• Mezzo Live HD

    • Mezzo Live HD od do

      • Orchestre de Paris, Esa-Pekka Salonen, Gautier Capuçon: Shostakovich, Bruckner

        Dmitri Chostakovitch (1906 – 1975); Cello Concerto no. 1 in E-flat major Op. 107; Anton Bruckner (1824 – 1896); Symphony no. 6 in A major; Paris, Philharmonie, 2 December 2021 1260270_1 (90 min)

      • InterMezzo

        (20 min)

      • Martha Argerich, Maria Joao Pires, Orchestre de la Suisse Romande, Daniel Harding: Mozart, Mahler

        Orchestre de la Suisse Romande, Daniel Harding (Conductor); Martha Argerich, Maria Joao Pires (piano); Wolfgang Amadeus Mozart (1756 - 1791); Concerto for two pianos and orchestra No.10 in E flat major, KV 365; Gustav Mahler (1860 - 1911); Symphony No.1 in D major 'Titan'; Geneva, Victoria Hall, December 16, 2021 1260860_1 (90 min)

      • Klaus Mäkelä and the Orchestre de Paris: Ravel, Beethoven

        Orchestre de Paris, Klaus Mäkelä (Conductor); Maurice Ravel (1875 - 1937); Le Tombeau de Couperin; Ludwig van Beethoven (1770 - 1827); Symphony no 7 in A major, Op. 92; Live from the Philharmonie de Paris; TV Director, Sébastien Glas P10067976 (69 min)

      • Jonathan Nott and the Orchestre de la Suisse Romande: Mahler

        Orchestre de la Suisse Romande, Jonathan Nott (Conductor); Ensemble vocal de Lausanne, Maîtrise du Conservatoire Populaire de Musique, Danse et Théâtre de Genéve; Mihoko Fujimura (mezzo-soprano); Gustav Mahler (1860 - 1911); Symphony no. 3 in D minor; Recorded on May 24, 2018 at the Victoria Hall, Genéve; Directed by Andy Sommer; P10054456 (112 min)

      • InterMezzo

        (5 min)

      • The Murderess by Giorgos Koumendakis at the Greek National Opera

        The Murderess (Η φόνισσα); Opera by Giorgos Koumendakis (b. 1959); Libretto by Yannis Svolos, based on Alexandros Papadiamantis’ novel of the same title; Orchestra, Chorus, Children’s Chorus of the Greek National Opera, Vassilis Christopoulos (Conductor); Agathangelos Georgakatos (Chorus master), Konstantina Pitsiakou (Children’s chorus mistress); Alexandros Efklidis (Stage Director); Petros Touloudis (Sets), Petros Touloudis, Ioanna Tsami (Costumes), Vinicio Cheli (Lighting); Mary-Ellen Nesi (Frangoyannou, The Murderess); Anna Stylianaki (Maroysso); Tassos Apostolou (Ioassaf); Myrto Bokolini (Delcharo); Vangelis Maniatis Yannis (Perivolas); Sophia Kyanidou (Yannou); Filli Georgiadou (Xennoula’s mother); Yannis Christopoulos (First Police Officer); Yanni Yannissis (Magistrate); Nicholas Stefanou (Second Police Officer | Assesor); Marilena Striftobola (Krinio); Stelina Apostolopoulou (Toula); Miranda Makrynioti (Myrsouda); Georgios Papadimitriou (Doctor); Maria Konstada (Amersa); Aggelos Nerantzis (Konstantis); Polyphonic Ensenble; Martha Mavroidi, Maria Melachrinou, Alkmini Basakarou, Ioanna Forti; Athens, GNO Stavros Niarchos Hall, 3 December 2021 1260819_1 (180 min)

      • InterMezzo

        (60 min)

      • Alfredo Rodriguez & Pedrito Martinez | Jazz sous les Pommiers

        Sophie Alour "Exil (s)"; Sophie Alour (saxophone, flute, compositions); Mohamed Abozékry (oud); Donald Kontamanou (drums); Philippe Aerts (double bass); Damien Argentieri (piano); Wassim Halal (derbouka, bendir); The first, Alfredo Rodriguez, after classical training, discovered the world of jazz and improvisation by listening to Keith Jarrett.Today he is Quincy Jones's preferred pianist. The second, Pedrito Martinez, congaceros (percussionnist) comes from the streets of Havana making the whole of New York dance at Ginny's, the epicentre of Cuban Santeria. These two great jazz hopes meet each other at last and hold high the torch of the new uninhibited Latin-jazz scene where their virtuoso and audacious playing and their volcanic energy is put to the service of adventurous writing for a unique and fascinating voyage. Recorded on May 31, 2019 at Jazz sous les Pommiers; TV Directors, Thierry Villeneuve; P10062800 (89 min)

