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Ensemble Intercontemporain, Matthias Pintscher: Hommage á Basquiat
Ensemble Intercontemporain, Matthias Pintscher (Conductor); Alain Billard (clarinette contrebasse), Bryce Dessner (guitare électrique); Matthias Pintscher (B. 1971); 'Skull', for three trumpets; John Cage (1912 - 1992); 'Seven Haiku' for piano; George Crumb (B. 1929); 'Vox Balaenae' (Voice of the Whale) for flute, cello and piano; Yann Robin (B. 1974); 'Art of Metal II' for contrabass clarinet and electronics; George Crumb; 'Black Angels', Thirteen Images From the Dark Land for electric string quartet; Bryce Dessner (B. 1976); 'Wires' for electric guitar and ensemble; Recorded at the Fondation Louis Vuitton, Paris, 21 January 2019; Directed by Anais Spiro (82 min)
InterMezzo
(60 min)
Tosca by Puccini at the Festival d'Aix-en-Provence
Tosca; Melodramma in three acts by Giacomo Puccini (1858 - 1924); Libretto by Luigi Illica and Giuseppe Giacosa after Victorien Sardou's play 'La Tosca'; First performance in Rome, Teatro Costanzi, 14 January 1900; Chœur, maîtrise et orchestre de l'Opéra de Lyon, Daniele Rustioni (Conductor); Christophe Honoré (Stage direction and video); Alban Ho Van (Sets), Olivier Bériot (Costumes), Dominique Bruguiére (Lighting); Angel Blue (Floria Tosca); Catherine Malfitano (Prima Donna); Joseph Calleja (Mario Cavaradossi); Alexey Markov (Il barone Scarpia); Simon Shibambu (Cesare Angelotti); Leonardo Galeazzi (Il sagrestano); Jean-Gabriel Saint Martin (Sciarrone); Michael Smallwood (Spoletta); Virgile Ancely (Un Carceriere); Recorded on July 2 & 9, 2019, Festival d'Aix-en-Provence, Théâtre de l'Archeveché; TV Director, Philippe Béziat (125 min)
Roberto Fonseca - Jazz á Vienne
Roberto Fonseca; ABUC & Special Guests; Roberto Fonseca, piano, keyboard, vocal; Eliades Ochoa, vocal, guitar; Daymé Arocena, vocal; Ucha, vocal; Javier Zalba, saxophone, flute, clarinet; Jimmy Jenks, saxophone; Matthew Simon, trumpet; Ramses 'Dinamite' Rodriguez, drums; Adel Gonzalez, percussion; Yandy Martinez, Electric & acoustic bass; Ariel Gustavo Vigo Muniz, saxophone; The 40-something star of Cuban jazz (born in Havana in 1975) with nine albums under his belt (the last is Ubuc) and former pianist for the Buena Vista Social Club is a hero of new musica habanera. The piano and percussion maestro (he started out as a drummer) studied music for a long time in Havana. Meeting the saxophonist Javier Zalba from the band Irakere inspired Fonseca to explore alternative music such as Keith Jarrett or Herbie Hancock and traditional beats. He began blending vibrant Cuban rhythms with Santeria's African roots, classical music and jazz ('Yo', 2012). Roberto Fonseca is now seen as an icon of Latin jazz and a potential heir to Chucho Valdes. After a poignant duet with the Mali singer Fatoumata Diawara (2014), the pianist is back with Eliades Ochoa, one of the latest figures in the Buena Vista Social Club and the best-known Cuban vocalist on the scene. He's also joined by 25 year old Daymé Arocena, a singer who blends traditional rumba, jazz, soul and Yoruba culture. Recorded on 2017, July, 7th at the Jazz Festival in Vienne; TV Director, Nicolas Micha (106 min)
InterMezzo
(8 min)
Jonathan Nott and the Orchestre de la Suisse Romande: Mahler
Orchestre de la Suisse Romande, Jonathan Nott (Conductor); Ensemble vocal de Lausanne, Maîtrise du Conservatoire Populaire de Musique, Danse et Théâtre de Genéve; Mihoko Fujimura (mezzo-soprano); Gustav Mahler (1860 - 1911); Symphony no. 3 in D minor; Recorded on May 24, 2018 at the Victoria Hall, Genéve; Directed by Andy Sommer (112 min)
Teodor Currentzis conducts Verdi's Requiem in Milano
MusicaAeterna, Teodor Currentzis (Conductor); Zarina Abaeva (soprano), Eve-Maud Hubeaux (mezzo-soprano), Dmytro Popov (tenor), Tareq Nazmi (bass); Giussepe Verdi (1813 - 1901); Messa da Requiem; Recorded 12 April 2019, San Marco, Milano; TV Director, François-René Martin; 10.07.2021 (93 min)
InterMezzo
(25 min)
Philippe Jaroussky conducts Il Primo omicidio by Alessandro Scarlatti
Ensemble Artaserse, Philippe Jaroussky (Conductor); Bruno de Sá (Abel); Christophe Dumaux (Cain); Sandrine Piau (Eva); Kresimir Spicer (Adamo); Yannis François (Lucifero); Paul-Antoine Benos-Dijan (La voce di Deo); Alessandro Scarlatti (1660 - 1725); Il primo omicidio; Recorded at the Opéra-Comédie, Montpellier (136 min)
InterMezzo
(30 min)
Happy birthday Martha Argerich!
