• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (60 min)

      • Ariane et Barbe-Bleue by Dukas at the Opéra de Lyon

        Ariane et Barbe-Bleue; 'Conte' in three acts by Paul Dukas (1865 - 1935); Libretto by Maurice Maeterlinck; First performance in Paris, Opéra Comique, 10 May 1907; Orchestre et Chœurs de l'Opéra de Lyon, Lothar Koenigs (Conductor); Alex Ollé (Stage direction); Alfons Flores (Sets), Urs Schönebaum (Lighting), Josep Abril Janer (Costumes); Katarina Karnéus (Ariane); Anaik Morel (Nurse); Adéle Charvet (Sélysette); Héléne Carpentier (Mélisande); Tomislav Lavoie (Barbe-Bleue); Margot Genet (Ygraine); Amandine Ammirati (Bellangére); Caroline Michel (Alladine); Opéra National de Lyon, 20 March 2021; Directed by Vincent Massip (118 min)

      • InterMezzo

        (60 min)

      • Steve Coleman & the Council of Balance - Jazz á la Villette

        Steve Coleman & The Council of Balance; Steve Coleman - alto saxophone; Jonathan Finlayson - trumpet; Jen Shyu - lyric; Rane Moore - clarinet, bass clarinet; Maria Grand - tenor saxophone; Mike Lormand - trombone; Kristin Lee - violin; David Bryant - piano; Miles Okazaki - guitar; Anthony Tidd - bass guitar; Greg Chudzik - bass guitar; Sean Rickman - drums; Alex Lipowski - drums; Barry J. Crawford - flute; Jeffrey Missal - trompet; Elizabeth Weisser - viola; Jay Campbell - Cello; Recorded at La Villette Jazz Festival on September 5th 2015; TV Director, Samuel Thiebaut P10024748 (71 min)

      • InterMezzo

        (45 min)

      • The Czech Philharmonic and Simon Rattle: Dvořák, Mahler

        Czech Philharmonic, Simon Rattle (Conductor); Magdalena Kožená (mezzo-soprano), Simon O'Neill (tenor); Antonín Dvořák (1841 - 1904); The Golden Spinning Wheel, symphonic poem, Op. 109; Gustav Mahler; Das Lied von der Erde; Recorded at the Rudolfinum, Prague, 27 February 2019; P10066959 (96 min)

      • The Czech Philharmonic and Mandred Honeck: Mozart, Beethoven

        Czech Philharmonic, Manfred Honeck (conductor); Rudolf Buchbinder (piano); Edvard Grieg (1843 - 1907); Peer Gynt - excerpts; Wolfgang Amadeus Mozart (1756 - 1791); Piano Concerto No. 20 in D minor, K. 466; Ludwig van Beethoven (1770 - 1827); Symphony No. 1 in C major, Op. 21; Recorded 6 December 2020, Prague, Rudolfinum; Directed by Nina Mikesková; P10070116 (70 min)

      • InterMezzo

        (60 min)

      • The Czech Philharmonic and Semyon Bychkov: Berio, Dvořák

        Czech Philharmonic, Semyon Bychkov (Conductor); London Voices; Luciano Berio (1925 - 2003); Sinfonia, for 8 voices and orchestra; Antonín Dvořák (1841 - 1904); Symphony No. 7 in D Minor, Op. 70; Recorded at the Rudolfinum, Prague, 19 October 2018; 08.10.2021 P10066958 (103 min)

      • Renaud Capuçon and the Orchestre de Chambre de Lausanne: Pärt, Bach, Mendelssohn

        Orchestre de Chambre de Lausanne, Renaud Capuçon (violin and conductor); François Sochard (violin); Arvo Pärt (born in 1935); Tabula rasa; Johann Sebastian Bach (1685 - 1750); Violin Concerto No.1 in A minor BWV 1041; Violin Concerto No.2 in E major BWV 1042; Felix Mendelssohn (1809 - 1847); Symphony No.4 in A major, Op. 90 ‘Italian’; Lausanne, Salle Métropole, September 16, 2021 1236062_1 (90 min)

