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The Little Mermaid by Jan Kodet, Czech National Ballet
The Little Mermaid; Choreography, Jan Kodet; ChoréLibretto, Jan Kodet, Martin Kukučka, Lukáš Trpišovský; Music, Zbyněk Matějů; Stage director, SKUTR (Martin Kukučka and Lukáš Trpišovský); Sets, Jakub Kopecký; Costumes, Alexandra Grusková; Lighting design, Daniel Tesař; Musical preparation, Andreas Sebastian Weiser; The National Theatre Orchestra; Andreas Sebastian Weiser, conductor; Czech National Ballet; With; Little Mermaid, Magdaléna Matějková; The prince, Ondřej Vinklát; The Grandmother, Miho Ogimoto; The Witch, Michaela Wenzelová; Seraphin, Mathias Deneux; The Strange princess, Aya Watanabe; The King/ Father, Marek Svobodník; The young witch, Alice Petit; The Lover, Giovanni Rotolo; The Queen / Mother, Michaela Černá; The Lighthouse keeper, Dadja Altenburg-Kohl; Recorded on September 22nd and 23rd 2017 at the National Theater Opera; TV Director, Patrick Lauze P10041337 (100 min)
InterMezzo
(30 min)
Oedipe by Enescu at the Opéra national de Paris
Oedipe; ‘Tragédie lyrique’ in four acts and six tableaux by George Enescu (1881 - 1955); Libretto by Edmond Fleg; Premiered in Paris, Opera, March 10, 1936; Orchestra and Chorus of the Opéra national de Paris, Maîtrise des Hauts-de-Seine, Children's Chorus of the Opéra national de Paris, Ingo Metzmacher (Conductor); Ching-Lien Wu (Chorus Master); Wajdi Mouawad (Stage director); Emmanuel Clolus (Sets), Emmanuelle Thomas (Costumes), Cécile Kretschmar (Make-up, hairstyles), Éric Champoux (Lighting), Stéphane Pougnand (Video); Christopher Maltman (Oedipus); Clive Bayley (Tiresias); Brian Mulligan (Creon); Vincent Ordonneau (The Shepherd); Laurent Naouri (The High Priest); Nicolas Cavallier (Phorbas / The Watchman); Adrian Timpau (Theseus); Yann Beuron (Laios); Ekaterina Gubanova (Jocasta); Clementine Margaine (The Sphynx); Anna-Sophie Neher (Antigone); Anne Sofie von Otter (Merope); Daniela Entcheva (A Theban); Paris, Opéra-Bastille, October 14, 2021; Directed by François Roussillon LIVE SESSION 1259611_1 (180 min)
Laurent de Wilde & Ray Lema - Jazz á la Villette
Laurent de Wilde & Ray Lema; Laurent de Wilde, piano; Ray Lema, piano; Recorded on Spetember 8th 2017 at the cité de la musique, Jazz á la Villette festival; TV Director, David Unger P10047505 (44 min)
InterMezzo
(60 min)
Valery Gergiev and the Munich Philharmonic: Prokofiev, Shostakovich, Schubert
Münchner Philharmoniker, Valery Gergiev (conductor); Anna Vinnitskaya (piano), Guido Segers (trumpet); Sergei Prokofiev (1891 - 1953); Symphony No.1 in D major, op. 25 'Classical Symphony'; Dmitry Shostakovich (1906 - 1975); Piano Concerto No.1 in C minor, Op. 35; Franz Schubert (1797 - 1828); Symphony No. 8 in B minor D. 759 'Unfinished'; Recorded in Munich, Philharmonie im Gasteig, Directed by Benedict Mirow; 24.10.2021 P10070036 (67 min)
Karina Canellakis and the Munich Philharmonic: Beethoven, Adams
Münchner Philharmoniker, Karina Canellakis conductor); Ludwig van Beethoven (1770 - 1827); Symphony No.4 in B flat major, op. 60; John Adams (born 1947); Shaker Loops; Recorded at Munich Philharmonie im Gasteig, Directed by Benedict Mirow P10070016 (64 min)
InterMezzo
(90 min)
Les Contes d'Hoffmann by Offenbach at the Staatsoper Hamburg
