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      • Christian Sands Trio - Jazz á la Villette

        Christian Sands Trio - 'Tribute to Erroll Garner'; Christian Sands (piano); Terreon Gully (drums); Luques Curtis (bass); Whereas he has just released a really great album, Facing Dragons only a few months ago, the pianist Christian Sands is presenting to kick off the season a new repertoire as a tribute to Erroll Garner: one of the most important figures in the history of jazz, he who established the form of the ' piano trio ' in the modern era, only just before Bill Evans. So he is reaching for a very high goal. And you can bet that the challenge will be met with brio, because the young American is one of the most talented pianists of his generation: protégé of the immense late Billy Taylor, taken on by Christian McBride at 20, recognised by Wynton Marsalis who saw in him one of the grate heirs of the tradition, Christian Sands does actually possess an instrumental language which alludes to the whole history of his instrument, but still succeeds in remaining extremely modern. Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz á la Villette; TV Director, Samuel Thibaut (62 min)

      • InterMezzo

        (54 min)

      • La Bayadére by Nacho Duato after Marius Petipa - Mikhailovsky Theatre

        La Bayadére; Choreography by Nacho Duato after Marius Petipa; Ballet in three acts; Music by Ludwig Minkus; Conductor, Pavel Sorokin; Stage Designer, Costume Designer, Angelina Atlagić; Lighting Design, Brad Fields; With; (Nikiya) Angelina Vorontsova; (Solor) Victor Lebedev; (Gamzatti) Andrea Laššáková; and the Mikhailovsky Ballet and Orchestra; Live from the Mikhailovsky Theatre, Saint Petersburg; TV Director,Andy Sommer (94 min)

      • Coppelia by Sergey Vikharev, Bolshoi Theatre Ballet

        Coppelia; Ballet in three acts; Libretto by Charles Nuitter and Arthur Saint-Leon; after the stories by Ernst Theodore Amadeus Hoffmann; Music, Léo Delibes; Choreography, Marius Petipa and Enrico Cecchetti; Staging and new choreographic versionn Sergei Vikharev; Designer, Boris Kaminsky; Costume Designer, Tatiana Noginova; Lighting Designer, Damir Ismagilov; Bolshoi Orchestra; Conductor, Pavel Sorokin; Choreography Revival, Vladimir Grigoriev; Sets Revival, Dmitry Fialkovsky; Costumes Revival, Olga Nikulina; Lighting Design Revival, Mikhail Sokolov, Igor Deryugin; With the use of decor sketches by Pyotr Lambin (Acts I and III) and Heinrich Levot (Act II) and costume sketches by Adolph Charlemagne, Pyotr Grigoriev and Evgeny Ponomaryov. Sets reproduced by vgeny Yakimenko and Anton Danilov (Acts I and III), Elena Kinkulskaya (Act II); Archive Researches and Coordination: Pavel Gershenzon; With; The Bolshoi ballet; Margarita Shrainer (Swanilda) - Artem Ovcharenko (Frantz) - Alexei Loparevich (Coppelius) - Ksenia Averina, Daria Bochkova, Bruna Cantanhede Gaglianone, Antonina Chapkina, Anastasia Denisova, Elizaveta Kruteleva, Svetlana Pavlova et Yulia Skvortsova (Swenilda's friends) - Tatiana Kravtsova (Coppelia - automaton) - Alexander Fadeyechev (The ord of the Manor) - Yuri Ostrovsky (the mayor) - Ekaterina Besedina, Oxana Sharova, Dmitry Ekaterinin and Alexander Vodopeto (Mazurka), Kristina Karasyova and Vitaly Biktimirov (Czardas), Anastasia Denisova (The Dawn), Antonina Chapkina (The prayer), Daria Bochkova, Xenia Averina, Maria Mishina, Stanislava Postnova and Tatiana Tiliguzova (The work), Elizaveta Kruteleva (The Folly), Nikolai Mayorov (Chronos); Recorded on June 8 & 10 2018 at the Bolshoi Theater; TV Director, Isabelle Julien (99 min)

