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      • Sadko by Rimsky-Korsakov at the Bolshoi Theatre, Moscow

        Sadko; Opera in seven scenes by Nikolay Rimsky-Korsakov (1844 - 1908); Libretto by Nikolai Rimski-Korsakov, Vladimir Stasov and Vladimir Belsky; First performance in Moscow, Solodovnikov Theatre, 7 January 1898; Bolshoi Orchestra & Chorus, Timur Zangiev (Conductor); Valery Borisov (Chorus Master); Dmitri Tcherniakov (Stage direction, Sets); Elena Zaitseva (Costumes), Gleb Filshtinsky (Lighting); Nazhmiddin Mavlyanov (Sadko); Aida Garifullina (Volkhova); Ekaterina Semenchuk (Lioubava Bouslaevna); Mikhail Petrenko (Duda); Yuriy Mynenko (Nejata); Stanislav Trofimov (The Sea King); Maxim Paster (Sopel); Dmitry Ulyanov (A Varangian merchant); Alexei Neklyudov (An Indian merchant); Andrey Zhilikhovsky (A Venetian merchant); Sergei Murzaev (The Apparition); Roman Muravitsky (Foma Nazarich, doyen of Novgorod); Alexandra Durseneva (His wife); Vladimir Komovich (Luka Zinovich, governor of Novgorod); Irina Rubtsova (His wife); Recorded at the Bolshoi Theatre, Moscow, 18 February 2020; 08.05.2021 (186 min)

      • InterMezzo

        (50 min)

      • Berliner Philharmoniker, Daniel Harding: Europakonzert 2019

        Berliner Philharmoniker, Daniel Harding (conductor); Bryn Terfel (bass); Richard Wagner (1813 - 1883); Good Friday Music from Parsifal; Wotan's Farewell and The Magic Fire from Die Walküre; Hector Berlioz (1803 - 1869); Royal Hunt and Storm from Les Troyens; Claude Debussy (1862 - 1918); Pelléas et Melisande (Concert Suite by Claudio Abbado, based on the Orchestral Suite, arranged by Erich Leinsdorf); Prélude á l'aprés-midi d'un faune; Hector Berlioz; Love Scene from Romeo et Juliette; Recorded at the Musée d'Orsay, Paris, 1st May 2019; TV Director, Henning Kasten; 08.05.2021 (102 min)

      • Orchestre de Paris, Sabine Devieilhe, Pablo Heras-Casado: Ravel, Mussorgsky

        Orchestre de Paris, Pablo Heras-Casado (Conductor); Sabine Devieilhe (soprano); Maurice Ravel (1975 - 1937); Alborada del gracioso; Cinq mélodies populaires grecques; L'Enfant et les sortiléges (highlights); Modest Mussorgsky (1839 - 1881) / Maurice Ravel; Pictures in an exhibition; Recorded 27 March 2021, Musée d'Orsay, Paris; 08.05.2021 (90 min)

      • Liniker e os Caramelows - Banlieues Bleues

        Liniker e os Caramelows; Liniker Barros (lyric); Renata Essis (chorus); Eder Araujo (saxophone); Fernando Trz (keyboard); William Zaharanski (guitar); Rafael Barone (Bass); Péricles Zuanon (drums); Marja Lenski (percussion); Led by a transsexuel singer with knock out charisma, this is the soul sensation which has arrived from Brazil and which we haven't finished talking about. It is not for nothing that the group is called 'The Toffees'. Because they are soft, sweet, chewy, amusing, endearing. In less than three years, the Paulites have succeeded in exploding the YouTube audience assessment meters and conquered Brazil with their hybrid tropical soul which fits perfectly into the footsteps of a Tim Maia. Released in 2016, their first album 'Remonta' is a pure chef d'oeuvre of 'funzy', the style which they have created: a sort of languorous funk interspersed with explosions of hard rock. A cross-pollinated and contrasting groove just like their native Brazil. Recorded on April 6th 2018 athe Marbrerie, Montreuil, Banlieues bleues festival; Réalisation, Stéphan Jourdain 09.05.2021 (51 min)

