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Coppelia by Sergey Vikharev, Bolshoi Theatre Ballet
Coppelia; Ballet in three acts; Libretto by Charles Nuitter and Arthur Saint-Leon; after the stories by Ernst Theodore Amadeus Hoffmann; Music, Léo Delibes; Choreography, Marius Petipa and Enrico Cecchetti; Staging and new choreographic versionn Sergei Vikharev; Designer, Boris Kaminsky; Costume Designer, Tatiana Noginova; Lighting Designer, Damir Ismagilov; Bolshoi Orchestra; Conductor, Pavel Sorokin; Choreography Revival, Vladimir Grigoriev; Sets Revival, Dmitry Fialkovsky; Costumes Revival, Olga Nikulina; Lighting Design Revival, Mikhail Sokolov, Igor Deryugin; With the use of decor sketches by Pyotr Lambin (Acts I and III) and Heinrich Levot (Act II) and costume sketches by Adolph Charlemagne, Pyotr Grigoriev and Evgeny Ponomaryov. Sets reproduced by vgeny Yakimenko and Anton Danilov (Acts I and III), Elena Kinkulskaya (Act II); Archive Researches and Coordination: Pavel Gershenzon; With; The Bolshoi ballet; Margarita Shrainer (Swanilda) - Artem Ovcharenko (Frantz) - Alexei Loparevich (Coppelius) - Ksenia Averina, Daria Bochkova, Bruna Cantanhede Gaglianone, Antonina Chapkina, Anastasia Denisova, Elizaveta Kruteleva, Svetlana Pavlova et Yulia Skvortsova (Swenilda's friends) - Tatiana Kravtsova (Coppelia - automaton) - Alexander Fadeyechev (The ord of the Manor) - Yuri Ostrovsky (the mayor) - Ekaterina Besedina, Oxana Sharova, Dmitry Ekaterinin and Alexander Vodopeto (Mazurka), Kristina Karasyova and Vitaly Biktimirov (Czardas), Anastasia Denisova (The Dawn), Antonina Chapkina (The prayer), Daria Bochkova, Xenia Averina, Maria Mishina, Stanislava Postnova and Tatiana Tiliguzova (The work), Elizaveta Kruteleva (The Folly), Nikolai Mayorov (Chronos); Recorded on June 8 & 10 2018 at the Bolshoi Theater; TV Director, Isabelle Julien (99 min)
InterMezzo
(45 min)
Mazepa by Tchaikovsky at the Mariinsky Theatre
Mazepa; Opera in three acts by Pyotr Ilych Tchaikovsky (1840 - 1893); Libretto by Victor Burenin after Pushkin's poem 'Poltava'; First performance in Moscow, Bolshoi Theatre, 15 February 1884; Mariinsky Orchestra and Chorus, Valery Gergiev (conductor); Ilya Shlepyanov (Stage Direction), Yuri Laptev (Reprise); Vladislav Sulimsky (Mazepa); Stanislav Trofimov (Kochubei); Ekaterina Semenchuk (Lyubov); Maria Bayankina (Maria); Recorded at the Mariinsky Theatre, Saint Petersburg, 9 June 2019; TV Director, François-René Martin 31.01.2021 (172 min)
Laurent Coulondre Trio: Tribute to Michel Petrucciani - Jazz á Séte
Laurent Coulondre trio; 'Michel on my mind' Tribute to Michel Petrucciani; Laurent Coulondre, piano, keyboard; Jérémy Bruyére, double bass; Martin Wangermée, drums; Setlist; Looking Up (Michel Petrucciani); Laura (Laurent Coulondre); Chorinino (Laurent Coulondre); Les grelots (Eddy Louiss); Michel on my mind (Laurent Coulondre); Brazilian like (Michel Petrucciani); Cantabile (Michel Petrucciani); A new sensation on the French piano scene, Laurent Coulondre pays tribute to one of the musicians who has most marked his career as a musician and jazzman: Michel Petrucciani. The keyboard prodigy plunges frantically into the strings of the acoustic piano and chooses the trio as a formula to revive the repertoire of the pianist with brittle bones, and shows us - if needs be - that jazz is a language that he negotiates with masterly hands (left included). Coulondre elegantly composes and arranges a solar and generous repertoire, equal to the height of genius. Steeped in the creativity and harmony long promoted by Petrucciani, this homage reflects the perfect osmosis between volcanic rhythm and subtle melodies. Recorded on July 18, 2020, Parc du Chateau d'eau, Jazz á Séte; TV Director, Samuel Thiebaut (40 min)
