• Mezzo Live HD

    • Mezzo Live HD od do

      • Lulu by Berg at the Metropolitan Opera

        Lulu; Opera in a prologue and three acts by Alban Berg (1885 - 1935) (completed by Friedrich Cerha); Libretto by Alban Berg after Franz Wedekind's plays 'Erdgeist' and 'Die Büchse der Pandora'; First performance in Zürich, Stadtheater, 2 June 1937; The Metropolitan Opera Orchestra & Chorus, Lothar Koenigs (Conductor); William Kentridge (Stage Director); Catherine Meyburgh (Production Designer); Sabine Theunissen (Sets), Greta Goiris (Costumes), Urs Schönebaum (Lighting); Marlis Petersen (Lulu); Johan Reuter (Dr. Schön | Jack the Ripper); Susan Graham (Countess Geschwitz); Daniel Brenna (Alwa); Franz Grundheber (Schigolch); Martin Winkler (Animal Tamer | Acrobat); Paul Groves (Painter | African Prince); James Courtney (Physician | Professor | Policeman); Alan Oke (Prince | Manservant | Marquis); Elizabeth DeShong (Dresser | Schoolboy | Page); Julian Close (Theater Manager | Banker); Tyler Duncan (Journalist); Paul Corona (Servant); Kathryn Day (Designer); Ashley Emerson (Girl); Jane Shaulis (Mother); Recorded at the Metropolitan Opera, New York, 9 November 2015; 13.04.2021 (181 min)

      • InterMezzo

        (50 min)

      • Daniele Gatti, Janine Jansen and the Royal Concertgebouw Orchestra: Bruch, Mahler

        Royal Concertgebouw Orchestra, Daniele Gatti (Conductor); Janine Jansen (Violin); Max Bruch (1838 - 1920); Violin Concerto no. 1 in G minor, op. 26; Gustav Mahler (1860 - 1911); Symphony no. 1 in D major 'Titan'; Recorded at the Concertgebouw, Amsterdam, January 11, 2018; Directed by Dick Kuijs (89 min)

      • Thomas Hengelbrock and the Royal Concertgebouw Orchestra: Mozart, Dvorak

        Royal Concertgebouw Orchestra, Thomas Hengelbrock (Conductor); Diana Damrau (Soprano); Wolfgang Amadeus Mozart; Don Giovanni, Overture, Kv 527; 'L'ameró, saró constante' from Il ré pastore, Kv 208; Bella mia fiamma, addio - Resta, oh cara, Kv 528; Symphony No. 32, Kv 318; 'E Susanna non vien! - Dove sono i bei momenti' from Le nozze di Figaro, Kv 492; Antonín Dvořák; Symphony No. 8 in G major, Op. 88; Recorded at the Concertgebouw, Amsterdam, on September 14th, 2017; TV Director, Dick Kuijs (82 min)

      • Emile Parisien, Vincent Peirani - 'File under Zawinul' - Jazz á Vienne

        Emile Parisien et Vincent Peirani; File under Zawinul; Emile Parisien, Saxophone soprano; Vincent Peirani, Accordion; Manu Codjia, Guitar; Paco Séry,Drums; Linley Marthe, Bass; Mino Cinelu, Percussion; Aziz Samahoui, Vocal, percussion; Tony Paeleman, Fender Rhodes; 2017 is the 10th anniversary of Joe Zawinul's death, the high priest of jazz keyboardists. A fitting and powerful tribute to him comes from saxophonist Emile Parisien and partner in crime Vincent Peirani on the accordion. The two Frenchmen have brought their fellow Austrian 'groove' explorers on board: Paco Sery and Linley Marthe, respectively drummer and bassist in the Zawinul Syndicate (his last group) and West Indian percussionist Mino Cinelu who performed on the last albums for the game-changing Weather Report. The idea behind the File Under Zawinul project came from saxophonist Emile Parisien's time with the Syndicate, a band formed in tribute to the Viennese pianist. Parisien met the vibrant guitarist Manu Codjia and sound architect Tony Paeleman on his Fender Rhodes at the Syndicate who are both to join File Under Zawinul. The Moroccan singer and percussionist Aziz Samahoui who performed with Joe for over 10 years will also be part of the international all-star Zawinul line-up. Recorded on 2017, July 04th at the Jazz Festival in Vienne; TV Director, Fabien Raymond; 14.04.2021 (60 min)

