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      • Hommage á Jerome Robbins, Opéra national de Paris

        Tribute to Jerome Robbins; Les Etoiles, les Premiers Danseurs and the Corps de Ballet of the Opéra national de Paris; Opéra national de Paris orchestra; Valery Ovsyanikov, conductor; With the kind collaboration of Jean-Pierre Fröhlich; Fancy Free; Choreography, Jerome Robbins; Music, Leonard Bernstein; Sets, Oliver Stmith; Costume, Kermit Love; Light, Jennifer Tipton; With; Eleonora Abbagnato (Danseuse Etoile), Alice Renavand (Danseuse Etoile), Stéphane Bullion (Danseur Etoile), Karl Paquette (Danseur Etoile), François Alu (Premier Danseur), Aurélia Bellet, Alexandre Carniato; A suite of Dances; Choreography, Jerome Robbins; Music, Johann Sebastian Bach; Costume, Santo Loquasto; Light, Jennifer Tipton; Cello, Artist invited; Sonia Wieder-Atherton; Afternoon of a Faun; Choreographiy, Jerome Robbins; Music, Claude Debussy; Prélude á l'aprés-midi d'un faune (1894); Sets, Jean Rosenthal; Costume, Irene Sharaff; Light, Jennifer Tipton; With; The Nymph, Amandine Albisson (Danseuse Etoile); The Faun, Hugo Marchand (Danseur Etoile); Glass Pieces; Choreography, Jerome Robbins; Music, Philip Glass [Façades / Rubric extraits de Glassworks (1981) - Marche funébre extraite de l'opéra Aknaten (1983)]; Sets, Jerome Robbins et Ronal Bates; Costume, Ben Benson; Light, Jennifer Tipton; With; Sae Eun Park (Premiére Danseuse) - Florian Magnenet (Premier Danseur); and le Corps de Ballet de l'Opéra national de Paris; Recorded on November 6 & 8, 2018 at the Opéra national de Paris, Palais Garnier; TV director, Vincent Bataillon (92 min)

      • InterMezzo

        (50 min)

      • Luisa Miller by Verdi at the Metropolitan Opera

        Luisa Miller; 'Melodramma tragico' in three acts by Giuseppe Verdi (1813 - 1901); Libretto by Salvator Cammarano, after Friedrich von Schiller's play 'Kabale un Liebe'. First performance in Naples, Teatro San Carlo, 8 December 1849; The Metropolitan Opera Orchestra & Chorus, Bertrand de Billy (Conductor); Elijah Moshinsky, Gregory Keller (Stage Director); Santo Loquasto (Sets), Duane Schuler (Lighting Designer), Sonya Yoncheva (Luisa); Piotr Beczala (Rodolfo); Plácido Domingo (Miller); Alexander Vinogradov (Count Walter); Dmitry Belosselskiy (Wurm); Olesya Petrova (Federica); Rihab Chaieb (Laura); Patrick Miller (Peasant); Recorded at the Metropolitan Opera, New York, 14 April 2018; Directed by Matthew Diamond (147 min)

      • Emile Parisien, Vincent Peirani - 'File under Zawinul' - Jazz á Vienne

        Emile Parisien et Vincent Peirani; File under Zawinul; Emile Parisien, Saxophone soprano; Vincent Peirani, Accordion; Manu Codjia, Guitar; Paco Séry,Drums; Linley Marthe, Bass; Mino Cinelu, Percussion; Aziz Samahoui, Vocal, percussion; Tony Paeleman, Fender Rhodes; 2017 is the 10th anniversary of Joe Zawinul's death, the high priest of jazz keyboardists. A fitting and powerful tribute to him comes from saxophonist Emile Parisien and partner in crime Vincent Peirani on the accordion. The two Frenchmen have brought their fellow Austrian 'groove' explorers on board: Paco Sery and Linley Marthe, respectively drummer and bassist in the Zawinul Syndicate (his last group) and West Indian percussionist Mino Cinelu who performed on the last albums for the game-changing Weather Report. The idea behind the File Under Zawinul project came from saxophonist Emile Parisien's time with the Syndicate, a band formed in tribute to the Viennese pianist. Parisien met the vibrant guitarist Manu Codjia and sound architect Tony Paeleman on his Fender Rhodes at the Syndicate who are both to join File Under Zawinul. The Moroccan singer and percussionist Aziz Samahoui who performed with Joe for over 10 years will also be part of the international all-star Zawinul line-up. Recorded on 2017, July 04th at the Jazz Festival in Vienne; TV Director, Fabien Raymond (60 min)

