• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (100 min)

      • La Damnation de Faust de Berlioz par Les Siécles et François-Xavier Roth

        Les Siécles, François-Xavier Roth (Conductor); Chœur Marguerite Louise; Gaétan Jarry (Chorus Master); Mathias Vidal (tenor) (Faust); Anna Caterina Antonacci (mezzo-soprano) (Marguerite); Nicolas Courjal (bass) (Méphistophélés); Thibault de Damas d'Anlezy (bass) (Brander); Hector Berlioz (1803 - 1869); La Damnation de Faust; Légende dramatique in four parts; Libretto by Hector Berlioz and Almire Gandonniére after Gérard de Nerval's translation of Johann Wolfgang von Goethe's 'Faust'; First performance in Paris, Opéra-Comique, 6 December 1846; Recorded on 6 November 2018 at the Opéra Royal, Château de Versailles; Directed by Frédéric Caillierez (127 min)

      • Misteria Paschalia: Sacred works by Antonio Nola

        Cappella Neapolitana, Antonio Florio (conductor); Leslie Visco (soprano), Anna Zawisza (soprano), Marta Fumagalli (alto), Alessio Tosi (tenor), Giuseppe Naviglio (bass); Antonio Nola (1642 -?); Tristes erant Apostoli; Homo et Angelus; Ecce Nunc Benedìcite; Stabat Mater; Sacramento Laudes; Pietro Marchitelli (1643 - 1729); Concerto grosso no. 11 in A minor; Recorded on April 19, 2019 at the ICE Kraków Congress Centre as part of the Misteria Paschalia Festival 2019; TV Director, Jean-Pierre Loisil 14.03.2021 (58 min)

      • Hugh Coltman - Jazz in Marciac

        Hugh Coltman (voice); Frédéric Couderc (baritone clarinet); Jérôme Etcheberry (trumpet); Jerry Edwards (trombone); Didier Havet (soubassophone); Freddy Koella (guitar); Gael Rakotondrabe (piano); Raphael Chassin (drums); Heard in the company of the pianist Eric Legnini on an album where he was simply a guest, Hugh Coltman rapidly broke the barrier of confidentiality to gain access to the the antechamber of notoriety. His latest hour of glory (for the time being), was his allegorical project based on the repertoire of Nat King Cole, the historic crooner and pianist. The voice of this Brit possesses that full masculinity which characterises his dedicatee, but it carries with it a bit of spleen, a sort of Baudelairian charm which the language of Shakespeare makes even more palpable...A confirmation eagerly awaited in Marciac this summer with his new album 'Who's happy?'. With drums which dance just like in one of those legendary burials in New Orleans, brass saturated with soul, guitars mixing up all the blues and all the folk... Hugh Coltman treated himself to a sublime backdrop for eleven songs in which his warm 'been through it all' voice can be heard. He is a conoisseur in human emotions, always charitable towards the evening's lover, the lost soul at dawn or the forlorn in the blazing sunshine. Recorded at Jazz in Marciac Festival (Circus top), on July 31, 2018; TV Director, Jean-Marc Birraux (64 min)

      • InterMezzo

        (43 min)

      • The Bronze Horseman, Mariinsky Theatre Ballet

        The Bronze Horseman; Ballet in three acts; Choreography by Rostislav Zakharov and Yuri Smekalov; Music by Reinhold Gliere; Libretto by Pyotr Abolimov, after a poem by Alexander Pushkin; Mariinsky Orchestra and Chorus; Valery Gergiev, musical director and conductor; Andrei Sevbo, production designer; Tatiana Noginova, costume; Alexander Naumov, lights; Alexander Logvinov, video graphics designer; Wth; Vladimir Shklyarov, Eugene; Viktoria Tereshkina, Parasha; Vladimir Ponomarev, Peter I; Ivan Oskorbin, Ibrahim the Blackmoor; Yekaterina Kondaurova, the Queen of the Ball; Sofia Ivanova-Skoblikova, Columbine; Vasily Tkachenko, Harlequin; Grigory Popov, Balakirev the Jester; Valeria Karpina, Parasha's mother; Recorded at the Théâtre Mariinsky II on June 15th and 17th 2016; TV direction by Louise Narboni (130 min)