      • InterMezzo

        (60 min)

      • Federico Segun Lorca by Eva Yerbabuena

        Fedrico Segun Lorca; Eva Yerbabuena, choreography, Juan Diego, voix off; Paco Jarana, musical creation & conductor; Vicente Palacios, scnography; Lopez de Santos, costume; Sandra Diaz, puppet; Atico 7, projection; With; Eva Yerbabuena, dance; Paco Jarana,Guitar; Enrique El Extremeno, voice; Jeromo Sgura, voice; José Valencia, voice; Antonio Coronel, percussion; Raul Dominguez, percussion; Asime Can Ozozer, special featuring; Ballet; Mercedes de Cordoba, Lorena Franco, Maria Moreno, Eduardo Guerrero, Moises Navarro, Cristian Lozano; Recorded on 2013 at the Théâtre national de Chaillot; TV Director, Louise Narboni (90 min)

      • Una Oda al Tiempo (an ode to time) by Maria Pagés

        Una oda al tiempo (an ode to time); Choreography, María Pagés; Dramaturgy & Lyrics, El Arbi El Harti; Music, Rubén Levaniegos, María Pagés, Piotr Ilitch Tchaikovski, Antonio Vivaldi, Georg FRiedrich Haendel, Sergio Menem, David Moňiz, Isaac Muňoz, musique populaire traditionnelle; 'Your wind Moves Me' poem by Marifé Santiago; Lighting design, Dominique You, Paul Fullana; Costume design, Maria pagés; Scenography, Maria Pagés & El Arbi El Harti; Sound design, Albert Cortada, Enrique Canaňas; María Pagés Compaňía; Dancers; María Pagés, Eva Varela, Julia Gimeno, Marta Galvez, Virginia Muňoz, José Barrios, Rafael Ramirez, Juan Carlos Avecilla, José Ángel Capel; Artists; Anna Ramon, Sara Corea, Barnardo Miranda, voices; Ruben Levaniegos, Isaac Munoz, guitars; David Moniz, violin; Sergio Menem, Cary Rosa, Marina Barba, cello; Cheam Uriarte, percussion; Recorded on May 31 & Juner 1st, 2019 at the Teatro Campoamor, Oviedo, Spain; TV Director, Arnaud Lalanne (84 min)

      • InterMezzo

        (60 min)

      • Rameau's Les Indes Galantes at the Opéra national de Paris

        Les Indes Galantes; 'Opéra-ballet' in a prologue and four entrées by Jean-Philippe Rameau (1683 - 1764); Libretto by Louis Fuzelier; First performance in Paris, Opéra, 23 August 1735; Cappella Mediterranea Orchestra, Chœur de chambre de Namur, Maîtrise des Hauts-de-Seine / Children Chorus of the Opéra national de Paris, Leonardo García Alarcón (Conductor); Dancers of the Compagnie Rualité; Clément Cogitore (Stage director); Bintou Dembélé (Choreography), Alban Ho Van, Ariane Bromberger (Sets), Wojciech Dziedzic (Costumes), Sylvain Verdet (Lighting); Sabine Devieilhe (Hébé / Phani / Zima); Florian Sempey (Bellone / Adario); Jodie Devos (L'amour / Zaire); Edwin Crossley-Mercer (Osman / Ali); Julie Fuchs (Émilie / Fatime); Mathias Vidal (Valére / Tacmas); Alexandre Duhamel (Huascar / Don Alvar); Stanislas de Barbeyrac (Don Carlos / Damon); Recorded at the Opéra National de Paris, Opéra-Bastille, 8 & 10 October 2019; TV Director, François-rené Martin (197 min)

      • InterMezzo

        (5 min)

