• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (60 min)

      • David Murray Infinity Quartet feat. Saul Williams - Banlieues Bleues

        After soul sister Macy Gray, with whom he recorded an album, the ever-inventive saxophonist brings us a brand new body of work inspired by the slam poetry of Saul Williams. DAVID MURRAY tenor saxophone, bass clarinett, ORIN EVANS piano, JARIBU SHAHID bass, NASHEET WAITS drums, SAUL WILLIAMS voice; He appears with the Infinity Quartet, named after his early years at the Infinity loft-studio in New York, and with Saul Williams himself. A great choice: over the past fifteen years, the star of the independent film "Slam" has been standing out among rappers and slam poets with the quality of his writing and the intensity of his performances. His punch lines make him a unique performer - a remarkable poet with a powerful rap-soul voice. In David Murray, who previously worked with writers Amiri Baraka and Ishmael Reed, Williams has found an ideal partner. A match made in heaven. P10017058 (55 min)

      • Antonin Tri-Hoang: Ornette - Apparitions - Banlieues Bleues

        Ornette | Apparitions; Antonin Tri Hoangn, Alto saxophone, clarinet, Geoiffroy Gesser, Tenor saxophone, Pierre Borel, Amtp saxophone, Aymeric Avice, trompet, Isabel Sörling, voice, Romain Clerc-Renaud, piano, Keyboard, Thibault Cellier, double bass, Yann Joussein, drums, Elie Duris, drums; La musique d'Ornette Coleman a changé le cours des choses. On a parlé de free jazz, mais " ce n'est pas un autre jazz, c'est une musique autre, créative ". Depuis ses débuts (dans l'ONJ de Daniel Yvinec), Antonin Tri Hoang n'est pas sans évoquer Ornette: meme lyrisme tarabiscoté, meme gout du dérapage contrôlé. Au lieu d'une dissertation sur l'œuvre, il a proposé des reves, des ponts évocateurs, " pas un revival, mais un survival ". Avec, aux manettes, le quartette Novembre et des invités qui maîtrisent á la perfection l'art du zapping et du collage. Ce qui n'est pas sans rappeler John Zorn, un autre grand fils (spirituel) d'Ornette. Recorde on April 19 avril 2016 at Banlieues Bleues, MC93; TV Director, Stéphane Jourdain P10062696 (56 min)

      • Lucky Peterson: Tribute to Jimmy Smith - Banlieues Bleues

        Lucky Peterson, tribute to Jimmy Smith; Lucky Peterson (organ, lyric); Nicolas Fomer (trumpet); Kekyn Crapp (guitar); Ahmad Compaoré (drums); Twelve years after the death of Jimmy Smith, Lucky Peterson, pays a tribute to the master of the Hammond organ." My father brought me up on blues before I could even walk, and I played the organ before having learnt to speak."Lucky Peterson, The precocious, classy little baby's bottle was thrown into music as soon as he was born.To this die-hard blues man, who is the guardian of the flame, he was able to add a well-chosen dose of groove. There is no doubt that it was a suitable way to honour Jimmy Smith, who was a reference in the realm of jazz soul and with whom he had exchanged in his youth. Finally this dive into history reminds us how much the hymns of the 1950's and 1960's remain incredibly sensual, enough to encourage the choir of a church to dance... Recorded on March 31st 2018 at the 'Espace Paul Eluard, Stains, Banlieues bleues festival; TV Director, Guillaume Dero P10051616 (51 min)

      • InterMezzo

        (15 min)

      • Avishai Cohen Trio "Gently Disturbed" 10th Anniversary - Jazz á la Villette

        Avishai Cohen trio; "Gently Disturbed" 10th Anniverary; Avishai Cohen - double bass; Shai Maestro - piano; Noam David - drums; Ten years after the release of Gently Disturbed, this Israeli bassist re-engages with his two accomplices in the trio that sparked it all: pianist Shai Maestro and drummer Mark Guiliana. Recorded on August 31, 2018 at the Pierre Boulez Hall, Philharmonie de Paris, Jazz á la villette; TV Director P10056536 (75 min)

      • InterMezzo

        (45 min)

