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The Nutcracker and the Cuddly Mouse with the Czech National Ballet
The Nutcracker and the Cuddly Mouse; Choreographie & mise en scéne, Petr Zuska; Livret, Petr Zuska, Ernst Theodor Amadeus Hoffmann; National Theatre Orchestra; Direction musicale, Václav Zahradník, Sergej Poluektov; Décors, Pavel Svoboda; Costumes, Alexandra Grusková; Création lumiére, Daniel Tesař; Animation, Šimon Koudela, Karel Mařík; With; YOU, Klára Jelínková; I, Štěpán Pechar; Mother, Miho Ogimoto; Father, Giovanni Rotolo; Santa Claus, Marek Svobodník; Angel, Magdaléna Matějková; Devil, Ondřej Vinklát; Miss Nutcracker, Andrea Kramešová; The king mice, Francesco Scarpato; The Star, Nikola Márová; The Czech National Ballet; &; The preparatory school of the Czech National Ballet; Recorded on December 7th & 8th 2016 at the Prague National Theater (Czech Republica); TV director, Patrick Lauzé; P10038476 (102 min)
Un Ballo in maschera by Verdi at the Bayerische Staatsoper
Un Ballo in maschera; Melodramma in three acts by Giuseppe Verdi (1813 - 1901); Libretto by Antonio Somma; First performance in Rome, Teatro Apollo, 17 February 1859; Bayerisches Staatsorchester, Zubin Mehta (Conductor); Chorus of the Bayerische Staatsoper; Johannes Erath (Stage Direction); Heike Scheele (Sets), Gesine Völlm (Costumes), Joachim Klein (Lighting); Piotr Beczala (Riccardo); George Petean (Renato); Anja Harteros (Amelia); Okka von der Damerau (Ulrica); Sofia Fomina (Oscar); Andrea Borghini (Silvano); Anatoli Sivko (Samuel); Scott Conner (Tom); Directed by Tiziano Mancini; Recorded at the Bayerische Staatsoper, Munich, 2016; P10059417 (149 min)
Gilberto Gil - Jazz in Marciac
Gilberto Gil; Gilberto Gil guitar, voice; Thiagô Queiroz saxophone, flute; Diogo Gomes trumpet, bugle; Bem Gil musical director, guitar, voice; Danilo Andrade keyboard, piano; Bruno Di Lullo bass; Jose Gil batterie, percussion; Domenico Lancellotti drums, percussion; Nara Gil voice, chorus; Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac; TV Director, P10066459 (62 min)
InterMezzo
(105 min)
Janacek's Jenufa at the Staatsoper Berlin
Jenufa (Her Stepdaughter); Opera in three acts by Leos Janacek (1854 - 1928); Libretto by Leos Janacek after Gabriela Preissova; First performance in Brno, National Theatre, 21 January 1904; Staatskapelle Berlin, Staatsopernchor Berlin, Simon Rattle (Conductor); Damiano Michieletto (Stage Director); Carla Teti (Costumes), Paolo Fantin (Sets); Camilla Nylund (Jenufa); Evelyn Herlitzius (Kostelnicka Buryjovka); Stuart Skelton (Laca Klemen); Hanna Schwarz (Buryjovka); Ladislav Elgr (Steva Burya); Jan Martiník (Starek); David Oštrek (The Major); Natalia Skrycka (The Major's Wife); Evelin Novak (Karolka); Adriane Queiroz (Barena); Aytaj Shikhalizadev (The Shepperd); Victoria Randem (Jano); Anna Kissjudit (Tetka); Berlin, Staatsoper, 13 February 2021; P10070756 (135 min)
InterMezzo
(45 min)
The Czech Philharmonic and Simon Rattle: Dvořák, Mahler
Czech Philharmonic, Simon Rattle (Conductor); Magdalena Kožená (mezzo-soprano), Simon O'Neill (tenor); Antonín Dvořák (1841 - 1904); The Golden Spinning Wheel, symphonic poem, Op. 109; Gustav Mahler; Das Lied von der Erde; Recorded at the Rudolfinum, Prague, 27 February 2019; P10066959 (96 min)
The Czech Philharmonic and Mandred Honeck: Mozart, Beethoven
Czech Philharmonic, Manfred Honeck (conductor); Rudolf Buchbinder (piano); Edvard Grieg (1843 - 1907); Peer Gynt - excerpts; Wolfgang Amadeus Mozart (1756 - 1791); Piano Concerto No. 20 in D minor, K. 466; Ludwig van Beethoven (1770 - 1827); Symphony No. 1 in C major, Op. 21; Recorded 6 December 2020, Prague, Rudolfinum; Directed by Nina Mikesková; P10070116 (70 min)
InterMezzo
(30 min)
Orchestre symphonique de Montréal, Rafael Payare: Ravel, Mercure, Shotakovich
Maurice Ravel (1875 - 1937); La valse; Pierre Mercure (1927 - 1966); Kaléidoscope; Dmitri Shostakovich (1906 - 1975); Symphony No.5 in D minor, op. 47; 1 Moderato - Allegro non troppo; 2 Allegretto; 3 Largo; 4 Allegro non troppo 1258461_1 (90 min)
Piotr Anderszewski plays Bach