      • Samson by Haendel at the Misteria Paschalia Festival in Krakow

        Dunedin Consort, Polish Radio Choir, John Butt (conductor); Eleanor Dennis (Dalila), Fflur Wyn (Virgin - Israelite), Charlotte Ashley (Virgin - Philistine), Caitlin Hulcup (Micah), James Way (Samson), Hugo Hymas (Israelite), Matthew Brook (Manoah), Vitali Rozynko (Harapha); Georg Friderich Haendel (1685- 1759); Samson; Recorded on April 1st, 2018, at the Misteria Paschalia Festival, Krakow; TV Director, Jean-Pierre Loisil; 14.04.2021 (197 min)

      • InterMezzo

        (10 min)

      • Orphée et Eurydice by Gluck at la Scala, Milan

        Orphée et Eurydice, tragédie opéra in three acts by Christophe Willibald Gluck (1714 - 1787); Libretto by Pierre-Louis Moline after Ranieri de' Calzabigi; First performance in Paris, Opéra, 2 August 1774; Orchestra and Chorus of the Teatro alla Scala, Michele Mariotti (direction); Hofesh Shechter, John Fulljames (Stage Direction); Hofesh Shechter (Choreography), Conor Murphy (Sets & Costumes); Juan Diego Flórez (Orphée); Christiane Karg (Eurydice); Fatma Said (Amour); Recorded on March 14 & 17, 2018 at the Teatro alla Scala, Milano; Directed by Tiziano Mancini (129 min)

      • InterMezzo

        (105 min)

      • Kent Nagano and the Orchestre Symphonique de Montréal: Debussy, Wagner, Stravinsky

        Orchestre Symphonique de Montréal, Kent Nagano (Conductor); Marie-Nicole Lemieux (alto); Claude Debussy (1862 - 1918); Jeux; Richard Wagner (1813 - 1883); Wesendonck Lieder; Igor Stravinsky (1882 - 1971); The Rite of Spring; Recorded 19 March 2019, Philharmonie de Paris; TV Director, Olivier Simonnet (91 min)

      • Tchaikovsky - Royal Concertgebouw Orchestra, Elim Cham

        Royal Concertgebouw Orchestra, Elim Chan (Conductor); Simone Lamsma (Violin); Piotr I. Tchaikovsky (1840 - 1893); Romeo and Juliet; Concerto for violin and orchestra in D major, op. 35; Swan Lake, suite op. 20a; Recorded at the Concergebouw, Amsterdam, 13 September 2019 (108 min)

      • InterMezzo

        (35 min)

      • Woman to Woman, Nice Jazz Festival

        Woman to Woman; Renee Rosnes, artistic direction, piano; Cécile McLorin Salvant, vocals; Anat Cohen, clarinet; Melissa Aldana, saxophone; Ingrid Jensen, trumpet; Noriko Ueda, doublebass; Allison Millern drums; Setlist; 'Never Will I Marry', comp: Frank Loesser; 'Yesterdays', comp: Jerome Kern; ' Summer Night', comp: Harry Warren; ' Jitterbug Waltz', comp: Fats Waller; ' The Peacocks (A Timeless Place)', comp: Jimmy Rowles, Norma Winstone; ' United', comp: Wayne Shorter; ' Flamenco Sketches', comp: Miles Davis; Bill Evans; ' I'm All Smiles', comp: Michael Leonard; Herbert Martin; ' Gracias A La Vida', comp: Violeta Parra; ' Come Back To Me', comp: Sigmund Romberg; Recorded on July 17, 2017 at Nice Jazz festival; TV Director, Eric Michaud (74 min)

      • Anne Paceo S.H.A.M.A.N.E.S. - Jazz sous les pommiers

        Anne Paceo, Bright Shadows; Anne Paceo, drums, voix; Tony Paeleman, keyboard; Christophe Panzani, saxophone; Pierre Perchaud, guitar; Florent Matéo, voice; Ann Shirley, voice; With Bright Shadows, Anne Paceo seems resolutely determined to pursue her melodic and sound explorations based on voices and electronics, playing therefore in between the frontiers of musical genres. She is joined this time by two delicate and unclassifiable voices (Florent Mateo and Ann Shirley) and by three faithful and precious companions (Pierre Perchaud, Christophe Panzani et Tony Paeleman). Recorded on May 12, 2018 at Jazz sous les Pommiers Festival; Réalisation, Laurent Hasse et Thierry Villeneuve (66 min)