      • The Czech Philharmonic and Semyon Bychkov: Berio, Dvořák

        Czech Philharmonic, Semyon Bychkov (Conductor); London Voices; Luciano Berio (1925 - 2003); Sinfonia, for 8 voices and orchestra; Antonín Dvořák (1841 - 1904); Symphony No. 7 in D Minor, Op. 70; Recorded at the Rudolfinum, Prague, 19 October 2018; P10066958 (103 min)

      • Wiener Philharmoniker, Herbert Blomstedt: Honegger, Brahms - Salzburg Festival

        Wiener Philharmoniker, Herbert Blomstedt (Conductor); Arthur Honegger (1892 – 1955); Symphony No. 3 ‘Liturgique’; Johannes Brahms (1833 – 1897); Symphony No. 4 in E minor op. 98; Salzburg, Grosses Festspielhaus, 28 August 2021 1258746_1 (90 min)

      • InterMezzo

        (45 min)

      • The Nutcracker and the Cuddly Mouse with the Czech National Ballet

        The Nutcracker and the Cuddly Mouse; Choreographie & mise en scéne, Petr Zuska; Livret, Petr Zuska, Ernst Theodor Amadeus Hoffmann; National Theatre Orchestra; Direction musicale, Václav Zahradník, Sergej Poluektov; Décors, Pavel Svoboda; Costumes, Alexandra Grusková; Création lumiére, Daniel Tesař; Animation, Šimon Koudela, Karel Mařík; With; YOU, Klára Jelínková; I, Štěpán Pechar; Mother, Miho Ogimoto; Father, Giovanni Rotolo; Santa Claus, Marek Svobodník; Angel, Magdaléna Matějková; Devil, Ondřej Vinklát; Miss Nutcracker, Andrea Kramešová; The king mice, Francesco Scarpato; The Star, Nikola Márová; The Czech National Ballet; &; The preparatory school of the Czech National Ballet; Recorded on December 7th & 8th 2016 at the Prague National Theater (Czech Republica); TV director, Patrick Lauzé; 25.10.2021 P10038476 (102 min)

      • The Little Mermaid by Jan Kodet, Czech National Ballet

        The Little Mermaid; Choreography, Jan Kodet; ChoréLibretto, Jan Kodet, Martin Kukučka, Lukáš Trpišovský; Music, Zbyněk Matějů; Stage director, SKUTR (Martin Kukučka and Lukáš Trpišovský); Sets, Jakub Kopecký; Costumes, Alexandra Grusková; Lighting design, Daniel Tesař; Musical preparation, Andreas Sebastian Weiser; The National Theatre Orchestra; Andreas Sebastian Weiser, conductor; Czech National Ballet; With; Little Mermaid, Magdaléna Matějková; The prince, Ondřej Vinklát; The Grandmother, Miho Ogimoto; The Witch, Michaela Wenzelová; Seraphin, Mathias Deneux; The Strange princess, Aya Watanabe; The King/ Father, Marek Svobodník; The young witch, Alice Petit; The Lover, Giovanni Rotolo; The Queen / Mother, Michaela Černá; The Lighthouse keeper, Dadja Altenburg-Kohl; Recorded on September 22nd and 23rd 2017 at the National Theater Opera; TV Director, Patrick Lauze 26.10.2021 P10041337 (100 min)

      • David Murray Infinity Quartet feat. Saul Williams - Banlieues Bleues

        After soul sister Macy Gray, with whom he recorded an album, the ever-inventive saxophonist brings us a brand new body of work inspired by the slam poetry of Saul Williams. DAVID MURRAY tenor saxophone, bass clarinett, ORIN EVANS piano, JARIBU SHAHID bass, NASHEET WAITS drums, SAUL WILLIAMS voice; He appears with the Infinity Quartet, named after his early years at the Infinity loft-studio in New York, and with Saul Williams himself. A great choice: over the past fifteen years, the star of the independent film "Slam" has been standing out among rappers and slam poets with the quality of his writing and the intensity of his performances. His punch lines make him a unique performer - a remarkable poet with a powerful rap-soul voice. In David Murray, who previously worked with writers Amiri Baraka and Ishmael Reed, Williams has found an ideal partner. A match made in heaven. P10017058 (55 min)