Les Contes d'Hoffmann (The Tales of Hoffmann); 'Opéra fantastique' in five acts by Jacques Offenbach (1819 - 1880); Jules Barbier's libretto after the play by Jules Barbier and Michel Carré based on works by E.T.A. Hoffmann; First performance in Paris, Opéra-Comique, February 10, 1881; Philharmonisches Staatsorchester Hamburg, Chor der Hamburgischen Staatsoper, Kent Nagano (Conductor); Daniele Finzi Pasca (Stage Direction); Hugo Gargiulo (Stage design), Giovanna Buzzi (Costumes), Daniele Finzi Pasca, Marzio Picchetti (Lighting), Roberto Vitalini (Video), Maria Bonzanigo (Choreography); Benjamin Bernheim (Hoffmann); Olga Peretyatko (Olympia | Antonia | Giulietta | Stella); Angela Brower (Nicklausse); Luca Pisaroni (Lindorf | Coppélius | Miracle | Dapertutto); Jürgen Sacher (Spalanzani); Dongwon Kang (Nathanaёl); Gideon Poppe (Andres | Cochenille | Frantz | Pitichinaccio); Bernhard Hansky (Hermann Schlémil); Daniel Schliewa (Wilhelm); Martin Summer (Crespel Luther); Kristina Stanek (La voix de la mére); Hamburg, Staatsoper, 22 September 2021 1258825_1 (180 min)
InterMezzo
(30 min)
Royal Concertgebouw Orchestra, Daniel Harding, Leonidas Kavakos: Wagner, Korngold, Strauss
Royal Concertgebouw Orchestra, Daniel Harding (Conductor); Leonidas Kavakos (violin); Richard Wagner (18133 – 1883); Tannhäuser, overture; Lohengrin, Prelude to act I; Erich Wolfgang Korngold (1897 – 1957); Violin Concerto Op. 35; Richard Strauss (1864 – 1949); Till Eulenspiegel Lustige Streiche op. 28; Amsterdam, Concertgebouw,10 September 2021 P10070677 (90 min)
The CzechPhilharmonic and John Eliot Gardiner: Voříšek, Janáček, Martinů
Czech Philharmonic, John Eliot Gardiner (Conductor), Ondřej Vrabec (Conductor); Igor Ardašev (piano); Jan Václav Hugo Voříšek (1791 - 1825); Symphony in D major, Op. 23; Leoš Janáček (1854 - 1928); Capriccio for Piano Left-Hand and Chamber Ensemble; Bohuslav Martinů (1890 - 1959); Sinfonietta La Jolla, H.328; Recorded 29 November 2020, Prague, Rudolfinum; Directed by Michael Beyer; P10070104 (60 min)
InterMezzo
(60 min)
The Czech Philharmonic and Semyon Bychkov: Smetana, Martinů, Dvořák
Czech Philharmonic, Semyon Bychkov (Conductor); Ivo Kahánek (piano), Michael Kroutil (timpani); Bedřich Smetana (1824 - 1884); The Bartered Bride, overture to the opera; Polka, Furiant, Skočná, dances from the opera 'The Bartered Bride'; Bohuslav Martinů (1890 - 1959); Concerto for Two String Orchestras, Piano, and Timpani, H 271; Antonín Dvořák (1841 - 1904); Symphony No. 9 in E Minor, Op. 95 ('From the New World'); Recorded at the Rudolfinum, Prague, 3 October 2018; P10066961 (112 min)
Valery Gergiev and the Munich Philharmonic: Mahler's Symphony no 8
Münchner Philharmoniker; Philharmonischer Chor München, Orfeón Donostiarra, Augsburger Domsingknaben; Valery Gergiev (Conductor); Simone Schneider (soprano), Jacquelyn Wagner (soprano), Regula Mühlemann (soprano), Claudia Mahnke (alto), Katharina Magiera (alto), Simon O'Neill (tenor), Michael Nagy (baritone), Evgeny Nikitin (bass), Johannes Berger (organ); Gustav Mahler (1860 - 1911); Symphony no 8; Live from the Philharmonie de Paris; P10058193 (77 min)
InterMezzo
(45 min)
David Murray Infinity Quartet feat. Saul Williams - Banlieues Bleues
After soul sister Macy Gray, with whom he recorded an album, the ever-inventive saxophonist brings us a brand new body of work inspired by the slam poetry of Saul Williams. DAVID MURRAY tenor saxophone, bass clarinett, ORIN EVANS piano, JARIBU SHAHID bass, NASHEET WAITS drums, SAUL WILLIAMS voice; He appears with the Infinity Quartet, named after his early years at the Infinity loft-studio in New York, and with Saul Williams himself. A great choice: over the past fifteen years, the star of the independent film "Slam" has been standing out among rappers and slam poets with the quality of his writing and the intensity of his performances. His punch lines make him a unique performer - a remarkable poet with a powerful rap-soul voice. In David Murray, who previously worked with writers Amiri Baraka and Ishmael Reed, Williams has found an ideal partner. A match made in heaven. P10017058 (55 min)
