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Tchaikovsky - Royal Concertgebouw Orchestra, Elim Cham
Royal Concertgebouw Orchestra, Elim Chan (Conductor); Simone Lamsma (Violin); Piotr I. Tchaikovsky (1840 - 1893); Romeo and Juliet; Concerto for violin and orchestra in D major, op. 35; Swan Lake, suite op. 20a; Recorded at the Concergebouw, Amsterdam, 13 September 2019 (108 min)
InterMezzo
(35 min)
Woman to Woman, Nice Jazz Festival
Woman to Woman; Renee Rosnes, artistic direction, piano; Cécile McLorin Salvant, vocals; Anat Cohen, clarinet; Melissa Aldana, saxophone; Ingrid Jensen, trumpet; Noriko Ueda, doublebass; Allison Millern drums; Setlist; 'Never Will I Marry', comp: Frank Loesser; 'Yesterdays', comp: Jerome Kern; ' Summer Night', comp: Harry Warren; ' Jitterbug Waltz', comp: Fats Waller; ' The Peacocks (A Timeless Place)', comp: Jimmy Rowles, Norma Winstone; ' United', comp: Wayne Shorter; ' Flamenco Sketches', comp: Miles Davis; Bill Evans; ' I'm All Smiles', comp: Michael Leonard; Herbert Martin; ' Gracias A La Vida', comp: Violeta Parra; ' Come Back To Me', comp: Sigmund Romberg; Recorded on July 17, 2017 at Nice Jazz festival; TV Director, Eric Michaud (74 min)
Anne Paceo S.H.A.M.A.N.E.S. - Jazz sous les pommiers
Anne Paceo, Bright Shadows; Anne Paceo, drums, voix; Tony Paeleman, keyboard; Christophe Panzani, saxophone; Pierre Perchaud, guitar; Florent Matéo, voice; Ann Shirley, voice; With Bright Shadows, Anne Paceo seems resolutely determined to pursue her melodic and sound explorations based on voices and electronics, playing therefore in between the frontiers of musical genres. She is joined this time by two delicate and unclassifiable voices (Florent Mateo and Ann Shirley) and by three faithful and precious companions (Pierre Perchaud, Christophe Panzani et Tony Paeleman). Recorded on May 12, 2018 at Jazz sous les Pommiers Festival; Réalisation, Laurent Hasse et Thierry Villeneuve (66 min)
Bokanté - Malta Jazz Festival
Bokanté; Malika Tirolien, voice; Michael League, guitar & voice; Chris McQueen, guitar & voice; Bob Lanzetti, guitar; Roosevelt Collier, steel guitar; Jamey Haddad, percussion; Keita Ogawa, percussion; André Ferrari, percussion; An experiment conceived by Snarky Puppy founder and GroundUP Music creator Michael League (who has traded his bass in for a baritone guitar in this group), the process of formation was all but conventional. The music and some of the melodies were written by League, demoed while on tour with other bands, and then sent to Tirolien with lyrical concepts attached. Tirolien then wrote lyrics and melodies, demoing and ping-ponging the new content back to Michael. Many of the musicians had never even met until the first day of recording. By the end of the week-long session in upstate New York's legendary Dreamland Studios, the band felt abnormally cohesive. 'Unity was paramount in the formation of this group,' observed League. 'Though the ensemble is multi-lingual, multi-cultural, and multi-generational, we all feel connected as musicians and people. And in combining our different accents I feel that there is a strangely common and poignant sound, one that can reach and relate to listeners around the world.'; Recorded on July 20, 2018 at the Malta Jazz Festival; TV Director, Amos Rozenberg (58 min)
Yaron Herman Trio - Jazz á Vienne