      • Antonin Tri-Hoang: Ornette - Apparitions - Banlieues Bleues

        Ornette | Apparitions; Antonin Tri Hoangn, Alto saxophone, clarinet, Geoiffroy Gesser, Tenor saxophone, Pierre Borel, Amtp saxophone, Aymeric Avice, trompet, Isabel Sörling, voice, Romain Clerc-Renaud, piano, Keyboard, Thibault Cellier, double bass, Yann Joussein, drums, Elie Duris, drums; La musique d'Ornette Coleman a changé le cours des choses. On a parlé de free jazz, mais " ce n'est pas un autre jazz, c'est une musique autre, créative ". Depuis ses débuts (dans l'ONJ de Daniel Yvinec), Antonin Tri Hoang n'est pas sans évoquer Ornette: meme lyrisme tarabiscoté, meme gout du dérapage contrôlé. Au lieu d'une dissertation sur l'œuvre, il a proposé des reves, des ponts évocateurs, " pas un revival, mais un survival ". Avec, aux manettes, le quartette Novembre et des invités qui maîtrisent á la perfection l'art du zapping et du collage. Ce qui n'est pas sans rappeler John Zorn, un autre grand fils (spirituel) d'Ornette. Recorde on April 19 avril 2016 at Banlieues Bleues, MC93; TV Director, Stéphane Jourdain P10062696 (56 min)

      • Lucky Peterson: Tribute to Jimmy Smith - Banlieues Bleues

        Lucky Peterson, tribute to Jimmy Smith; Lucky Peterson (organ, lyric); Nicolas Fomer (trumpet); Kekyn Crapp (guitar); Ahmad Compaoré (drums); Twelve years after the death of Jimmy Smith, Lucky Peterson, pays a tribute to the master of the Hammond organ." My father brought me up on blues before I could even walk, and I played the organ before having learnt to speak."Lucky Peterson, The precocious, classy little baby's bottle was thrown into music as soon as he was born.To this die-hard blues man, who is the guardian of the flame, he was able to add a well-chosen dose of groove. There is no doubt that it was a suitable way to honour Jimmy Smith, who was a reference in the realm of jazz soul and with whom he had exchanged in his youth. Finally this dive into history reminds us how much the hymns of the 1950's and 1960's remain incredibly sensual, enough to encourage the choir of a church to dance... Recorded on March 31st 2018 at the 'Espace Paul Eluard, Stains, Banlieues bleues festival; TV Director, Guillaume Dero P10051616 (51 min)

      • InterMezzo

        (45 min)

      • La Favorite by Donizetti at the Bayerische Staatsoper

        La Favorite; Opéra in four acts by Gaetano Donizetti (1797 - 1848); Libretto by Alphonse Royer, Gustave Vaëz and Eugéne Scribe; First performance in Paris, Opéra, 2 December 1840; Bayerisches Staatsorchester, Karel Mark Chichon (Conductor); Chorus of the Bayerische Staatsoper; Amélie Niermeyer (Stage Direction); Alexander Müller-Elmau (Sets), Kirsten Dephoff (Costumes); Elīna Garanča (Léonor de Guzman); Matthew Polenzani (Fernand); Mariusz Kwiecien (Alphonse XI); Mika Kares (Balthazar); Joshua Owen Mills (Don Gaspard); Elsa Benoit (Inés); Directed by Tiziano Mancini; Recorded at the Bayerische Staatsoper, Munich, 2016; P10059418 (157 min)

      • InterMezzo

        (60 min)

      • Valery Gergiev and the Munich Philharmonic: Prokofiev, Shostakovich, Schubert

        Münchner Philharmoniker, Valery Gergiev (conductor); Anna Vinnitskaya (piano), Guido Segers (trumpet); Sergei Prokofiev (1891 - 1953); Symphony No.1 in D major, op. 25 'Classical Symphony'; Dmitry Shostakovich (1906 - 1975); Piano Concerto No.1 in C minor, Op. 35; Franz Schubert (1797 - 1828); Symphony No. 8 in B minor D. 759 'Unfinished'; Recorded in Munich, Philharmonie im Gasteig, Directed by Benedict Mirow; 24.10.2021 P10070036 (67 min)

