• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (100 min)

      • Samson by Haendel at the Misteria Paschalia Festival in Krakow

        Dunedin Consort, Polish Radio Choir, John Butt (conductor); Eleanor Dennis (Dalila), Fflur Wyn (Virgin - Israelite), Charlotte Ashley (Virgin - Philistine), Caitlin Hulcup (Micah), James Way (Samson), Hugo Hymas (Israelite), Matthew Brook (Manoah), Vitali Rozynko (Harapha); Georg Friderich Haendel (1685- 1759); Samson; Recorded on April 1st, 2018, at the Misteria Paschalia Festival, Krakow; TV Director, Jean-Pierre Loisil (197 min)

      • Yaron Herman Trio - Jazz á Vienne

        Yaron Herman trio; Yaron Herman, Piano, KIeyboard; Bastien Burger, Bass, Vocal, Keyboard; Ziv Ravitz, drums, electronics; Everyday, his duo with Ziv Ravitz in 2015 and first album for Blue Note, the first disc with songs, felt like a comeback for Yaron Herman. The French-Israeli's latest album, 'Y', is a real melting pot of all his influences. His inspirations are explored with pure elegance be they jazz, post-rock or electro by Sufjan Stevens, Steve Reich or Keith Jarrett. Better still, instead of covering mainstream songs like he used to (from Britney Spears to Radiohead), he's made his own songs with or without vocals, words or choruses. Perhaps we have the Arles Photography Festival (2015) to thank for that along with his encounter with Matthieu Chedid (singer on Saisons Contradictoires), friendship with the bassist from The Do Bastien Burger (co-producer on the album) and his discovery of the young French electro-pop producer Dream Koala (guest on Solaire). Yaron Herman is definitely back. Recorded on 2017, July 4th at the Jazz Festival in Vienne; TV Director, Fabien Raymond (61 min)

      • InterMezzo

        (60 min)

      • Madama Butterfly by Puccini at the Royal Opera House

        Madama Butterfly; Tragedia giapponese by Giacomo Puccini (1858 - 1924); Libretto by Giuseppe Giacosa and Luigi Illica after David Belasco's play 'Madame Butterfly'; First performance in Milan, Teatro alla Scala, 17 February 1904; Orchestra and Chorus of the Royal Opera House, Antonio Pappano (Conductor); Moshe Leiser, Patrice Caurier (Stage Direction); Christian Fenouillat (Sets), Agostino Cavalca (Costumes); Ermonela Jaho (Cio-Cio-San); Marcelo Puente (Pinkerton); Scott Hendricks (Sharpless); Carlo Bosi (Goro); Elizabeth DeShong (Suzuki); Jeremy White (Bonze); Emily Edmonds (Kate Pinkerton); Gyula Nagy (Imperial Commissioner); Yuriy Yurchuk (Prince Yamadori); Recorded at the Royal Opera House, Covent Garden, London, 2017; Directed by Matthew Woodward (138 min)

      • InterMezzo

        (98 min)

      • Cory Henry & the Funk Apostles - Jazz á Vienne

        Cory Henry & the Funk Apostles; Jazz á Vienne 2016; With; Cory Henry (keyboards, vocals); Andrew Bailey (guitar), Erin Jakemore (percussions), Cleon Edwards (drums), Sharay Reed (bass), Nick Simrod (keyboards); Recorded on July, 13th 2016 at the Théâtre Antique; TV direction by Eric Michaud (81 min)

      • Robin McKelle - Jazz á Vienne

        Robin McKelle; Jazz á Vienne 2016; With; Robin McKelle, Jake Sherman (keyboards), Eli Menezes (guitar), Matt Brandau (bass), Adam Jackson (drums); Recorded on July 13th 2016 at the Théâtre Antique; TV direction by Eric Michaud (72 min)

      • InterMezzo

        (30 min)