      • The Fountain of Bakhtchisarai, Mariinsky Theatre Ballet

        The Fountain of Bakhtchisarai; Mariinsky Theater Ballet; Rostislav Zakharov, Choreography; Boris Asafiev, composer; Valentina Khodasevich, Set and costume design; Nikolai Volkov, Libretto based on the poem by Alexander Pushkin; With; Nikolai Naumov, Prince Adam; Olesya Novikova, Maria; Maxim Zyuzin, Vaslav; Yuri Smekalov, Ghirei; Alexandra Losifidi, Zarema; Pavel Ostapenko, Nurali; Recorded on May 27th and 28, 2017 at the Mariinsky Theatre, Saint Petersburg; TV Director, Olivier Simonnet (110 min)

      • InterMezzo

        (28 min)

      • Prokofiev's The Fiery Angel at the Mariinsky Theatre

        The Fiery Angel (Огненный ангел); Opera in five acts and seven scenes by Sergei Prokofiev (1891 - 1953); Libretto by Sergei Prokofiev after Valery Briusov; First performance in Paris, Théâtre des Champs-Elysées, 15 November 1954; Mariinsky Orchestra and Chorus, Valery Gergiev (conductor); David Freeman (Stage Director); Elena Stikhina (Renata); Yevgeny Nikitin (Ruprecht); Anna Kiknadze (The Sorceress); Yevgeny Akimov (Méphistophélés); Mikhail Petrenko (The Inquisitor); Recorded 31 January 2021, Mariinsky Theatre, Saint-Petersburg (150 min)

      • InterMezzo

        (28 min)

      • Le Poéme Harmonique and Vincent Dumestre at the Misteria Paschalia Festival: Purcell, Clarke

        Le Poéme Harmonique, Les Cris de Paris, Vincent Dumestre (direction); Emmanuelle de Negri (soprano), Zachary Wilder (ténor), Victor Sicard (basse); Henry Purcell (1659 - 1695); Welcome to all the pleasures; Jeremiah Clarke (1674 - 1707); Ode on the Death of Henry Purcell; Henry Purcell; Funeral sentences for the death of Queen Mary II; Recorded on March 31st 2018 at the Misteria Paschalia festival of Cravow; TV Director, Jean-Pierre Loisil (65 min)

      • Rinaldo Alessandrini and the Concerto Italiano: Vivaldi, Leo, Bononcini

        Concerto Italiano, Rinaldo Alessandrini (Conductor); Chór Polskiego Radia; Sonia Tedla (soprano), Enrico Torre (alto), Luca Cervoni (tenor), Salvo Vitale (bass); Antonio Vivaldi (1678 - 1741); Credo in E minor RV 591; Leonardo Leo (1694 - 1744); Miserere for double choir, 8 voices and continuo; Antonio Maria Bononcini (1677 - 1726); Stabat Mater in C minor; Recorded at the ICE Kraków Congress Centre, 18 April 2019, as part of the Misteria Paschalia Festival; TV Director, Jean-Pierre Loisil (59 min)

      • Gianandrea Noseda, Yefim Bronfman and the Royal Concertgebouw Orchestra: Kodaly, Liszt, Dvorak

        Royal Concertgebouw Orchestra, Gianandrea Noseda (Conductor); Yefim Bronfman (piano); Antonín Dvořák (1841 - 1904); The Noon Witch, Op.108; Zoltán Kodály (1882 - 1967); Variations on 'Fölszállott a páva' (Peacock Variations); Franz Liszt (1811 - 1886); Piano Concerto no. 2 in A major; Recorded on 13 January 2021, Amsterdam, Concertgebouw; Directed by Ferenc Soeteman (63 min)

