• Mezzo Live HD

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      • Les Siécles and François-Xavier Roth: Beethoven's Symphonies No. 5 & 7

        Les Siécles, François-Xavier Roth (Conductor); Ludwig van Beethoven (1770 - 1827); Symphony no 5 in C minor, op. 67; Symphony no 7 in A major, op. 92; Recorded at the Opéra Royal, Versailles, 14 March 2020 (75 min)

      • InterMezzo

        (60 min)

      • Le Poéme Harmonique and Vincent Dumestre at the Misteria Paschalia Festival: Purcell, Clarke

        Le Poéme Harmonique, Les Cris de Paris, Vincent Dumestre (direction); Emmanuelle de Negri (soprano), Zachary Wilder (ténor), Victor Sicard (basse); Henry Purcell (1659 - 1695); Welcome to all the pleasures; Jeremiah Clarke (1674 - 1707); Ode on the Death of Henry Purcell; Henry Purcell; Funeral sentences for the death of Queen Mary II; Recorded on March 31st 2018 at the Misteria Paschalia festival of Cravow; TV Director, Jean-Pierre Loisil 03.04.2021 (65 min)

      • Misteria Paschalia: Sacred works by Antonio Nola

        Cappella Neapolitana, Antonio Florio (conductor); Leslie Visco (soprano), Anna Zawisza (soprano), Marta Fumagalli (alto), Alessio Tosi (tenor), Giuseppe Naviglio (bass); Antonio Nola (1642 -?); Tristes erant Apostoli; Homo et Angelus; Ecce Nunc Benedìcite; Stabat Mater; Sacramento Laudes; Pietro Marchitelli (1643 - 1729); Concerto grosso no. 11 in A minor; Recorded on April 19, 2019 at the ICE Kraków Congress Centre as part of the Misteria Paschalia Festival 2019; TV Director, Jean-Pierre Loisil (58 min)

      • InterMezzo

        (40 min)

      • Laurent Coulondre Trio - Nancy Jazz Pulsations

        Laurent Coulondre Trio at Nancy Jazz Pulsations 2015; Laurent Coulondre, piano, organ; Rémi Bouyssiére, bass, double bass; Martin Wangermée, drums; Laurent Coulondre belongs to a generation of young musicians who take jazz into unexplored territory. With a sharp sense of rhythm and harmony, he plays the piano and the organ with consummate ease and shows, at his young age, breathtaking musicality, technique and flair. Laurent Coulondre has defined the new concept of the 'reversible trio', and a new sound identity. Alternating betweed the classical trio - piano, double bass and drums - and another form comprising organ, 6-string bass and drums, his music is innovative and challenging, without ever losing touch with its audience. Recorded on October 8th 2015, Poirel hall, Nancy Jazz Pulsations; TV director, Sylvain Pierrel (47 min)

      • InterMezzo

        (60 min)

      • Madama Butterfly by Puccini at the Royal Opera House

        Madama Butterfly; Tragedia giapponese by Giacomo Puccini (1858 - 1924); Libretto by Giuseppe Giacosa and Luigi Illica after David Belasco's play 'Madame Butterfly'; First performance in Milan, Teatro alla Scala, 17 February 1904; Orchestra and Chorus of the Royal Opera House, Antonio Pappano (Conductor); Moshe Leiser, Patrice Caurier (Stage Direction); Christian Fenouillat (Sets), Agostino Cavalca (Costumes); Ermonela Jaho (Cio-Cio-San); Marcelo Puente (Pinkerton); Scott Hendricks (Sharpless); Carlo Bosi (Goro); Elizabeth DeShong (Suzuki); Jeremy White (Bonze); Emily Edmonds (Kate Pinkerton); Gyula Nagy (Imperial Commissioner); Yuriy Yurchuk (Prince Yamadori); Recorded at the Royal Opera House, Covent Garden, London, 2017; Directed by Matthew Woodward (138 min)

      • InterMezzo

        (100 min)