      • Mozart's 'La Clemenza di Tito' at the Geneva Grand Théâtre

        La Clemenza di Tito; Opera seria in two acts by Wolfgang Amadeus Mozart (1756 - 1791); Libretto by Pietro Metastasio; First performance in Prague, National Theatre, 6 September 1791; Orchestre de la Suisse Romande, Chœur du Grand Théâtre de Genéve, Maxim Emelyanychev (Conductor); Alan Woodbridge (Chorus Master); Milo Rau (Stage Director); Anton Lukas (Sets), Ottavia Castellotti (Costumes), Jürgen Kolb (Lighting), Moritz von Dungern (Video), Carmen Hornbostel (Dramaturgy); Bernard Richter (Tito); Serena Farnocchia (Vitellia); Anna Goryachova (Sesto); Marie Lys (Servilia); Cecilia Molinari (Annio); Justin Hopkins (Publio); Recorded at the au Grand Théâtre, Geneva, 19 February 2021 (135 min)

      • InterMezzo

        (43 min)

      • Simon Rattle and the London Symphony Orchestra: Birtwistle, Holst, Turnage, Britten

        Simon Rattle (conductor); London Symphony Orchestra, London Symphony Chorus, Tiffin Choirs, Philip Cobb (trumpet), Gábor Tarkövi (trumpet), Elizabeth Watts (soprano), Alice Coote (mezzo-soprano), Allan Clayton (tenor); Simon Halsey (chorus director); Harrison Birtwistle (b. 1934); Fanfare (world premiere); Gustav Holst (1874 - 1934); Egdon Heath; Mark-Anthony Turnage (b. 1960); Dispelling the Fears; Benjamin Britten (1913 - 1976); Spring Symphony; Recorded at the Barbican Hall, London, on September 16, 2018; TV Director, François-René Martin (86 min)

      • Laboratorio '600 and Pino de Vittorio: Lu Cuntu de la Passiuni

        Laboratorio '600, Franco Pavan (theorbo, leader); Pino de Vittorio (tenor); Flora Papadopoulos (harp), Elisa La Marca (lute); Lu Cuntu de la Passiuni; Chi é devoto (anonimo); Tarantella della Passione (anonimo); Passacaglio delle ore de la Passiuni (anonimo); Si partì la Madonna (anonimo); Gagliarda del Principe (Gesualdo da Venosa); Passioni Nostro Signuri (anonimo); Canzona a morto / Sonata dopo la canzone (anonimo); La morte di Gesú (anonimo); Stava a pié della Croce (anonimo); Tarantella (anonimo); Stabat Mater di Santo Stefano di Camastra (tradizionale); Misericordes sicut pater; Madonna della Grazia; Recorded at the Wieliczka Salt Mine, 20 April 2019, as part of the Misteria Paschalia Festival; TV Director, Jean-Pierre Loisil (61 min)

      • Gianandrea Noseda, Yefim Bronfman and the Royal Concertgebouw Orchestra: Kodaly, Liszt, Dvorak

        Royal Concertgebouw Orchestra, Gianandrea Noseda (Conductor); Yefim Bronfman (piano); Antonín Dvořák (1841 - 1904); The Noon Witch, Op.108; Zoltán Kodály (1882 - 1967); Variations on 'Fölszállott a páva' (Peacock Variations); Franz Liszt (1811 - 1886); Piano Concerto no. 2 in A major; Recorded on 13 January 2021, Amsterdam, Concertgebouw; Directed by Ferenc Soeteman (63 min)

      • InterMezzo

        (13 min)

      • The Pastoral by Thierry Malandain - Théâtre National de chaillot

        La pastorale; Musique, Ludwig van Beethoven; Symhonie N°6, La pastorale, op.68 | Cantate, Mer Calme et heureux voyage, op.112 | Musique de scéne, Les Ruines d'Athénes (extraits), op.113; Décors et Costumes, Jorge Gallardo; Lumiéres, François Menou; Réalisation costumes, Véronique Murat; Conception décors et costumes, Frédéric Vadé; Avec; Lui (Him): Hugo Layer; Eux (them): Irma Hoffren, Mickaël Conte, Nuria López Cortés, Raphaël Canet; Les Lumineux (The luminous): Frederik Deberdt, Arnaud Mahouy, Giuditta Banchetti, Clémence Chevillotte, Jeshua Costa, Clara Forgues, Loan Frantz, Michaël Garcia, Cristiano La Bozzetta, Hugo Layer, Guillaume Lillo, Alessia Peschiulli, Patricia Velazquez, Allegra Vianello, Laurine Viel; Recorded on December décembre 2019 au Théâtre National de Chaillot; TV Director, Patrick Lauzé (78 min)