      • Arthur Possing Quartet - Like a jazz machine

        Arthur Possing Quartet; Pierre Cocq-Amann, saxophones; Arthur Possing, piano, compositions; Sebastian 'Schlapbe' Flach, double bass; Pit Huberty, drums; Arthur Possing is a young Luxembourgish pianist, born in 1996 into a family in which music has always played a significant role. He started classical percussion at the age of 6 and classical piano at the age of 10, later in the class of well-known pianist Jean Muller. In 2009, he began studying jazz piano with Marc Mangen and vibraphone in 2011 with Guy Cabay. In 2016, he began further studies in jazz piano at the Conservatoire Royal de Bruxelles with Eric Legnini. The Arthur Possing Quartet was originally formed in 2013. Its members met in high school and soon started playing together regularly. Since 2017, the musicians are originally from Germany, France and Luxembourg and have studied at the Royal Conservatory of Brussels, the Centre des Musiques Didier Lockwood near Paris and the Musikhochschule Mannheim. Their repertoire consists both of own compositions and tunes of appreciated jazzmen. In 2017, the quartet released their first album 'Four Years', which was released in March'18 on the Belgian label Hypnote Records. It was well acclaimed by the audience and press and won 'Hits' at Couleurs Jazz in France. Recode on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut (59 min)

      • InterMezzo

        (60 min)

      • Kenny Garrett Quintet - Jazz á la Villette

        Kenny Garrett Quintet; Kenny Garrett (alto saxophone, soprano saxophone); Vernell Brown (piano); Corcoran Holt (bass); Samuel Laviso (drum kit); Rudy Bird (percussion); From the nu soul and hip hop rhythms of drummer Chris Dave, to the post-bop and calypso brio of alto saxophonist Kenny Garrett and precision funk of Ghost-Note, an evening of jazz infused with today's urban culture, bringing together true masters of groove. Recorded on August 31, 2019 at the Grand Halle de la Villette, Jazz á la Villette; TV Director, Giuseppe De Vecchi 30.01.2021 (75 min)

      • Yaron Herman Solo - Jazz á la Villette

        Yaron Herman Solo; Yaron Herman (piano); Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz á la Villette; TV Director, Samuel Thibaut 30.01.2021 (42 min)

      • Christian Sands Trio - Jazz á la Villette

        Christian Sands Trio - 'Tribute to Erroll Garner'; Christian Sands (piano); Terreon Gully (drums); Luques Curtis (bass); Whereas he has just released a really great album, Facing Dragons only a few months ago, the pianist Christian Sands is presenting to kick off the season a new repertoire as a tribute to Erroll Garner: one of the most important figures in the history of jazz, he who established the form of the ' piano trio ' in the modern era, only just before Bill Evans. So he is reaching for a very high goal. And you can bet that the challenge will be met with brio, because the young American is one of the most talented pianists of his generation: protégé of the immense late Billy Taylor, taken on by Christian McBride at 20, recognised by Wynton Marsalis who saw in him one of the grate heirs of the tradition, Christian Sands does actually possess an instrumental language which alludes to the whole history of his instrument, but still succeeds in remaining extremely modern. Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz á la Villette; TV Director, Samuel Thibaut (62 min)

      • InterMezzo

        (54 min)

      • Gustavo Dudamel, Itzhak Perlman and Los Angeles Philharmonic: John Williams Celebration

        Los Angeles Philharmonic, Gustavo Dudamel (conductor); Itzhak Perlman (violin); John Williams (b. 1932); Olympic Fanfare & Theme; Schindler's List; Fiddler on the roof; Catch me if you can; Star Wars; Amistad; Jaws; The Empire strikes back; Recorded in 2014 at the Walt Disney Concert Hall, Los Angeles; Directed by par Michael Beyer (93 min)

      • Khatia Buniatishvili & Soloists of the Orchestre Philharmonique de Monte-Carlo

        Khatia Buniatishvili (piano); Solists of the Philharmonic Orchestra of Monte-Carlo; Félix Mendelssohn; String Octuor op. 20; Franz Schubert; Impromptu, op. 90 N°3; Claude Debussy; Suite Bergamasque, N°3 ' clair de lune '; César Franck; Quintet for piano and string; stino; Recorded on August 3, 2020 at the Garnier Hall | Opera of Monte-Carlo, Monaco; TV Director, Julien Faustino (86 min)

      • InterMezzo

        (14 min)

      • La Bayadére by Nacho Duato after Marius Petipa - Mikhailovsky Theatre

        La Bayadére; Choreography by Nacho Duato after Marius Petipa; Ballet in three acts; Music by Ludwig Minkus; Conductor, Pavel Sorokin; Stage Designer, Costume Designer, Angelina Atlagić; Lighting Design, Brad Fields; With; (Nikiya) Angelina Vorontsova; (Solor) Victor Lebedev; (Gamzatti) Andrea Laššáková; and the Mikhailovsky Ballet and Orchestra; Live from the Mikhailovsky Theatre, Saint Petersburg; TV Director,Andy Sommer (94 min)