      • La Damnation de Faust de Berlioz par Les Siécles et François-Xavier Roth

        Les Siécles, François-Xavier Roth (Conductor); Chœur Marguerite Louise; Gaétan Jarry (Chorus Master); Mathias Vidal (tenor) (Faust); Anna Caterina Antonacci (mezzo-soprano) (Marguerite); Nicolas Courjal (bass) (Méphistophélés); Thibault de Damas d'Anlezy (bass) (Brander); Hector Berlioz (1803 - 1869); La Damnation de Faust; Légende dramatique in four parts; Libretto by Hector Berlioz and Almire Gandonniére after Gérard de Nerval's translation of Johann Wolfgang von Goethe's 'Faust'; First performance in Paris, Opéra-Comique, 6 December 1846; Recorded on 6 November 2018 at the Opéra Royal, Château de Versailles; Directed by Frédéric Caillierez (127 min)

      • Rinaldo Alessandrini and the Concerto Italiano: Vivaldi, Leo, Bononcini

        Concerto Italiano, Rinaldo Alessandrini (Conductor); Chór Polskiego Radia; Sonia Tedla (soprano), Enrico Torre (alto), Luca Cervoni (tenor), Salvo Vitale (bass); Antonio Vivaldi (1678 - 1741); Credo in E minor RV 591; Leonardo Leo (1694 - 1744); Miserere for double choir, 8 voices and continuo; Antonio Maria Bononcini (1677 - 1726); Stabat Mater in C minor; Recorded at the ICE Kraków Congress Centre, 18 April 2019, as part of the Misteria Paschalia Festival; TV Director, Jean-Pierre Loisil (59 min)

      • InterMezzo

        (15 min)

      • Orphée et Eurydice by Gluck at La Scala, Milan

        Orphée et Eurydice, tragédie opéra in three acts by Christophe Willibald Gluck (1714 - 1787); Libretto by Pierre-Louis Moline after Ranieri de' Calzabigi; First performance in Paris, Opéra, 2 August 1774; Orchestra and Chorus of the Teatro alla Scala, Michele Mariotti (direction); Hofesh Shechter, John Fulljames (Stage Direction); Hofesh Shechter (Choreography), Conor Murphy (Sets & Costumes); Juan Diego Flórez (Orphée); Christiane Karg (Eurydice); Fatma Said (Amour); Recorded on March 14 & 17, 2018 at the Teatro alla Scala, Milano; Directed by Tiziano Mancini; 04.04.2021 (129 min)

      • InterMezzo

        (75 min)

      • The Bronze Horseman, Mariinsky Theatre Ballet

        The Bronze Horseman; Ballet in three acts; Choreography by Rostislav Zakharov and Yuri Smekalov; Music by Reinhold Gliere; Libretto by Pyotr Abolimov, after a poem by Alexander Pushkin; Mariinsky Orchestra and Chorus; Valery Gergiev, musical director and conductor; Andrei Sevbo, production designer; Tatiana Noginova, costume; Alexander Naumov, lights; Alexander Logvinov, video graphics designer; Wth; Vladimir Shklyarov, Eugene; Viktoria Tereshkina, Parasha; Vladimir Ponomarev, Peter I; Ivan Oskorbin, Ibrahim the Blackmoor; Yekaterina Kondaurova, the Queen of the Ball; Sofia Ivanova-Skoblikova, Columbine; Vasily Tkachenko, Harlequin; Grigory Popov, Balakirev the Jester; Valeria Karpina, Parasha's mother; Recorded at the Théâtre Mariinsky II on June 15th and 17th 2016; TV direction by Louise Narboni; 05.04.2021 (130 min)

      • Allegria by Kader Attou - Théâtre national de Chaillot

        Allegria; Artistic direction dramaturgy & choreography, Kader Attou; Assistant, Mehdi Ouachek; Scenography, Camille Duchemin in collaboration with Kader Attou; Music, Régis Baillet - Diaphane; Lights, Fabrice Crouzet; With; Gaetan Alin, Khalil Chabouni, Jackson Ntcham, Mehdi Ouachek, Artem Orlov, Sulian Rios, Hugo de Vathaire, Maxime Vicente; Recorded on November 26, 2019 at the Théâtre National de Chaillot; TV Director, Mohamed Athmana (65 min)

      • InterMezzo

        (35 min)

      • François-Xavier Roth and the London Symphony Orchestra: Wagner, Lalo, Debussy, Massenet

        London Symphony Orchestra, François-Xavier Roth (conductor); Edgar Moreau (cello); Richard Wagner (1813 - 1883); Overture to Tannhäuser; Edouard Lalo (1823 - 1892); Cello Concerto; Claude Debussy (1862 - 1918); Premiére Suite; Jules Massenet (1842 - 1912); Le Cid - Suite; Recorded at the Barbican Hall, London, 21 January 2018; TV Director Corentin Leconte (90 min)