      • Der Freischütz by Weber at the Munich Staatsoper

        Der Freischütz; Opera in three acts by Carl Maria von Weber (1786 - 1826); Libretto by Friedrich Kind; First performance in Berlin, Schauspielhaus, 18 juin 1821; Bayerisches Staatsorchester, Chor der Bayerischen Staatsoper, Antonello Manacorda (Conductor); Stellario Fagone (Chorus Master); Dmitri Tcherniakov (Stage Direction, Sets); Elena Zaytseva (Costumes), Gleb Filshtinsky (Lighting); Pavel Černoch (Max); Anna Prohaska (Ännchen); Kyle Ketelsen (Kaspar); Boris Prýgl (Ottokar); Bálint Szabó (Kuno); Golda Schultz (Agathe); Tareq Nazmi (Ein Eremit); Milan Siljanov (Kilian); Eliza Boom, Sarah Gilford, Daria Proszek, Yajie Zhang (Vier Brautjungfern); Recorded 13 February 2021, Munich, Staatsoper, Nationaltheater (140 min)

      • InterMezzo

        (74 min)

      • Les Siécles and François-Xavier Roth: Beethoven's Symphonies No. 5 & 7

        Les Siécles, François-Xavier Roth (Conductor); Ludwig van Beethoven (1770 - 1827); Symphony no 5 in C minor, op. 67; Symphony no 7 in A major, op. 92; Recorded at the Opéra Royal, Versailles, 14 March 2020 (75 min)

      • Les Siécles and François-Xavier Roth: Berlioz at the Philharmonie de Paris

        Les Siécles, François-Xavier Roth (Conductor); Tabea Zimmermann (Viola); Hector Berlioz (1803 - 1869); Overture to Benvenuto Cellini; Overture to Béatrice et Bénédict; Le Carnaval romain; Roméo et Juliette: Roméo seul - Grande fete chez les Capulet; Harold en Italie; Recorded at the Philharmonie de Paris, 11 January 2019; TV Director, Olivier Simonnet (92 min)

      • InterMezzo

        (60 min)

      • Hugh Coltman - Jazz in Marciac

        Hugh Coltman (voice); Frédéric Couderc (baritone clarinet); Jérôme Etcheberry (trumpet); Jerry Edwards (trombone); Didier Havet (soubassophone); Freddy Koella (guitar); Gael Rakotondrabe (piano); Raphael Chassin (drums); Heard in the company of the pianist Eric Legnini on an album where he was simply a guest, Hugh Coltman rapidly broke the barrier of confidentiality to gain access to the the antechamber of notoriety. His latest hour of glory (for the time being), was his allegorical project based on the repertoire of Nat King Cole, the historic crooner and pianist. The voice of this Brit possesses that full masculinity which characterises his dedicatee, but it carries with it a bit of spleen, a sort of Baudelairian charm which the language of Shakespeare makes even more palpable...A confirmation eagerly awaited in Marciac this summer with his new album 'Who's happy?'. With drums which dance just like in one of those legendary burials in New Orleans, brass saturated with soul, guitars mixing up all the blues and all the folk... Hugh Coltman treated himself to a sublime backdrop for eleven songs in which his warm 'been through it all' voice can be heard. He is a conoisseur in human emotions, always charitable towards the evening's lover, the lost soul at dawn or the forlorn in the blazing sunshine. Recorded at Jazz in Marciac Festival (Circus top), on July 31, 2018; TV Director, Jean-Marc Birraux (64 min)