      • InterMezzo

        (60 min)

      • Daniele Gatti, Janine Jansen and the Royal Concertgebouw Orchestra: Bruch, Mahler

        Royal Concertgebouw Orchestra, Daniele Gatti (Conductor); Janine Jansen (Violin); Max Bruch (1838 - 1920); Violin Concerto no. 1 in G minor, op. 26; Gustav Mahler (1860 - 1911); Symphony no. 1 in D major 'Titan'; Recorded at the Concertgebouw, Amsterdam, January 11, 2018; Directed by Dick Kuijs (89 min)

      • Thomas Hengelbrock and the Royal Concertgebouw Orchestra: Mozart, Dvorak

        Royal Concertgebouw Orchestra, Thomas Hengelbrock (Conductor); Diana Damrau (Soprano); Wolfgang Amadeus Mozart; Don Giovanni, Overture, Kv 527; 'L'ameró, saró constante' from Il ré pastore, Kv 208; Bella mia fiamma, addio - Resta, oh cara, Kv 528; Symphony No. 32, Kv 318; 'E Susanna non vien! - Dove sono i bei momenti' from Le nozze di Figaro, Kv 492; Antonín Dvořák; Symphony No. 8 in G major, Op. 88; Recorded at the Concertgebouw, Amsterdam, on September 14th, 2017; TV Director, Dick Kuijs (82 min)

      • InterMezzo

        (60 min)

      • Lulu by Berg at the Metropolitan Opera

        Lulu; Opera in a prologue and three acts by Alban Berg (1885 - 1935) (completed by Friedrich Cerha); Libretto by Alban Berg after Franz Wedekind's plays 'Erdgeist' and 'Die Büchse der Pandora'; First performance in Zürich, Stadtheater, 2 June 1937; The Metropolitan Opera Orchestra & Chorus, Lothar Koenigs (Conductor); William Kentridge (Stage Director); Catherine Meyburgh (Production Designer); Sabine Theunissen (Sets), Greta Goiris (Costumes), Urs Schönebaum (Lighting); Marlis Petersen (Lulu); Johan Reuter (Dr. Schön | Jack the Ripper); Susan Graham (Countess Geschwitz); Daniel Brenna (Alwa); Franz Grundheber (Schigolch); Martin Winkler (Animal Tamer | Acrobat); Paul Groves (Painter | African Prince); James Courtney (Physician | Professor | Policeman); Alan Oke (Prince | Manservant | Marquis); Elizabeth DeShong (Dresser | Schoolboy | Page); Julian Close (Theater Manager | Banker); Tyler Duncan (Journalist); Paul Corona (Servant); Kathryn Day (Designer); Ashley Emerson (Girl); Jane Shaulis (Mother); Recorded at the Metropolitan Opera, New York, 9 November 2015 (181 min)

      • InterMezzo

        (25 min)

