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      • Roberto Fonseca - Jazz in Marciac

        Roberto Fonseca; Roberto Fonseca piano, claviers; Joe Lovano saxophone; Yandy Martinez contrebasse, basse; Ruly Herrera batterie; Andres Coayo Batista percussions; Omara Portuondo voix; Mayra Andrade voix; Rossio Jimenez Blanco chœur; Like all musicians born in Cuba and having grown-up in Havana, Roberto Fonseca came out of school ready for work. This multi-disciplinary aptitude enabled numerous projects and encounters. His contribution to Latin music was to have extended his roots into contemporary expression, often with instrumentation closer to that of modern jazz, and this, whilst not losing one ounce of poetry. Because it really is this capacity to make his public dream which characterises this composer/singer/arranger that his female admirers recognise from afar because of the hat which never leaves him and close up by the harmonious lines of his face. Adding on successes in Marciac like so many pearls on his musical necklace, Roberto Fonseca could almost stake claim to having the status of an event organiser. Using ingredients which guarantee his artistic longevity in the domain of Afrocubanism, he put on stage a new group of which the guests are Omara Portuondo, Mayra Andrade, Joe Lovano and an orchestra of pupils from the conservatoires of the Occitanie Region, conducted by Jean-Pierre Peyrebelle. Enregistré le 06 aout 2019 á Jazz in Marciac; Réalisateur, P10066460 (63 min)

      • InterMezzo

        (45 min)

      • The Little Mermaid by Jan Kodet, Czech National Ballet

        The Little Mermaid; Choreography, Jan Kodet; ChoréLibretto, Jan Kodet, Martin Kukučka, Lukáš Trpišovský; Music, Zbyněk Matějů; Stage director, SKUTR (Martin Kukučka and Lukáš Trpišovský); Sets, Jakub Kopecký; Costumes, Alexandra Grusková; Lighting design, Daniel Tesař; Musical preparation, Andreas Sebastian Weiser; The National Theatre Orchestra; Andreas Sebastian Weiser, conductor; Czech National Ballet; With; Little Mermaid, Magdaléna Matějková; The prince, Ondřej Vinklát; The Grandmother, Miho Ogimoto; The Witch, Michaela Wenzelová; Seraphin, Mathias Deneux; The Strange princess, Aya Watanabe; The King/ Father, Marek Svobodník; The young witch, Alice Petit; The Lover, Giovanni Rotolo; The Queen / Mother, Michaela Černá; The Lighthouse keeper, Dadja Altenburg-Kohl; Recorded on September 22nd and 23rd 2017 at the National Theater Opera; TV Director, Patrick Lauze P10041337 (100 min)

      • The Nutcracker and the Cuddly Mouse with the Czech National Ballet

        The Nutcracker and the Cuddly Mouse; Choreographie & mise en scéne, Petr Zuska; Livret, Petr Zuska, Ernst Theodor Amadeus Hoffmann; National Theatre Orchestra; Direction musicale, Václav Zahradník, Sergej Poluektov; Décors, Pavel Svoboda; Costumes, Alexandra Grusková; Création lumiére, Daniel Tesař; Animation, Šimon Koudela, Karel Mařík; With; YOU, Klára Jelínková; I, Štěpán Pechar; Mother, Miho Ogimoto; Father, Giovanni Rotolo; Santa Claus, Marek Svobodník; Angel, Magdaléna Matějková; Devil, Ondřej Vinklát; Miss Nutcracker, Andrea Kramešová; The king mice, Francesco Scarpato; The Star, Nikola Márová; The Czech National Ballet; &; The preparatory school of the Czech National Ballet; Recorded on December 7th & 8th 2016 at the Prague National Theater (Czech Republica); TV director, Patrick Lauzé; P10038476 (102 min)

      • Yamandu Costa and Vincent Peirani - Jazz á Porquerolles

        Yamandu Costa and Vincent Peirani; Yamandu Costa (Guitar); Vincent Peirani (Accordion); A world premiere for an unprecedented first performance and the encounter between two artists whom we adore, Vincent Peirani and Yamandu Costa; one of the greatest Brazilian guitarists just like Baden Powell, which says everything about a musician who creates enthusiasm at every one of his concerts and who is an idolised star in his own country. Vincent Peirani is the musician that all the jazz and world music venues in the world invite! Accordion Prodigy, he never ceases to explore the richness of an instrument of which only angels know the secrets. An explosive encounter between two sublime artists who create on stage a space which goes beyond music in order to share with us something which is in the order of joy! A true encounter from which we will certainly come out of changed, full of melodies and of rhythms, making us feel even stronger the beauty of Porquerolles and the chance we have of being able to experience these moments. Recorded on July 9, 2018 at the Jazz á Porquerolles Festival; TV Director, Frank Cassenti P10054056 (55 min)

