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Andris Nelsons and the Royal Concertgebouw Orchestra: Beethoven, Dean, Scriabin
Royal Concertgebouw Orchestra, Andris Nelsons (Conductor); Hakan Hardenberger (trumpet), Pierre-Laurent Aimard (piano); Ludwig van Beethoven (1770 - 1827); The Creatures of Prometheus, Op. 43; Brett Dean (b. 1961); Dramatis personae; Alexander Skryabin (1871 - 1915); Prométhée, le poéme du feu; Recorded at the Concertgebouw, Amsterdam, 17 January 2020; TV director, Dick Kuijs P10061359 (84 min)
Martha Argerich, Charles Dutoit, Orchestre Philharmonique de Monte-Carlo: Ravel, Tchaikovsky
Orchestre Philharmonique de Monte-Carlo, Charles Dutoit (Conductor); Martha Argerich (piano); Maurice Ravel (1875-1937); Le tombeau de Couperin; Piano Concerto in G major; Pyotr Ilyich Tchaikovsky (1840-1893); Symphony No. 4 in F minor, Op. 36; Granada, Palace of Charles V (Festival de Granada) 5 July 2022; Directed by Yan Proefrock 05.11.2022 1267197_1 (97 min)
A Tribute to Manuel de Falla - Granada Festival
Orquesta Nacional de Espaňa, Josep Pons (conductor); María Toledo (flamenco Singer), Josep Colom (piano); Manuel de Falla (1876-1946); Nights in the Gardens of Spain; Love, the Magician (second version, 1925); Interlude and Dance from The Brief Life; The Three-Cornered Hat (Suites no. 1 and 2); Granada, The Palace of Charles V, 4 July 2021; TV director, Arnaud Lalanne 05.11.2022 1235822_1 (88 min)
Andris Nelsons and the Royal Concertgebouw Orchestra: Beethoven, Dean, Scriabin
Royal Concertgebouw Orchestra, Andris Nelsons (Conductor); Hakan Hardenberger (trumpet), Pierre-Laurent Aimard (piano); Ludwig van Beethoven (1770 - 1827); The Creatures of Prometheus, Op. 43; Brett Dean (b. 1961); Dramatis personae; Alexander Skryabin (1871 - 1915); Prométhée, le poéme du feu; Recorded at the Concertgebouw, Amsterdam, 17 January 2020; TV director, Dick Kuijs P10061359 (84 min)
InterMezzo
(16 min)
Korngold's Die Tote Stadt at the Munich Staatsoper
Die Tote Stadt; Opera in three tableaux by Erich Wolfgang Korngold (1897 - 1957); Libretto by Paul Schott; First performance in Cologne, Opera, 4 December 1920; Bayerisches Staatsorchester, Chor der Bayerischen Staatsoper, Kirill Petrenko (Conductor); Stellario Fagone (Chorus Master); Simon Stone (Stage Director); Ralph Myers (Sets), Mel Page (costumes), Roland Edrich (Lighting); Jonas Kaufmann (Paul); Marlis Petersen (Marietta, Marie); Andrzej Filończyk (Frank, Fritz); Jennifer Johnston (Brigitta); Corinna Scheurle (Lucienne); Manuel Günther (Victorin, Gaston); Dean Power (Graf Albert); Recorded at the Staatsoper, Nationaltheater, Munich, 11 December 2019; TV director Myriam Hoyer P10070396 (143 min)
Philippe Herreweghe, Yefim Bronfman and the Royal Concertgebouw Orchestra: Beethoven, Brahms
Royal Concertgebouw Orchestra, Philippe Herreweghe (Conductor); Yefim Bronfman (piano); Ludwig van Beethoven; Piano Concerto No. 4; Johannes Brahms; Symphony No. 2; Concertgebouw, Amsterdam, 2018; TV director, Dick Kuijs P10055340 (87 min)
InterMezzo
(76 min)
La Tipica Melingo - Banlieues Bleues
LA TÍPICA MELINGO; Recorded at the Nouveau Théâtre de Montreuil, April 13th, 2022; The iconoclast Melingo revisits his cursed tangos with a large orchestra typical of the balls of the 40s in Buenos Aires. He is one of the most fascinating artists of the Argentinean scene. Singer and actor with a hoarse voice, Melingo oscillates on stage between Charlie Chaplin and Tom Waits, and reinvests since a long time the field of the tango, that of the underworld and the bad boys, with sharpened texts, that he propels in the current events. "My role, as an artist, is to put in poetry and in music the forgotten of the society". He