      • InterMezzo

        (15 min)

      • Grigory Sokolov at the Palais des Nations in Geneva: Schumann, Chopin

        Grigory Sokolov (piano); Robert Schumann (1810 - 1856); 4 Fugues Op. 72; Bunte Blätter Op. 99; Frédéric Chopin (1810 - 1849); Polonaises Op. 26; 1 Allegro appassionato (C-sharp minor); 2 Maestoso (E-flat minor); Polonaise in F-sharp minor, Op. 44; Polonaise in A-flat major, Op. 53; Recorded at the Palais des Nations, Geneva, 12 December 2020 P10069756 (99 min)

      • Orchestre symphonique de Montréal, Rafael Payare: Ravel, Mercure, Shotakovich

        Maurice Ravel (1875 - 1937); La valse; Pierre Mercure (1927 - 1966); Kaléidoscope; Dmitri Shostakovich (1906 - 1975); Symphony No.5 in D minor, op. 47; 1 Moderato - Allegro non troppo; 2 Allegretto; 3 Largo; 4 Allegro non troppo 1258461_1 (90 min)

      • InterMezzo

        (20 min)

      • El Comité - Jazz in Marciac

        El Comité; Carlos Sarduy trumpet; Irving Acao saxophone; Harold López-nussa keyboard, piano; Rolando Luna claviers, piano; Gaston Joya basse, double bass; Rodney Barreto drums; Yaroldy Abreu percussion; Here are at least are 7 good reasons to listen to El Comité: Harold Lopez-Nussa, Rolando Luna, Rodney Barreto, Yaroldy Abreu, Gaston Joya, Carlos Sarduy and Irving Acao! Considered as being part of the most brilliant and renowned Cuban musicians of their generation, this band of 7 had the excellent idea of composing an album entitled " Y que!? (So What) ", nine pieces which reflect the diversity of influences and rhythms of El Comité. Afrobeat, funk, Latin jazz, ballades a " Cuban groove Siglo 21 " to put between all ears, impressive compositions, revivals marked El Comité, always stamped with the fluidity and energy which characterises this group. Despite their youth, their 15 or 20 years on the international stage for most of them, gives a veritable maturity to this album. The harmonies and thematic structures are an ample illustration. And finally, on stage, it is always a real pleasure to see El Comité developing where their overflowing energy and musical generosity rapidly becomes contagious. Recorded on July 29, 2019 at Jazz in Marciac; TV Director, P10066457 (61 min)

      • The Rosenberg Family Project - Jazz in Marciac

        The Rosenberg Family Project; The Rosenbergs; Mozes Rosenberg guitar solo; Johnny Rosenberg rythmic guitar; Sani van Mullem double bass; The Rosenberg trio; Stochelo Rosenberg guitar solo; Nonnie Rosenberg double bass; In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods; Recorded on July 31, 2019 at Jazz in Marciac; TV Director, P10066458 (61 min)

      • Roberto Fonseca - Jazz in Marciac

        Roberto Fonseca; Roberto Fonseca piano, claviers; Joe Lovano saxophone; Yandy Martinez contrebasse, basse; Ruly Herrera batterie; Andres Coayo Batista percussions; Omara Portuondo voix; Mayra Andrade voix; Rossio Jimenez Blanco chœur; Like all musicians born in Cuba and having grown-up in Havana, Roberto Fonseca came out of school ready for work. This multi-disciplinary aptitude enabled numerous projects and encounters. His contribution to Latin music was to have extended his roots into contemporary expression, often with instrumentation closer to that of modern jazz, and this, whilst not losing one ounce of poetry. Because it really is this capacity to make his public dream which characterises this composer/singer/arranger that his female admirers recognise from afar because of the hat which never leaves him and close up by the harmonious lines of his face. Adding on successes in Marciac like so many pearls on his musical necklace, Roberto Fonseca could almost stake claim to having the status of an event organiser. Using ingredients which guarantee his artistic longevity in the domain of Afrocubanism, he put on stage a new group of which the guests are Omara Portuondo, Mayra Andrade, Joe Lovano and an orchestra of pupils from the conservatoires of the Occitanie Region, conducted by Jean-Pierre Peyrebelle. Enregistré le 06 aout 2019 á Jazz in Marciac; Réalisateur, P10066460 (63 min)

