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      • Jowee Omicil - Let's Bash - Europa Jazz Festival

        Jowee Omicil - Let's Bash; Jowee Omicil, saxophone, flute, clarinet, vocals; Jonathan Jurion, piano, keyboard; Just Wody Cereyon, bass guitar; Tilo Berthelot; drums; Jowee Omicil - a multi-instrumentalist who is like no one else - was born in Montreal in 1977 between the Haitian and Quebec communities. After living within a rich New York musical fabric, he splits his life between Miami and Paris. Fed by the playing of his masters - John Coltrane, Ornette Coleman, Sonny Rollins, Miles Davis, Wayne Shorter or Kenny Garrett - his nomad jazz mixing Creole roots to Hip-Hop, gospel, soul and world folklores renews itself according to his encounters. Regarding 'Let's Bash', his new project, it is both a war cry and a love declaration that hide a great act of faith: 'I want jazz to become popular again'! Recorded on May 5, 2018 at the Europa Jazz Festival, Abbaye de l'Epau, Le Mans; TV Director, Samuel Thiebautt (56 min)

      • InterMezzo

        (60 min)

      • Messe pour le Temps Présent by Maurice Béjart - Grand Remix by Hervé Robbe

        Messe pour le temps présent (original version by Maurice Béjart 1967); Isabelle Warnier, in charge of production,coordinato of the École Supérieure du Centre National de Danse Contemporaine d'Angers Maurice Béjart, and Jerks choreographer; Grand Remix; Creation; Hervé Robbe, choreography; Pierre Henry, accoustic direction; Bernadette Mangin, musical assistant, Aline Guillard, sound ingeneer, accoustiv conception after Etienne Bultingaire, Pierrick Saillant, sound ingeneer; Pierre Lefévre, sound system SON/RÉ, François Maillot, light creation; Anne Poupelin, costume; Dancers: Maxime Aubert, Yohann Baran, Amandine Brun, Auranne BrunetManquat, Pauline Dassac, Julien Derradj, Nolwenn Ferry, Lara Gouix, Agata Jarosova, Alice Lada, Juan Pablo Landazuri, Théo Le Bruman, Charlotte Louvel, Kevin Martial, José Meireles, Victoria Pignato, Pauline Sonnic, Jeanne Stuart, Anais Vignon, Jiaqi Wu; Recorded on January 8th & 9th 2016 at the Philharmonie 1 of Paris; TV director, Jérôme Cassou (36 min)

      • La Neuviéme Symphonie By Maurice Béjart - Béjart Ballet Lausanne, Tokyo Ballet

        The Ninth Symhony; Maurice Béjart, choreography; After Schiller's 'Ode to joy'; Ludwig van Beethoven, music; Maurice Béjart, staging; Friedrich Nietzsche, Prologue; Gil Roman, artistic director; Israel Philharmonic orchestra; Zubin Mehta, conductor; Ritsuyukai choir; Kufiami Kuriyama, chorus master; Gil Roman, narratorr; Kristin Lewis, soprano; Mihoko Fujimura, mezzo-soprano; Kei Fukui, tenor; Alexander Vinogradov, bass; JB Meier and Thierry Hochstätter, percussion; Joëlle Roustan abd Roger Bernard, original costumes and sets; Henri Davila, costumes adaptation; Dominique Roman, Lighting realisation; Piotr Nardelli, Ballet Master revival; With; The Béjart Ballet Lausanne; The Tokyo Ballet; and Solooists; Dan Tsukamoto, Mizuka Ueno, Iori Nittono, Aya Takagi, Kathleen Thielheilm, Masayoshi Onuki, Elisabet Ros, Juien Favreau, Lisa Cano, Fabrice Gallarrague, Pauline Voisard, Felipe Rocha, Oscar Chacon, Keisuke Nasuno, Marsha Rodriguez, Cosima Munoz, Mari Ohashi, Kwinten Guilliams, Aldriana Vargas Lopez, Hector Navarro, Alanna Archibald; Recorded on November 9 th 2014 at the NHK Hall Tokyo; TV Director, Mari Hnamasu (84 min)

      • InterMezzo

        (49 min)