      • Coppelia by Sergey Vikharev, Bolshoi Theatre Ballet

        Coppelia; Ballet in three acts; Libretto by Charles Nuitter and Arthur Saint-Leon; after the stories by Ernst Theodore Amadeus Hoffmann; Music, Léo Delibes; Choreography, Marius Petipa and Enrico Cecchetti; Staging and new choreographic versionn Sergei Vikharev; Designer, Boris Kaminsky; Costume Designer, Tatiana Noginova; Lighting Designer, Damir Ismagilov; Bolshoi Orchestra; Conductor, Pavel Sorokin; Choreography Revival, Vladimir Grigoriev; Sets Revival, Dmitry Fialkovsky; Costumes Revival, Olga Nikulina; Lighting Design Revival, Mikhail Sokolov, Igor Deryugin; With the use of decor sketches by Pyotr Lambin (Acts I and III) and Heinrich Levot (Act II) and costume sketches by Adolph Charlemagne, Pyotr Grigoriev and Evgeny Ponomaryov. Sets reproduced by vgeny Yakimenko and Anton Danilov (Acts I and III), Elena Kinkulskaya (Act II); Archive Researches and Coordination: Pavel Gershenzon; With; The Bolshoi ballet; Margarita Shrainer (Swanilda) - Artem Ovcharenko (Frantz) - Alexei Loparevich (Coppelius) - Ksenia Averina, Daria Bochkova, Bruna Cantanhede Gaglianone, Antonina Chapkina, Anastasia Denisova, Elizaveta Kruteleva, Svetlana Pavlova et Yulia Skvortsova (Swenilda's friends) - Tatiana Kravtsova (Coppelia - automaton) - Alexander Fadeyechev (The ord of the Manor) - Yuri Ostrovsky (the mayor) - Ekaterina Besedina, Oxana Sharova, Dmitry Ekaterinin and Alexander Vodopeto (Mazurka), Kristina Karasyova and Vitaly Biktimirov (Czardas), Anastasia Denisova (The Dawn), Antonina Chapkina (The prayer), Daria Bochkova, Xenia Averina, Maria Mishina, Stanislava Postnova and Tatiana Tiliguzova (The work), Elizaveta Kruteleva (The Folly), Nikolai Mayorov (Chronos); Recorded on June 8 & 10 2018 at the Bolshoi Theater; TV Director, Isabelle Julien (99 min)

      • InterMezzo

        (15 min)

      • Wiener Philharmoniker, Christian Thielemann: Beethoven's Symphony No.7

        Wiener Philharmoniker, Christian Thielemann (conductor); Ludwig van Beethoven (1770 - 1827); Symphony No.7 in A major op. 92; Recorded in 2008 at the Musikverein, Vienna; Directed by Agnes Méth (42 min)

      • Wiener Philharmoniker, Christian Thielemann: Beethoven's Symphony No.8

        Wiener Philharmoniker, Christian Thielemann (conductor); Ludwig van Beethoven (1770 - 1827); Symphony No.8 in F major op. 93; Recorded in 2008 at the Musikverein, Vienna; Directed by Agnes Méth (33 min)

      • Wiener Philharmoniker, Christian Thielemann: Beethoven's Symphony No.3 'Eroica'

        Wiener Philharmoniker, Christian Thielemann (conductor); Ludwig van Beethoven (1770 - 1827); Symphony No.3 in E flat major op. 55 'Eroica'; Recorded in 2008 at the Musikverein, Vienna; Directed by Agnes Méth (62 min)

      • InterMezzo

        (96 min)

      • Mazepa by Tchaikovsky at the Mariinsky Theatre

        Mazepa; Opera in three acts by Pyotr Ilych Tchaikovsky (1840 - 1893); Libretto by Victor Burenin after Pushkin's poem 'Poltava'; First performance in Moscow, Bolshoi Theatre, 15 February 1884; Mariinsky Orchestra and Chorus, Valery Gergiev (conductor); Ilya Shlepyanov (Stage Direction), Yuri Laptev (Reprise); Vladislav Sulimsky (Mazepa); Stanislav Trofimov (Kochubei); Ekaterina Semenchuk (Lyubov); Maria Bayankina (Maria); Recorded at the Mariinsky Theatre, Saint Petersburg, 9 June 2019; TV Director, François-René Martin 31.01.2021 (172 min)

      • InterMezzo

        (60 min)

      • The Tatarstan National Symphony Orchestra and Alexander Sladkovsky: Strauss, Bruckner

        Tatarstan Symphony Orchestra, Alexander Sladkovsky (conductor); Mario Brunello (cello), Aidar Bagautdinov (viola); Richard Strauss (1864 - 1949); Don Quixote, fantastic variations on a knightly theme for cello and viola soli and orchestra, Op. 35; Anton Bruckner (1824 - 1987); Symphony No. 9 in D minor; Recorded at the Tchaikovsky Hall, Moscow, 12 February 2019; TV Director, Elena Schaptchits (106 min)

