• Mezzo Live HD

    • Mezzo Live HD od do

      • Verdi's Falstaff at the Festival d'Aix-en-Provence

        Falstaff; Opera in three acts by Giuseppe Verdi (1813 - 1901); Libretto by Arrigo Boito after Shakespeare; First performance in Milano, Teatro alla Scala, 9 February 1893; Chœur et Orchestre de l'Opéra de Lyon, Daniele Rustioni (Conductor); Barrie Kosky (Stage direction); Katrin Lea Tag (Sets, costumes), Franck Evin (Lighting), Olaf A. Schmitt (Dramaturgy); Christopher Purves (Sir John Falstaff); Stéphane Degout (Ford); Juan Francisco Gatell (Fenton); Carmen Giannattasio (Mrs Alice Ford); Daniela Barcellona (Mrs Quickly); Giulia Semenzato (Nannetta); Antoinette Dennefeld (Mrs Meg Page); Gregory Bonfatti (Dottore Cajus); Rodolphe Briand (Bardolfo); Antonio di Matteo (Pistola); Festival Lyrique d'Aix-en-Provence, Théâtre de l'Archeveché, 6 July 2021 (150 min)

      • InterMezzo

        (60 min)

      • Nicholas Angelich at the Philharmonie de Paris: Beethoven, Brahms, Prokofiev

        Nicholas Angelich (piano); Johann Sebastian Bach (1685 - 1750) / Ferruccio Busoni (1866 - 1924); Nun komm der Heiden Heiland; Johannes Brahms (1833 - 1897); 7 Fantaisies Op. 116; Sergei Prokofiev (1891 - 1953); Piano Sonata no 8 in B flat major, Op. 84; Recorded on October 6, 2017 at the Philharmonie de Paris; Directed by Olivier Simonnet (88 min)

      • Daniele Gatti conducts Wagner's Tristan and Isolde - Act II at the Verbier Festival

        Verbier Festival Orchestra, Daniele Gatti (Conductor); Nina Stemme (soprano, Isolde); Stuart Skelton (tenor, Tristan); René Pape (bass, König Marke); Okka von der Damerau (mezzo-soprano, Brangäne); Sungho Kim (tenor, Melot); Stephen Marsh (baritone, Kurwenal); Richard Wagner (1813 - 1883); Tristan und Isolde, act II (concert version); Festival de Verbier, Salle des Combins, 23 July 2021 (90 min)

      • Michel Portal, Jeff Ballard, Kevin Hays - Jazz sous les pommiers

        Portal & Cie, Ballard & Hays; Michel Portal, clarinette, clarinet bass, saxophone soprano; Jeff Ballard, drums; Kevin Hays, piano; 'Promises' is the reunion of three stars of the international jazz scene: Michel Portal, an emblematic figure of improvised music in Europe, Jeff Ballard, an American drummer who played with the greatest (Ray Charles, Pat Metheny, Brad Meldhau) and pianist Kevin Hays whose pedigree is no less impressive (Sonny Rollins, Ron Carter). The three musicians explore the entire gamut of jazz, from traditional to modern, with new compositions and unbridled improvisation. Their 'Promises' will be kept. Enregistré le 23 Mai 2017 au Théâtre Municipal de Coutances, Jazz sous les Pommiers; Réalisateur, Thierry Villeneuve (63 min)

      • InterMezzo

        (27 min)