      • Daniel Harding and the Orchestre de Paris: the 50th anniversary concert

        Orchestre de Paris, Daniel Harding (Conductor); Orchestre de Paris choir, Lionel Sow (chorus master); London voices, Terry Edwards (chorus master); Luciano Berio (1925 - 2003); Sinfonia, for eight voices and orchestra; Jörg Widmann (né en 1973); Fantasie, for solo clarinet; Igor Stravinsky (1882 - 1971); Symphony of Psalms For Mixed Choir And Orchestra; Jörg Widmann; Au Cœur De Paris (World Premiere); Claude Debussy (1862 - 1918); La Mer, Three Symphonic Sketches for Orchestra; Franz Schubert (1897 - 1828) / Luciano Berio; An die Musik D 547; Igor Stravinsky; The Firebird - Suite (1919) - Final; Recorded on november 2nd 2017 at the Philharmonie de Paris; TV Director, François-René Martin (97 min)

      • Orchestre de Paris, Ariane Matiakh: Fauré, Strauss

        Orchestre de Paris, Ariane Matiakh (Conductor); Gabriel Fauré (1845-1924); Pelléas et Mélisande, suite op. 80; Richard Strauss (1864-1949); Aus Italien, fantaisie symphonique, op. 16; Recorded 13 January 202I, Philharmoine de Paris; Directed by Guillaume Klein (63 min)

      • InterMezzo

        (30 min)

      • The City of Birmingham Symphony Orchestra, Sheku Kanneh-Mason and Mirga Gražinytė-Tyla: Howell, Elgar, Knussen, Weinberg

        City of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla (conductor); Sheku Kanneh-Mason (cello); Dorothy Howell (1898 - 1982); Lamia; Edward Elgar (1857 - 1934); Concerto for cello in E minor, op. 85; Mieczyslaw Weinberg (1919 - 1996); 24 Preludes for cello, Op. 100 (n ° 18, Sarabande); Oliver Knussen (1952 - 2018); The Way to Castle Yonder; Mieczyslaw Weinberg; Symphony No.3 in B minor; Recorded on August 22, 2019 at the Royal Albert Hall, London (100 min)

      • Philippe Herreweghe, Yefim Bronfman and the Royal Concertgebouw Orchestra: Beethoven, Brahms

        Royal Concertgebouw Orchestra, Philippe Herreweghe (Conductor); Yefim Bronfman (piano); Ludwig van Beethoven; Piano Concerto No. 4; Johannes Brahms; Symphony No. 2; Recorded on November 2, 2018, at the Concertgebouw, Amsterdam (87 min)

      • InterMezzo

        (45 min)

      • Christian McBride's New Jawn - Malta Jazz Festival

        Christian McBride's New Jawn; Christian McBride,leader/bass; Nasheet Waits, drums; Marcus Strickland, sax tenor; Josh Evans, trumpet; Powered by a relentless energy and a boundless love of swing, Christian McBride's path has described a continuous positive arc since his arrival on the scene. With a career now blazing into its third decade, the Philadelphia native has become one of the most requested, most recorded, and most respected figures in the music world today. His latest grouping, Christian McBride's New Jawn, is a killer unit, tight, soulful, in the pocket and in the groove. By the way, Jawn is Philly slang to describe just about everything and anything, but most importantly to understand why McBride named his new band so, it is probably this: 'Jawn' is one Philly thing New York can't lay claim to'. Recorded on July 20, 2018 at the Malta Jazz Festival; TV Director, Amos Rozenberg (70 min)

      • Joao Bosco - Malta Jazz Festival

        Joao Bosco, lead, guitar/vocals; Ricardo Silveira, guitar; Guto Wirtti, bass; Kiko Freitas, drums; Joao Bosco has been loved in his home country of Brazil for decades, since the 60s when he first began composing and performing. In the early 90s, Bosco mounted a major tour of the US, and since then he has become increasingly popular internationally, regularly performing at the prestigious Montreux Jazz Festival. Despite his growing popularity outside of his homeland, Bosco remains thoroughly attached to Brazil to the point of never leaving it for extended periods; his music, though rooted in Brazil's classic samba and bossa nova traditions, combines rock and roll, jazz and other ethnic styles in an eclectic brew that is as inventive and challenging as he is. In 2017 Bosco received a Lifetime Achievement Award from The Latin Recording Academy at the 18th Annual Latin Grammy Awards. His new album, Mano Que Zuera, was released at the end of the year. Recorded on July 21, 2018 at the Malta Jazz Festival; TV Director, Amos Rozenberg (82 min)