returns to Banlieues Bleues with the Orquesta Típica, directed by Maestro Juan Pablo Gallardo, who has arranged the music of the Maestro by reproducing, with a very feminized team, the historical format of the orchestras that made the whole of Buenos Aires dance in the 1940s. Melingo singing, clarinet; Orquesta Típica: Romain Lecuyer double bass, Juan Pablo Gallardo piano, musical direction, Andrea Pujado violin, Anne Le Pape violin, Aurélie Gallois violin, Line Kruse violin, Marion Chiron bandoneon, Carmela Delgado bandoneon, Facundo Torres bandoneon; Directed by Gilles Le Mao 05.11.2022 1264319_1 (52 min)
Magic Malik - Banlieues Bleues
MAGIC MALIK KAFROBEAT invites SANDRA NKAKÉ, GASTON BANDIMIC; Pantin, La Dynamo, April 20th, 2022; Magic Malik and his new crew have found their Africa-Oasis, made of melodies, rhythms and unheard-of songs. The project and the record are called Kafrobeat, in reference to the Guadeloupean Ka and the Afrobeat of Fela. The flutist-composer and eternal experimenter brought together nine talented musicians to set up a musical writing process in line with an oral tradition, with a precise aesthetic goal: to go in search of this link to Africa, whether it is personal, cultural or musical. The experience proved to be fascinating, creating a totally new music and a group with a formidable rhythmic and melodic coherence. And if several first-rate voices are invited to the affair - Sandra Nkaké, the Senegalese rapper Gaston Bandimic - it is also the first time that Malik assumes himself as a singer, with his voice with magical flights. Magic Malik voice, flute, Olivier Laisney trumpet, Maciek Lasserre saxophones, Mailys Maronne keyboards, Oscar Emch guitar, Mathilda Haynes guitar, Jean-René Zapha bass, Maxime Zampieri drums, David Mirandon percussion, Isabel Gonzalez voice, Valerie Belinga voice, Guests: Sandra Nkaké voice, Gaston Bandimic voice, rap, Julien Reyboz sound system; Directed by Guillaume Dero 05.11.2022 1264318_1 (52 min)
Naissam Jalal - Banlieues Bleues
Naissam Jalal Live at Banlieues Bleues 2017; Naissam Jalal feat. Hamid Drake, Quest of invisible F. Naissam Jalal, compositions, flute, nay; Leonardo Montant, piano; Claude Tchamitchian, bass; Harmid Drake, battery, drums; The flautist continues her search for meaning with a dream quartet to approach the mystical and spiritual side of jazz. From her early days, Naissam Jalal has been oscillating between the West, symbolized by the traverso she studied at the Conservatory, and the East, represented by the ney, which she studied with great masters in Damascus and Cairo. In residence at the Dynamo, she sets a new objective: to integrate improvised modal jazz with non-western traditions, like the Arab dhikr, the Indian raga, and Gnawa trance. A specialist of the genre, drummer and percussionist Hamid Drake immediately recognized in her the ability he himself acquired alongside Don Cherry and Pharoah Sanders. He is now part of the adventure. Recorded on 2017, March 28th at the Dynamo of Banlieues Bleues, Pantin, as part of the "Banlieues Bleues" Festival; TV Director, Gilles Le Mao; 05.11.2022 P10040220 (58 min)
InterMezzo
(48 min)
Il Trovatore by Giuseppe Verdi at the Gran Teatre del Liceu
Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901); Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez; First performance in Rome, Teatro Apollo, 12 January 1857; Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor); Conxita Garcia (Chorus Master); Joan Anton Rechi (Stage Director); Sergio Gracia (Video), Mercé Paloma (Costumes), Albert Faura (Lighting); George Petean (Conte di Luna); Tamara Wilson (Leonora); Marianne Cornetti (Azucena); Piero Pretti (Manrico); Marco Spotti (Ferrando); Maria Miró (Ines); Albert Casals (Ruiz); Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona; Directed by Fabrice Castanier; P10044596 (145 min)