      • Opening concert of the Zaryadye Hall in Moscow

        Mariinsky Theater Orchestra, Valery Gergiev (Conductor); Daniil Trifonov (piano), Denis Matsuev (piano), Anna Netrebko (soprano), Yusif Eyvazov (tenor), Ildar Abdrazakov (bass); Modest Mussorgsky; Prelude to Khovantchina; Pictures of an exhibition; Nikolai Rimsky-Korsakov; The Tsar's Bride, Air of Marfa; Piotr Tchaikovsky; Iolanta, duo and final; Sergei Rachmaninov; Variations on a theme of Paganini; Modest Mussorgsky; Boris Godounov, air of Boris; Sergei Prokofiev; Concerto for piano and orchestra n ° 2; Rodion Shchedrin; Solemn Overture; Recorded at the Zaryadye Hall, Moscow, 8 September 2018; TV Director, François-René Martin (108 min)

      • The Rosenberg Family Project - Jazz in Marciac

        The Rosenberg Family Project; The Rosenbergs; Mozes Rosenberg guitar solo; Johnny Rosenberg rythmic guitar; Sani van Mullem double bass; The Rosenberg trio; Stochelo Rosenberg guitar solo; Nonnie Rosenberg double bass; In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods; Recorded on July 31, 2019 at Jazz in Marciac; TV Director, (61 min)

      • InterMezzo

        (18 min)

      • La Bayadére by Nacho Duato after Marius Petipa - Mikhailovsky Theatre

        La Bayadére; Choreography by Nacho Duato after Marius Petipa; Ballet in three acts; Music by Ludwig Minkus; Conductor, Pavel Sorokin; Stage Designer, Costume Designer, Angelina Atlagić; Lighting Design, Brad Fields; With; (Nikiya) Angelina Vorontsova; (Solor) Victor Lebedev; (Gamzatti) Andrea Laššáková; and the Mikhailovsky Ballet and Orchestra; Live from the Mikhailovsky Theatre, Saint Petersburg; TV Director,Andy Sommer (94 min)

      • Coppelia by Sergey Vikharev, Bolshoi Theatre Ballet

        Coppelia; Ballet in three acts; Libretto by Charles Nuitter and Arthur Saint-Leon; after the stories by Ernst Theodore Amadeus Hoffmann; Music, Léo Delibes; Choreography, Marius Petipa and Enrico Cecchetti; Staging and new choreographic versionn Sergei Vikharev; Designer, Boris Kaminsky; Costume Designer, Tatiana Noginova; Lighting Designer, Damir Ismagilov; Bolshoi Orchestra; Conductor, Pavel Sorokin; Choreography Revival, Vladimir Grigoriev; Sets Revival, Dmitry Fialkovsky; Costumes Revival, Olga Nikulina; Lighting Design Revival, Mikhail Sokolov, Igor Deryugin; With the use of decor sketches by Pyotr Lambin (Acts I and III) and Heinrich Levot (Act II) and costume sketches by Adolph Charlemagne, Pyotr Grigoriev and Evgeny Ponomaryov. Sets reproduced by vgeny Yakimenko and Anton Danilov (Acts I and III), Elena Kinkulskaya (Act II); Archive Researches and Coordination: Pavel Gershenzon; With; The Bolshoi ballet; Margarita Shrainer (Swanilda) - Artem Ovcharenko (Frantz) - Alexei Loparevich (Coppelius) - Ksenia Averina, Daria Bochkova, Bruna Cantanhede Gaglianone, Antonina Chapkina, Anastasia Denisova, Elizaveta Kruteleva, Svetlana Pavlova et Yulia Skvortsova (Swenilda's friends) - Tatiana Kravtsova (Coppelia - automaton) - Alexander Fadeyechev (The ord of the Manor) - Yuri Ostrovsky (the mayor) - Ekaterina Besedina, Oxana Sharova, Dmitry Ekaterinin and Alexander Vodopeto (Mazurka), Kristina Karasyova and Vitaly Biktimirov (Czardas), Anastasia Denisova (The Dawn), Antonina Chapkina (The prayer), Daria Bochkova, Xenia Averina, Maria Mishina, Stanislava Postnova and Tatiana Tiliguzova (The work), Elizaveta Kruteleva (The Folly), Nikolai Mayorov (Chronos); Recorded on June 8 & 10 2018 at the Bolshoi Theater; TV Director, Isabelle Julien (99 min)