Piotr Anderszewski (piano); Johann Sebastian Bach (1685 - 1750); The Well-Tempered Clavier, book II BWV 870 - BWV 893 (excerpts); Hamburg, Elbphilharmonie, 16 avril 2021; Directed by Bruno Monsaingeon P10070776 (54 min)
InterMezzo
(60 min)
El Comité - Jazz in Marciac
El Comité; Carlos Sarduy trumpet; Irving Acao saxophone; Harold López-nussa keyboard, piano; Rolando Luna claviers, piano; Gaston Joya basse, double bass; Rodney Barreto drums; Yaroldy Abreu percussion; Here are at least are 7 good reasons to listen to El Comité: Harold Lopez-Nussa, Rolando Luna, Rodney Barreto, Yaroldy Abreu, Gaston Joya, Carlos Sarduy and Irving Acao! Considered as being part of the most brilliant and renowned Cuban musicians of their generation, this band of 7 had the excellent idea of composing an album entitled " Y que!? (So What) ", nine pieces which reflect the diversity of influences and rhythms of El Comité. Afrobeat, funk, Latin jazz, ballades a " Cuban groove Siglo 21 " to put between all ears, impressive compositions, revivals marked El Comité, always stamped with the fluidity and energy which characterises this group. Despite their youth, their 15 or 20 years on the international stage for most of them, gives a veritable maturity to this album. The harmonies and thematic structures are an ample illustration. And finally, on stage, it is always a real pleasure to see El Comité developing where their overflowing energy and musical generosity rapidly becomes contagious. Recorded on July 29, 2019 at Jazz in Marciac; TV Director, P10066457 (61 min)
The Rosenberg Family Project - Jazz in Marciac
The Rosenberg Family Project; The Rosenbergs; Mozes Rosenberg guitar solo; Johnny Rosenberg rythmic guitar; Sani van Mullem double bass; The Rosenberg trio; Stochelo Rosenberg guitar solo; Nonnie Rosenberg double bass; In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods; Recorded on July 31, 2019 at Jazz in Marciac; TV Director, P10066458 (61 min)
Roberto Fonseca - Jazz in Marciac
Roberto Fonseca; Roberto Fonseca piano, claviers; Joe Lovano saxophone; Yandy Martinez contrebasse, basse; Ruly Herrera batterie; Andres Coayo Batista percussions; Omara Portuondo voix; Mayra Andrade voix; Rossio Jimenez Blanco chœur; Like all musicians born in Cuba and having grown-up in Havana, Roberto Fonseca came out of school ready for work. This multi-disciplinary aptitude enabled numerous projects and encounters. His contribution to Latin music was to have extended his roots into contemporary expression, often with instrumentation closer to that of modern jazz, and this, whilst not losing one ounce of poetry. Because it really is this capacity to make his public dream which characterises this composer/singer/arranger that his female admirers recognise from afar because of the hat which never leaves him and close up by the harmonious lines of his face. Adding on successes in Marciac like so many pearls on his musical necklace, Roberto Fonseca could almost stake claim to having the status of an event organiser. Using ingredients which guarantee his artistic longevity in the domain of Afrocubanism, he put on stage a new group of which the guests are Omara Portuondo, Mayra Andrade, Joe Lovano and an orchestra of pupils from the conservatoires of the Occitanie Region, conducted by Jean-Pierre Peyrebelle. Enregistré le 06 aout 2019 á Jazz in Marciac; Réalisateur, P10066460 (63 min)
InterMezzo
(45 min)
The Little Mermaid by Jan Kodet, Czech National Ballet
The Little Mermaid; Choreography, Jan Kodet; ChoréLibretto, Jan Kodet, Martin Kukučka, Lukáš Trpišovský; Music, Zbyněk Matějů; Stage director, SKUTR (Martin Kukučka and Lukáš Trpišovský); Sets, Jakub Kopecký; Costumes, Alexandra Grusková; Lighting design, Daniel Tesař; Musical preparation, Andreas Sebastian Weiser; The National Theatre Orchestra; Andreas Sebastian Weiser, conductor; Czech National Ballet; With; Little Mermaid, Magdaléna Matějková; The prince, Ondřej Vinklát; The Grandmother, Miho Ogimoto; The Witch, Michaela Wenzelová; Seraphin, Mathias Deneux; The Strange princess, Aya Watanabe; The King/ Father, Marek Svobodník; The young witch, Alice Petit; The Lover, Giovanni Rotolo; The Queen / Mother, Michaela Černá; The Lighthouse keeper, Dadja Altenburg-Kohl; Recorded on September 22nd and 23rd 2017 at the National Theater Opera; TV Director, Patrick Lauze P10041337 (100 min)
