• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (105 min)

      • Renaud Capuçon, Alexandre Kantorow and Victor Julien-Laferriére play Tchaikovsky

        Renaud Capuçon, Alexandre Kantorow and Victor Julien-Laferriére; Pyotr Ilyich Tchaikovsky (1840 – 1893); Trio in A Minor, Op. 50, ‘In memory of a great artist’; Gstaad, Sommets Musicaux de Gstaad, 6 February 2021; Directed by Jean-Piere Loisil (45 min)

      • Bomsori Kim and Jean-Paul Gasparian at Gstaad: Beethoven, Brahms and Szymanowski

        Bomsori Kim (violin), Jean-Paul Gasparian (piano); Ludwig van Beethoven (1770 – 1827); Sonata for Violin and Piano No. 5 in F Major, Op. 24 ‘Spring’; Johannes Brahms (1833 – 1897); Sonata for Violin and Piano No. 3 in D Minor, Op. 108; Karol Szymanowski (1882 – 1937); Nocturne and Tarantella; Gstaad, Sommets Musicaux de Gstaad, 7 February 2021; Directed by Jean-Pierre Loisil (70 min)

      • InterMezzo

        (60 min)

      • Gilberto Gil - Jazz in Marciac

        Gilberto Gil; Gilberto Gil guitar, voice; Thiagô Queiroz saxophone, flute; Diogo Gomes trumpet, bugle; Bem Gil musical director, guitar, voice; Danilo Andrade keyboard, piano; Bruno Di Lullo bass; Jose Gil batterie, percussion; Domenico Lancellotti drums, percussion; Nara Gil voice, chorus; Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac; TV Director, (62 min)

      • InterMezzo

        (45 min)

      • Cinderella by Jean-Christophe Maillot, Les Ballets de Monte-Carlo

        Cinderella; Choreography, Jean-Christophe Maillot; Music, Serge Prokofiev; Scenography, Ernest Pignon-Ernest; Costume, Jérôme Kaplan; Lights, Dominique Drillot; Bernice Coppieters, fairy/mother; Chris Roelandt, father; Aurélia Schaefer, Cinderella; Francesco Nappa, prince; Gioia Masala, mother in lax; Agalie Vandamme, Francesca Dolci, sisters in law; Jérôme Marchand, Gaëtan Morlotti, Superintendents of pleasure; and the dancers from Les Ballets de Monte-Carlo; TV Director, Jean-Christophe Maillot; Recorded on 2007 at Monte Carlo, Salle Garnier (97 min)

      • Romeo and Juliet by Prokofiev at the Ekaterinburg academic State Opera

        Romeo and Juliet; Ballet in three acts by Sergei Prokofiev (1891 - 1953); Libretto by Sergei Prokofiev, Sergei Radlov and Adrian Piotrovsky after William Shakespeare's eponymous play; The Ural Opera House ballet; Vyacheslav Samodurov (Choreography); Anthony Mcilwaine (Sets), Irena Belousova (Costumes), Simon Bennison (Lights); Orchestra of the Ural Opera House; Pavel Klinichev (Musical Direction); With; Ekaterina Sapogova (Juliet); Alexandr Merkushev (Romeo); Igor Bulytsyn (Mercutio); Gleb Sageev (Benvolio); Vadim Eremin (Tybalt); Victor Mekhanoshin (Lord Capulet); Elena Safonova (Lady Capulet); Nadezhda Shamshurina (Nurse); Rafaela Ernandes Morel (Rosaline); Andrei Veshkurgev (Rosaline's Suitor); Maxim Klekovkin (Paris); Ivan Sobrovin (Friar Laurence ); Anton Guzeev (The Duke); Sofiya Tyupa (The Duke's companion ); Live from the Ural Opera House, Yekaterinburg; TV director, Denis Caiozzi (117 min)

      • InterMezzo

        (10 min)

      • Mozart's Idomeneo at the Teatro Real de Madrid

        Idomeneo, re di Creta; Dramma per musica in three acts, K 366, by Wolfgang Amadeus Mozart (1756 - 1791); Libretto by Giovanni Battista Varesco after 'Idoménée' by Antoine Danchet; First performance in Munich, Residenztheater, January 29, 1781; Coro y Orquesta Titulares Teatro Real, Ivor Bolton (Conductor); Andrés Máspero (Chorus Master); Robert Carsen (stage direction, sets); Luis F. Carvalho (sets, costumes), Peter van Praet (lights), Marco Berriel (choreography), Will Duke (video); Eric Cutler (Idomeneo); David Portillo (Idamante); Anett Fritsch (Ilia); Eleonora Buratto (Elettra); Benjamin Hulett (Arbace); Oliver Johnston (Neptune's Great Priest); Alexander Tsymbalyuk (Voice of Neptune); Recorded at the Teatro Real, Madrid, on February 25 & 27, 2019; TV Director, François Roussilon (170 min)