Antonin Tri-Hoang: Ornette - Apparitions - Banlieues Bleues
Ornette | Apparitions; Antonin Tri Hoangn, Alto saxophone, clarinet, Geoiffroy Gesser, Tenor saxophone, Pierre Borel, Amtp saxophone, Aymeric Avice, trompet, Isabel Sörling, voice, Romain Clerc-Renaud, piano, Keyboard, Thibault Cellier, double bass, Yann Joussein, drums, Elie Duris, drums; La musique d'Ornette Coleman a changé le cours des choses. On a parlé de free jazz, mais " ce n'est pas un autre jazz, c'est une musique autre, créative ". Depuis ses débuts (dans l'ONJ de Daniel Yvinec), Antonin Tri Hoang n'est pas sans évoquer Ornette: meme lyrisme tarabiscoté, meme gout du dérapage contrôlé. Au lieu d'une dissertation sur l'œuvre, il a proposé des reves, des ponts évocateurs, " pas un revival, mais un survival ". Avec, aux manettes, le quartette Novembre et des invités qui maîtrisent á la perfection l'art du zapping et du collage. Ce qui n'est pas sans rappeler John Zorn, un autre grand fils (spirituel) d'Ornette. Recorde on April 19 avril 2016 at Banlieues Bleues, MC93; TV Director, Stéphane Jourdain P10062696 (56 min)
Lucky Peterson: Tribute to Jimmy Smith - Banlieues Bleues
Lucky Peterson, tribute to Jimmy Smith; Lucky Peterson (organ, lyric); Nicolas Fomer (trumpet); Kekyn Crapp (guitar); Ahmad Compaoré (drums); Twelve years after the death of Jimmy Smith, Lucky Peterson, pays a tribute to the master of the Hammond organ." My father brought me up on blues before I could even walk, and I played the organ before having learnt to speak."Lucky Peterson, The precocious, classy little baby's bottle was thrown into music as soon as he was born.To this die-hard blues man, who is the guardian of the flame, he was able to add a well-chosen dose of groove. There is no doubt that it was a suitable way to honour Jimmy Smith, who was a reference in the realm of jazz soul and with whom he had exchanged in his youth. Finally this dive into history reminds us how much the hymns of the 1950's and 1960's remain incredibly sensual, enough to encourage the choir of a church to dance... Recorded on March 31st 2018 at the 'Espace Paul Eluard, Stains, Banlieues bleues festival; TV Director, Guillaume Dero P10051616 (51 min)
InterMezzo
(60 min)
The Nutcracker and the Cuddly Mouse with the Czech National Ballet
The Nutcracker and the Cuddly Mouse; Choreographie & mise en scéne, Petr Zuska; Livret, Petr Zuska, Ernst Theodor Amadeus Hoffmann; National Theatre Orchestra; Direction musicale, Václav Zahradník, Sergej Poluektov; Décors, Pavel Svoboda; Costumes, Alexandra Grusková; Création lumiére, Daniel Tesař; Animation, Šimon Koudela, Karel Mařík; With; YOU, Klára Jelínková; I, Štěpán Pechar; Mother, Miho Ogimoto; Father, Giovanni Rotolo; Santa Claus, Marek Svobodník; Angel, Magdaléna Matějková; Devil, Ondřej Vinklát; Miss Nutcracker, Andrea Kramešová; The king mice, Francesco Scarpato; The Star, Nikola Márová; The Czech National Ballet; &; The preparatory school of the Czech National Ballet; Recorded on December 7th & 8th 2016 at the Prague National Theater (Czech Republica); TV director, Patrick Lauzé; P10038476 (102 min)
The Little Mermaid by Jan Kodet, Czech National Ballet