      • Anne Paceo, Alegria | Jazz sous les Pommiers

        Anne Paceo "Alegria"; Anne Paceo (drumes, compositions); Daniel Santiago (guitar); Frederico Heliodoro (bass); Leonardo Montana (piano); " Alegria " or " joy " in Portuguese...This what comes out of the encounter between Anne Paceo and two musicians having frequented the greatest names in Brazilian music (Hamilton de Holanda, Joao Bosco, Milton Nascimento, Hermeto Pascoal...). The pianist and Anne's faithful accomplice, Léo Montana, completes this dream casting. For the occasion our sparkling artist in residence will propose some new compositions she says: " I know that from our alchemy, magic will be born and that it really is joy that will spring out of it. "; Recorded on June 1st, 2019 at Jazz sous les Pommiers; TV Directors, Laurent Hasse & Thierry Villeneuve; P10062797 (70 min)

      • Anne Paceo, Rewind | Jazz sous les Pommiers

        Anne Paceo " rewind"; Anne Paceo (drumes, compositions); Sylvain Daniel (bass); Matthis Pascaud (guitar); Racecar (MC); Mike Ladd (MC); Osloob (MCM); " Rewind" is a return to her roots for Anne Paceo. Firstly a return to her initial musical loves, with a world at the frontiers of hip hop, jazz, groove and rock. But also a return to the compositions of her six albums. For this new project, she has written a few new titles, but also revisits certain titlles from her repertoire... mixed with a groovy sauce!Accompanied by the bass player Sylvain Daniel and the guitarist Matthis Pascaud, Anne has surrounded herself with 3 Master of CeremoniesC's: Racecar and his cutting flow, Mike Ladd the poet of the spoken word, and Osloob and his posessed singing. A group that really wants to make you get up and dance! Recorded on May 29, 2019 at Jazz sous les Pommiers; TV Directors, Laurent Hasse & Thierry Villeneuve; P10062798 (75 min)

      • Vanessa by Samuel Barber, Glyndebourne Festival

        Vanessa; Opera in four acts by Samuel Barber (1910 - 1981); Libretto by Gian Carlo Menotti; First performance in New York, Metropolitan Opera, 15 January 1958; London Philharmonic Orchestra, Jakub Hrůša (Conductor); The Glyndebourne Chorus; Nicholas Jenkins (Chorus Master); Keith Warner (Stage Direction); Ashley Martin-Davis (Sets), Mark Jonathan (Lighting), Alex Uragallo (Video); William Thomas (Nicholas, the Major-Domo); Virginie Verrez (Erika); Emma Bell (Vanessa); Edgaras Montvidas (Anatol); Rosalind Plowright (The Old Baroness); Ray Albert (The Old Doctor Donnie); Romanas Kudriašovas (Footman); Recorded 12 and 14 August 2018 at the Glyndebourne Festival; Directed by François Roussillon; 24.12.2021 P10053911 (126 min)

      • InterMezzo

        (45 min)

      • Festival de Granada 2021: Pablo Sáinz-Villegas, A Tribute to Andrés Segovia

        Pablo Sáinz-Villegas (classical guitar); A Tribute to Andrés Segovia; Enrique Granados (1867-1916); Spanish Dance No. 5 “Andaluza”, Op. 37; Spanish Dance no. 10 “Danza melancólica”, Op. 37; Joaquín Rodrigo (1901-1999); Invocation and Dance; Francisco Tárrega (1852-1909); Arab Caprice; Prelude-Tear; Adelita; Isaac Albéniz (1860-1909); Torre Bermeja, of Twelve Characteristic Pieces, Op. 92; Mallorca (Barcarola), Op. 202; Asturias (Legend), from Spanish Suite, Op. 47; Granada, The Patio de los Arrayanes, 5 July 2021 1235818_1 (44 min)