      • Eskapist d'Alexander Ekman

        Eskapist; Alexander Ekman (choreography/Stage design/Light); Mikael Karlsson (music); Henrik Vibskov (costume); Carina Nildalen (dramaturgy); Royal Swedish Opera Ballet; With; Oscar Salomonsson (Eskapisten); Daria Ivanova, Sarah Jane Medley (Konhuvuden); Anton Valdbauer, Emily Slawski (Du Och Jag); Haruka Sassa, AdiLiJiang Abudureheman (Klassiskt pas de deux ); Eskapister; Coralie Aulas, Frida Hambraeus, Alina Lagoas, Luiza Lopes, Kisa Nakashima, Moe Nieda, Natalie Ogonek, Alessa Rogers, Jonna Savioja, Desislava Stoeva, Lisa van Cauwenbergh, Madeline Woo, Mayumi Yamaguchi, Kaho Yanagisawa, Joakim Adeberg, Gabriel Barrenengoa, William Dugan, Mackenzie Farquhar, Hampus Gauffin, Hiroaki Ishida, Pascal Jansson, Julien Keulen, Calum Lowden, Jérôme Marchand, Preston McBain, Kentaro Mitsumori, Jérémie Neveu, Samuele Ninci, Javier Rojas, Erik Rudqvist; Solocello; Kati Raitinen, Erik Wahlgren; Recorded on April 13 & 15, 2019 at the Royal Swedish Opera l; TV Director, Tommy Pascal (88 min)

      • La Neuviéme Symphonie By Maurice Béjart - Béjart Ballet Lausanne, Tokyo Ballet

        The Ninth Symhony; Maurice Béjart, choreography; After Schiller's 'Ode to joy'; Ludwig van Beethoven, music; Maurice Béjart, staging; Friedrich Nietzsche, Prologue; Gil Roman, artistic director; Israel Philharmonic orchestra; Zubin Mehta, conductor; Ritsuyukai choir; Kufiami Kuriyama, chorus master; Gil Roman, narratorr; Kristin Lewis, soprano; Mihoko Fujimura, mezzo-soprano; Kei Fukui, tenor; Alexander Vinogradov, bass; JB Meier and Thierry Hochstätter, percussion; Joëlle Roustan abd Roger Bernard, original costumes and sets; Henri Davila, costumes adaptation; Dominique Roman, Lighting realisation; Piotr Nardelli, Ballet Master revival; With; The Béjart Ballet Lausanne; The Tokyo Ballet; and Solooists; Dan Tsukamoto, Mizuka Ueno, Iori Nittono, Aya Takagi, Kathleen Thielheilm, Masayoshi Onuki, Elisabet Ros, Juien Favreau, Lisa Cano, Fabrice Gallarrague, Pauline Voisard, Felipe Rocha, Oscar Chacon, Keisuke Nasuno, Marsha Rodriguez, Cosima Munoz, Mari Ohashi, Kwinten Guilliams, Aldriana Vargas Lopez, Hector Navarro, Alanna Archibald; Recorded on November 9 th 2014 at the NHK Hall Tokyo; TV Director, Mari Hnamasu (84 min)

      • InterMezzo

        (60 min)

      • Syuyumbike by Reseda Akhiyarova at the State Opera of Tatarstan

        Syuyumbike; Opera in three act by Reseda Akhiyarova; Libretto by Renata Haris; Renat Salavatov (Conductor); Lyubov Draznina (Chorusmaster); Yuri Alexandrov (Stage Director); Viktor Gerasimenko (Set Designer), Victoria Kharhalup (Costume Designer), Arseny Radkov (Lighting Designer), David Avdysh (Choreographer); Arslan Sibgatullin (Utyamysh - Khan of Kazan); Gulnora Gatina (Syuyumbike - regent, mother of Utyamysh); Ahmed Agadi (Ivan Vasilievich IV The Terrible - Tsar of Moscow); Filius Kagirov (Shah Ali (Shigalei); Artur Islamov J. (Koshchak - the head of the palace guard, beloved of Syuyumbike); Irek Fattakhov (Bibars - Murza, head of government); Ekaterina Sergeyeva (Anastasia - Tsarina, wife of Ivan the Terrible); Yuri Ivshin (Prince Peter Silver); Venera Ganeeva (Nanny Utyamysha); The State Opera of Tatarstan, Kazan, 17 July 2021  (180 min)

      • Il Viaggio: Le Poéme Harmonique, Eva Zaicik and Vincent Dumestre at the Palazzo Farnese