The Little Mermaid; Choreography, Jan Kodet; ChoréLibretto, Jan Kodet, Martin Kukučka, Lukáš Trpišovský; Music, Zbyněk Matějů; Stage director, SKUTR (Martin Kukučka and Lukáš Trpišovský); Sets, Jakub Kopecký; Costumes, Alexandra Grusková; Lighting design, Daniel Tesař; Musical preparation, Andreas Sebastian Weiser; The National Theatre Orchestra; Andreas Sebastian Weiser, conductor; Czech National Ballet; With; Little Mermaid, Magdaléna Matějková; The prince, Ondřej Vinklát; The Grandmother, Miho Ogimoto; The Witch, Michaela Wenzelová; Seraphin, Mathias Deneux; The Strange princess, Aya Watanabe; The King/ Father, Marek Svobodník; The young witch, Alice Petit; The Lover, Giovanni Rotolo; The Queen / Mother, Michaela Černá; The Lighthouse keeper, Dadja Altenburg-Kohl; Recorded on September 22nd and 23rd 2017 at the National Theater Opera; TV Director, Patrick Lauze P10041337 (100 min)
David Murray Infinity Quartet feat. Saul Williams - Banlieues Bleues
After soul sister Macy Gray, with whom he recorded an album, the ever-inventive saxophonist brings us a brand new body of work inspired by the slam poetry of Saul Williams. DAVID MURRAY tenor saxophone, bass clarinett, ORIN EVANS piano, JARIBU SHAHID bass, NASHEET WAITS drums, SAUL WILLIAMS voice; He appears with the Infinity Quartet, named after his early years at the Infinity loft-studio in New York, and with Saul Williams himself. A great choice: over the past fifteen years, the star of the independent film "Slam" has been standing out among rappers and slam poets with the quality of his writing and the intensity of his performances. His punch lines make him a unique performer - a remarkable poet with a powerful rap-soul voice. In David Murray, who previously worked with writers Amiri Baraka and Ishmael Reed, Williams has found an ideal partner. A match made in heaven. P10017058 (55 min)
Antonin Tri-Hoang: Ornette - Apparitions - Banlieues Bleues
Ornette | Apparitions; Antonin Tri Hoangn, Alto saxophone, clarinet, Geoiffroy Gesser, Tenor saxophone, Pierre Borel, Amtp saxophone, Aymeric Avice, trompet, Isabel Sörling, voice, Romain Clerc-Renaud, piano, Keyboard, Thibault Cellier, double bass, Yann Joussein, drums, Elie Duris, drums; La musique d'Ornette Coleman a changé le cours des choses. On a parlé de free jazz, mais " ce n'est pas un autre jazz, c'est une musique autre, créative ". Depuis ses débuts (dans l'ONJ de Daniel Yvinec), Antonin Tri Hoang n'est pas sans évoquer Ornette: meme lyrisme tarabiscoté, meme gout du dérapage contrôlé. Au lieu d'une dissertation sur l'œuvre, il a proposé des reves, des ponts évocateurs, " pas un revival, mais un survival ". Avec, aux manettes, le quartette Novembre et des invités qui maîtrisent á la perfection l'art du zapping et du collage. Ce qui n'est pas sans rappeler John Zorn, un autre grand fils (spirituel) d'Ornette. Recorde on April 19 avril 2016 at Banlieues Bleues, MC93; TV Director, Stéphane Jourdain P10062696 (56 min)
Lucky Peterson: Tribute to Jimmy Smith - Banlieues Bleues
Lucky Peterson, tribute to Jimmy Smith; Lucky Peterson (organ, lyric); Nicolas Fomer (trumpet); Kekyn Crapp (guitar); Ahmad Compaoré (drums); Twelve years after the death of Jimmy Smith, Lucky Peterson, pays a tribute to the master of the Hammond organ." My father brought me up on blues before I could even walk, and I played the organ before having learnt to speak."Lucky Peterson, The precocious, classy little baby's bottle was thrown into music as soon as he was born.To this die-hard blues man, who is the guardian of the flame, he was able to add a well-chosen dose of groove. There is no doubt that it was a suitable way to honour Jimmy Smith, who was a reference in the realm of jazz soul and with whom he had exchanged in his youth. Finally this dive into history reminds us how much the hymns of the 1950's and 1960's remain incredibly sensual, enough to encourage the choir of a church to dance... Recorded on March 31st 2018 at the 'Espace Paul Eluard, Stains, Banlieues bleues festival; TV Director, Guillaume Dero P10051616 (51 min)