      • InterMezzo

        (80 min)

      • An evening with Anne Teresa De Keersmaeker at the Opéra national de Paris

        An evening with Anne Teresa De Keersmaeker at the Opéra National de Paris, Palais Garnier; Étoiles, principal dancers and the Corps de Ballet; Conductor, Vello Pähn; Opéra national de Paris orchestra; Quatuor n°4; Enters the Repertory of Opéra national de Paris; Choreography, Anne Teresa De Keersmaeker; Music, Béla Bartók, Quatuor n°4; Set, Anne Teresa De Keersmaeker; Lights, Anne Teresa De Keersmaeker; and Herman Sorgeloos made by Vinicio Cheli; Costume, Rosas; With; Sae Eun Park, Juliette Hilaire, Charlotte Ranson, Laura Bachman; ______________________________________________________; Die grosse Fuge; Enters the Repertory of Opéra national de Paris; Choreography, Anne Teresa De Keersmaeker; Music, Ludwig van Beethoven, La Grande Fugue, op.133; Staging, Jean-Luc Ducourt; Set, Jan Joris Lamers; Lights, Jan Joris Lamers made by Vinicio Cheli; Costume, Rosas; Music analysis, Georges-Elie Octors; With; Alice Renavand, Stéphane Bullion, Karl Paquette, Vincent Chaillet, Florian Magnenet, Nicolas Paul, Adrien Couvez, Alexandre Gasse; _______________________________________________________; Verklärte Nacht; Enters the Repertory of Opéra national de Paris; Choreography, Anne Teresa De Keersmaeker; Music, Arnold Schönberg, The Transfigured Night. op. 4, version for string orchestra; Set, Gilles Aillaud, Anne Teresa De Keersmaeker; Costume, Rudy Sabounghy; Lights, Vinicio Cheli; Music analysis, Georges-Elie Octors, Rosas; With; Émilie Cozette, Marie-Agnés Gillot, Léonore Baulac, Letizia Galloni, Séverine Westermann, Katherine Higgins, Emilie Hasboun, Alice Catonnet, Alexandre Gasse, Karl Paquette, Stéphane Bullion, Florian Magnenet, Takeru Coste, Nicolas Paul; Recorded on October 27 and 30 2015 at the Opéra National de Paris, Palais Garnier; TV director, Louise Narboni (94 min)

      • Hommage á Jerome Robbins, Opéra national de Paris

        Tribute to Jerome Robbins; Les Etoiles, les Premiers Danseurs and the Corps de Ballet of the Opéra national de Paris; Opéra national de Paris orchestra; Valery Ovsyanikov, conductor; With the kind collaboration of Jean-Pierre Fröhlich; Fancy Free; Choreography, Jerome Robbins; Music, Leonard Bernstein; Sets, Oliver Stmith; Costume, Kermit Love; Light, Jennifer Tipton; With; Eleonora Abbagnato (Danseuse Etoile), Alice Renavand (Danseuse Etoile), Stéphane Bullion (Danseur Etoile), Karl Paquette (Danseur Etoile), François Alu (Premier Danseur), Aurélia Bellet, Alexandre Carniato; A suite of Dances; Choreography, Jerome Robbins; Music, Johann Sebastian Bach; Costume, Santo Loquasto; Light, Jennifer Tipton; Cello, Artist invited; Sonia Wieder-Atherton; Afternoon of a Faun; Choreographiy, Jerome Robbins; Music, Claude Debussy; Prélude á l'aprés-midi d'un faune (1894); Sets, Jean Rosenthal; Costume, Irene Sharaff; Light, Jennifer Tipton; With; The Nymph, Amandine Albisson (Danseuse Etoile); The Faun, Hugo Marchand (Danseur Etoile); Glass Pieces; Choreography, Jerome Robbins; Music, Philip Glass [Façades / Rubric extraits de Glassworks (1981) - Marche funébre extraite de l'opéra Aknaten (1983)]; Sets, Jerome Robbins et Ronal Bates; Costume, Ben Benson; Light, Jennifer Tipton; With; Sae Eun Park (Premiére Danseuse) - Florian Magnenet (Premier Danseur); and le Corps de Ballet de l'Opéra national de Paris; Recorded on November 6 & 8, 2018 at the Opéra national de Paris, Palais Garnier; TV director, Vincent Bataillon (92 min)