InterMezzo
(78 min)
Budapest Festival Orchestra and Iván Fischer: Symphony No. 2 by Mahler
Budapest Festival Orchestra, Czech Philharmonic Choir (Brno), Iván Fischer (Conductor); Christiane Karg (soprano), Elisabeth Kulman (alto); Gustav Mahler; Symphony No. 2 in C minor 'Resurrection'; Recorded at the Müpa, Budapest, on May 12, 2018; TV Director, Sébastien Glas (91 min)
Orchestre Philharmonique de Monte-Carlo, Kazuki Yamada, Francesco Piemontesi: Mozart, Schoenberg
Philharmonic orchestra of Monte-Carlo; Kazuki Yamada (Conductor); Francesco Piemontesi (piano); Wolfgang Amadeus Mozart; Serenade N°13, Little night music K 525; Concerto for piano N°12 K414; A. Schönberg; Transfigured Night, Op.4 (version 1943); Recorded on August 2, 2020 at the courtyard of honour of the Princely Palace of Monaco; TV Director, Julien Faustino 01.02.2021 (83 min)
InterMezzo
(60 min)
Valery Gergiev conducts Samson et Dalila by Saint-Säens at the Mariinsky Theatre
Samson et Dalila, opera in three acts by Camille Saint-Saëns (1835 - 1921); Libretto by Ferdinand Lemaire. First performance in Weimar, Grossherzogliches Theater, 2 December 1877; Mariinski Theatre Orchestra & Chorus, Valery Gergiev (Conductor); Andrei Petrenko (Chorus Master); Yannis Kokkos (Stage Director, Sets); Yannis Kokkos, Paola Mariani (Costumes), Anne Blancard (Dramaturgy), Michael Bauer (Lighting), Maxim Petrov (Choreography), Eric Duranteau (Video); Ekaterina Semenchuk (Dalila); Gregory Kunde (Samson); Roman Burdenko (Le Grand Pretre de Dagon); Mikhail Petrenko (Abimélech); Recorded on 25 Mai & 2 June 2016 at the Mariinsky (Saint Petersburg); Directed by Louise Narboni (132 min)
InterMezzo
(14 min)
The Tatarstan National Symphony Orchestra and Alexander Sladkovsky: Strauss, Mahler
Tatarstan National Symphony Orchestra, Alexander Sladkovsky (conductor); Anastasia Kalagina (soprano); Richard Strauss (1864 - 1949); Death and Transfiguration, tone poem, Op. 24 /; Four Last Songs, for soprano and orchestra, Op. 150/; Gustav Mahler (1860 - 1911); Symphony No. 5 in C-sharp minor; Recorded at the Tchaikovsky Concert Hall, Moscow, 16 February 2019 (122 min)
The Tatarstan National Symphony Orchestra and Alexander Sladkovsky: The Flying Dutchman by Wagner
Tatarstan National Symphony Orchestra, Alexander Sladkovsky (Conductor); Grand Choir Masters of Choral Singing; Richard Wagner (1813 - 1883); Der fliegende Holländer (The Flying Dutchman), romantic opera in three acts by Richard Wagner (1813 - 1883); Libretto by Richard Wagner after Heinrich Heine's 'Aus den Memoiren des Herren von Schnabelewopski'; First performance in Dresden, Königliches Sächsisches Hostheater, 2 January 1843; Albert Dohmen (bass-baritone) Le Hollandais; Dmitry Skorikov (basse) Daland; Natalia Muradymova (soprano) Senta; Artyom Safronov (tenor) Erik; Yevgenia Segenyuk (mezzo-soprano) Mary; Kirill Matveyev (tenor) Le pilote; Recorded on 10 March 2020 at the Tchaikovsky Concert Hall, Moscow; Directed by Elena Schaptchits; 01.02.2021 (136 min)
InterMezzo
(4 min)
Gustavo Dudamel, Itzhak Perlman and Los Angeles Philharmonic: John Williams Celebration
Los Angeles Philharmonic, Gustavo Dudamel (conductor); Itzhak Perlman (violin); John Williams (b. 1932); Olympic Fanfare & Theme; Schindler's List; Fiddler on the roof; Catch me if you can; Star Wars; Amistad; Jaws; The Empire strikes back; Recorded in 2014 at the Walt Disney Concert Hall, Los Angeles; Directed by par Michael Beyer (93 min)