      • José James - Jazz á Vienne

        José James; José James (voice, guitar); Marcus Machado (guitar); Aneesa Strings (bass, voice); Aaron Steele (drums); Since bursting onto the international scene a little over a decade ago, José James and his honey-sweet voice are still as bewitching. The Minneapolis artist admits to being inspired by Marvin Gaye, the producer Flying Lotus and John Coltrane for his stylish blend of what makes up Great Black Music. Flitting between raw soul, soul folk, hip hop and jazz, James is in the microcosm of vocalists capable of keeping the crossover created by Ray Charles in the 50s alive. His first album (The Dreamer, 2008) pays tribute to Martin Luther King. The next one, Blackmagic, features the beatboxer Taylor McFerrin. His fourth album (in the meantime he recorded with Junior Mance, Chico Hamilton, Flying Lotus and the pianist Jef Neve), No Beginning No End, is on Blue Note. The more soulful than ever singer is back with Lean On Me (2018). After leaning on Billie Holiday and John Coltrane, this time he pays tribute to the living legend of American pop and the immense soulman Bill Withers. There are twelve unforgettable tracks by Withers, who celebrates his 80th birthday in July, produced by Don Was and recorded by a dream band: bassist Pino Palladino, Kris Bowers (fabulous Rhodes on the cover of Ain't No Sunshine), Brad Allen Williams and Nate Smith. Recorded on July 02, 2019 at Jazz á Vienne; TV Director, Mikaël Favard (60 min)

      • InterMezzo

        (60 min)

      • Makaya McCraven - Festival International de Jazz de Montréal

        Makaya Mc Craven; Recorded on June 30, 2019 at the Montreal Jazz Festival; Réalisateur, Sîla (83 min)

      • Henry Spencer & Juncture - EFG London Jazz Festival

        Henry Spencer & Juncture; The Reasons Don't Change; Henry Spencer, trumpet; Nick Costley-White, guitar; Matt Robinson, piano, Fender rhodes, Wurlitzer; Andrew Robb, double bass; David Ingamells, drums; Award-winning trumpeter Henry Spencer's 'gleaming tone' (Jazzwise) lies at the core of an exciting young band playing out of the tradition with an invigorating c and attitude, whose debut album has been called 'one of the early contenders for album of the year' by All About Jazz. Recorded on November 10th 2017 at Rich Mix London Jazz Festival; TV Director, Mathieu Mastin (25 min)

      • Jowee Omicil - Let's Bash - Europa Jazz Festival

        Jowee Omicil - Let's Bash; Jowee Omicil, saxophone, flute, clarinet, vocals; Jonathan Jurion, piano, keyboard; Just Wody Cereyon, bass guitar; Tilo Berthelot; drums; Jowee Omicil - a multi-instrumentalist who is like no one else - was born in Montreal in 1977 between the Haitian and Quebec communities. After living within a rich New York musical fabric, he splits his life between Miami and Paris. Fed by the playing of his masters - John Coltrane, Ornette Coleman, Sonny Rollins, Miles Davis, Wayne Shorter or Kenny Garrett - his nomad jazz mixing Creole roots to Hip-Hop, gospel, soul and world folklores renews itself according to his encounters. Regarding 'Let's Bash', his new project, it is both a war cry and a love declaration that hide a great act of faith: 'I want jazz to become popular again'! Recorded on May 5, 2018 at the Europa Jazz Festival, Abbaye de l'Epau, Le Mans; TV Director, Samuel Thiebautt (56 min)

      • InterMezzo

        (60 min)

      • Martha Argerich, Emmanuel Krivine and the Orchestre National de France: Blacher, Ravel, Rimsky-Korsakov

        Orchestre National de France, Emmanuel Krivine (Conductor); Martha Argerich (piano); Boris Blacher (1903 - 1975); Variations on a Theme by Paganini; Maurice Ravel (1875 - 1937); Piano Concerto in G; Nikolai Rimsky-Korsakov (1844 - 1908); Sheherazade; Recorded on October 5, 2017 at the Auditorium de la Maison de la Radio, Paris; TV Director, Olivier Simonnet (95 min)