Yaron Herman trio; Yaron Herman, Piano, KIeyboard; Bastien Burger, Bass, Vocal, Keyboard; Ziv Ravitz, drums, electronics; Everyday, his duo with Ziv Ravitz in 2015 and first album for Blue Note, the first disc with songs, felt like a comeback for Yaron Herman. The French-Israeli's latest album, 'Y', is a real melting pot of all his influences. His inspirations are explored with pure elegance be they jazz, post-rock or electro by Sufjan Stevens, Steve Reich or Keith Jarrett. Better still, instead of covering mainstream songs like he used to (from Britney Spears to Radiohead), he's made his own songs with or without vocals, words or choruses. Perhaps we have the Arles Photography Festival (2015) to thank for that along with his encounter with Matthieu Chedid (singer on Saisons Contradictoires), friendship with the bassist from The Do Bastien Burger (co-producer on the album) and his discovery of the young French electro-pop producer Dream Koala (guest on Solaire). Yaron Herman is definitely back. Recorded on 2017, July 4th at the Jazz Festival in Vienne; TV Director, Fabien Raymond 15.04.2021 (61 min)
InterMezzo
(25 min)
The City of Birmingham Symphony Orchestra, Sheku Kanneh-Mason and Mirga Gražinytė-Tyla: Howell, Elgar, Knussen, Weinberg
City of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla (conductor); Sheku Kanneh-Mason (cello); Dorothy Howell (1898 - 1982); Lamia; Edward Elgar (1857 - 1934); Concerto for cello in E minor, op. 85; Mieczyslaw Weinberg (1919 - 1996); 24 Preludes for cello, Op. 100 (n ° 18, Sarabande); Oliver Knussen (1952 - 2018); The Way to Castle Yonder; Mieczyslaw Weinberg; Symphony No.3 in B minor; Recorded on August 22, 2019 at the Royal Albert Hall, London (100 min)
Philippe Herreweghe, Yefim Bronfman and the Royal Concertgebouw Orchestra: Beethoven, Brahms
Royal Concertgebouw Orchestra, Philippe Herreweghe (Conductor); Yefim Bronfman (piano); Ludwig van Beethoven; Piano Concerto No. 4; Johannes Brahms; Symphony No. 2; Recorded on November 2, 2018, at the Concertgebouw, Amsterdam 15.04.2021 (87 min)
InterMezzo
(45 min)
Federico Segun Lorca by Eva Yerbabuena
Fedrico Segun Lorca; Eva Yerbabuena, choreography, Juan Diego, voix off; Paco Jarana, musical creation & conductor; Vicente Palacios, scnography; Lopez de Santos, costume; Sandra Diaz, puppet; Atico 7, projection; With; Eva Yerbabuena, dance; Paco Jarana,Guitar; Enrique El Extremeno, voice; Jeromo Sgura, voice; José Valencia, voice; Antonio Coronel, percussion; Raul Dominguez, percussion; Asime Can Ozozer, special featuring; Ballet; Mercedes de Cordoba, Lorena Franco, Maria Moreno, Eduardo Guerrero, Moises Navarro, Cristian Lozano; Recorded on 2013 at the Théâtre national de Chaillot; TV Director, Louise Narboni (90 min)
Una Oda al Tiempo (an ode to time) by Maria Pagés
Una oda al tiempo (an ode to time); Choreography, María Pagés; Dramaturgy & Lyrics, El Arbi El Harti; Music, Rubén Levaniegos, María Pagés, Piotr Ilitch Tchaikovski, Antonio Vivaldi, Georg FRiedrich Haendel, Sergio Menem, David Moňiz, Isaac Muňoz, musique populaire traditionnelle; 'Your wind Moves Me' poem by Marifé Santiago; Lighting design, Dominique You, Paul Fullana; Costume design, Maria pagés; Scenography, Maria Pagés & El Arbi El Harti; Sound design, Albert Cortada, Enrique Canaňas; María Pagés Compaňía; Dancers; María Pagés, Eva Varela, Julia Gimeno, Marta Galvez, Virginia Muňoz, José Barrios, Rafael Ramirez, Juan Carlos Avecilla, José Ángel Capel; Artists; Anna Ramon, Sara Corea, Barnardo Miranda, voices; Ruben Levaniegos, Isaac Munoz, guitars; David Moniz, violin; Sergio Menem, Cary Rosa, Marina Barba, cello; Cheam Uriarte, percussion; Recorded on May 31 & Juner 1st, 2019 at the Teatro Campoamor, Oviedo, Spain; TV Director, Arnaud Lalanne (84 min)