      • InterMezzo

        (30 min)

      • El Comité - Jazz in Marciac

        El Comité; Carlos Sarduy trumpet; Irving Acao saxophone; Harold López-nussa keyboard, piano; Rolando Luna claviers, piano; Gaston Joya basse, double bass; Rodney Barreto drums; Yaroldy Abreu percussion; Here are at least are 7 good reasons to listen to El Comité: Harold Lopez-Nussa, Rolando Luna, Rodney Barreto, Yaroldy Abreu, Gaston Joya, Carlos Sarduy and Irving Acao! Considered as being part of the most brilliant and renowned Cuban musicians of their generation, this band of 7 had the excellent idea of composing an album entitled " Y que!? (So What) ", nine pieces which reflect the diversity of influences and rhythms of El Comité. Afrobeat, funk, Latin jazz, ballades a " Cuban groove Siglo 21 " to put between all ears, impressive compositions, revivals marked El Comité, always stamped with the fluidity and energy which characterises this group. Despite their youth, their 15 or 20 years on the international stage for most of them, gives a veritable maturity to this album. The harmonies and thematic structures are an ample illustration. And finally, on stage, it is always a real pleasure to see El Comité developing where their overflowing energy and musical generosity rapidly becomes contagious. Recorded on July 29, 2019 at Jazz in Marciac; TV Director, P10066457 (61 min)

      • The Rosenberg Family Project - Jazz in Marciac

        The Rosenberg Family Project; The Rosenbergs; Mozes Rosenberg guitar solo; Johnny Rosenberg rythmic guitar; Sani van Mullem double bass; The Rosenberg trio; Stochelo Rosenberg guitar solo; Nonnie Rosenberg double bass; In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods; Recorded on July 31, 2019 at Jazz in Marciac; TV Director, P10066458 (61 min)

      • Roberto Fonseca - Jazz in Marciac

        Roberto Fonseca; Roberto Fonseca piano, claviers; Joe Lovano saxophone; Yandy Martinez contrebasse, basse; Ruly Herrera batterie; Andres Coayo Batista percussions; Omara Portuondo voix; Mayra Andrade voix; Rossio Jimenez Blanco chœur; Like all musicians born in Cuba and having grown-up in Havana, Roberto Fonseca came out of school ready for work. This multi-disciplinary aptitude enabled numerous projects and encounters. His contribution to Latin music was to have extended his roots into contemporary expression, often with instrumentation closer to that of modern jazz, and this, whilst not losing one ounce of poetry. Because it really is this capacity to make his public dream which characterises this composer/singer/arranger that his female admirers recognise from afar because of the hat which never leaves him and close up by the harmonious lines of his face. Adding on successes in Marciac like so many pearls on his musical necklace, Roberto Fonseca could almost stake claim to having the status of an event organiser. Using ingredients which guarantee his artistic longevity in the domain of Afrocubanism, he put on stage a new group of which the guests are Omara Portuondo, Mayra Andrade, Joe Lovano and an orchestra of pupils from the conservatoires of the Occitanie Region, conducted by Jean-Pierre Peyrebelle. Enregistré le 06 aout 2019 á Jazz in Marciac; Réalisateur, P10066460 (63 min)

      • InterMezzo

        (45 min)

      • Grigory Sokolov at the Palais des Nations in Geneva: Schumann, Chopin

        Grigory Sokolov (piano); Robert Schumann (1810 - 1856); 4 Fugues Op. 72; Bunte Blätter Op. 99; Frédéric Chopin (1810 - 1849); Polonaises Op. 26; 1 Allegro appassionato (C-sharp minor); 2 Maestoso (E-flat minor); Polonaise in F-sharp minor, Op. 44; Polonaise in A-flat major, Op. 53; Recorded at the Palais des Nations, Geneva, 12 December 2020 P10069756 (99 min)