        Le Poéme Harmonique, Vincent Dumestre (Conductor); Eva Zaicik (mezzo-soprano); 'Il Viaggio'; Music by Monteverdi, Castaldi, Frescobaldi... Salomone Rossi (1570 - 1630); Sinfonia; Bellerofonte Castaldi (1581 - 1649); La lettera; Francese lamentavole; Giovanni Battista Buonamente (1595 - 1642); Aria di Fiorenze; Bellerofonte Castaldi; Echo notturno; Marco Uccellini (1603 - 1680); Sinfonia a gran battaglia; La Bergamasca; Girolamo Frescobaldi (1583 - 1643); Ti lascio anima mia; Claudio Monteverdi (1567 - 1643); Addio Roma; Oblivion soave; Voglio di vita uscir; Bellerofonte Castaldi; Chi vidde piú lieto; Dolci miei martiri; Recorded at the Palazzo Farnese, Rome, 5 December 2019; Directed by Jean-Pierre Loisil (68 min)

      • Gidon Kremer, András Keller - Mahler, Schnittke, Weinberg

        Concerto Budapest Symphony Orchestra, Kremerata Baltica, András Keller (Conductor); Gidon Kremer (violin); Gustav Mahler (1860 - 1911); Symphony No. 5 - Adagietto; Johann Sebastian Bach (1685 - 1750) / Ferruccio Busoni (1866 - 1924); Chaconne for violin solo from Partita II for Violin, BWV 1004, piano transcription by Ferruccio Busoni arranged by Gidon Kremer for chamber orchestra; Alfred Schnittke (1934- 1998); Violin Concerto No. 3; Mieczysław Weinberg (1919 - 1996); Symphony No. 21, Op. 152 'Kaddish'; Recorded on 4 December 2019 at the Müpa National Concert Hall, Budapest (112 min)

      • InterMezzo

        (20 min)

      • Verdi's Falstaff at the Festival d'Aix-en-Provence

        Falstaff; Opera in three acts by Giuseppe Verdi (1813 - 1901); Libretto by Arrigo Boito after Shakespeare; First performance in Milano, Teatro alla Scala, 9 February 1893; Chœur et Orchestre de l'Opéra de Lyon, Daniele Rustioni (Conductor); Barrie Kosky (Stage direction); Katrin Lea Tag (Sets, costumes), Franck Evin (Lighting), Olaf A. Schmitt (Dramaturgy); Christopher Purves (Sir John Falstaff); Stéphane Degout (Ford); Juan Francisco Gatell (Fenton); Carmen Giannattasio (Mrs Alice Ford); Daniela Barcellona (Mrs Quickly); Giulia Semenzato (Nannetta); Antoinette Dennefeld (Mrs Meg Page); Gregory Bonfatti (Dottore Cajus); Rodolphe Briand (Bardolfo); Antonio di Matteo (Pistola); Festival Lyrique d'Aix-en-Provence, Théâtre de l'Archeveché, 6 July 2021 (150 min)

      • King Arthur by Henry Purcell, Vox Luminis Ensemble

        Ensemble Vox Luminis, Lionel Meunier (Conductor); Sophie Junker, Zsuzsi Tóth, Stefanie True, Caroline Weynants (soprani), Jan Kullman, Daniel Elgersma (alti), Robert Buckland, Philippe Froeliger (tenors), Sebastian Myrus, Lionel Meunier (basses); Henry Purcell; King Arthur; Recorded on February 2, 2, 3 and 4, 2018 at the AMUZ, Antwerp; Directed by Patrick Lauze (122 min)

      • Nevermind plays Telemann

        Ensemble Nevermind; Anna Besson (flute), Louis Creac'h (violin), Robin Pharo (viola da gambe), Jean Rondeau (harpsichord); Georg Philipp Telemann; Quatuors parisiens - Concerto no 1 in G major; Nouveaux quatuors parisiens - Quatuors no 4 & 6; Zwanzig Kleine Fugen - Fugue no 14; Quatriéme livre de quatuors - Sonata no 2 in F major; Recorded on November 8, 2017 at the Salle Cortot, Paris; Directed by Samuel Thiebaut (57 min)

      • InterMezzo

        (60 min)