      • Yaron Herman Trio - Jazz á Vienne

        Yaron Herman trio; Yaron Herman, Piano, KIeyboard; Bastien Burger, Bass, Vocal, Keyboard; Ziv Ravitz, drums, electronics; Everyday, his duo with Ziv Ravitz in 2015 and first album for Blue Note, the first disc with songs, felt like a comeback for Yaron Herman. The French-Israeli's latest album, 'Y', is a real melting pot of all his influences. His inspirations are explored with pure elegance be they jazz, post-rock or electro by Sufjan Stevens, Steve Reich or Keith Jarrett. Better still, instead of covering mainstream songs like he used to (from Britney Spears to Radiohead), he's made his own songs with or without vocals, words or choruses. Perhaps we have the Arles Photography Festival (2015) to thank for that along with his encounter with Matthieu Chedid (singer on Saisons Contradictoires), friendship with the bassist from The Do Bastien Burger (co-producer on the album) and his discovery of the young French electro-pop producer Dream Koala (guest on Solaire). Yaron Herman is definitely back. Recorded on 2017, July 4th at the Jazz Festival in Vienne; TV Director, Fabien Raymond (61 min)

      • InterMezzo

        (40 min)

      • Christian McBride's New Jawn - Malta Jazz Festival

        Christian McBride's New Jawn; Christian McBride,leader/bass; Nasheet Waits, drums; Marcus Strickland, sax tenor; Josh Evans, trumpet; Powered by a relentless energy and a boundless love of swing, Christian McBride's path has described a continuous positive arc since his arrival on the scene. With a career now blazing into its third decade, the Philadelphia native has become one of the most requested, most recorded, and most respected figures in the music world today. His latest grouping, Christian McBride's New Jawn, is a killer unit, tight, soulful, in the pocket and in the groove. By the way, Jawn is Philly slang to describe just about everything and anything, but most importantly to understand why McBride named his new band so, it is probably this: 'Jawn' is one Philly thing New York can't lay claim to'. Recorded on July 20, 2018 at the Malta Jazz Festival; TV Director, Amos Rozenberg (70 min)

      • Joao Bosco - Malta Jazz Festival

        Joao Bosco, lead, guitar/vocals; Ricardo Silveira, guitar; Guto Wirtti, bass; Kiko Freitas, drums; Joao Bosco has been loved in his home country of Brazil for decades, since the 60s when he first began composing and performing. In the early 90s, Bosco mounted a major tour of the US, and since then he has become increasingly popular internationally, regularly performing at the prestigious Montreux Jazz Festival. Despite his growing popularity outside of his homeland, Bosco remains thoroughly attached to Brazil to the point of never leaving it for extended periods; his music, though rooted in Brazil's classic samba and bossa nova traditions, combines rock and roll, jazz and other ethnic styles in an eclectic brew that is as inventive and challenging as he is. In 2017 Bosco received a Lifetime Achievement Award from The Latin Recording Academy at the 18th Annual Latin Grammy Awards. His new album, Mano Que Zuera, was released at the end of the year. Recorded on July 21, 2018 at the Malta Jazz Festival; TV Director, Amos Rozenberg (82 min)