InterMezzo
(30 min)
Woman to Woman, Nice Jazz Festival
Woman to Woman; Renee Rosnes, artistic direction, piano; Cécile McLorin Salvant, vocals; Anat Cohen, clarinet; Melissa Aldana, saxophone; Ingrid Jensen, trumpet; Noriko Ueda, doublebass; Allison Millern drums; Setlist; 'Never Will I Marry', comp: Frank Loesser; 'Yesterdays', comp: Jerome Kern; ' Summer Night', comp: Harry Warren; ' Jitterbug Waltz', comp: Fats Waller; ' The Peacocks (A Timeless Place)', comp: Jimmy Rowles, Norma Winstone; ' United', comp: Wayne Shorter; ' Flamenco Sketches', comp: Miles Davis; Bill Evans; ' I'm All Smiles', comp: Michael Leonard; Herbert Martin; ' Gracias A La Vida', comp: Violeta Parra; ' Come Back To Me', comp: Sigmund Romberg; Recorded on July 17, 2017 at Nice Jazz festival; TV Director, Eric Michaud (74 min)
Anne Paceo S.H.A.M.A.N.E.S. - Jazz sous les pommiers
Anne Paceo, Bright Shadows; Anne Paceo, drums, voix; Tony Paeleman, keyboard; Christophe Panzani, saxophone; Pierre Perchaud, guitar; Florent Matéo, voice; Ann Shirley, voice; With Bright Shadows, Anne Paceo seems resolutely determined to pursue her melodic and sound explorations based on voices and electronics, playing therefore in between the frontiers of musical genres. She is joined this time by two delicate and unclassifiable voices (Florent Mateo and Ann Shirley) and by three faithful and precious companions (Pierre Perchaud, Christophe Panzani et Tony Paeleman). Recorded on May 12, 2018 at Jazz sous les Pommiers Festival; Réalisation, Laurent Hasse et Thierry Villeneuve (66 min)
Bokanté - Malta Jazz Festival
Bokanté; Malika Tirolien, voice; Michael League, guitar & voice; Chris McQueen, guitar & voice; Bob Lanzetti, guitar; Roosevelt Collier, steel guitar; Jamey Haddad, percussion; Keita Ogawa, percussion; André Ferrari, percussion; An experiment conceived by Snarky Puppy founder and GroundUP Music creator Michael League (who has traded his bass in for a baritone guitar in this group), the process of formation was all but conventional. The music and some of the melodies were written by League, demoed while on tour with other bands, and then sent to Tirolien with lyrical concepts attached. Tirolien then wrote lyrics and melodies, demoing and ping-ponging the new content back to Michael. Many of the musicians had never even met until the first day of recording. By the end of the week-long session in upstate New York's legendary Dreamland Studios, the band felt abnormally cohesive. 'Unity was paramount in the formation of this group,' observed League. 'Though the ensemble is multi-lingual, multi-cultural, and multi-generational, we all feel connected as musicians and people. And in combining our different accents I feel that there is a strangely common and poignant sound, one that can reach and relate to listeners around the world.'; Recorded on July 20, 2018 at the Malta Jazz Festival; TV Director, Amos Rozenberg (58 min)
InterMezzo
(5 min)
Rameau's Les Indes Galantes at the Opéra national de Paris