The Nutcracker and the Cuddly Mouse with the Czech National Ballet
The Nutcracker and the Cuddly Mouse; Choreographie & mise en scéne, Petr Zuska; Livret, Petr Zuska, Ernst Theodor Amadeus Hoffmann; National Theatre Orchestra; Direction musicale, Václav Zahradník, Sergej Poluektov; Décors, Pavel Svoboda; Costumes, Alexandra Grusková; Création lumiére, Daniel Tesař; Animation, Šimon Koudela, Karel Mařík; With; YOU, Klára Jelínková; I, Štěpán Pechar; Mother, Miho Ogimoto; Father, Giovanni Rotolo; Santa Claus, Marek Svobodník; Angel, Magdaléna Matějková; Devil, Ondřej Vinklát; Miss Nutcracker, Andrea Kramešová; The king mice, Francesco Scarpato; The Star, Nikola Márová; The Czech National Ballet; &; The preparatory school of the Czech National Ballet; Recorded on December 7th & 8th 2016 at the Prague National Theater (Czech Republica); TV director, Patrick Lauzé; P10038476 (102 min)
Yamandu Costa and Vincent Peirani - Jazz á Porquerolles
Yamandu Costa and Vincent Peirani; Yamandu Costa (Guitar); Vincent Peirani (Accordion); A world premiere for an unprecedented first performance and the encounter between two artists whom we adore, Vincent Peirani and Yamandu Costa; one of the greatest Brazilian guitarists just like Baden Powell, which says everything about a musician who creates enthusiasm at every one of his concerts and who is an idolised star in his own country. Vincent Peirani is the musician that all the jazz and world music venues in the world invite! Accordion Prodigy, he never ceases to explore the richness of an instrument of which only angels know the secrets. An explosive encounter between two sublime artists who create on stage a space which goes beyond music in order to share with us something which is in the order of joy! A true encounter from which we will certainly come out of changed, full of melodies and of rhythms, making us feel even stronger the beauty of Porquerolles and the chance we have of being able to experience these moments. Recorded on July 9, 2018 at the Jazz á Porquerolles Festival; TV Director, Frank Cassenti P10054056 (55 min)
InterMezzo
(30 min)
El Comité - Jazz in Marciac
El Comité; Carlos Sarduy trumpet; Irving Acao saxophone; Harold López-nussa keyboard, piano; Rolando Luna claviers, piano; Gaston Joya basse, double bass; Rodney Barreto drums; Yaroldy Abreu percussion; Here are at least are 7 good reasons to listen to El Comité: Harold Lopez-Nussa, Rolando Luna, Rodney Barreto, Yaroldy Abreu, Gaston Joya, Carlos Sarduy and Irving Acao! Considered as being part of the most brilliant and renowned Cuban musicians of their generation, this band of 7 had the excellent idea of composing an album entitled " Y que!? (So What) ", nine pieces which reflect the diversity of influences and rhythms of El Comité. Afrobeat, funk, Latin jazz, ballades a " Cuban groove Siglo 21 " to put between all ears, impressive compositions, revivals marked El Comité, always stamped with the fluidity and energy which characterises this group. Despite their youth, their 15 or 20 years on the international stage for most of them, gives a veritable maturity to this album. The harmonies and thematic structures are an ample illustration. And finally, on stage, it is always a real pleasure to see El Comité developing where their overflowing energy and musical generosity rapidly becomes contagious. Recorded on July 29, 2019 at Jazz in Marciac; TV Director, P10066457 (61 min)
The Rosenberg Family Project - Jazz in Marciac
The Rosenberg Family Project; The Rosenbergs; Mozes Rosenberg guitar solo; Johnny Rosenberg rythmic guitar; Sani van Mullem double bass; The Rosenberg trio; Stochelo Rosenberg guitar solo; Nonnie Rosenberg double bass; In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods; Recorded on July 31, 2019 at Jazz in Marciac; TV Director, P10066458 (61 min)