• Mezzo Live HD

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      • Fuenteovejuna - Antonio Gades Company - Teatro Real

        Fuenteovejuna; Faustino Núnez (music); Companía Antonio Gades; Cristina Carnero (Laurencia); Ángel Gil (Frondoso); Joaquín Mulero (Comendador); Alberto Ferrero (Mayor); Antonio Gades (direction and choreography); José Manuel, Caballero Bonald, Antonio Gades (script); Pedro Moreno (costumes); Stella Arauzo (artistic director); Teatro Real, Madrid, 2011 06.11.2022 1267581_1 (95 min)

      • InterMezzo

        (46 min)

      • Juditha Triumphans by Vivaldi at the Greek National Opera

        Juditha triumphans; Oratorio by Antonio Vivadi (1678 – 1741); Librettto by Iacopo Cassetti; Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor); Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master); Thanos Papakonstantinou (Stage Direction); Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography); Roxana Constantinescu (Juditha); Kristina Hammarström (Holofernes); Inga Kalna (Vagaus); Theodora Baka (Abra); Sophia Patsi (Ozias); Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021; Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments. 06.11.2022 P10070780 (125 min)

      • InterMezzo

        (55 min)

      • Royal Concertgebouw Orchestra, Susanna Mälkki, Leila Josefowicz: Perry, Adams, Ives

        Royal Concertgebouw Orchestra, Susanna Mälkki (Conductor); Leila Josefowicz (violin); Julia Perry (1924-1979); A Short Piece for Orchestra; John Adams (1947-); Violin Concerto; Charles Ives (1874-1954); Symphony No. 2; Amsterdam, Concertgebouw, January 21st 2022; Tv director, Ferenc Soeteman 1258376_1 (83 min)

      • InterMezzo

        (37 min)

      • Tugan Sokhiev and the Orchestre National du Capitole de Toulouse: Prokofiev, Shostakovich

        Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor); Behzod Abduraimov (piano); Sergei Prokofiev (1981 - 1953); Piano Concerto no 2 in G minor Op. 26; Dmitri Shostakovich (1906 - 1975); Symphony no. 10 in E minor Op. 93; Halle aux Grains, Toulouse, 10 September 2021; Directed by Jean-Pierre Loisil P10070818 (96 min)

      • Orchestre National du Capitole de Toulouse, Thomas Guggeis: Debussy, Attahir, Falla

        Orchestre National du Capitole de Toulouse, Thomas Guggeis (Conductor); Bertrand Chamayou (piano); Benjamin Attahir (born 1989); Khatoun Wahidoun, Piano concerto – World Premiere; Manuel de Falla (1876 – 1946); The Three-cornered Hat, suite for orchestra no 2; Claude Debussy; Iberia (Images pour orchestre); Toulouse, Halle aux Grains, 26 February 2022 1263107_1 (55 min)

      • Gianandrea Noseda, Yefim Bronfman and the Royal Concertgebouw Orchestra: Kodaly, Liszt, Dvorak

        Royal Concertgebouw Orchestra, Gianandrea Noseda (Conductor); Yefim Bronfman (piano); Antonín Dvořák (1841 - 1904); The Noon Witch, Op.108; Zoltán Kodály (1882 - 1967); Variations on 'Fölszállott a páva' (Peacock Variations); Franz Liszt (1811 - 1886); Piano Concerto no. 2 in A major; Recorded on 13 January 2021, Amsterdam, Concertgebouw; Directed by Ferenc Soeteman; 07.11.2022 P10070416 (63 min)

      • InterMezzo

        (26 min)

      • Korngold's Die Tote Stadt at the Munich Staatsoper

        Die Tote Stadt; Opera in three tableaux by Erich Wolfgang Korngold (1897 - 1957); Libretto by Paul Schott; First performance in Cologne, Opera, 4 December 1920; Bayerisches Staatsorchester, Chor der Bayerischen Staatsoper, Kirill Petrenko (Conductor); Stellario Fagone (Chorus Master); Simon Stone (Stage Director); Ralph Myers (Sets), Mel Page (costumes), Roland Edrich (Lighting); Jonas Kaufmann (Paul); Marlis Petersen (Marietta, Marie); Andrzej Filończyk (Frank, Fritz); Jennifer Johnston (Brigitta); Corinna Scheurle (Lucienne); Manuel Günther (Victorin, Gaston); Dean Power (Graf Albert); Recorded at the Staatsoper, Nationaltheater, Munich, 11 December 2019; TV director Myriam Hoyer P10070396 (143 min)

      • InterMezzo

        (67 min)

      • Orchestre Philharmonique de Monte-Carlo, Kazuki Yamada,Véronique Gens - Granada Festival

        Orchestre Philharmonique de Monte-Carlo, Kazuki Yamada (Conductor); Véronique Gens (soprano); Hector Berlioz (1803-1869); Le Corsaire, Overture, Op. 21; Les nuits d’été, Op. 7; Symphonie fantastique, épisode de la vie d’un artiste, Op. 14; Granada, Palacio de Carlos V (Festival de Granada), 3 July 2022; Directed by Yan Proefrock 1267196_1 (100 min)