      • InterMezzo

        (42 min)

      • Le Nozze di Figaro by Mozart at the Staatsoper Berlin

        Le nozze di Figaro; 'Opera buffa' in four acts by Wolfgang Amadeus Mozart (1756 - 1791); Libretto by Lorenzo Da Ponte based on 'La folle journée, ou le Mariage de Figaro' by Pierre-Augustin Caron de Beaumarchais; First performance in Vienna, Burgtheater, 1 May 1786; Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (Conductor); Martin Wright (Chorus Master); Vincent Huguet (Stage Direction); Aurélie Maestre (Sets), Clémence Pernoud (costumes), Irene Selka (Lighting), Thomas Wilhelm (choreography); Gyula Orendt (Conte Almaviva); Elsa Dreisig (Contessa Almaviva); Nadine Sierra (Susanna); Riccardo Fassi (Figaro); Emily D'angelo (Cherubino); Katharina Kammerloher (Marcellina); Stephan Rügamer (Basilio); Siegfried Jerusalem (Don Curzio); Maurizio Muraro (Bartolo); David Oštrek (Antonio); Liubov Medvedeva (Barbarina); Recorded at the Staatsoper Berlin, Unter der Linden, April 1st, 2021; Directed by Andy Sommer (203 min)

      • InterMezzo

        (60 min)

      • Esperenza Spalding - Jazz á Vienne

        ESPERANZA SPALDING - JAZZ A VIENNE 2012; Multi-instrumentalist and singer Esperanza Spalding had an eclectic musical upbringing. A graduate of Berklee University, the African American double bass player released her first album 'Junjo' in 2006, and 'Esperanza' in 2008. Her jazzy style, praised by the critics, acquired a larger following with 'Chamber Music Society' in 2010. She played on the stage of the 'Théâtre antique' in Vienne on 8 July 2012, in a sophisticated yet accessible performance. (60 min)

      • Chick Corea & Vigil - Jazz á Vienne

        Chick Corea: Piano & Keyboards; Charles Altura: Guitar; Tim Garland: Sax, Flute, Clarinet; Luisito Quintero: Percussion; Marcus Gilmore: Drums; Carlitos Del Puerto: Acoustic & Electric Bass (51 min)

      • InterMezzo

        (30 min)

      • Sadko by Rimsky-Korsakov at the Bolshoi Theatre, Moscow

        Sadko; Opera in seven scenes by Nikolay Rimsky-Korsakov (1844 - 1908); Libretto by Nikolai Rimski-Korsakov, Vladimir Stasov and Vladimir Belsky; First performance in Moscow, Solodovnikov Theatre, 7 January 1898; Bolshoi Orchestra & Chorus, Timur Zangiev (Conductor); Valery Borisov (Chorus Master); Dmitri Tcherniakov (Stage direction, Sets); Elena Zaitseva (Costumes), Gleb Filshtinsky (Lighting); Nazhmiddin Mavlyanov (Sadko); Aida Garifullina (Volkhova); Ekaterina Semenchuk (Lioubava Bouslaevna); Mikhail Petrenko (Duda); Yuriy Mynenko (Nejata); Stanislav Trofimov (The Sea King); Maxim Paster (Sopel); Dmitry Ulyanov (A Varangian merchant); Alexei Neklyudov (An Indian merchant); Andrey Zhilikhovsky (A Venetian merchant); Sergei Murzaev (The Apparition); Roman Muravitsky (Foma Nazarich, doyen of Novgorod); Alexandra Durseneva (His wife); Vladimir Komovich (Luka Zinovich, governor of Novgorod); Irina Rubtsova (His wife); Recorded at the Bolshoi Theatre, Moscow, 18 February 2020 (186 min)