      • InterMezzo

        (45 min)

      • Puccini's Madama Butterfly at the Opéra Royal de Wallonie-Liége

        Madama Butterfly; 'Tragedia giapponese' by Giacomo Puccini (1858 - 1924); Libretto by Giuseppe Giacosa and Luigi Illica after David Belasco's play 'Madame Butterfly'; First performance in Milan, Teatro alla Scala, 17 February 1904; Orchestre et Chœurs de l'Opéra Royal de Wallonie-Liége, Speranza Scappucci (Conductor); Pierre Iodice (Chorus master); Stefano Mazzonis di Pralafera (Stage Director); Jean-Guy Lecat (sets) Fernand Ruiz (costumes), Franco Marri (lighting); Svetlana Aksenova (Cio-Cio-San); Alexey Dolgov (Pinkerton); Mario Cassi (Sharpless); Sabina Willeit (Suzuki); Saverio Fiore (Goro); Alexise Yerna (Kate Pinkerton); Luca Dall'Amico (Lo Zio Bonzo); Patrick Delcour (Il Commissario/ Yamadori); Recorded at the Opéra Royal de Liége-Wallonie, 28 September 2019; P10067259 (136 min)

      • InterMezzo

        (90 min)

      • The CzechPhilharmonic and John Eliot Gardiner: Voříšek, Janáček, Martinů

        Czech Philharmonic, John Eliot Gardiner (Conductor), Ondřej Vrabec (Conductor); Igor Ardašev (piano); Jan Václav Hugo Voříšek (1791 - 1825); Symphony in D major, Op. 23; Leoš Janáček (1854 - 1928); Capriccio for Piano Left-Hand and Chamber Ensemble; Bohuslav Martinů (1890 - 1959); Sinfonietta La Jolla, H.328; Recorded 29 November 2020, Prague, Rudolfinum; Directed by Michael Beyer; P10070104 (60 min)

      • Semyon Bychkov and the Czech Philharmonic: Kabeláč, Shostakovich

        Czech Philharmonic Orchestra, Semyon Bychkov (Conductor); Miloslav Kabeláč (1908 - 1979); The Mystery of Time, Op. 31, passacaglia for large orchestra; Dmitri Shostakovich (1906 - 1975); Symphony No. 7 in C Major, Op. 60 'Leningrad'; Recorded at the Rudolfinum, Prague, 17 November 2020 P10069536 (100 min)

      • Vicente Amigo - Jazz á Séte

        Vicente Amigo (guitar); Rafael de Utrera (vocals); Guy Fletcher (keyboard); Paquito Gonzalez (drums); Mike McGoldrick (flute); John McCusker (violin); Danny Cummings (percussions); Ewen Vernal (bass); Aňil Fernandez (guitar) P10011526 (59 min)

      • InterMezzo

        (60 min)

      • Janacek's Jenufa at the Staatsoper Berlin

        Jenufa (Her Stepdaughter); Opera in three acts by Leos Janacek (1854 - 1928); Libretto by Leos Janacek after Gabriela Preissova; First performance in Brno, National Theatre, 21 January 1904; Staatskapelle Berlin, Staatsopernchor Berlin, Simon Rattle (Conductor); Damiano Michieletto (Stage Director); Carla Teti (Costumes), Paolo Fantin (Sets); Camilla Nylund (Jenufa); Evelyn Herlitzius (Kostelnicka Buryjovka); Stuart Skelton (Laca Klemen); Hanna Schwarz (Buryjovka); Ladislav Elgr (Steva Burya); Jan Martiník (Starek); David Oštrek (The Major); Natalia Skrycka (The Major's Wife); Evelin Novak (Karolka); Adriane Queiroz (Barena); Aytaj Shikhalizadev (The Shepperd); Victoria Randem (Jano); Anna Kissjudit (Tetka); Berlin, Staatsoper, 13 February 2021; P10070756 (135 min)