      • Bokanté - Malta Jazz Festival

        Bokanté; Malika Tirolien, voice; Michael League, guitar & voice; Chris McQueen, guitar & voice; Bob Lanzetti, guitar; Roosevelt Collier, steel guitar; Jamey Haddad, percussion; Keita Ogawa, percussion; André Ferrari, percussion; An experiment conceived by Snarky Puppy founder and GroundUP Music creator Michael League (who has traded his bass in for a baritone guitar in this group), the process of formation was all but conventional. The music and some of the melodies were written by League, demoed while on tour with other bands, and then sent to Tirolien with lyrical concepts attached. Tirolien then wrote lyrics and melodies, demoing and ping-ponging the new content back to Michael. Many of the musicians had never even met until the first day of recording. By the end of the week-long session in upstate New York's legendary Dreamland Studios, the band felt abnormally cohesive. 'Unity was paramount in the formation of this group,' observed League. 'Though the ensemble is multi-lingual, multi-cultural, and multi-generational, we all feel connected as musicians and people. And in combining our different accents I feel that there is a strangely common and poignant sound, one that can reach and relate to listeners around the world.'; Recorded on July 20, 2018 at the Malta Jazz Festival; TV Director, Amos Rozenberg (58 min)

      • Yaron Herman Trio - Jazz á Vienne

        Yaron Herman trio; Yaron Herman, Piano, KIeyboard; Bastien Burger, Bass, Vocal, Keyboard; Ziv Ravitz, drums, electronics; Everyday, his duo with Ziv Ravitz in 2015 and first album for Blue Note, the first disc with songs, felt like a comeback for Yaron Herman. The French-Israeli's latest album, 'Y', is a real melting pot of all his influences. His inspirations are explored with pure elegance be they jazz, post-rock or electro by Sufjan Stevens, Steve Reich or Keith Jarrett. Better still, instead of covering mainstream songs like he used to (from Britney Spears to Radiohead), he's made his own songs with or without vocals, words or choruses. Perhaps we have the Arles Photography Festival (2015) to thank for that along with his encounter with Matthieu Chedid (singer on Saisons Contradictoires), friendship with the bassist from The Do Bastien Burger (co-producer on the album) and his discovery of the young French electro-pop producer Dream Koala (guest on Solaire). Yaron Herman is definitely back. Recorded on 2017, July 4th at the Jazz Festival in Vienne; TV Director, Fabien Raymond 15.04.2021 (61 min)

      • InterMezzo

        (25 min)

      • The City of Birmingham Symphony Orchestra, Sheku Kanneh-Mason and Mirga Gražinytė-Tyla: Howell, Elgar, Knussen, Weinberg

        City of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla (conductor); Sheku Kanneh-Mason (cello); Dorothy Howell (1898 - 1982); Lamia; Edward Elgar (1857 - 1934); Concerto for cello in E minor, op. 85; Mieczyslaw Weinberg (1919 - 1996); 24 Preludes for cello, Op. 100 (n ° 18, Sarabande); Oliver Knussen (1952 - 2018); The Way to Castle Yonder; Mieczyslaw Weinberg; Symphony No.3 in B minor; Recorded on August 22, 2019 at the Royal Albert Hall, London (100 min)

      • Philippe Herreweghe, Yefim Bronfman and the Royal Concertgebouw Orchestra: Beethoven, Brahms

        Royal Concertgebouw Orchestra, Philippe Herreweghe (Conductor); Yefim Bronfman (piano); Ludwig van Beethoven; Piano Concerto No. 4; Johannes Brahms; Symphony No. 2; Recorded on November 2, 2018, at the Concertgebouw, Amsterdam 15.04.2021 (87 min)