Khatia Buniatishvili & Soloists of the Orchestre Philharmonique de Monte-Carlo
Khatia Buniatishvili (piano); Solists of the Philharmonic Orchestra of Monte-Carlo; Félix Mendelssohn; String Octuor op. 20; Franz Schubert; Impromptu, op. 90 N°3; Claude Debussy; Suite Bergamasque, N°3 ' clair de lune '; César Franck; Quintet for piano and string; stino; Recorded on August 3, 2020 at the Garnier Hall | Opera of Monte-Carlo, Monaco; TV Director, Julien Faustino (86 min)
InterMezzo
(47 min)
Kenny Garrett Quintet - Jazz á la Villette
Kenny Garrett Quintet; Kenny Garrett (alto saxophone, soprano saxophone); Vernell Brown (piano); Corcoran Holt (bass); Samuel Laviso (drum kit); Rudy Bird (percussion); From the nu soul and hip hop rhythms of drummer Chris Dave, to the post-bop and calypso brio of alto saxophonist Kenny Garrett and precision funk of Ghost-Note, an evening of jazz infused with today's urban culture, bringing together true masters of groove. Recorded on August 31, 2019 at the Grand Halle de la Villette, Jazz á la Villette; TV Director, Giuseppe De Vecchi 30.01.2021 (75 min)
Yaron Herman Solo - Jazz á la Villette
Yaron Herman Solo; Yaron Herman (piano); Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz á la Villette; TV Director, Samuel Thibaut 30.01.2021 (42 min)
Christian Sands Trio - Jazz á la Villette
Christian Sands Trio - 'Tribute to Erroll Garner'; Christian Sands (piano); Terreon Gully (drums); Luques Curtis (bass); Whereas he has just released a really great album, Facing Dragons only a few months ago, the pianist Christian Sands is presenting to kick off the season a new repertoire as a tribute to Erroll Garner: one of the most important figures in the history of jazz, he who established the form of the ' piano trio ' in the modern era, only just before Bill Evans. So he is reaching for a very high goal. And you can bet that the challenge will be met with brio, because the young American is one of the most talented pianists of his generation: protégé of the immense late Billy Taylor, taken on by Christian McBride at 20, recognised by Wynton Marsalis who saw in him one of the grate heirs of the tradition, Christian Sands does actually possess an instrumental language which alludes to the whole history of his instrument, but still succeeds in remaining extremely modern. Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz á la Villette; TV Director, Samuel Thibaut (62 min)
InterMezzo
(54 min)
La Bayadére by Nacho Duato after Marius Petipa - Mikhailovsky Theatre
La Bayadére; Choreography by Nacho Duato after Marius Petipa; Ballet in three acts; Music by Ludwig Minkus; Conductor, Pavel Sorokin; Stage Designer, Costume Designer, Angelina Atlagić; Lighting Design, Brad Fields; With; (Nikiya) Angelina Vorontsova; (Solor) Victor Lebedev; (Gamzatti) Andrea Laššáková; and the Mikhailovsky Ballet and Orchestra; Live from the Mikhailovsky Theatre, Saint Petersburg; TV Director,Andy Sommer (94 min)
Coppelia by Sergey Vikharev, Bolshoi Theatre Ballet