      • Royal Concertgebouw Orchestra, Daniel Harding, Leonidas Kavakos: Wagner, Korngold, Strauss

        Royal Concertgebouw Orchestra, Daniel Harding (Conductor); Leonidas Kavakos (violin); Richard Wagner (18133 – 1883); Tannhäuser, overture; Lohengrin, Prelude to act I; Erich Wolfgang Korngold (1897 – 1957); Violin Concerto Op. 35; Richard Strauss (1864 – 1949); Till Eulenspiegel Lustige Streiche op. 28; Amsterdam, Concertgebouw,10 September 2021 P10070677 (90 min)

      • InterMezzo

        (60 min)

      • Semyon Bychkov and the Czech Philharmonic: Kabeláč, Shostakovich

        Czech Philharmonic Orchestra, Semyon Bychkov (Conductor); Miloslav Kabeláč (1908 - 1979); The Mystery of Time, Op. 31, passacaglia for large orchestra; Dmitri Shostakovich (1906 - 1975); Symphony No. 7 in C Major, Op. 60 'Leningrad'; Recorded at the Rudolfinum, Prague, 17 November 2020 P10069536 (100 min)

      • The CzechPhilharmonic and John Eliot Gardiner: Voříšek, Janáček, Martinů

        Czech Philharmonic, John Eliot Gardiner (Conductor), Ondřej Vrabec (Conductor); Igor Ardašev (piano); Jan Václav Hugo Voříšek (1791 - 1825); Symphony in D major, Op. 23; Leoš Janáček (1854 - 1928); Capriccio for Piano Left-Hand and Chamber Ensemble; Bohuslav Martinů (1890 - 1959); Sinfonietta La Jolla, H.328; Recorded 29 November 2020, Prague, Rudolfinum; Directed by Michael Beyer; P10070104 (60 min)

      • InterMezzo

        (15 min)

      • El Comité - Jazz in Marciac

        El Comité; Carlos Sarduy trumpet; Irving Acao saxophone; Harold López-nussa keyboard, piano; Rolando Luna claviers, piano; Gaston Joya basse, double bass; Rodney Barreto drums; Yaroldy Abreu percussion; Here are at least are 7 good reasons to listen to El Comité: Harold Lopez-Nussa, Rolando Luna, Rodney Barreto, Yaroldy Abreu, Gaston Joya, Carlos Sarduy and Irving Acao! Considered as being part of the most brilliant and renowned Cuban musicians of their generation, this band of 7 had the excellent idea of composing an album entitled " Y que!? (So What) ", nine pieces which reflect the diversity of influences and rhythms of El Comité. Afrobeat, funk, Latin jazz, ballades a " Cuban groove Siglo 21 " to put between all ears, impressive compositions, revivals marked El Comité, always stamped with the fluidity and energy which characterises this group. Despite their youth, their 15 or 20 years on the international stage for most of them, gives a veritable maturity to this album. The harmonies and thematic structures are an ample illustration. And finally, on stage, it is always a real pleasure to see El Comité developing where their overflowing energy and musical generosity rapidly becomes contagious. Recorded on July 29, 2019 at Jazz in Marciac; TV Director, P10066457 (61 min)

      • InterMezzo

        (45 min)

      • La Favorite by Donizetti at the Bayerische Staatsoper

        La Favorite; Opéra in four acts by Gaetano Donizetti (1797 - 1848); Libretto by Alphonse Royer, Gustave Vaëz and Eugéne Scribe; First performance in Paris, Opéra, 2 December 1840; Bayerisches Staatsorchester, Karel Mark Chichon (Conductor); Chorus of the Bayerische Staatsoper; Amélie Niermeyer (Stage Direction); Alexander Müller-Elmau (Sets), Kirsten Dephoff (Costumes); Elīna Garanča (Léonor de Guzman); Matthew Polenzani (Fernand); Mariusz Kwiecien (Alphonse XI); Mika Kares (Balthazar); Joshua Owen Mills (Don Gaspard); Elsa Benoit (Inés); Directed by Tiziano Mancini; Recorded at the Bayerische Staatsoper, Munich, 2016; P10059418 (157 min)