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InterMezzo
(43 min)
Paolo Fresu Trio at the Villa Medici, Rome
Paolo Fresu Trio; Rome, Villa Medici, 10 October 2022 1268753_1 LIVE SESSION (60 min)
Philippe Herreweghe, Yefim Bronfman and the Royal Concertgebouw Orchestra: Beethoven, Brahms
Royal Concertgebouw Orchestra, Philippe Herreweghe (Conductor); Yefim Bronfman (piano); Ludwig van Beethoven; Piano Concerto No. 4; Johannes Brahms; Symphony No. 2; Concertgebouw, Amsterdam, 2018; TV director, Dick Kuijs P10055340 (87 min)
Gianandrea Noseda, Yefim Bronfman and the Royal Concertgebouw Orchestra: Kodaly, Liszt, Dvorak
Royal Concertgebouw Orchestra, Gianandrea Noseda (Conductor); Yefim Bronfman (piano); Antonín Dvořák (1841 - 1904); The Noon Witch, Op.108; Zoltán Kodály (1882 - 1967); Variations on 'Fölszállott a páva' (Peacock Variations); Franz Liszt (1811 - 1886); Piano Concerto no. 2 in A major; Recorded on 13 January 2021, Amsterdam, Concertgebouw; Directed by Ferenc Soeteman; P10070416 (63 min)
InterMezzo
(120 min)
Káťa Kabanová by Janáček at the Salzburg Festival
Káťa Kabanová; Opera in three acts by Leoš Janáček; Libretto by Leoš Janáček after Alexander Nikolayevich Ostrovsky’s play ‚The Storm‘ in the Czech translation by Vincenc Červinka; First performance in Brno, National Theatre, 23 November 1921; Wiener Philharmoniker, Jakub Hrůša (Conductor); Konzertvereinigung Wiener Staatsopernchor, Huw Rhys James (Chorus Master); Barrie Kosky (Stage Director); Rufus Didwiszus (Sets), Victoria Behr (Costumes), Franck Evin (Lighting), Christian Arseni (Dramaturgy); Corinne Winters Katěrina (Káťa); Evelyn Herlitzius (Marfa Ignatěvna Kabanová); Jens Larsen (Savjol Prokofjevič Dikoj); David Butt Philip (Boris Grigorjevič); Jaroslav Březina (Tichon Ivanyč Kabanov); Benjamin Hulett (Váňa Kudrjáš); Jarmila Balážová (Varvara); Michael Mofidian (Kuligin); Nicole Chirka (Glaša | A Woman); Ann-Kathrin Niemczyk (Fekluša); Salzburg Festival, Felsenreitschule, 21 August 2022 1267492_1 (110 min)
Jakub Józef Orlinski, Il Pomo d’Oro: Facce d'amore
Jakub Józef Orlinski (countertenor); Ensemble Il Pomo d’Oro, Zefira Valova (violin & conductor); Francesco Cavalli; La Calisto (1661) | Sinfonia; Erme e solinghe cime... Lucidissima face (Endimione); Giovanni Antonio Boretti; Eliogabalo (1668) | Chi scherza con Amor (Eliogabalo); Giovanni Antonio Boretti; Claudio Cesare (1672) | Sinfonia; Crudo amor non hai pieta (Claudio); Giovanni Bononcini; La Nemica d'Amore fatta amante (1693) | Sinfonia; Giovanni Bononcini; La Costanza non gradita (1694) | Infelice mia costanza (Aminta); Nicola Matteis; Don Chisciotte in Siera Morena (1719) | Ballo dei Bagatellieri; Francesco Bartolomeo Conti; Don Chisciotte (1719) | Odio, vendetta, amor (Fernando); Luca Antonio Predieri; Scipione il Giovane (1731) | Finche salvo e l’amor suo (Scipione); Pietro Antonio Locatelli; Concerto a quattro op. 1 no 11 in C minor; Giuseppe Maria Orlandini / Johann Mattheson; Nerone (1723) | Che m'ami ti prega (Nerone); Nicola Fago; Il faraone sommerso (1709) | Alla gente a Dio diletta; Toulouse, Théâtre du Capitole, 21 July 2021; Directed by Olivier Simonnet P10070838 (70 min)
InterMezzo
(60 min)
Orchestre de l'Opéra national de Paris, Gustavo Dudamel: Mahler
Orchestre de l’Opéra National de Paris, Gustavo Dudamel (Conductor); Gustav Mahler (1860 – 1911); Symphony no. 9 in D major; Barcelone, Gran Teatre del Liceu, 20 September 2022 1263034_1 (90 min)