      • Piotr Anderszewski plays Bach

        Piotr Anderszewski (piano); Johann Sebastian Bach (1685 - 1750); The Well-Tempered Clavier, book II BWV 870 - BWV 893 (excerpts); Hamburg, Elbphilharmonie, 16 avril 2021; Directed by Bruno Monsaingeon P10070776 (54 min)

      • InterMezzo

        (45 min)

      • The Little Mermaid by Jan Kodet, Czech National Ballet

        The Little Mermaid; Choreography, Jan Kodet; ChoréLibretto, Jan Kodet, Martin Kukučka, Lukáš Trpišovský; Music, Zbyněk Matějů; Stage director, SKUTR (Martin Kukučka and Lukáš Trpišovský); Sets, Jakub Kopecký; Costumes, Alexandra Grusková; Lighting design, Daniel Tesař; Musical preparation, Andreas Sebastian Weiser; The National Theatre Orchestra; Andreas Sebastian Weiser, conductor; Czech National Ballet; With; Little Mermaid, Magdaléna Matějková; The prince, Ondřej Vinklát; The Grandmother, Miho Ogimoto; The Witch, Michaela Wenzelová; Seraphin, Mathias Deneux; The Strange princess, Aya Watanabe; The King/ Father, Marek Svobodník; The young witch, Alice Petit; The Lover, Giovanni Rotolo; The Queen / Mother, Michaela Černá; The Lighthouse keeper, Dadja Altenburg-Kohl; Recorded on September 22nd and 23rd 2017 at the National Theater Opera; TV Director, Patrick Lauze P10041337 (100 min)

      • The Nutcracker and the Cuddly Mouse with the Czech National Ballet

        The Nutcracker and the Cuddly Mouse; Choreographie & mise en scéne, Petr Zuska; Livret, Petr Zuska, Ernst Theodor Amadeus Hoffmann; National Theatre Orchestra; Direction musicale, Václav Zahradník, Sergej Poluektov; Décors, Pavel Svoboda; Costumes, Alexandra Grusková; Création lumiére, Daniel Tesař; Animation, Šimon Koudela, Karel Mařík; With; YOU, Klára Jelínková; I, Štěpán Pechar; Mother, Miho Ogimoto; Father, Giovanni Rotolo; Santa Claus, Marek Svobodník; Angel, Magdaléna Matějková; Devil, Ondřej Vinklát; Miss Nutcracker, Andrea Kramešová; The king mice, Francesco Scarpato; The Star, Nikola Márová; The Czech National Ballet; &; The preparatory school of the Czech National Ballet; Recorded on December 7th & 8th 2016 at the Prague National Theater (Czech Republica); TV director, Patrick Lauzé; P10038476 (102 min)

      • InterMezzo

        (5 min)

      • Barenboim conducts Brahms' Symphonies No.1 & 2

        Staatskapelle Berlin, Daniel Barenboim (conductor); Johannes Brahms (1833 - 1897); Symphony No.1 in C minor, op. 68; Un poco sostenuto — Allegro; Andante sostenuto; Un poco allegretto e grazioso; Adagio — Allegro non troppo, ma con brio; Symphony No.2 in D major, op. 73; Allegro non troppo; Adagio non troppo; Allegretto grazioso (quasi andantino); Allegro con spirito; Néstor Kirchner Cultural Center, Buenos Aires, 2018; Directed by Tilo Krause P10068896 (94 min)

      • Barenboim conducts Brahms' Symphonies No.3 & 4

        Staatskapelle Berlin, Daniel Barenboim (conductor); Symphony No.3 in F major, op. 90; Symphony No. 4 in Mi minor, op. 98; Néstor Kirchner Cultural Center, Buenos Aires, 2018; Directed by Tilo Krause P10069296 (93 min)

      • InterMezzo

        (45 min)

      • Un Ballo in maschera by Verdi at the Bayerische Staatsoper

        Un Ballo in maschera; Melodramma in three acts by Giuseppe Verdi (1813 - 1901); Libretto by Antonio Somma; First performance in Rome, Teatro Apollo, 17 February 1859; Bayerisches Staatsorchester, Zubin Mehta (Conductor); Chorus of the Bayerische Staatsoper; Johannes Erath (Stage Direction); Heike Scheele (Sets), Gesine Völlm (Costumes), Joachim Klein (Lighting); Piotr Beczala (Riccardo); George Petean (Renato); Anja Harteros (Amelia); Okka von der Damerau (Ulrica); Sofia Fomina (Oscar); Andrea Borghini (Silvano); Anatoli Sivko (Samuel); Scott Conner (Tom); Directed by Tiziano Mancini; Recorded at the Bayerische Staatsoper, Munich, 2016; P10059417 (149 min)