InterMezzo
(65 min)
Les Arts Florissants, William Christie - Peralada Festival
Les Arts Florissants, William Christie (coductor); Jessica Niles (soprano), Shaked Bar (soprano); Georg Frideric Haendel (1685 – 1759); Trio Sonata in C minor HWV 386a; Duetto da Camera ‘No, di voi non vo' fidarmi’ HWV 189; Trio Sonata in B flat major HWV 388; Aminta e Fillide, HWV 83; Festival de Peralada, 1st August 2021; Directed by Stéphane Lebard 05.11.2022 1258245_1 (88 min)
Pink Martini - Peralada
Pink Martini, China Forbes (vocals), Storm Large (vocals); Peralada Festival, July 23rd 2022 05.11.2022 1268026_1 (90 min)
InterMezzo
(60 min)
Carmen - Antonio Gades Company - Teatro Real
Carmen; Companía Antonio Gades; Vanesa Vento (Carmen); Ángel Gil (Don José); Joaquín Mulero (Husband); Jairo Rodríguez (Bullfighter); Antonio Gades & Carlos Saura (Script, choreography & lighting); Antonio Saura (Stage setting); Stella Arauzo (Artistic director); Music by Antonío Gades, Antonio Solera, Ricardo Freire Gonzales, Georges Bizet (Carmen), José Ortega Heredia and Federico García; Teatro Real, Madrid, 2011 06.11.2022 1267580_1 (99 min)
Fuenteovejuna - Antonio Gades Company - Teatro Real
Fuenteovejuna; Faustino Núnez (music); Companía Antonio Gades; Cristina Carnero (Laurencia); Ángel Gil (Frondoso); Joaquín Mulero (Comendador); Alberto Ferrero (Mayor); Antonio Gades (direction and choreography); José Manuel, Caballero Bonald, Antonio Gades (script); Pedro Moreno (costumes); Stella Arauzo (artistic director); Teatro Real, Madrid, 2011 06.11.2022 1267581_1 (95 min)
InterMezzo
(46 min)
Juditha Triumphans by Vivaldi at the Greek National Opera
Juditha triumphans; Oratorio by Antonio Vivadi (1678 – 1741); Librettto by Iacopo Cassetti; Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor); Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master); Thanos Papakonstantinou (Stage Direction); Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography); Roxana Constantinescu (Juditha); Kristina Hammarström (Holofernes); Inga Kalna (Vagaus); Theodora Baka (Abra); Sophia Patsi (Ozias); Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021; Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments. 06.11.2022 P10070780 (125 min)
InterMezzo
(55 min)
Royal Concertgebouw Orchestra, Susanna Mälkki, Leila Josefowicz: Perry, Adams, Ives
Royal Concertgebouw Orchestra, Susanna Mälkki (Conductor); Leila Josefowicz (violin); Julia Perry (1924-1979); A Short Piece for Orchestra; John Adams (1947-); Violin Concerto; Charles Ives (1874-1954); Symphony No. 2; Amsterdam, Concertgebouw, January 21st 2022; Tv director, Ferenc Soeteman 1258376_1 (83 min)
InterMezzo
(37 min)
Tugan Sokhiev and the Orchestre National du Capitole de Toulouse: Prokofiev, Shostakovich
Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor); Behzod Abduraimov (piano); Sergei Prokofiev (1981 - 1953); Piano Concerto no 2 in G minor Op. 26; Dmitri Shostakovich (1906 - 1975); Symphony no. 10 in E minor Op. 93; Halle aux Grains, Toulouse, 10 September 2021; Directed by Jean-Pierre Loisil P10070818 (96 min)
Orchestre National du Capitole de Toulouse, Thomas Guggeis: Debussy, Attahir, Falla
Orchestre National du Capitole de Toulouse, Thomas Guggeis (Conductor); Bertrand Chamayou (piano); Benjamin Attahir (born 1989); Khatoun Wahidoun, Piano concerto – World Premiere; Manuel de Falla (1876 – 1946); The Three-cornered Hat, suite for orchestra no 2; Claude Debussy; Iberia (Images pour orchestre); Toulouse, Halle aux Grains, 26 February 2022 1263107_1 (55 min)
