Mezzo Live HD
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InterMezzo
(98 min)
The Rosenberg Family Project - Jazz in Marciac
The Rosenberg Family Project; The Rosenbergs; Mozes Rosenberg guitar solo; Johnny Rosenberg rythmic guitar; Sani van Mullem double bass; The Rosenberg trio; Stochelo Rosenberg guitar solo; Nonnie Rosenberg double bass; In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods; Recorded on July 31, 2019 at Jazz in Marciac; TV Director, (61 min)
Gilberto Gil - Jazz in Marciac
Gilberto Gil; Gilberto Gil guitar, voice; Thiagô Queiroz saxophone, flute; Diogo Gomes trumpet, bugle; Bem Gil musical director, guitar, voice; Danilo Andrade keyboard, piano; Bruno Di Lullo bass; Jose Gil batterie, percussion; Domenico Lancellotti drums, percussion; Nara Gil voice, chorus; Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac; TV Director, 23.01.2021 (62 min)
Roberto Fonseca - Jazz in Marciac
Roberto Fonseca; Roberto Fonseca piano, claviers; Joe Lovano saxophone; Yandy Martinez contrebasse, basse; Ruly Herrera batterie; Andres Coayo Batista percussions; Omara Portuondo voix; Mayra Andrade voix; Rossio Jimenez Blanco chœur; Like all musicians born in Cuba and having grown-up in Havana, Roberto Fonseca came out of school ready for work. This multi-disciplinary aptitude enabled numerous projects and encounters. His contribution to Latin music was to have extended his roots into contemporary expression, often with instrumentation closer to that of modern jazz, and this, whilst not losing one ounce of poetry. Because it really is this capacity to make his public dream which characterises this composer/singer/arranger that his female admirers recognise from afar because of the hat which never leaves him and close up by the harmonious lines of his face. Adding on successes in Marciac like so many pearls on his musical necklace, Roberto Fonseca could almost stake claim to having the status of an event organiser. Using ingredients which guarantee his artistic longevity in the domain of Afrocubanism, he put on stage a new group of which the guests are Omara Portuondo, Mayra Andrade, Joe Lovano and an orchestra of pupils from the conservatoires of the Occitanie Region, conducted by Jean-Pierre Peyrebelle. Enregistré le 06 aout 2019 á Jazz in Marciac; Réalisateur, 23.01.2021 (63 min)
Arthur Possing Quartet - Like a jazz machine
Arthur Possing Quartet; Pierre Cocq-Amann, saxophones; Arthur Possing, piano, compositions; Sebastian 'Schlapbe' Flach, double bass; Pit Huberty, drums; Arthur Possing is a young Luxembourgish pianist, born in 1996 into a family in which music has always played a significant role. He started classical percussion at the age of 6 and classical piano at the age of 10, later in the class of well-known pianist Jean Muller. In 2009, he began studying jazz piano with Marc Mangen and vibraphone in 2011 with Guy Cabay. In 2016, he began further studies in jazz piano at the Conservatoire Royal de Bruxelles with Eric Legnini. The Arthur Possing Quartet was originally formed in 2013. Its members met in high school and soon started playing together regularly. Since 2017, the musicians are originally from Germany, France and Luxembourg and have studied at the Royal Conservatory of Brussels, the Centre des Musiques Didier Lockwood near Paris and the Musikhochschule Mannheim. Their repertoire consists both of own compositions and tunes of appreciated jazzmen. In 2017, the quartet released their first album 'Four Years', which was released in March'18 on the Belgian label Hypnote Records. It was well acclaimed by the audience and press and won 'Hits' at Couleurs Jazz in France. Recode on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut (59 min)