      • InterMezzo

        (60 min)

      • The Czech Philharmonic and Semyon Bychkov: Berio, Dvořák

        Czech Philharmonic, Semyon Bychkov (Conductor); London Voices; Luciano Berio (1925 - 2003); Sinfonia, for 8 voices and orchestra; Antonín Dvořák (1841 - 1904); Symphony No. 7 in D Minor, Op. 70; Recorded at the Rudolfinum, Prague, 19 October 2018; 08.10.2021 P10066958 (103 min)

      • Renaud Capuçon and the Orchestre de Chambre de Lausanne: Pärt, Bach, Mendelssohn

        Orchestre de Chambre de Lausanne, Renaud Capuçon (violin and conductor); François Sochard (violin); Arvo Pärt (born in 1935); Tabula rasa; Johann Sebastian Bach (1685 - 1750); Violin Concerto No.1 in A minor BWV 1041; Violin Concerto No.2 in E major BWV 1042; Felix Mendelssohn (1809 - 1847); Symphony No.4 in A major, Op. 90 ‘Italian’; Lausanne, Salle Métropole, September 16, 2021 1236062_1 (90 min)

      • Chucho Valdés - Malta Jazz Festival

        Chucho Valdés; Chucho Valdés (piano); Dreiser Durruthy (Bata); Yaroldy Abreu (congas); Abraham Mansfarroll (Percussions); Ramon Velasquez (Bass); Recorded on July 19, 2019 at the Malta Jazz Festival; TV Director, Amos Rozenberg P10063617 (57 min)

      • InterMezzo

        (60 min)

      • The Little Mermaid by Jan Kodet, Czech National Ballet

        The Little Mermaid; Choreography, Jan Kodet; ChoréLibretto, Jan Kodet, Martin Kukučka, Lukáš Trpišovský; Music, Zbyněk Matějů; Stage director, SKUTR (Martin Kukučka and Lukáš Trpišovský); Sets, Jakub Kopecký; Costumes, Alexandra Grusková; Lighting design, Daniel Tesař; Musical preparation, Andreas Sebastian Weiser; The National Theatre Orchestra; Andreas Sebastian Weiser, conductor; Czech National Ballet; With; Little Mermaid, Magdaléna Matějková; The prince, Ondřej Vinklát; The Grandmother, Miho Ogimoto; The Witch, Michaela Wenzelová; Seraphin, Mathias Deneux; The Strange princess, Aya Watanabe; The King/ Father, Marek Svobodník; The young witch, Alice Petit; The Lover, Giovanni Rotolo; The Queen / Mother, Michaela Černá; The Lighthouse keeper, Dadja Altenburg-Kohl; Recorded on September 22nd and 23rd 2017 at the National Theater Opera; TV Director, Patrick Lauze P10041337 (100 min)

      • The Nutcracker and the Cuddly Mouse with the Czech National Ballet

        The Nutcracker and the Cuddly Mouse; Choreographie & mise en scéne, Petr Zuska; Livret, Petr Zuska, Ernst Theodor Amadeus Hoffmann; National Theatre Orchestra; Direction musicale, Václav Zahradník, Sergej Poluektov; Décors, Pavel Svoboda; Costumes, Alexandra Grusková; Création lumiére, Daniel Tesař; Animation, Šimon Koudela, Karel Mařík; With; YOU, Klára Jelínková; I, Štěpán Pechar; Mother, Miho Ogimoto; Father, Giovanni Rotolo; Santa Claus, Marek Svobodník; Angel, Magdaléna Matějková; Devil, Ondřej Vinklát; Miss Nutcracker, Andrea Kramešová; The king mice, Francesco Scarpato; The Star, Nikola Márová; The Czech National Ballet; &; The preparatory school of the Czech National Ballet; Recorded on December 7th & 8th 2016 at the Prague National Theater (Czech Republica); TV director, Patrick Lauzé; P10038476 (102 min)