      • Gala Andalucía Flamenca: Women's Chant

        Singing: María Vargas (Sanlúcar de Barrameda); Juana la del Pipa (Jerez); Herminia Borja "La Chula" (Sevilla); Dolores Agujetas (Jerez); Mari Peňa (Utrera); La Nitra (Granada); Chonchi Heredia (Granada); Rocío Segura (Almería); Anabel Valencia (Lebrija); Lela Soto (Jerez); Guitars: Paco Cortés (Granada); Antonio Malena (Jerez); Manuel Parrilla (Jerez); Carlos de Jacoba (Granada); Rhythm and hand-clapping:: Ángel Moreno "El Pirulo"; Markito Carpio; Manuel Jesús Blanco; Festival de Granada, 6 July 2021 P10070916 (48 min)

      • InterMezzo

        (143 min)

      • New York City Ballet in Paris | Théâtre du Châtelet

        New York City Ballet in Paris; Walpurgisnacht Ballet; Choreography, George Balanchine; © The George Balanchine Trust; Music, Charles Gounod | extrait de Faust (1859, ballet ajouté en 1869); Costume, Karinska; Lights, Mark Stanley; Sonatine; Choreography, George Balanchine; © The George Balanchine Trust; Music, Maurice Ravel (1906); Lights, Mark Stanley; La Valse; Choreography, George Balanchine; © The George Balanchine Trust; Music, Maurice Ravel | Valses Nobles et Sentimentales (1911, orchestré en 1912), La Valse (1920); Costume, Karinska; Sets, Jean Rosenthal; Lights, Mark Stanley; Symphony in C (Le Palais de Cristal); Choreography, George Balanchine; © School of America Ballet. Inc. Music, Georges Bizet | Symphony in C major (1855); Costume, Marc Happel; Lights, Mark Stanley; Ballet Master, Peter Martins; Prométhée Orchestra; Conductor, Daniel Capps; Recorded on juilly 2016 at the Théâtre du Châtelet; TV Direction, Vincent Bataillon; P10069056 (101 min)

      • Clowns by Hofesh Shechter

        Clowns; Directed, choreographed and composed by Hofesh Shechter; Performed by Hofesh Shechter Company; Chien-Ming Chang, Frédéric Despierre, Rachel Fallon, Mickaël Frappat, Yeji Kim Kim Kohlmann, Erion Kruja, Merel Lammers, Attila Ronai, Diogo Sousa (dancers); Christina Cunningham (costume design); London, Rivoli Ballroom, 2018; Directed by Sebastian Cort 1258239_1 (28 min)

      • InterMezzo

        (105 min)

      • Juditha Triumphans by Vivaldi at the Greek National Opera

        Juditha triumphans; Oratorio by Antonio Vivadi (1678 – 1741); Librettto by Iacopo Cassetti; Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor); Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master); Thanos Papakonstantinou (Stage Direction); Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography); Roxana Constantinescu (Juditha); Kristina Hammarström (Holofernes); Inga Kalna (Vagaus); Theodora Baka (Abra); Sophia Patsi (Ozias); Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021; Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments. P10070780 (125 min)

      • Javier Perianes in Granada: Falla, Debussy, Albéniz

        Javier Perianes (piano); Manuel de Falla (1876-1946); Le tombeau de Claude Debussy; Claude Debussy (1862-1918); La soirée dans Grenade; La Puerta del Vino, Préludes - Book II; La sérénade interrompue, Préludes - Book I; Isaac Albéniz (1860-1909); El Albayzín, Suite Iberia; Manuel de Falla; El amor brujo, piano suite; Fantasía Baetica; Recorded 5 July 2020 at the Festival de Granada, Pórtico del Palacio del Partal (Alhambra) P10067997 (60 min)

      • InterMezzo

        (60 min)

      • Tugan Sokhiev and the Orchestre National du Capitole de Toulouse: Shostakovich

        Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor); Behzod Abduraimov (piano); Sergei Prokofiev (1981 - 1953); Piano Concerto no 2 in G minor Op. 26; Dmitri Shostakovich (1906 - 1975); Symphony no. 10 in E minor Op. 93; Halle aux Grains, Toulouse, 10 September 2021; Directed by Jean-Pierre Loisil P10070818 (90 min)

      • The Orchestre National du Capitole de Toulouse, Maxim Emelyanychev and Adam Laloum: Schumann

        Orchestre National du Capitole de Toulouse, Maxim Emelyanychev (Conductor); Adam Laloum (Piano); Robert Schumann (1810 - 1856); Genoveva, oberture, Op. 81; Piano Concerto in A minor, Op. 54; Symphony No. 4 in D minor, Op. 120; Live from the Halle aux Grains, Toulouse; P10069976 (70 min)