• Mezzo Live HD

    • Mezzo Live HD od do

      • Philippe Herreweghe, Yefim Bronfman and the Royal Concertgebouw Orchestra: Beethoven, Brahms

        Royal Concertgebouw Orchestra, Philippe Herreweghe (Conductor); Yefim Bronfman (piano); Ludwig van Beethoven; Piano Concerto No. 4; Johannes Brahms; Symphony No. 2; Recorded on November 2, 2018, at the Concertgebouw, Amsterdam (87 min)

      • InterMezzo

        (45 min)

      • Roberto Alagna and Elina Garanca Sing Carmen by Bizet at the Metropolitan Opera

        Carmen; 'Opéra comique' by Georges Bizet (1838 - 1875); Libretto by Henri Meilhac and Ludovic Halévy based on the novel by Prosper Mérimée; First performance in Paris, Opéra Comique, March 3, 1875; The Metropolitan Opera Orchestra and Chorus, Yannick Nézét-Séguin (direction); Richard Eyre (stage direction); Elina Garanca (Carmen), Roberto Alagna (Don José), Barbara Frittoli (Micaëla), Teddy Tahu Rhodes (Escamillo); Recorded at the Metropolitan Opera, New York in 2010 (167 min)

      • Liniker e os Caramelows - Banlieues Bleues

        Liniker e os Caramelows; Liniker Barros (lyric); Renata Essis (chorus); Eder Araujo (saxophone); Fernando Trz (keyboard); William Zaharanski (guitar); Rafael Barone (Bass); Péricles Zuanon (drums); Marja Lenski (percussion); Led by a transsexuel singer with knock out charisma, this is the soul sensation which has arrived from Brazil and which we haven't finished talking about. It is not for nothing that the group is called 'The Toffees'. Because they are soft, sweet, chewy, amusing, endearing. In less than three years, the Paulites have succeeded in exploding the YouTube audience assessment meters and conquered Brazil with their hybrid tropical soul which fits perfectly into the footsteps of a Tim Maia. Released in 2016, their first album 'Remonta' is a pure chef d'oeuvre of 'funzy', the style which they have created: a sort of languorous funk interspersed with explosions of hard rock. A cross-pollinated and contrasting groove just like their native Brazil. Recorded on April 6th 2018 athe Marbrerie, Montreuil, Banlieues bleues festival; Réalisation, Stéphan Jourdain (51 min)

      • InterMezzo

        (60 min)

      • Daniel Harding and the Orchestre de Paris: the 50th anniversary concert

        Orchestre de Paris, Daniel Harding (Conductor); Orchestre de Paris choir, Lionel Sow (chorus master); London voices, Terry Edwards (chorus master); Luciano Berio (1925 - 2003); Sinfonia, for eight voices and orchestra; Jörg Widmann (né en 1973); Fantasie, for solo clarinet; Igor Stravinsky (1882 - 1971); Symphony of Psalms For Mixed Choir And Orchestra; Jörg Widmann; Au Cœur De Paris (World Premiere); Claude Debussy (1862 - 1918); La Mer, Three Symphonic Sketches for Orchestra; Franz Schubert (1897 - 1828) / Luciano Berio; An die Musik D 547; Igor Stravinsky; The Firebird - Suite (1919) - Final; Recorded on november 2nd 2017 at the Philharmonie de Paris; TV Director, François-René Martin; 17.04.2021 (97 min)

      • Orchestre de Paris, Ariane Matiakh: Fauré, Strauss

        Orchestre de Paris, Ariane Matiakh (Conductor); Gabriel Fauré (1845-1924); Pelléas et Mélisande, suite op. 80; Richard Strauss (1864-1949); Aus Italien, fantaisie symphonique, op. 16; Recorded 13 January 202I, Philharmoine de Paris; Directed by Guillaume Klein (63 min)

      • InterMezzo

        (70 min)