      • InterMezzo

        (30 min)

      • Kazushi Ono and the London Symphony Orchestra: Dvorak, Janacek

        London Symphony Orchestra, London Symphony Chorus, Kazushi Ono (conductor); Lucie Vagenknechtová (soprano), Lucie Hilscherová (alto), Aleš Briscein (tenor), Jan Martiník (bass); Leoš Janáček (1854 - 1928); Ballad of Blaník; Antonín Dvořák (1841 - 1904); The Golden Spinning Wheel; Leoš Janáček; Glagolitic Mass (1927 version); Live from the Barbican Hall, London; TV Director, François-René Martin (86 min)

      • Simon Rattle and the London Symphony Orchestra: Knussen, Turnage, Elgar, Vaughan Williams

        London Symphony Orchestra, Simon Rattle (Conductor); Lucy Crowe (soprano), Allan Clayton (tenor); Oliver Knussen (1952 - 2018); Song & A Sea Interlude (from 'Where the Wild things'; Mark Anthony Turnage (b. 1960); Last song for Olly (World Premiere); Benjamin Britten (1913 - 1976); Serenade for tenor, horn and strings; Recorded at St Luke's, London, 9 September 2020 (72 min)

      • InterMezzo

        (45 min)

      • Faust by Charles Gounod at the Teatro Real de Madrid

        Faust, opera in five acts by Charles Gounod (1818-1893); Libretto by Jules Barbier and Michel Carré, based upon the play 'Faust et Marguerite' (1850) by Michel Carré and 'Faust' (1808) by Johann Wolfgang Goethe; Fist performance in Paris, Théâtre Lyrique, 19 March 1859; Principal Chorus and Orchestra of the Teatro Real (Coro Intermezzo / Orquesta Sinfónica de Madrid), Dan Ettinger (Conductor); Andrés Máspero (Chorus Master); Álex Ollé (La Fura dels Baus) (Stage Direction); Alfons Flores (Set designer), Lluc Castells (Costume designer), Urs Schönebaum (Lighting designer); Piotr Beczala (Dr. Faust); Luca Pisaroni (Méphistophélés); Marina Rebeka (Marguerite); Stéphane Degout (Valentin); Isaac Galán (Wagner); Serena Malfi (Siébel) Sep); Sylvie Brunet-Grupposo (Marthe); Recorded at the Teatro Real, Madrid, on October 7, 2018; TV Director, Xavi Bové (186 min)

      • InterMezzo

        (45 min)

      • Barenboim conducts Brahms' Symphonies Nos.1 & 2

        Staatskapelle Berlin, Daniel Barenboim (conductor); Johannes Brahms (1833 - 1897); Symphony No.1 in C minor, op. 68; Un poco sostenuto — Allegro; Andante sostenuto; Un poco allegretto e grazioso; Adagio — Allegro non troppo, ma con brio; Symphony No.2 in D major, op. 73; Allegro non troppo; Adagio non troppo; Allegretto grazioso (quasi andantino); Allegro con spirito; Néstor Kirchner Cultural Center, Buenos Aires, 2018; Directed by Tilo Krause (94 min)

      • Barenboim conducts Brahms' Symphonies Nos.3 & 4

        Staatskapelle Berlin, Daniel Barenboim (conductor); Symphony No.3 in F major, op. 90; Symphony No. 4 in Mi minor, op. 98; Néstor Kirchner Cultural Center, Buenos Aires, 2018; Directed by Tilo Krause (93 min)

      • InterMezzo

        (45 min)

      • Gogo Penguin - Jazz á la Villette

        Gogo Penguin; Chris Illingworth (piano); Nick Blacka (bass); Rob Turner (drum kit); Décidément, les Britanniques excellent lorsqu'il s'agit d'ouvrir le jazz au public pop ou électro. GoGo Penguin, dans un style cette fois-ci purement acoustique, prend la reléve. Ces trois jeunes de Manchester, qui revendiquent ouvertement l'influence du pianiste Esbjörn Svensson, viennent de signer sur le prestigieux label Blue Note et défraient la chronique du côté des amateurs de jazz. La musique du trio est effectivement plus proche de la pop instrumentale que du bop! Ritournelles mélodiques entetantes, rythmiques jungle, harmonie stagnante pour un effet ambiant, morceaux en forme de crescendos... Voici la recette du succés! Recorded on September 7, 2016 at the Philharmonie de Paris, Jazz á la Villette; TV Director, Samuel Thiebaut (60 min)