InterMezzo
(54 min)
Gustavo Dudamel, Itzhak Perlman and Los Angeles Philharmonic: John Williams Celebration
Los Angeles Philharmonic, Gustavo Dudamel (conductor); Itzhak Perlman (violin); John Williams (b. 1932); Olympic Fanfare & Theme; Schindler's List; Fiddler on the roof; Catch me if you can; Star Wars; Amistad; Jaws; The Empire strikes back; Recorded in 2014 at the Walt Disney Concert Hall, Los Angeles; Directed by par Michael Beyer (93 min)
Khatia Buniatishvili & Soloists of the Orchestre Philharmonique de Monte-Carlo
Khatia Buniatishvili (piano); Solists of the Philharmonic Orchestra of Monte-Carlo; Félix Mendelssohn; String Octuor op. 20; Franz Schubert; Impromptu, op. 90 N°3; Claude Debussy; Suite Bergamasque, N°3 ' clair de lune '; César Franck; Quintet for piano and string; stino; Recorded on August 3, 2020 at the Garnier Hall | Opera of Monte-Carlo, Monaco; TV Director, Julien Faustino (86 min)
InterMezzo
(31 min)
Yaroslavna - Mariinsky Theatre Ballet
Yaroslavana; Vladimir Varnava, choreographer; Boris Tishchenko, Music; Vladimir Varnava and Konstantin Fyodorov, Libretto; Konstantin Fyodorov, script; Galya Solodovnikova, Set and Costume Designer; Igor Fomin, Lighting Designer; Ilya Starilov, Video Graphics Designer; Mariinsky Theater orchestra; Valery Gergiev, conductor; Mariinsky Theater ballet; Recorded on June 30th and July 1st, 2017 at the Mariinsky Theatre, Saint Petersburg; TV Director, Louise Narboni (107 min)
The Nutcracker by Vasily Vainonen, Ballet of the Mariinsky Theatre
The Nutcracker; Ballet in three acts; Choreography by Vasily Vainonen; Pyotr Illitch Tchaikovsky, composer; Libretto by Marius Petipa based on the story by E.T.A. Hoffmann; Orchestra of the Mariinsky Theatre; Valery Gergiev, conductor; Simon Virsaladze, sets; With; The Ballet of the Mariinsky Theatre; Stahlbaum, Vladimir Ponomarev; His wife, Elena Bazhenova; Masha, Renata Shakirova; Luisa, Svetlana Tychina; Franz, Alisa Petrenko; Drosselmeyer, Andrei Yakovlev; The Grandmother, Lira Khuslamova; The Grandfather, Vasily Shcherbakov; The Nanny, Yana Tikhonova; The Princess, Renata Shakirova; The Nutcracker Prince, David Zaleyev; The Nutcracker, Alisa Petrenko; Clown, Maxim Izmestiev; Doll, Sofia Ivanova-Skoblikova; Blackamoor, Grigory Popov; The Mouse King, Alexei Kuzmin; Waltz of the Snowflakes (Act II), Shamala Guseinova, Yekaterina Ivannikova; Elegant Ladies and Gentlemen, Anastasia Yaromenko, Alexandra Popova, Artem Kellerman, Alexander Beloborodov; Spanish Dance, Alisa Rusina, Roman Malyshev; Oriental Dance, Maria Shevyakova and artists of the Ballet Company; Chinese Dance, Anastasia Asaben, Grigory Popov; Trepak, Maria Lebedeva, Alisa Petrenko, Maxim Lynda; Pas de trois, Yana Selina, Svetlana Ivanova, Vasily Tkachenko; Waltz of the Flowers, Diana Smirnova, Yevgenia Gonzalez, Anastasia Nikitina, Kumiko Ishii, Alexander Beloborodov, Roman Belyakov, Fuad Mamedov, Nikita Korneyev and artists of the Ballet Company; Live from the Mariinsky Theatre on June 9th; TV Director (107 min)
The Rosenberg Family Project - Jazz in Marciac
The Rosenberg Family Project; The Rosenbergs; Mozes Rosenberg guitar solo; Johnny Rosenberg rythmic guitar; Sani van Mullem double bass; The Rosenberg trio; Stochelo Rosenberg guitar solo; Nonnie Rosenberg double bass; In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods; Recorded on July 31, 2019 at Jazz in Marciac; TV Director, (61 min)