      • 15th Géza Anda International Piano Competition, public final concert

        Tonhalle Orchestra Zurich, Gergely Madaras (Conductor); 15th Géza Anda International Piano Competition, public final concert; Tonhalle Maag, Zurich, 5 juin 2021 03.08.2021 (90 min)

      • InterMezzo

        (20 min)

      • Messe pour le Temps Présent by Maurice Béjart - Grand Remix by Hervé Robbe

        Messe pour le temps présent (original version by Maurice Béjart 1967); Isabelle Warnier, in charge of production,coordinato of the École Supérieure du Centre National de Danse Contemporaine d'Angers Maurice Béjart, and Jerks choreographer; Grand Remix; Creation; Hervé Robbe, choreography; Pierre Henry, accoustic direction; Bernadette Mangin, musical assistant, Aline Guillard, sound ingeneer, accoustiv conception after Etienne Bultingaire, Pierrick Saillant, sound ingeneer; Pierre Lefévre, sound system SON/RÉ, François Maillot, light creation; Anne Poupelin, costume; Dancers: Maxime Aubert, Yohann Baran, Amandine Brun, Auranne BrunetManquat, Pauline Dassac, Julien Derradj, Nolwenn Ferry, Lara Gouix, Agata Jarosova, Alice Lada, Juan Pablo Landazuri, Théo Le Bruman, Charlotte Louvel, Kevin Martial, José Meireles, Victoria Pignato, Pauline Sonnic, Jeanne Stuart, Anais Vignon, Jiaqi Wu; Recorded on January 8th & 9th 2016 at the Philharmonie 1 of Paris; TV director, Jérôme Cassou 03.08.2021 (36 min)

      • La Neuviéme Symphonie By Maurice Béjart - Béjart Ballet Lausanne, Tokyo Ballet

        The Ninth Symhony; Maurice Béjart, choreography; After Schiller's 'Ode to joy'; Ludwig van Beethoven, music; Maurice Béjart, staging; Friedrich Nietzsche, Prologue; Gil Roman, artistic director; Israel Philharmonic orchestra; Zubin Mehta, conductor; Ritsuyukai choir; Kufiami Kuriyama, chorus master; Gil Roman, narratorr; Kristin Lewis, soprano; Mihoko Fujimura, mezzo-soprano; Kei Fukui, tenor; Alexander Vinogradov, bass; JB Meier and Thierry Hochstätter, percussion; Joëlle Roustan abd Roger Bernard, original costumes and sets; Henri Davila, costumes adaptation; Dominique Roman, Lighting realisation; Piotr Nardelli, Ballet Master revival; With; The Béjart Ballet Lausanne; The Tokyo Ballet; and Solooists; Dan Tsukamoto, Mizuka Ueno, Iori Nittono, Aya Takagi, Kathleen Thielheilm, Masayoshi Onuki, Elisabet Ros, Juien Favreau, Lisa Cano, Fabrice Gallarrague, Pauline Voisard, Felipe Rocha, Oscar Chacon, Keisuke Nasuno, Marsha Rodriguez, Cosima Munoz, Mari Ohashi, Kwinten Guilliams, Aldriana Vargas Lopez, Hector Navarro, Alanna Archibald; Recorded on November 9 th 2014 at the NHK Hall Tokyo; TV Director, Mari Hnamasu (84 min)

      • InterMezzo

        (85 min)

      • Teodor Currentzis conducts Verdi's Requiem in Milano

        MusicaAeterna, Teodor Currentzis (Conductor); Zarina Abaeva (soprano), Eve-Maud Hubeaux (mezzo-soprano), Dmytro Popov (tenor), Tareq Nazmi (bass); Giussepe Verdi (1813 - 1901); Messa da Requiem; Recorded 12 April 2019, San Marco, Milano; TV Director, François-René Martin; 03.08.2021 (93 min)

      • Andris Nelsons and the Gewandhaus Orchestra: Schleiermacher, Berg, Mendelssohn

        Gewandhausorchester, Andris Nelsons (Conductor); Baiba Skride (Violin); Steffen Schleiermacher; Relief (World Premiere); Alban Berg; Violin Concerto ''To the Memory of an Angel''; Felix Mendelssohn; Symphony no 3 in A minor Op. 56 ''Scottish''; Live from the Gewandhaus, Leipzig; TV Director, Ute Feudel; 03.08.2021 (93 min)