      • InterMezzo

        (20 min)

      • Berliner Philharmoniker, Riccardo Muti: Requiem by Verdi

        Berliner Philharmoniker, Riccardo Muti (conductor); Chor des Bayerischen Rundfunks; Elina Garanca (mezzo-soprano), Vittoria Yeo (soprano), Francesco Meli (tenor), Ildar Abdrazakov (bass); Giuseppe Verdi (1813 - 1901); Messa da Requiem; Recorded at the Festspielhaus, Baden-Baden, 14 & 20 April 2019; Directed by Nele Münchmeyer (92 min)

      • berliner Philharmoniker, Simon Rattle: Strauss, Berg, Ravel, Stravinsky

        Berliner Philharmoniker, Simon Rattle (Conductor); Elina Garanca (mezzo-soprano); Richard Strauss (1864 - 1949); Don Juan op. 20; Alban Berg (1885 - 1935); Sieben frühe Lieder for voice and orchestra; Maurice Ravel (1875 - 1937); Shéhérazade; Igor Stravinsky (1882 - 1971); Pétrouchka (1947); Recorded at the Festspielhaus, Baden-Baden, 25 March 2019; Directed by Nele Münchmeyer; 09.05.2021 (92 min)

      • InterMezzo

        (51 min)

      • Sleeping Beauty by Tchaikovsky at the Bolshoi Theatre, Moscow

        The Sleeping Beauty; Yuri Grigorovich, choreographer (after Marius Petipa)*; P.I. Tchaikovski, music; Ezio Frigerio, set designer; Franca Squarciapino, costume designer; Vinicio Cheli, lighting designer; Svetlana Zakharova (Princess Aurora ); David Hallberg (Prince Désiré); Maria Allash (Lilac Fairy); Alexei Loparevich (Carabosse); Artem Ovcharenko (Bluebird); Nina Kaptsova (Princess Florine); Andrei Sitnikov (King Florestan); Kristina Karasyova (Queen); Bolshoi Ballet; Bolshoi Theatre Orchestra; Vassily Sinaisky, conductor; Recorded in November 2011 at the Bolshoi Theater; TV Director, Vincent Bataillon (150 min)

      • InterMezzo

        (90 min)

      • Boris Godunov by Mussorgsky at the Bolshoi Theatre, Moscow

        Boris Godunov; Opera in a prologue and four acts by Modest Mussorgsky (1839 - 1881); Libretto by Modest Mussorgsky based upon 'Boris Godunov' by Alexander Pushkin; Version and orchestration by Nikolai Rimsky-Korsakov, orchestration of 'At St. Basil Cathedral' scene by Mikhail Ippolitov-Ivanov; First performance in St Petersburg, Mariinsky Theatre, 8 February 1874; Bolshoi Thatre Chorus & Orchestra, Tugan Sokhiev (conductor); Valery Borisov (Chorus master); Igor Ushakov (Stage Director); Alyona Pikalova (Sets), Elena Zaytseva (Costumes), Sergei Shevchenko (Lighting), Ekaterina Mironova (Choreography); Mikhail Kazakov (Boris Godunov); Albina Latipova (Xenia); Ekaterina Vorontsova (Fyodor); Anastasia Bibicheva (Xenia's Nurse); Maxim Paster (Prince Vasily Ivanovich Shuisky); Andrei Potaturin (Andrei Shchelkalov); Denis Makarov (Pimen); Agunda Kulaeva (Marina Mnishek); Andrii Goniukov (Varlaam); Ivan Maximeyko (Missail); Elena Manistina (Innkeeper); Behzod Davronov (Simpleton); Nikolai Kazansky (Nikitich); Alexander Borodin (Mityukha); Irina Rubtsova / Evgenia Segenyuk (Two Women); Recorded at the Bolshoi Theatre, Moscow, 19 December 2019; TV Director, Jean-Pierre Loisil 09.05.2021 (171 min)