Les Indes Galantes; 'Opéra-ballet' in a prologue and four entrées by Jean-Philippe Rameau (1683 - 1764); Libretto by Louis Fuzelier; First performance in Paris, Opéra, 23 August 1735; Cappella Mediterranea Orchestra, Chœur de chambre de Namur, Maîtrise des Hauts-de-Seine / Children Chorus of the Opéra national de Paris, Leonardo García Alarcón (Conductor); Dancers of the Compagnie Rualité; Clément Cogitore (Stage director); Bintou Dembélé (Choreography), Alban Ho Van, Ariane Bromberger (Sets), Wojciech Dziedzic (Costumes), Sylvain Verdet (Lighting); Sabine Devieilhe (Hébé / Phani / Zima); Florian Sempey (Bellone / Adario); Jodie Devos (L'amour / Zaire); Edwin Crossley-Mercer (Osman / Ali); Julie Fuchs (Émilie / Fatime); Mathias Vidal (Valére / Tacmas); Alexandre Duhamel (Huascar / Don Alvar); Stanislas de Barbeyrac (Don Carlos / Damon); Recorded at the Opéra National de Paris, Opéra-Bastille, 8 & 10 October 2019; TV Director, François-rené Martin (197 min)
InterMezzo
(40 min)
Samson by Haendel at the Misteria Paschalia Festival in Krakow
Dunedin Consort, Polish Radio Choir, John Butt (conductor); Eleanor Dennis (Dalila), Fflur Wyn (Virgin - Israelite), Charlotte Ashley (Virgin - Philistine), Caitlin Hulcup (Micah), James Way (Samson), Hugo Hymas (Israelite), Matthew Brook (Manoah), Vitali Rozynko (Harapha); Georg Friderich Haendel (1685- 1759); Samson; Recorded on April 1st, 2018, at the Misteria Paschalia Festival, Krakow; TV Director, Jean-Pierre Loisil (197 min)
InterMezzo
(35 min)
Kent Nagano and the Orchestre Symphonique de Montréal: Debussy, Wagner, Stravinsky
Orchestre Symphonique de Montréal, Kent Nagano (Conductor); Marie-Nicole Lemieux (alto); Claude Debussy (1862 - 1918); Jeux; Richard Wagner (1813 - 1883); Wesendonck Lieder; Igor Stravinsky (1882 - 1971); The Rite of Spring; Recorded 19 March 2019, Philharmonie de Paris; TV Director, Olivier Simonnet (91 min)
Tchaikovsky - Royal Concertgebouw Orchestra, Elim Cham
Royal Concertgebouw Orchestra, Elim Chan (Conductor); Simone Lamsma (Violin); Piotr I. Tchaikovsky (1840 - 1893); Romeo and Juliet; Concerto for violin and orchestra in D major, op. 35; Swan Lake, suite op. 20a; Recorded at the Concergebouw, Amsterdam, 13 September 2019; 15.04.2021 (108 min)
Anne Paceo S.H.A.M.A.N.E.S. - Jazz sous les pommiers
Anne Paceo - S.H.A.M.A.N.E.S. Anne Paceo (Drums, vocals); Isabelle Sörling (vocals); Marion Rampal (vocals); Christophe Panzani (Saxophone); Benjamin Flament (Drums, Percussion); Tony Paeleman (Piano - Rhodes, Bass); Line Up; Piel; L'Aube; Healing; Wide Awake; Dive Into the Unknown; Eclore; From The Stars; Mirages; Apaches; Here & Everywhere; Wishes; Reste Un Oiseau; Travelers; Au Large; Recorded on September 19, 2020 at Jazz sous les Pommiers Festival; TV Director, Thierry Villeneuve; 16.04.2021 (89 min)
InterMezzo
(10 min)
Rameau's Les Indes Galantes at the Opéra national de Paris
Les Indes Galantes; 'Opéra-ballet' in a prologue and four entrées by Jean-Philippe Rameau (1683 - 1764); Libretto by Louis Fuzelier; First performance in Paris, Opéra, 23 August 1735; Cappella Mediterranea Orchestra, Chœur de chambre de Namur, Maîtrise des Hauts-de-Seine / Children Chorus of the Opéra national de Paris, Leonardo García Alarcón (Conductor); Dancers of the Compagnie Rualité; Clément Cogitore (Stage director); Bintou Dembélé (Choreography), Alban Ho Van, Ariane Bromberger (Sets), Wojciech Dziedzic (Costumes), Sylvain Verdet (Lighting); Sabine Devieilhe (Hébé / Phani / Zima); Florian Sempey (Bellone / Adario); Jodie Devos (L'amour / Zaire); Edwin Crossley-Mercer (Osman / Ali); Julie Fuchs (Émilie / Fatime); Mathias Vidal (Valére / Tacmas); Alexandre Duhamel (Huascar / Don Alvar); Stanislas de Barbeyrac (Don Carlos / Damon); Recorded at the Opéra National de Paris, Opéra-Bastille, 8 & 10 October 2019; TV Director, François-rené Martin (197 min)