Gidon Kremer (violin), Evgeny Kissin (piano); Alfred Schnittke (1934 - 1998); Congratulatory Rondo for violin and piano; Gidon Kremer (violon) Weinberg: 3 Preludes for solo violin; Arielle Beck, David Chen Argerich (piano); Sergei Rachmaninov (1873 - 1943); Six duets op. 11 (extracts); Martha Argerich, David Chen Argerich, Iddo Bar-Shai (piano); Sergei Rachmaninov; Romance (for 6 hands); Nicholas Angelich (piano), Martha Argerich (piano); Claude Debussy (1862 - 1918); Prélude á l'aprés-midi d'un faune; Martha Argerich (piano), Iddo Bar Shai (piano); Franz Schubert (1797 - 1828); Rondo for 4 hands in A major D.951; Sergei Nakariakov (flügelhorn), Martha Argerich (piano); Robert Schumann (1810 - 1856); Fantasiestücke Op. 73; Maxim Vengerov (violin), Tedi Papavarami (violin), Lyda Chen Argerich (viola), Mischa Maisky (cello), Martha Argerich (piano); Robert Schumann (1810 - 1856); Quintet for strings and piano in E flat major op. 44; Château de Chantilly, 11 June 2021 (90 min)
Ensemble Intercontemporain, Matthias Pintscher: Hommage á Basquiat
Ensemble Intercontemporain, Matthias Pintscher (Conductor); Alain Billard (clarinette contrebasse), Bryce Dessner (guitare électrique); Matthias Pintscher (B. 1971); 'Skull', for three trumpets; John Cage (1912 - 1992); 'Seven Haiku' for piano; George Crumb (B. 1929); 'Vox Balaenae' (Voice of the Whale) for flute, cello and piano; Yann Robin (B. 1974); 'Art of Metal II' for contrabass clarinet and electronics; George Crumb; 'Black Angels', Thirteen Images From the Dark Land for electric string quartet; Bryce Dessner (B. 1976); 'Wires' for electric guitar and ensemble; Recorded at the Fondation Louis Vuitton, Paris, 21 January 2019; Directed by Anais Spiro; 10.07.2021 (82 min)
InterMezzo
(30 min)
Keziah Jones - Jazz á Vienne
Keziah Jones; Keziah Jones, vocal, guitar; Joel Grant, bass; Joshua McKenzie, percussion; Keziah Jones was born into a wealthy family in 1968 in Lagos, Nigeria. He was sent to school in England at the age of 8 and he taught himself to play the piano and guitar in London. He gradually created a stunning rhythmic blend of smooth funk, Hendrix-style psychedelia, pure Ikeja reggae and Yoruba harmonies. He called it BluFunk. Keziah Jones hung out English pubs in central London before heading to Paris where he was spotted in the underground in 1991. The album Blufunk Is a Fact and the track Rhythm is Love were international hits. After venturing through the desert of the mid-90s, he struck gold in 2003 with his fourth album Black Orpheus then the unstoppable Nigerian Wood (2008). Keziah completed an ambitious double album in 2013 flitting between Los Angeles, Spain and his kingdoms in London and Lagos. The dandy fighter is well and truly back to win over his audience. Recorded on 2017, July 13th at the Jazz Festival in Vienne; TV Director, Nicolas Micha (71 min)
E.J. Strickland Quintet - Jazz en Tete
E.J. STrickland Quintet; Enoch Jamal 'E.J.' Strickland, drums; Godwin Louis, alto saxophone; Marcus Strickland, Saxophone; Taber Gable, Piano; Josh Ginsburg, Bass; Over about ten years, the drummer E.J. Strickland has appeared on more than 60 albums. He has toured with Cassandra Wilson, Terence Blanchard, Wynton Marsalis, Vincent Herring, Nnenna Freelon, to mention but a few. With his twin brother, the saxophonist Marcus Strickland, co-leader of the group, he is certainly one of the most innovative entertainers of the new generation. Recorded on October 27th at the Festival Jazz en Tete; TV Director, Gilles Le Mao (59 min)
José James - Jazz á Vienne