Tugan Sokhiev and the Orchestre National du Capitole de Toulouse: Prokofiev, Shostakovich
Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor); Behzod Abduraimov (piano); Sergei Prokofiev (1981 - 1953); Piano Concerto no 2 in G minor Op. 26; Dmitri Shostakovich (1906 - 1975); Symphony no. 10 in E minor Op. 93; Halle aux Grains, Toulouse, 10 September 2021; Directed by Jean-Pierre Loisil P10070818 (96 min)
InterMezzo
(30 min)
Der Freischütz by Weber at the Munich Staatsoper
Der Freischütz; Opera in three acts by Carl Maria von Weber (1786 - 1826); Libretto by Friedrich Kind; First performance in Berlin, Schauspielhaus, 18 juin 1821; Bayerisches Staatsorchester, Chor der Bayerischen Staatsoper, Antonello Manacorda (Conductor); Stellario Fagone (Chorus Master); Dmitri Tcherniakov (Stage Direction, Sets); Elena Zaytseva (Costumes), Gleb Filshtinsky (Lighting); Pavel Černoch (Max); Anna Prohaska (Ännchen); Kyle Ketelsen (Kaspar); Boris Prýgl (Ottokar); Bálint Szabó (Kuno); Golda Schultz (Agathe); Tareq Nazmi (Ein Eremit); Milan Siljanov (Kilian); Eliza Boom, Sarah Gilford, Daria Proszek, Yajie Zhang (Vier Brautjungfern); Live from Munich, Staatsoper, Nationaltheater; P10070436 (139 min)
InterMezzo
(71 min)
Paul Taylor Dance Company in Paris - Chaillot, Théâtre national de la Danse
Paul Taylor Dance Company in Paris; Brandenburgs - opus 88; Music, Johann-Sebastian Bach; Choreography, Paul Taylor; Costume, Santo Loquasto; Lights, Jennifer Tipton; With: Michael Trusnovec | Amy Young | Parisa Khobdeh | Eran Bugge | Robert Kleinendorst | James Samson | Sean Mahoney | Michael Apuzzo | Michael Novak; Belove Renegade - Opus 129; Music, Francis Poulenc; Choreography, Paul Taylor; Costume, Santo Loquasto; Lights, Jennifer Tipton; With: Michael Trusnovec | Amy Young | Robert Kleinendorst | James Samson | Laura Halzac | Michelle Fleet | Parisa Khobdeh | Sean Mahoney | Jeffrey Smith | Eran Bugge | Francisco Graciano | Jamie Rae Walker |Michael Apuzzo | Aileen RoehlHeather Mcginley; Recored in July 2012 at the Théâtre National de Chaillot; TV Director, Andy Sommer; P10069016 (54 min)
Ghost Light by John Neumeier - Hamburg Ballet
Ghost Light; John Neumeier (Choreography); Franz Schubert (Music); Hamburg Ballet; David Fray, piano; Festspielhaus Baden-Baden, 2020; TV director, Myriam Hoyer; A Ghost Light – a single lamp that illuminates the stage when rehearsals or performances are finished – is part of a long theatrical tradition. Legend says that originally, the night light was for the ghosts of former artists so that they may cavort throughout the night and not disturb or disrupt current performances! At this very moment, because of the pandemic, countless stages, particularly in America, are illuminated by Ghost Lights. The Hamburg Ballet was one of the first ballet companies internationally to return to its studios after the first lockdown. Observing a strict hygiene concept, John Neumeier created ‘Ghost Light’, a new full-length ballet, for his entire ensemble of 55 dancers. The ballet “Ghost Light” deals with isolation and the feelings and fantasies an empty stage may evoke. Developed in fragments using small groups of dancers and under the constraints imposed by Covid-19, the choreography reflects situations, fears, relationships, memories and emotions experienced during the pandemic. John Neumeier dedicates this work to his dancers. For this recording, the solo piano music is performed by the star pianist David Fray whose Franz Schubert recordings inspired the choreographer. 1261168_1 (107 min)