      • Pygmalion, Stéphane Degout and Raphaël Pichon: Schubert, Schumann, Weber

        Pygmalion, Raphaël Pichon (conductor); Stéphane Degout (baritone); Franz Schubert (1797 - 1828); Lacrimosa son'io D.131b - choir; Lazarus D.689 - Act 2, Recitative & Aria 'Wo bin ich... O könnt ich'; Alfonso und Estrella D.732 - Act 1, Chorus 'Zur jagd'; Alfonso und Estrella D. 732 - Act 2, Recitative & Air 'O sing mir vater... Der jäger'; Robert Schumann (1810 - 1856); Wiegenlied 4 Duets Op. 78 - Women's choir and harp; Franz Schubert / Franz Liszt (1811 - 1886); Der Doppelgänger D.957 (arr. Franz Liszt S 375/5 • R 651/5); Franz Schubert; Symphony No. 8 D.759, 'Unfinished' - I. Allegro moderato; Carl Maria von Weber (1786 - 1826); Oberon J.306 - Act 2, Air 'O wie wogt es so schon auf der Flut'; Franz Schubert; Symphony No. 8 D.759, 'Unfinished' - II. Andante con moto; Robert Schumann; 6 Romanzen für Frauenstimmen Vol.I op.69 no. 5 - Meerfey; Carl Maria von Weber; Euryanthe - Act 2 - Recitative & Air 'Wo berg ich mich.... So weih ich mich '; Franz Schubert; Alfonso und Estrella D.732 - Act III - Introduction; Franz Schubert / Johannes Brahms (1833 - 1897); Gruppe aus dem Tartarus D.583 (arr. Johannes Brahms); Franz Schubert; Ellens dritter Gesang III D. 839 op. 52, no. 6; Lazarus D.689 - Act 2, Recitative & Aria 'Wo bin ich... O könnt ich'; Robert Schumann; Szenen aus Goethes Faust - Part III. FaustsVerklärung - Air 'Hier ist die Aussicht frei'; Franz Schubert; Psalm 23 D.706 - 'Gott ist mein Hirt'; Recorded at the Philharmonie de Paris, December 14, 2020; Directed by François-Réné Martin (90 min)

      • Daniel Harding and the Orchestre de Paris: Mahler's Symphony No. 2

        Orchestre de Paris, Daniel Harding (Conductor); Chœur de l'Orchestre de Paris, Lionel Sow (Chorus master); Christiane Karg (soprano), Wiebke Lehmkuhl (mezzo-soprano); Gustav Mahler (1860 - 1911); Symphony no. 2 in C minor 'Resurrection'; Recorded on 24 & 25 May 2017 at the Philharmonie de Paris; Directed by Julien Condemine (87 min)

      • InterMezzo

        (30 min)

      • The City of Birmingham Symphony Orchestra, Sheku Kanneh-Mason and Mirga Gražinytė-Tyla: Howell, Elgar, Knussen, Weinberg

        City of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla (conductor); Sheku Kanneh-Mason (cello); Dorothy Howell (1898 - 1982); Lamia; Edward Elgar (1857 - 1934); Concerto for cello in E minor, op. 85; Mieczyslaw Weinberg (1919 - 1996); 24 Preludes for cello, Op. 100 (n ° 18, Sarabande); Oliver Knussen (1952 - 2018); The Way to Castle Yonder; Mieczyslaw Weinberg; Symphony No.3 in B minor; Recorded on August 22, 2019 at the Royal Albert Hall, London (100 min)

      • Philippe Herreweghe, Yefim Bronfman and the Royal Concertgebouw Orchestra: Beethoven, Brahms

        Royal Concertgebouw Orchestra, Philippe Herreweghe (Conductor); Yefim Bronfman (piano); Ludwig van Beethoven; Piano Concerto No. 4; Johannes Brahms; Symphony No. 2; Recorded on November 2, 2018, at the Concertgebouw, Amsterdam (87 min)

      • InterMezzo

        (15 min)

      • Christian McBride's New Jawn - Malta Jazz Festival

        Christian McBride's New Jawn; Christian McBride,leader/bass; Nasheet Waits, drums; Marcus Strickland, sax tenor; Josh Evans, trumpet; Powered by a relentless energy and a boundless love of swing, Christian McBride's path has described a continuous positive arc since his arrival on the scene. With a career now blazing into its third decade, the Philadelphia native has become one of the most requested, most recorded, and most respected figures in the music world today. His latest grouping, Christian McBride's New Jawn, is a killer unit, tight, soulful, in the pocket and in the groove. By the way, Jawn is Philly slang to describe just about everything and anything, but most importantly to understand why McBride named his new band so, it is probably this: 'Jawn' is one Philly thing New York can't lay claim to'. Recorded on July 20, 2018 at the Malta Jazz Festival; TV Director, Amos Rozenberg 17.04.2021 (70 min)

      • Joao Bosco - Malta Jazz Festival

        Joao Bosco, lead, guitar/vocals; Ricardo Silveira, guitar; Guto Wirtti, bass; Kiko Freitas, drums; Joao Bosco has been loved in his home country of Brazil for decades, since the 60s when he first began composing and performing. In the early 90s, Bosco mounted a major tour of the US, and since then he has become increasingly popular internationally, regularly performing at the prestigious Montreux Jazz Festival. Despite his growing popularity outside of his homeland, Bosco remains thoroughly attached to Brazil to the point of never leaving it for extended periods; his music, though rooted in Brazil's classic samba and bossa nova traditions, combines rock and roll, jazz and other ethnic styles in an eclectic brew that is as inventive and challenging as he is. In 2017 Bosco received a Lifetime Achievement Award from The Latin Recording Academy at the 18th Annual Latin Grammy Awards. His new album, Mano Que Zuera, was released at the end of the year. Recorded on July 21, 2018 at the Malta Jazz Festival; TV Director, Amos Rozenberg 17.04.2021 (82 min)

      • InterMezzo

        (75 min)