      • InterMezzo

        (35 min)

      • Roméo et Juliette by Gounod at the Gran Teatre del Liceu

        Roméo et Juliette; Opéra in five acts by Charles Gounod (1818 - 1893); Libretto by Jules Barbier and Michel Carré after William Shakespeare's play; First performance in Paris, Théâtre Lyrique, 27 April 1867; Orchestra & Chorus of the Grand Teatre del Liceu, Josep Pons (Conductor); Conxita Garcia (Chorus Master); Stephen Lawless (Stage Direction); Ashley Martin Davis (Sets & Costumes), Mimi Jordan Sherin (Lighting Designer), Nicola Bowie (Choreography); Aida Garifullina (Juliette); Saimir Pirgu (Roméo); Tara Erraught (Stéphano); Susanne Resmark (Gertrude); David Alegrt (Tybalt); Beñat Egiarte (Benvolio); Gabriel Bermúdez (Mercutio); Isaac Galán (Pâris); Germán Olvera (Grégorio); Ruben Amoretti (Capulete); Nicola Ulivieri (Frére Laurent); Stefano Palatchi (Le Duc); Dimitar Darlev (Frére Jean); Recorded on February 22 & 27, 2018 at the Gran Teatre del Liceu, Barcelona; Directed by Benoît Toulemonde; 03.08.2021 (150 min)

      • InterMezzo

        (85 min)

      • Les Siécles and Pablo Heras-Casado: Debussy

        Les Siécles, Pablo Heras-Casado (Conductor); Claude Debussy (1862 - 1918); Prélude á l'aprés-midi d'un faune; Ibéria (Images pour orchestre); La mer; Premiére suite d'orchestre; Recorded on June 22, 2018 at the Festival de Granada; Directed by Stéphane Vérité (90 min)

      • Elena Bashkirova, Emmanuel Pahud, Claudio Bohorquez, Ohad Ben-Ari, Karl-Heinz Steffens, Juliane Banse: Mendelssohn

        Elena Bashkirova (piano); Emmanuel Pahud (flute); Claudio Bohorquez (Cello); Juliane Base (soprano); Ohad Ben-Ari (Piano); Karl-Heinz Steffens (Clarinet); Felix Mendelssohn/Fanny Hensel: Songs for soprano; Die Liebende schreibt, op. 86, No. 3; Reiselied, op. 34, No. 6; Sehnsucht, op.9, No.7; Verlust, op. 9, No. 10; Vorwurf, op.10, No. 2; Allnächtlich im Träume, op. 86, No. 4; Nachtlied, op. 71, No. 6; Schilflied, op. 71, No. 4; Felix Mendelssohn: Seven Songs Without Words (Romances sans Paroles), op. 62 and 67 for piano four-hands; op. 62, No.1 - op. 62, No.2 - op. 62, No.3 - op. 62, No.4 - op. 62, No.5 - op. 62, No.6 - op. 67, No.1; Felix Mendelssohn: Three pieces for clarinet, violoncello and piano; Prelude, op. 35, No. 4; Song without words, op. 53, No. 2; Duet, op. 38, No. 6; Felix Mendelssohn: Piano Trio for Flute, Cello and Piano in D minor, op. 49; Molto Allegro agitato; Andante con moto tranquillo; Scherzo. Leggero e vivace; Finale. Allegro assai appassionato; Recorded at theMendelssohn-Haus of Leipzig on November 25 & 26, 2020; TV Director, Anne Straube (74 min)