Gilberto Gil - Jazz in Marciac
Gilberto Gil; Gilberto Gil guitar, voice; Thiagô Queiroz saxophone, flute; Diogo Gomes trumpet, bugle; Bem Gil musical director, guitar, voice; Danilo Andrade keyboard, piano; Bruno Di Lullo bass; Jose Gil batterie, percussion; Domenico Lancellotti drums, percussion; Nara Gil voice, chorus; Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac; TV Director, 23.01.2021 (62 min)
Roberto Fonseca - Jazz in Marciac
Roberto Fonseca; Roberto Fonseca piano, claviers; Joe Lovano saxophone; Yandy Martinez contrebasse, basse; Ruly Herrera batterie; Andres Coayo Batista percussions; Omara Portuondo voix; Mayra Andrade voix; Rossio Jimenez Blanco chœur; Like all musicians born in Cuba and having grown-up in Havana, Roberto Fonseca came out of school ready for work. This multi-disciplinary aptitude enabled numerous projects and encounters. His contribution to Latin music was to have extended his roots into contemporary expression, often with instrumentation closer to that of modern jazz, and this, whilst not losing one ounce of poetry. Because it really is this capacity to make his public dream which characterises this composer/singer/arranger that his female admirers recognise from afar because of the hat which never leaves him and close up by the harmonious lines of his face. Adding on successes in Marciac like so many pearls on his musical necklace, Roberto Fonseca could almost stake claim to having the status of an event organiser. Using ingredients which guarantee his artistic longevity in the domain of Afrocubanism, he put on stage a new group of which the guests are Omara Portuondo, Mayra Andrade, Joe Lovano and an orchestra of pupils from the conservatoires of the Occitanie Region, conducted by Jean-Pierre Peyrebelle. Enregistré le 06 aout 2019 á Jazz in Marciac; Réalisateur, (63 min)
InterMezzo
(22 min)
Dvořák's Rusalka at the Teatro Real
Rusalka; Opera in three acts by Antonín Dvořák (1841-1904); Libretto by Jaroslav Kvapil; First performance in Prague, National Theatre, 31 March 1901; Coro y Orquesta Titulares del Teatro Real (Coro Intermezzo / Orquesta Sinfónica de Madrid), Ivor Bolton (Condutor); Andrés Máspero (Chorus Master); Christof Loy (Stage Direction); Johannes Leiacker (Sets), Ursula Renzenbrink (costumes), Bernd Purkrabek (Lighting), Klevis Elmazaj (choreography); Asmik Grigorian (Rusalka); Eric Cutler (Prince); Karita Mattila (Cizi Knezna); Maxim Kuzmin-Karavaev (Vodnik); Katarina Dalayman (Ježibaba); Sebastiá Peris (Lovec); Manel Esteve (Hajny); Solenn' Lavanant Linke (Kuchtik); Julietta Aleksanyan (First nymph); Rachel Kelly (Second nymph); Silvia de la Muela (Third nymph); Recorded at the Teatro Real, Madrid, 25 November 2020 (165 min)
InterMezzo
(60 min)
The Tatarstan National Symphony Orchestra and Alexander Sladkovsky: Strauss, Mahler
Tatarstan National Symphony Orchestra, Alexander Sladkovsky (conductor); Anastasia Kalagina (soprano); Richard Strauss (1864 - 1949); Death and Transfiguration, tone poem, Op. 24 /; Four Last Songs, for soprano and orchestra, Op. 150/; Gustav Mahler (1860 - 1911); Symphony No. 5 in C-sharp minor; Recorded at the Tchaikovsky Concert Hall, Moscow, 16 February 2019 (122 min)
Boris Giltburg plays Russian Masters of the Piano