José James; José James (voice, guitar); Marcus Machado (guitar); Aneesa Strings (bass, voice); Aaron Steele (drums); Since bursting onto the international scene a little over a decade ago, José James and his honey-sweet voice are still as bewitching. The Minneapolis artist admits to being inspired by Marvin Gaye, the producer Flying Lotus and John Coltrane for his stylish blend of what makes up Great Black Music. Flitting between raw soul, soul folk, hip hop and jazz, James is in the microcosm of vocalists capable of keeping the crossover created by Ray Charles in the 50s alive. His first album (The Dreamer, 2008) pays tribute to Martin Luther King. The next one, Blackmagic, features the beatboxer Taylor McFerrin. His fourth album (in the meantime he recorded with Junior Mance, Chico Hamilton, Flying Lotus and the pianist Jef Neve), No Beginning No End, is on Blue Note. The more soulful than ever singer is back with Lean On Me (2018). After leaning on Billie Holiday and John Coltrane, this time he pays tribute to the living legend of American pop and the immense soulman Bill Withers. There are twelve unforgettable tracks by Withers, who celebrates his 80th birthday in July, produced by Don Was and recorded by a dream band: bassist Pino Palladino, Kris Bowers (fabulous Rhodes on the cover of Ain't No Sunshine), Brad Allen Williams and Nate Smith. Recorded on July 02, 2019 at Jazz á Vienne; TV Director, Mikaël Favard (60 min)
InterMezzo
(43 min)
Monteverdi's L'Orfeo at the Opéra-Comique
L'Orfeo; 'Favola in musica' in a prologue and five acts by Claudio Monteverdi (1567 - 1643); Libretto by Alessansdro Striggio; First performance in Mantue, Palazzo Ducale, 24 February 1607; Le Concert des Nations, Jordi Savall (Conductor); Pauline Bayle (Stage Direction); Pascal Noël (Lighting), Bernadette Villard (Costumes), Emmanuel Clolus (Sets); Luciana Mancini (Euridice | La Música); Marc Mauillon (Orfeo); Marianne Beate Kielland (Proserpina | La Speranza); Furio Zanasi (Apollo); Salvo Vitale (Plutone | Caronte); Lise Viricel (La Ninfa); Sara Mingardo (La Messaggera); Alessandro Giangrande (Eco); Paris, Opéra Comique, 10 June 2021 (135 min)
InterMezzo
(100 min)
Andris Nelsons and the Gewandhaus Orchestra: Schleiermacher, Berg, Mendelssohn
Gewandhausorchester, Andris Nelsons (Conductor); Baiba Skride (Violin); Steffen Schleiermacher; Relief (World Premiere); Alban Berg; Violin Concerto ''To the Memory of an Angel''; Felix Mendelssohn; Symphony no 3 in A minor Op. 56 ''Scottish''; Live from the Gewandhaus, Leipzig; TV Director, Ute Feudel (93 min)
Les Siécles and François-Xavier Roth: Debussy, Franck, Saint-Saëns
Les Siécles, Coro de la Orquesta Ciudad de Granada, François-Xavier Roth (Conductor); Héctor Eliel Márquez (Chorus Master); Jean-Efflam Bavouzet (piano); Claude Debussy (1862 - 1918); Marche écossaise, sur un théme populaire; Jeux; Nocturnes; César Franck (1822 - 1890); Variations symphoniques; Camille Saint-Saëns (1835 - 1921); Samson et Dalila, Bacchanale; Recorde on June 24, 2018 at the Festival de Grenade; Directed by Stéphane Vérité (76 min)
nOx.3 - Jazz á Vienne
NOx.3; Jazz á Vienne 2016; With; Rémi Fox, saxophone & FX; Matthieu Naulleau, piano & FX; Nicolas Fox, drums; Recorded on July, 13th 2016 at the Théâtre Antique; TV direction by Eric Michaud (50 min)
InterMezzo
(60 min)
Lucia di Lammermoor by Donizetti at the Gran Teatre del Liceu
Lucia di Lammermoor, dramma tragico in three acts by Gaetano Donizetti (1797 - 1848); Libretto by Salvadore Cammarano, after Walter Scott's 'The Bride of Lammermoor'; First performance in Naples, Teatro San Carlo, 26 September 1835; Symphony Orchestra and Chorus of the Gran Teatre del Liceu, Marco Armiliato (Conductor); Conxita Garcia (Chorus Master); Damiano Michieletto (Stage Direction); Paolo Fantin (Sets), Carla Teti (Costumes), Martin Gebhardt (Lighting); Elena Mosuc (Lucia di Lammermoor); Juan Diego Flórez (Edgardo); Marco Caria (Enrico); Simón Orfila (Raimondo); Albert Casals (Arturo); Jorge Rodríguez Norton (Normano); Sandra Ferrández (Alisa); Recorded on December 20th & 23th 2015 at the Gran Teatre del Liceu, Barcelona; Directed by Fabrice Castanier 11.07.2021 (154 min)