      • Eric Truffaz Quartet - Jazz in Marciac

        Erik Truffaz (trumpet); Marcello Giuliani (bass); Benoît Corboz piano (Fender Rhodes); Marc Erbetta (drums); With special guests; Nya (voice); Guillaume Perret (saxophone); The trumpet player of Swiss origin, Erik Truffaz,is one of the first European jazzmen to have successfully approached drum'n'bass. In 1991 he founded a quartet which today is composed of Benoît Corboz (keyboards), Marcello Giuliani (bass) and Marc Erbetta (drums and percussion),he explores electronic jazz-fusion much in the same way as Miles Davis and recorded several albums starting from 1994. After an incursion into into rock at the head of his Ladybird Quartet created in 2001, he returned to the formula which had made him successful. In his world, always deeply influenced by Miles Davis, the stridencies of rock alternate with the poetic respites, the rousing grooves with more calm ballads. Recorded at Jazz in Marciac Festival (Circus top), on August 6, 2018; TV Director, Jean-Marc Birraux 13.03.2021 (59 min)

      • Rymden - Tourcoing Jazz Festival

        Rymden; Bugge Wesseltoft, piano; Dan Berglund; double bass; Magnus Ostrom, drums; When the rhythmic section of the mythical Swedish jazz group played again for the first time in trio since the passing of Esbjörn Svensson, it produces Rymden (space in the French version) - logical for blokes who are into atmospheric sounds. Alongside them, one of the most exciting pianists of the Nordic jazz scene. Founder of the thrilling label Jazzland and pillar of cross-overs between impro and electro, Bugge Wesseltoft is very much an ideal playing partner. A 'young' trio filled with experience (s). Recording at the Tourcoing Jazz Festival on October 12, 2019; TV Director, Samuel Thiebaut (58 min)

      • El Comité - Jazz in Marciac

        El Comité; Carlos Sarduy trumpet; Irving Acao saxophone; Harold López-nussa keyboard, piano; Rolando Luna claviers, piano; Gaston Joya basse, double bass; Rodney Barreto drums; Yaroldy Abreu percussion; Here are at least are 7 good reasons to listen to El Comité: Harold Lopez-Nussa, Rolando Luna, Rodney Barreto, Yaroldy Abreu, Gaston Joya, Carlos Sarduy and Irving Acao! Considered as being part of the most brilliant and renowned Cuban musicians of their generation, this band of 7 had the excellent idea of composing an album entitled ' Y que!? (So What) ', nine pieces which reflect the diversity of influences and rhythms of El Comité. Afrobeat, funk, Latin jazz, ballades a ' Cuban groove Siglo 21 ' to put between all ears, impressive compositions, revivals marked El Comité, always stamped with the fluidity and energy which characterises this group. Despite their youth, their 15 or 20 years on the international stage for most of them, gives a veritable maturity to this album. The harmonies and thematic structures are an ample illustration. And finally, on stage, it is always a real pleasure to see El Comité developing where their overflowing energy and musical generosity rapidly becomes contagious. Recorded on July 29, 2019 at Jazz in Marciac; TV Director, (61 min)

      • InterMezzo

        (58 min)

      • Valery Gergiev and the Munich Philharmonic: Prokofiev, Strauss and Tchaikovsky

        Munich Phiharmonic Orhestra, Valery Gergiev (conductor); Sergei Prokofiev; Romeo and Juliet, op. 64, excerpts; Richard Strauss; Don Juan, op. 20; Piotri Tchaikovsky; Symphony No 6; Recorded on September 24, 2015 at the Philharmonie im Gasteig, Munich; TV Director, François-René Martin (90 min)

      • Valery Gergiev conducts the Mariinsky Orchestra: Stravinsky and Rimsky-Korsakov

        Mariinsky Orchestra, Valery Gergiev (Conductor); Igor Stravinsky (1882 - 1971); Pogrebal'naya Pesnya (Funeral Song) (first performance of the reconstructed version); Firebird; Nikolay Rimsky-Korsakov (1844 - 1908); The Invisible City of Kitezh, suite; Recorded at the Mariinski Concert Hall, Saint Petersburg, on 2 December 2016; TV Director,, François-René Martin; 13.03.2021 (96 min)