      • Laboratorio '600 and Pino de Vittorio: Lu Cuntu de la Passiuni

        Laboratorio '600, Franco Pavan (theorbo, leader); Pino de Vittorio (tenor); Flora Papadopoulos (harp), Elisa La Marca (lute); Lu Cuntu de la Passiuni; Chi é devoto (anonimo); Tarantella della Passione (anonimo); Passacaglio delle ore de la Passiuni (anonimo); Si partì la Madonna (anonimo); Gagliarda del Principe (Gesualdo da Venosa); Passioni Nostro Signuri (anonimo); Canzona a morto / Sonata dopo la canzone (anonimo); La morte di Gesú (anonimo); Stava a pié della Croce (anonimo); Tarantella (anonimo); Stabat Mater di Santo Stefano di Camastra (tradizionale); Misericordes sicut pater; Madonna della Grazia; Recorded at the Wieliczka Salt Mine, 20 April 2019, as part of the Misteria Paschalia Festival; TV Director, Jean-Pierre Loisil (61 min)

      • InterMezzo

        (80 min)

      • Rameau's Les Indes Galantes at the Opéra national de Paris

        Les Indes Galantes; 'Opéra-ballet' in a prologue and four entrées by Jean-Philippe Rameau (1683 - 1764); Libretto by Louis Fuzelier; First performance in Paris, Opéra, 23 August 1735; Cappella Mediterranea Orchestra, Chœur de chambre de Namur, Maîtrise des Hauts-de-Seine / Children Chorus of the Opéra national de Paris, Leonardo García Alarcón (Conductor); Dancers of the Compagnie Rualité; Clément Cogitore (Stage director); Bintou Dembélé (Choreography), Alban Ho Van, Ariane Bromberger (Sets), Wojciech Dziedzic (Costumes), Sylvain Verdet (Lighting); Sabine Devieilhe (Hébé / Phani / Zima); Florian Sempey (Bellone / Adario); Jodie Devos (L'amour / Zaire); Edwin Crossley-Mercer (Osman / Ali); Julie Fuchs (Émilie / Fatime); Mathias Vidal (Valére / Tacmas); Alexandre Duhamel (Huascar / Don Alvar); Stanislas de Barbeyrac (Don Carlos / Damon); Recorded at the Opéra National de Paris, Opéra-Bastille, 8 & 10 October 2019; TV Director, François-rené Martin (197 min)

      • Anne Paceo S.H.A.M.A.N.E.S. - Jazz sous les pommiers

        Anne Paceo, Bright Shadows; Anne Paceo, drums, voix; Tony Paeleman, keyboard; Christophe Panzani, saxophone; Pierre Perchaud, guitar; Florent Matéo, voice; Ann Shirley, voice; With Bright Shadows, Anne Paceo seems resolutely determined to pursue her melodic and sound explorations based on voices and electronics, playing therefore in between the frontiers of musical genres. She is joined this time by two delicate and unclassifiable voices (Florent Mateo and Ann Shirley) and by three faithful and precious companions (Pierre Perchaud, Christophe Panzani et Tony Paeleman). Recorded on May 12, 2018 at Jazz sous les Pommiers Festival; Réalisation, Laurent Hasse et Thierry Villeneuve (66 min)

      • InterMezzo

        (30 min)

      • Kent Nagano and the Orchestre Symphonique de Montréal: Debussy, Wagner, Stravinsky

        Orchestre Symphonique de Montréal, Kent Nagano (Conductor); Marie-Nicole Lemieux (alto); Claude Debussy (1862 - 1918); Jeux; Richard Wagner (1813 - 1883); Wesendonck Lieder; Igor Stravinsky (1882 - 1971); The Rite of Spring; Recorded 19 March 2019, Philharmonie de Paris; TV Director, Olivier Simonnet (91 min)

      • Tchaikovsky - Royal Concertgebouw Orchestra, Elim Cham

        Royal Concertgebouw Orchestra, Elim Chan (Conductor); Simone Lamsma (Violin); Piotr I. Tchaikovsky (1840 - 1893); Romeo and Juliet; Concerto for violin and orchestra in D major, op. 35; Swan Lake, suite op. 20a; Recorded at the Concergebouw, Amsterdam, 13 September 2019 (108 min)