InterMezzo
(74 min)
Royal Concertgebouw Orchestra, Susanna Mälkki, Leila Josefowicz: Perry, Adams, Ives
Royal Concertgebouw Orchestra, Susanna Mälkki (Conductor); Leila Josefowicz (violin); Julia Perry (1924-1979); A Short Piece for Orchestra; John Adams (1947-); Violin Concerto; Charles Ives (1874-1954); Symphony No. 2; Amsterdam, Concertgebouw, January 21st 2022; Tv director, Ferenc Soeteman 1258376_1 (83 min)
Andris Nelsons and the Royal Concertgebouw Orchestra: Beethoven, Dean, Skryabin
Royal Concertgebouw Orchestra, Andris Nelsons (Conductor); Hakan Hardenberger (trumpet), Pierre-Laurent Aimard (piano); Ludwig van Beethoven (1770 - 1827); The Creatures of Prometheus, Op. 43; Brett Dean (b. 1961); Dramatis personae; Alexander Skryabin (1871 - 1915); Prométhée, le poéme du feu; Recorded at the Concertgebouw, Amsterdam, 17 January 2020; TV director, Dick Kuijs P10061359 (84 min)
InterMezzo
(68 min)
Korngold's Die Tote Stadt at the Munich Staatsoper
Die Tote Stadt; Opera in three tableaux by Erich Wolfgang Korngold (1897 - 1957); Libretto by Paul Schott; First performance in Cologne, Opera, 4 December 1920; Bayerisches Staatsorchester, Chor der Bayerischen Staatsoper, Kirill Petrenko (Conductor); Stellario Fagone (Chorus Master); Simon Stone (Stage Director); Ralph Myers (Sets), Mel Page (costumes), Roland Edrich (Lighting); Jonas Kaufmann (Paul); Marlis Petersen (Marietta, Marie); Andrzej Filończyk (Frank, Fritz); Jennifer Johnston (Brigitta); Corinna Scheurle (Lucienne); Manuel Günther (Victorin, Gaston); Dean Power (Graf Albert); Recorded at the Staatsoper, Nationaltheater, Munich, 11 December 2019; TV director Myriam Hoyer P10070396 (143 min)
Max Emanuel Cencic at the Bayreuth Baroque Opera Festival
Max Emanuel Cencic Counter Tenor; Armonia Atenea Orchestra, George Petrou (Conductor); George Frideric Handel (1685–1758); Overture from Radamisto HWV 12; Va tacito from Giulio Cesare HWV 17; Ombra cara from Radamisto HWV 12; Overture from Giulio Cesare HWV 17; Vedrai con tuo periglio from Poro HWV 28; Vile, se mi dai vita from Radamisto HWV 17; Non fu gia men forte from Orlando HWV 31; Stille amare from Tolomeo HWV 25; Overture from Tolomeo HWV 25; Se la mia vita from Ezio HWV 29; Agitato da fiere tempeste from Ricardo Primo HWV 23; Bayreuth, Margravial Opera House (Bayretuh Baroque Opera Festival), 10 septembre 2022 1267739_1 (90 min)
InterMezzo
(60 min)
Tugan Sokhiev and the Orchestre National du Capitole de Toulouse: Ravel, Mendelssohn
Orchestre National du Capitole de Toulose, Tugan Sokhiev (Conductor); Bertrand Chamayou (piano); Maurice Ravel (1875 - 1937); Piano Concerto in G; Felix Mendelssohn (1809 - 1847); Symphony no 4 in A major, op. 90 'Italian'; Recorded at the Halle aux Grains, Toulouse, 26 June 2020 P10068020 (56 min)
Jukka-Pekka Saraste and the Orchestre National du Capitole de Toulouse: Verdi's Requiem
Orchestre National du Capitole de Toulouse, Jukka-Pekka Saraste (Conductor); Orfeón Donostiarra, José Antonio Sáinz Alfaro (Choir Master); Susanne Bernhard (soprano), Aude Extremo (mezzo-soprano), Airam Hernández (tenor), Adam Palka (bass); Giuseppe Verdi (1813 - 1901); Paris, Philharmonie, 1 June 2022; Tv Director, Jean-Pierre Loisil 1266477_1 (80 min)