      • Yamandu Costa and Vincent Peirani - Jazz á Porquerolles

        Yamandu Costa and Vincent Peirani; Yamandu Costa (Guitar); Vincent Peirani (Accordion); A world premiere for an unprecedented first performance and the encounter between two artists whom we adore, Vincent Peirani and Yamandu Costa; one of the greatest Brazilian guitarists just like Baden Powell, which says everything about a musician who creates enthusiasm at every one of his concerts and who is an idolised star in his own country. Vincent Peirani is the musician that all the jazz and world music venues in the world invite! Accordion Prodigy, he never ceases to explore the richness of an instrument of which only angels know the secrets. An explosive encounter between two sublime artists who create on stage a space which goes beyond music in order to share with us something which is in the order of joy! A true encounter from which we will certainly come out of changed, full of melodies and of rhythms, making us feel even stronger the beauty of Porquerolles and the chance we have of being able to experience these moments. Recorded on July 9, 2018 at the Jazz á Porquerolles Festival; TV Director, Frank Cassenti (55 min)

      • Gilberto Gil - Jazz in Marciac

        Gilberto Gil; Gilberto Gil guitar, voice; Thiagô Queiroz saxophone, flute; Diogo Gomes trumpet, bugle; Bem Gil musical director, guitar, voice; Danilo Andrade keyboard, piano; Bruno Di Lullo bass; Jose Gil batterie, percussion; Domenico Lancellotti drums, percussion; Nara Gil voice, chorus; Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac; TV Director, (62 min)

      • Harold Lopez Nussa Trio - Jazz á Porquerolles

        Harold Lopez Nussa Trio; Harold Lopez Nussa (piano); Ruy Adrian Lopez Nussa (drums); Gaston Joya (bass); Harold Lopez Nussa is a Cuban pianist who comes from a family of musicians. When you hear him it seems as if he is the custodian of all the musical traditions of the Caribbean, open to all the influences from Africa and the Americas without even mentioning the great European classical composers. It is an indication of just how much music lives within him and how he never ceases to want to share it with us. On stage, Harold Lopez overflows with expression just like everything which characterizes 'feeling' in Cuban music which is savoured with a shot of rum in the ears. Harold Lopez the direct descendent of the great Cuban pianists, Cucho Valdez, Carlos Maza, Roberto Fonseca, pianists who irresistibly make you get up off your seat and dance. Recorded on July 9, 2018 at the Jazz á Porquerolles Festival; TV Director, Frank Cassenti (53 min)

      • Sophie Alour, Exil(s) - Jazz sous les pommiers

        Sophie Alour 'Exil (s)'; Sophie Alour (saxophone, flute, compositions); Mohamed Abozékry (oud); Donald Kontamanou (drums); Philippe Aerts (double bass); Damien Argentieri (piano); Wassim Halal (derbouka, bendir); Recorded on May 30, 2019 at Jazz sous les Pommiers; TV Directors, Laurent Hasse & Thierry Villeneuve (62 min)

      • InterMezzo

        (48 min)

      • The Orchestre de Chambre de Lausanne and Christoph Eschenbach: Haydn, Schumann

        Orchestre de Chambre de Lausanne, Christoph Eschenbach (Conductor); Christopher Park (piano); Joseph Haydn (1732-1809); Symphony no 92 in G major, 'Oxford'; Robert Schumann (1810 -1856); Piano Concerto in A minor, op. 54; Introduction and Allegro appassionato (Konzertstück) in G major, op. 92; Joseph Haydn; Symphony no 104 in D major, 'London'; Recorded at the Salle Métropole, Lausanne, 11 September 2018 (110 min)

      • L'Orchestre de Chambre de Lausanne and Joshua Weilerstein: Rouse, Beethoven, Schoenberg

        Orchestre de Chambre de Lausanne, Joshua Weilerstein (conductor); Nelson Freire (Piano); Christopher Rouse (b. 1949); Iscariot; Ludwig van Beethoven (1770 - 1827); Piano Concerto No. 4 in G major, Op. 58; Arnold Schönberg (1874 - 1951); Verklärte Nacht, Op. 4 (1943); Recorded on October 30th 2017 at the Salle Métropole of Lausanne; Directed by Andy Sommer (89 min)