno Di Lullo bass; Jose Gil batterie, percussion; Domenico Lancellotti drums, percussion; Nara Gil voice, chorus; Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac; TV Director, 23.01.2021 (62 min)