      • Roberto Fonseca - Jazz á Vienne

        Roberto Fonseca; ABUC & Special Guests; Roberto Fonseca, piano, keyboard, vocal; Eliades Ochoa, vocal, guitar; Daymé Arocena, vocal; Ucha, vocal; Javier Zalba, saxophone, flute, clarinet; Jimmy Jenks, saxophone; Matthew Simon, trumpet; Ramses 'Dinamite' Rodriguez, drums; Adel Gonzalez, percussion; Yandy Martinez, Electric & acoustic bass; Ariel Gustavo Vigo Muniz, saxophone; The 40-something star of Cuban jazz (born in Havana in 1975) with nine albums under his belt (the last is Ubuc) and former pianist for the Buena Vista Social Club is a hero of new musica habanera. The piano and percussion maestro (he started out as a drummer) studied music for a long time in Havana. Meeting the saxophonist Javier Zalba from the band Irakere inspired Fonseca to explore alternative music such as Keith Jarrett or Herbie Hancock and traditional beats. He began blending vibrant Cuban rhythms with Santeria's African roots, classical music and jazz ('Yo', 2012). Roberto Fonseca is now seen as an icon of Latin jazz and a potential heir to Chucho Valdes. After a poignant duet with the Mali singer Fatoumata Diawara (2014), the pianist is back with Eliades Ochoa, one of the latest figures in the Buena Vista Social Club and the best-known Cuban vocalist on the scene. He's also joined by 25 year old Daymé Arocena, a singer who blends traditional rumba, jazz, soul and Yoruba culture. Recorded on 2017, July, 7th at the Jazz Festival in Vienne; TV Director, Nicolas Micha 04.08.2021 (106 min)

      • Messe pour le Temps Présent by Maurice Béjart - Grand Remix by Hervé Robbe

        Messe pour le temps présent (original version by Maurice Béjart 1967); Isabelle Warnier, in charge of production,coordinato of the École Supérieure du Centre National de Danse Contemporaine d'Angers Maurice Béjart, and Jerks choreographer; Grand Remix; Creation; Hervé Robbe, choreography; Pierre Henry, accoustic direction; Bernadette Mangin, musical assistant, Aline Guillard, sound ingeneer, accoustiv conception after Etienne Bultingaire, Pierrick Saillant, sound ingeneer; Pierre Lefévre, sound system SON/RÉ, François Maillot, light creation; Anne Poupelin, costume; Dancers: Maxime Aubert, Yohann Baran, Amandine Brun, Auranne BrunetManquat, Pauline Dassac, Julien Derradj, Nolwenn Ferry, Lara Gouix, Agata Jarosova, Alice Lada, Juan Pablo Landazuri, Théo Le Bruman, Charlotte Louvel, Kevin Martial, José Meireles, Victoria Pignato, Pauline Sonnic, Jeanne Stuart, Anais Vignon, Jiaqi Wu; Recorded on January 8th & 9th 2016 at the Philharmonie 1 of Paris; TV director, Jérôme Cassou 03.08.2021 (36 min)

      • La Neuviéme Symphonie By Maurice Béjart - Béjart Ballet Lausanne, Tokyo Ballet

        The Ninth Symhony; Maurice Béjart, choreography; After Schiller's 'Ode to joy'; Ludwig van Beethoven, music; Maurice Béjart, staging; Friedrich Nietzsche, Prologue; Gil Roman, artistic director; Israel Philharmonic orchestra; Zubin Mehta, conductor; Ritsuyukai choir; Kufiami Kuriyama, chorus master; Gil Roman, narratorr; Kristin Lewis, soprano; Mihoko Fujimura, mezzo-soprano; Kei Fukui, tenor; Alexander Vinogradov, bass; JB Meier and Thierry Hochstätter, percussion; Joëlle Roustan abd Roger Bernard, original costumes and sets; Henri Davila, costumes adaptation; Dominique Roman, Lighting realisation; Piotr Nardelli, Ballet Master revival; With; The Béjart Ballet Lausanne; The Tokyo Ballet; and Solooists; Dan Tsukamoto, Mizuka Ueno, Iori Nittono, Aya Takagi, Kathleen Thielheilm, Masayoshi Onuki, Elisabet Ros, Juien Favreau, Lisa Cano, Fabrice Gallarrague, Pauline Voisard, Felipe Rocha, Oscar Chacon, Keisuke Nasuno, Marsha Rodriguez, Cosima Munoz, Mari Ohashi, Kwinten Guilliams, Aldriana Vargas Lopez, Hector Navarro, Alanna Archibald; Recorded on November 9 th 2014 at the NHK Hall Tokyo; TV Director, Mari Hnamasu 04.08.2021 (84 min)