      • Joao Bosco - Malta Jazz Festival

        Joao Bosco, lead, guitar/vocals; Ricardo Silveira, guitar; Guto Wirtti, bass; Kiko Freitas, drums; Joao Bosco has been loved in his home country of Brazil for decades, since the 60s when he first began composing and performing. In the early 90s, Bosco mounted a major tour of the US, and since then he has become increasingly popular internationally, regularly performing at the prestigious Montreux Jazz Festival. Despite his growing popularity outside of his homeland, Bosco remains thoroughly attached to Brazil to the point of never leaving it for extended periods; his music, though rooted in Brazil's classic samba and bossa nova traditions, combines rock and roll, jazz and other ethnic styles in an eclectic brew that is as inventive and challenging as he is. In 2017 Bosco received a Lifetime Achievement Award from The Latin Recording Academy at the 18th Annual Latin Grammy Awards. His new album, Mano Que Zuera, was released at the end of the year. Recorded on July 21, 2018 at the Malta Jazz Festival; TV Director, Amos Rozenberg (82 min)

      • InterMezzo

        (38 min)

      • Pygmalion, Stéphane Degout and Raphaël Pichon: Schubert, Schumann, Weber

        Pygmalion, Raphaël Pichon (conductor); Stéphane Degout (baritone); Franz Schubert (1797 - 1828); Lacrimosa son'io D.131b - choir; Lazarus D.689 - Act 2, Recitative & Aria 'Wo bin ich... O könnt ich'; Alfonso und Estrella D.732 - Act 1, Chorus 'Zur jagd'; Alfonso und Estrella D. 732 - Act 2, Recitative & Air 'O sing mir vater... Der jäger'; Robert Schumann (1810 - 1856); Wiegenlied 4 Duets Op. 78 - Women's choir and harp; Franz Schubert / Franz Liszt (1811 - 1886); Der Doppelgänger D.957 (arr. Franz Liszt S 375/5 • R 651/5); Franz Schubert; Symphony No. 8 D.759, 'Unfinished' - I. Allegro moderato; Carl Maria von Weber (1786 - 1826); Oberon J.306 - Act 2, Air 'O wie wogt es so schon auf der Flut'; Franz Schubert; Symphony No. 8 D.759, 'Unfinished' - II. Andante con moto; Robert Schumann; 6 Romanzen für Frauenstimmen Vol.I op.69 no. 5 - Meerfey; Carl Maria von Weber; Euryanthe - Act 2 - Recitative & Air 'Wo berg ich mich.... So weih ich mich '; Franz Schubert; Alfonso und Estrella D.732 - Act III - Introduction; Franz Schubert / Johannes Brahms (1833 - 1897); Gruppe aus dem Tartarus D.583 (arr. Johannes Brahms); Franz Schubert; Ellens dritter Gesang III D. 839 op. 52, no. 6; Lazarus D.689 - Act 2, Recitative & Aria 'Wo bin ich... O könnt ich'; Robert Schumann; Szenen aus Goethes Faust - Part III. FaustsVerklärung - Air 'Hier ist die Aussicht frei'; Franz Schubert; Psalm 23 D.706 - 'Gott ist mein Hirt'; Recorded at the Philharmonie de Paris, December 14, 2020; Directed by François-Réné Martin (90 min)

      • Bernard Haitink, Mitsuko Uchida and the Royal Concertgebouw Orchestra: Mozart, Bruckner

        Royal Concertgebouw Orchestra, Bernard Haitink (conductor); Mitsuko Uchida (piano); Wolfgang Amadeus Mozart (1756 - 1791); Piano concerto no 23 in A major, KV 488; Anton Bruckner (1824 - 1896); Symphony no 6 in A major; Recorded on December 14, 2018 at the Concertgebouw, Amsterdam; Directed by Joost Honselaar 10.05.2021 (101 min)