      • Lady Macbeth of Mtsensk by Shostakovich at the Opéra national de Paris

        Lady Macbeth of Mtsensk; Opera in four acts op. 29 by Dmitri Shostakovich (1906 - 1975); Libretto by Dmitry Shostakovich and Alexander Preis from Nikolai Leskov's story; Creation in Leningrad, Maliy Operniy Teatr, 22 January 1934; Chorus and Orchestra of the Paris National Opera, Ingo Metzmacher (Conductor); José Luis Basso (Chorus Master); Krzysztof Warlikowski (Stage Direction); Małgorzata Szczęśniak (sets, costumes), Felice Ross (lighting), Claude Bardouil (choreography), Christian Longchamp (dramaturgy); Dmitry Ulyanov (Boris Timofeevich Ismailov); John Daszak (Zinovy Borisovich Ismailov); Aušrinė Stundytė (Katerina Lvovna Ismailova); Pavel Černoch (Sergey); Sofija Petrovic (Aksinya); Wolfgang Ablinger-Sperrhacke (Shabby Peasant); Oksana Volkova (Sonetka); Andrei Popov (Teacher); Krzysztof Baczyk (A Pope, un gardien); Marianne Croux (Woman Convict); Alexander Tsymbalyuk (Chief of Police, Old Convict); Sava Vemić (Officer); Florent Mbia (Le Régisseur); Julien Joguet (Porter); Hyun-Jong Roh, Antonel Boldan, Paolo Bondi (Workers); Jian-Hong Zhao (Millhand); John Bernard (Coachman); Pierpaolo Palloni (Policemant); Fernando Velasquez (Drunken Guest); Recorded at the Opéra National de Paris, Opéra-Bastille, on 13 & 16 April 2019; TV Director, Stétphane Metge (178 min)

      • InterMezzo

        (40 min)

      • Bernard Haitink, Mitsuko Uchida and the Royal Concertgebouw Orchestra: Mozart, Bruckner

        Royal Concertgebouw Orchestra, Bernard Haitink (conductor); Mitsuko Uchida (piano); Wolfgang Amadeus Mozart (1756 - 1791); Piano concerto no 23 in A major, KV 488; Anton Bruckner (1824 - 1896); Symphony no 6 in A major; Recorded on December 14, 2018 at the Concertgebouw, Amsterdam; Directed by Joost Honselaar 17.04.2021 (101 min)

      • Gianandrea Noseda conducts the War Requiem by Britten at the Concertgebouw

        Royal Concertgebouw Orchestra, Gianandrea Noseda (Conductor); Groot Ormroepkoor, Vlaams Radio Koor, Nationaal Kinderkoor; Elena Stikhina (soprano), Mark Padmore (tenor), Michael Volle (baritone); Benjamin Britten; War Requiem, op. 66; Recorded on October 12, 2018, at the Concertgebouw, Amsterdam; Directed by Dick Kuijs (90 min)

      • Roberto Negro DADADA with Emile Parisien and Michele Rabbia - Europa Jazz

        Roberto Negro, piano; Emile Parisien, saxophone; Michéle Rabbia, drums; (Dadada); The pianist and composer Roberto Negro presents his new trio Dadada, with Emile Parisien and Michele Rabbia. With its nocturnal and fantasy themes with imperceptible fluctuations and a certain penchant for surprises, the trio's music is fascinating because of its play on timbres, mysterious tonalities and its use of subtle electronic effects. A miraculously inhabited saxophone.A beautifully detailed piano.A sensually choreographed drum set.When Negro leaves for an excursion without satelite beacons, the musique is filled with stars and poetry. Recorded on May 5, 2017 at the Epau Abbey, Europa Jazz Festival; TV director, Josselin Carré (52 min)

      • InterMezzo

        (35 min)

      • Lulu by Berg at the Metropolitan Opera

        Lulu; Opera in a prologue and three acts by Alban Berg (1885 - 1935) (completed by Friedrich Cerha); Libretto by Alban Berg after Franz Wedekind's plays 'Erdgeist' and 'Die Büchse der Pandora'; First performance in Zürich, Stadtheater, 2 June 1937; The Metropolitan Opera Orchestra & Chorus, Lothar Koenigs (Conductor); William Kentridge (Stage Director); Catherine Meyburgh (Production Designer); Sabine Theunissen (Sets), Greta Goiris (Costumes), Urs Schönebaum (Lighting); Marlis Petersen (Lulu); Johan Reuter (Dr. Schön | Jack the Ripper); Susan Graham (Countess Geschwitz); Daniel Brenna (Alwa); Franz Grundheber (Schigolch); Martin Winkler (Animal Tamer | Acrobat); Paul Groves (Painter | African Prince); James Courtney (Physician | Professor | Policeman); Alan Oke (Prince | Manservant | Marquis); Elizabeth DeShong (Dresser | Schoolboy | Page); Julian Close (Theater Manager | Banker); Tyler Duncan (Journalist); Paul Corona (Servant); Kathryn Day (Designer); Ashley Emerson (Girl); Jane Shaulis (Mother); Recorded at the Metropolitan Opera, New York, 9 November 2015 (181 min)