      • Tatjana by John Neumeier, Hamburg Ballet

        Tatjana; Choreography by John Neumeier; after 'Eugene Onegin' by Alexander Pushkin; Original music - World creation, Lera Auerbach; Staging, Sets and Costumes, John Neumeier; With; Tatjana, Héléne Bouchet; Eugene Onegin, Edvin Revazov; Olga Larina, Leslie Heylmann; Vladimir Lensky, Alexandr Trusch; Prince N, Carsten Jung; And the Hamburg ballet; Recorded on June 5th and 6th 2015 at the Hamburg State Opera, Germany; TV Director, Thomas Grimm (134 min)

      • InterMezzo

        (10 min)

      • Rameau's Les Indes Galantes at the Opéra national de Paris

        Les Indes Galantes; 'Opéra-ballet' in a prologue and four entrées by Jean-Philippe Rameau (1683 - 1764); Libretto by Louis Fuzelier; First performance in Paris, Opéra, 23 August 1735; Cappella Mediterranea Orchestra, Chœur de chambre de Namur, Maîtrise des Hauts-de-Seine / Children Chorus of the Opéra national de Paris, Leonardo García Alarcón (Conductor); Dancers of the Compagnie Rualité; Clément Cogitore (Stage director); Bintou Dembélé (Choreography), Alban Ho Van, Ariane Bromberger (Sets), Wojciech Dziedzic (Costumes), Sylvain Verdet (Lighting); Sabine Devieilhe (Hébé / Phani / Zima); Florian Sempey (Bellone / Adario); Jodie Devos (L'amour / Zaire); Edwin Crossley-Mercer (Osman / Ali); Julie Fuchs (Émilie / Fatime); Mathias Vidal (Valére / Tacmas); Alexandre Duhamel (Huascar / Don Alvar); Stanislas de Barbeyrac (Don Carlos / Damon); Recorded at the Opéra National de Paris, Opéra-Bastille, 8 & 10 October 2019; TV Director, François-rené Martin (197 min)

      • Youn Sun Nah - D'jazz Nevers

        Youn Sun Nah; Youn Sun Nah, voice; Tomek Miernowski, guitars, piano, synthesizer, programming; Rémi Vihnolo, drums, double bass, electric bass, programming; A decade after the release of Same Girl, recording marking the consecration in 2010 of Youn Sun Nah, she continues to assert herself as a singer resolutely not to be classified, whose all-embracing virtuoso voice can handle jazz, improvisation, opera, pop and world music. With her recent album, a polished made in-studio immersion with the complicity of her producer-arranger Clément Ducol, the Korean has produced her most personal work to date: apart from the revisiting of an eclectic repertoire from Albéniz to Michel Legrand and George Harrison, Marvin Gaye and Leonard Cohen, she leaves plenty of room for the first time for her own compositions, thus confirming a singular talent as a songwriter. An explosive cocktail, which can be taken full advantage of on stage with the complicity of Tomek Miernowski on guitars and keyboards as well as the phenomenal Rémi Vignolo, just as at ease on the drums as on the double bass. Recorded at the D'jazz Nevers on November 16, 2019; TV Director, Samuel Thiebaut (56 min)

      • InterMezzo

        (42 min)

      • La Damnation de Faust de Berlioz par Les Siécles et François-Xavier Roth

        Les Siécles, François-Xavier Roth (Conductor); Chœur Marguerite Louise; Gaétan Jarry (Chorus Master); Mathias Vidal (tenor) (Faust); Anna Caterina Antonacci (mezzo-soprano) (Marguerite); Nicolas Courjal (bass) (Méphistophélés); Thibault de Damas d'Anlezy (bass) (Brander); Hector Berlioz (1803 - 1869); La Damnation de Faust; Légende dramatique in four parts; Libretto by Hector Berlioz and Almire Gandonniére after Gérard de Nerval's translation of Johann Wolfgang von Goethe's 'Faust'; First performance in Paris, Opéra-Comique, 6 December 1846; Recorded on 6 November 2018 at the Opéra Royal, Château de Versailles; Directed by Frédéric Caillierez (127 min)