Boris Giltburg (piano); Sergei Rachmaninov (1873 - 1943); Variations on a theme by Corelli, Op.42; Dimitri Shostakovich (1906 - 1976); String Quartet no 8 in C minor, Op.110 (tr. Boris Giltburg); Nikolay Medtner (1879 - 1951); Sonata-Reminiscenza, Op.38 No.1; Alexander Scriabin (1871 - 1915); Piano Sonata no 5 in F sharp major, Op.53; Igor Stravinsky; Three movements from Petrouchka; Recorded at the Auditorium de la Maison de la Radio, Paris; Directed by Nathan Benisly (100 min)
InterMezzo
(14 min)
Wiener Philharmoniker, Christian Thielemann: Beethoven's Symphony No.7
Wiener Philharmoniker, Christian Thielemann (conductor); Ludwig van Beethoven (1770 - 1827); Symphony No.7 in A major op. 92; Recorded in 2008 at the Musikverein, Vienna; Directed by Agnes Méth (42 min)
Wiener Philharmoniker, Christian Thielemann: Beethoven's Symphony No.3 'Eroica'
Wiener Philharmoniker, Christian Thielemann (conductor); Ludwig van Beethoven (1770 - 1827); Symphony No.3 in E flat major op. 55 'Eroica'; Recorded in 2008 at the Musikverein, Vienna; Directed by Agnes Méth 27.01.2021 (62 min)
Wiener Philharmoniker, Christian Thielemann: Beethoven's Symphony No.8
Wiener Philharmoniker, Christian Thielemann (conductor); Ludwig van Beethoven (1770 - 1827); Symphony No.8 in F major op. 93; Recorded in 2008 at the Musikverein, Vienna; Directed by Agnes Méth (33 min)
InterMezzo
(28 min)
Bojan Z - Like a Jazz Machine
Bojan Z; Bojan Z, piano, fender rhodes; Thomas Bramerie, bass; Martijn Vink, drums; Pantelis Stoikos, trumpet; Claudio Puntin, clarinet; Paolo Fresu, trumpet; Multiple prize awarded jazz pianist, Bojan Z started working with the French bassist Henri Texier, later followed by the famous clarinetist Michel Portal. With his special language consisting of a mature jazz vocabulary with subtly dosed folkloric influences from the Balkans, Bojan leaves an indelible imprint on contemporary jazz. In 2002 he receives the Prix Django Reinhardt for Musician of the Year. In 2005 he was awarded the 'European Jazz Prize' ( Hans Koller Prize) as the best European jazz artist. Bojan adds Fender Rhodes to his acoustic piano play in which be-bop lines fit in seamlessly with dance rhythms, funky backbeats and folk-tinged improvisations. For his unusual new quartet based on winds, his creation in residence, he works once again with his musician friend, the celebrated Italian trumpet player Paolo Fresu. The public will discover Pantelis Stoikos known as one of the best trumpeters of the Balkans as well as Carlo Puntin an inventive clarinetist acclaimed by John Zorn. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg; TV Director, Samuel Thiebaut (56 min)
InterMezzo
(60 min)
Dvořák's Rusalka at the Teatro Real
Rusalka; Opera in three acts by Antonín Dvořák (1841-1904); Libretto by Jaroslav Kvapil; First performance in Prague, National Theatre, 31 March 1901; Coro y Orquesta Titulares del Teatro Real (Coro Intermezzo / Orquesta Sinfónica de Madrid), Ivor Bolton (Condutor); Andrés Máspero (Chorus Master); Christof Loy (Stage Direction); Johannes Leiacker (Sets), Ursula Renzenbrink (costumes), Bernd Purkrabek (Lighting), Klevis Elmazaj (choreography); Asmik Grigorian (Rusalka); Eric Cutler (Prince); Karita Mattila (Cizi Knezna); Maxim Kuzmin-Karavaev (Vodnik); Katarina Dalayman (Ježibaba); Sebastiá Peris (Lovec); Manel Esteve (Hajny); Solenn' Lavanant Linke (Kuchtik); Julietta Aleksanyan (First nymph); Rachel Kelly (Second nymph); Silvia de la Muela (Third nymph); Recorded at the Teatro Real, Madrid, 25 November 2020 (165 min)