Coppelia; Ballet in three acts; Libretto by Charles Nuitter and Arthur Saint-Leon; after the stories by Ernst Theodore Amadeus Hoffmann; Music, Léo Delibes; Choreography, Marius Petipa and Enrico Cecchetti; Staging and new choreographic versionn Sergei Vikharev; Designer, Boris Kaminsky; Costume Designer, Tatiana Noginova; Lighting Designer, Damir Ismagilov; Bolshoi Orchestra; Conductor, Pavel Sorokin; Choreography Revival, Vladimir Grigoriev; Sets Revival, Dmitry Fialkovsky; Costumes Revival, Olga Nikulina; Lighting Design Revival, Mikhail Sokolov, Igor Deryugin; With the use of decor sketches by Pyotr Lambin (Acts I and III) and Heinrich Levot (Act II) and costume sketches by Adolph Charlemagne, Pyotr Grigoriev and Evgeny Ponomaryov. Sets reproduced by vgeny Yakimenko and Anton Danilov (Acts I and III), Elena Kinkulskaya (Act II); Archive Researches and Coordination: Pavel Gershenzon; With; The Bolshoi ballet; Margarita Shrainer (Swanilda) - Artem Ovcharenko (Frantz) - Alexei Loparevich (Coppelius) - Ksenia Averina, Daria Bochkova, Bruna Cantanhede Gaglianone, Antonina Chapkina, Anastasia Denisova, Elizaveta Kruteleva, Svetlana Pavlova et Yulia Skvortsova (Swenilda's friends) - Tatiana Kravtsova (Coppelia - automaton) - Alexander Fadeyechev (The ord of the Manor) - Yuri Ostrovsky (the mayor) - Ekaterina Besedina, Oxana Sharova, Dmitry Ekaterinin and Alexander Vodopeto (Mazurka), Kristina Karasyova and Vitaly Biktimirov (Czardas), Anastasia Denisova (The Dawn), Antonina Chapkina (The prayer), Daria Bochkova, Xenia Averina, Maria Mishina, Stanislava Postnova and Tatiana Tiliguzova (The work), Elizaveta Kruteleva (The Folly), Nikolai Mayorov (Chronos); Recorded on June 8 & 10 2018 at the Bolshoi Theater; TV Director, Isabelle Julien (99 min)
Arthur Possing Quartet - Like a jazz machine
Arthur Possing Quartet; Pierre Cocq-Amann, saxophones; Arthur Possing, piano, compositions; Sebastian 'Schlapbe' Flach, double bass; Pit Huberty, drums; Arthur Possing is a young Luxembourgish pianist, born in 1996 into a family in which music has always played a significant role. He started classical percussion at the age of 6 and classical piano at the age of 10, later in the class of well-known pianist Jean Muller. In 2009, he began studying jazz piano with Marc Mangen and vibraphone in 2011 with Guy Cabay. In 2016, he began further studies in jazz piano at the Conservatoire Royal de Bruxelles with Eric Legnini. The Arthur Possing Quartet was originally formed in 2013. Its members met in high school and soon started playing together regularly. Since 2017, the musicians are originally from Germany, France and Luxembourg and have studied at the Royal Conservatory of Brussels, the Centre des Musiques Didier Lockwood near Paris and the Musikhochschule Mannheim. Their repertoire consists both of own compositions and tunes of appreciated jazzmen. In 2017, the quartet released their first album 'Four Years', which was released in March'18 on the Belgian label Hypnote Records. It was well acclaimed by the audience and press and won 'Hits' at Couleurs Jazz in France. Recode on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut (59 min)
InterMezzo
(60 min)
Kenny Garrett Quintet - Jazz á la Villette
Kenny Garrett Quintet; Kenny Garrett (alto saxophone, soprano saxophone); Vernell Brown (piano); Corcoran Holt (bass); Samuel Laviso (drum kit); Rudy Bird (percussion); From the nu soul and hip hop rhythms of drummer Chris Dave, to the post-bop and calypso brio of alto saxophonist Kenny Garrett and precision funk of Ghost-Note, an evening of jazz infused with today's urban culture, bringing together true masters of groove. Recorded on August 31, 2019 at the Grand Halle de la Villette, Jazz á la Villette; TV Director, Giuseppe De Vecchi 30.01.2021 (75 min)
Yaron Herman Solo - Jazz á la Villette
Yaron Herman Solo; Yaron Herman (piano); Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz á la Villette; TV Director, Samuel Thibaut 30.01.2021 (42 min)