      • We Love Ella - The Amazing Keystone Big Band

        We Love Ella; The Amazing Keystone Big Band; Bastien Ballaz, Alois Benoit, Loic Bacheveillier, Sylvain Thomas (trombones); Jon Boutellier, Pierre Desassis, Kenny Jeanney, Eric Prost, Ghyslain Regard (saxophones); David Enhco, Thierry Sénéau, Vincent Labarre, Félicien Bouchot (trumpets); Fred Nardin (piano), François Thibaut (Guitar); Patrick Maradan (Double Bass); Romain Sarron (Drums); Guests; Célia Kaméni (vocal); China Moses (vocal); Sarah McKenzie (vocal, piano); The Amazing Keystone Big Band loves Ella and pays more than a simple vibrant homage to she who loved big bands so much (she sang with those of Chick Weeb, Duke Ellington and Count Basie)and identified with the same vein as the one of the same name that the PBS Radio had???? with Jon Faddis, James Moody, Lizz Wright, Patti Austin. The guest singer, Célia Kaméni, does not attempt either to compete with or to imitate, that would be impossible anyway, the first lady of song gets to grips with her world in order to sing it better. And it works perfectly, and it has to be said that the orchestra is absolutely irreproachable with its waves of intensity, its stresses, an expressive clarity which gives it a very lare range of expression. It's all there, the phrasing, the accents, the rhythm, the groove, the drive this swing, this je ne sais quoi between individual liberty and collective happiness, put simply...Jazz! Recorded on March 23, 2019 at the Salle Pleyel; TV Director,Laurent Hasse 01.10.2021 (53 min)

      • Electro Deluxe at Paris Olympia

        Electro Deluxe; James Copley, vocal; Jérémie Coke, bass; Gaël Cadoux, keyboards; Thomas Faure, big band arrangements and tenor saxophone; Arnaud Renaville, drums; Vincent Payen, trumpet; Bertrand Luzignant, trombone; It is on stage that the overall effect of Electro Deluxe's music becomes clear. After two years on tour and 140 concerts across the globe, the Funk/Soul group will present at the Olympia an innovative show with the exceptional participation of 13 musicians from its BIG BAND. The prize-winning group of the Victoire du jazz (best group for the year 2017) are coming back to the mythical hall to play the rearranged repertoire of its latest album "Circle"; Always on the move, Electro Deluxe shapes a music which is rich and brassy, an inimitable groove, a truly musical fever. At each concert the group make an impact and manage to surprise a public which is every time larger. Don't miss this opportunity! Recorded on October 18, 2018 at Paris Olympia; TV Director, Yvan Benedetti 01.10.2021 (82 min)

      • Yamandu Costa and Vincent Peirani - Jazz á Porquerolles

        Yamandu Costa and Vincent Peirani; Yamandu Costa (Guitar); Vincent Peirani (Accordion); A world premiere for an unprecedented first performance and the encounter between two artists whom we adore, Vincent Peirani and Yamandu Costa; one of the greatest Brazilian guitarists just like Baden Powell, which says everything about a musician who creates enthusiasm at every one of his concerts and who is an idolised star in his own country. Vincent Peirani is the musician that all the jazz and world music venues in the world invite! Accordion Prodigy, he never ceases to explore the richness of an instrument of which only angels know the secrets. An explosive encounter between two sublime artists who create on stage a space which goes beyond music in order to share with us something which is in the order of joy! A true encounter from which we will certainly come out of changed, full of melodies and of rhythms, making us feel even stronger the beauty of Porquerolles and the chance we have of being able to experience these moments. Recorded on July 9, 2018 at the Jazz á Porquerolles Festival; TV Director, Frank Cassenti (55 min)

      • InterMezzo

        (30 min)

      • Grigory Sokolov at the Palais des Nations in Geneva: Schumann, Chopin

        Grigory Sokolov (piano); Robert Schumann (1810 - 1856); 4 Fugues Op. 72; Bunte Blätter Op. 99; Frédéric Chopin (1810 - 1849); Polonaises Op. 26; 1 Allegro appassionato (C-sharp minor); 2 Maestoso (E-flat minor); Polonaise in F-sharp minor, Op. 44; Polonaise in A-flat major, Op. 53; Recorded at the Palais des Nations, Geneva, 12 December 2020 (99 min)

      • Piotr Anderszewski plays Bach

        Piotr Anderszewski (piano); Johann Sebastian Bach (1685 - 1750); The Well-Tempered Clavier, book II BWV 870 - BWV 893 (excerpts); Hamburg, Elbphilharmonie, 16 avril 2021; Directed by Bruno Monsaingeon (54 min)