      • Musica Boscareccia - Granada Festival

        Musica Boscareccia: Ancient and baroque sounds; Alicia Amo (soprano), Andoni Mercero (violin and conductor), Alexis Aguado (violin), Mercedes Ruiz (cello), Carlos García Bernalt (harpsichord and organ), Juan Carlos de Mulder ( archluth et guitar); Francisco Corselli (1705-1778); Second Lamentation on the Holy Friday in C minor, for soprano and strings (transcription: A. Mercero); Sebastián de Albero (1722-1756); Fugue in D minor (Allegro) et Sonata (Allegro) in D major for harpsichord (arranged for strings: A. Mercero); Giovanni Battista Pergolesi (1710-1736); Salve Regina in C minor for soprano and strings; Antonio Soler (1729-1783); Sonata for harpsichord No. 117 (adaptation: B. García-Bernalt); José de Nebra; Salve Regina in G minor, for soprano, violins and basso continuo (transcription: B. García-Bernalt); Francisco Corselli; Concertino a cuatro (1770); Regina caeli laetare in G minor, for soprano and strings (1750. Transcription: A. Mercero); Festival de Granada, 2002. Directed by Yan Proefrock. 05.11.2022 1267195_1 (63 min)

      • InterMezzo

        (46 min)

      • Orchestre de l'Opéra national de Paris, Gustavo Dudamel: Mahler

        Orchestre de l’Opéra National de Paris, Gustavo Dudamel (Conductor); Gustav Mahler (1860 – 1911); Symphony no. 9 in D major; Barcelone, Gran Teatre del Liceu, 20 September 2022 1263034_1 (90 min)

      • Les Talens Lyriques, Christophe Rousset: Rameau

        Les Talens Lyriques, Christophe Rousset (Conductor); Ambroisine Bré (mezzo-soprano), Cyrille Dubois (tenor), Florian Sempey (baritone); Jean-Philippe Rameau (1683 - 1764); Les Fetes d’Hébé (1739), highlights; Dardanus (1739 and 1744), highlights; Paris, Théâtre du Châtelet, 22 January 2022; Directed by Olivier Simonnnet 05.11.2022 1263224_1 (111 min)

      • InterMezzo

        (39 min)

      • La Tipica Melingo - Banlieues Bleues

        LA TÍPICA MELINGO; Recorded at the Nouveau Théâtre de Montreuil, April 13th, 2022; The iconoclast Melingo revisits his cursed tangos with a large orchestra typical of the balls of the 40s in Buenos Aires. He is one of the most fascinating artists of the Argentinean scene. Singer and actor with a hoarse voice, Melingo oscillates on stage between Charlie Chaplin and Tom Waits, and reinvests since a long time the field of the tango, that of the underworld and the bad boys, with sharpened texts, that he propels in the current events. "My role, as an artist, is to put in poetry and in music the forgotten of the society". He returns to Banlieues Bleues with the Orquesta Típica, directed by Maestro Juan Pablo Gallardo, who has arranged the music of the Maestro by reproducing, with a very feminized team, the historical format of the orchestras that made the whole of Buenos Aires dance in the 1940s. Melingo singing, clarinet; Orquesta Típica: Romain Lecuyer double bass, Juan Pablo Gallardo piano, musical direction, Andrea Pujado violin, Anne Le Pape violin, Aurélie Gallois violin, Line Kruse violin, Marion Chiron bandoneon, Carmela Delgado bandoneon, Facundo Torres bandoneon; Directed by Gilles Le Mao 05.11.2022 1264319_1 (57 min)

      • Magic Malik - Banlieues Bleues

        MAGIC MALIK KAFROBEAT invites SANDRA NKAKÉ, GASTON BANDIMIC; Pantin, La Dynamo, April 20th, 2022; Magic Malik and his new crew have found their Africa-Oasis, made of melodies, rhythms and unheard-of songs. The project and the record are called Kafrobeat, in reference to the Guadeloupean Ka and the Afrobeat of Fela. The flutist-composer and eternal experimenter brought together nine talented musicians to set up a musical writing process in line with an oral tradition, with a precise aesthetic goal: to go in search of this link to Africa, whether it is personal, cultural or musical. The experience proved to be fascinating, creating a totally new music and a group with a formidable rhythmic and melodic coherence. And if several first-rate voices are invited to the affair - Sandra Nkaké, the Senegalese rapper Gaston Bandimic - it is also the first time that Malik assumes himself as a singer, with his voice with magical flights. Magic Malik voice, flute, Olivier Laisney trumpet, Maciek Lasserre saxophones, Mailys Maronne keyboards, Oscar Emch guitar, Mathilda Haynes guitar, Jean-René Zapha bass, Maxime Zampieri drums, David Mirandon percussion, Isabel Gonzalez voice, Valerie Belinga voice, Guests: Sandra Nkaké voice, Gaston Bandimic voice, rap, Julien Reyboz sound system; Directed by Guillaume Dero 05.11.2022 1264318_1 (52 min)

      • Naissam Jalal - Banlieues Bleues

        Naissam Jalal Live at Banlieues Bleues 2017; Naissam Jalal feat. Hamid Drake, Quest of invisible F. Naissam Jalal, compositions, flute, nay; Leonardo Montant, piano; Claude Tchamitchian, bass; Harmid Drake, battery, drums; The flautist continues her search for meaning with a dream quartet to approach the mystical and spiritual side of jazz. From her early days, Naissam Jalal has been oscillating between the West, symbolized by the traverso she studied at the Conservatory, and the East, represented by the ney, which she studied with great masters in Damascus and Cairo. In residence at the Dynamo, she sets a new objective: to integrate improvised modal jazz with non-western traditions, like the Arab dhikr, the Indian raga, and Gnawa trance. A specialist of the genre, drummer and percussionist Hamid Drake immediately recognized in her the ability he himself acquired alongside Don Cherry and Pharoah Sanders. He is now part of the adventure. Recorded on 2017, March 28th at the Dynamo of Banlieues Bleues, Pantin, as part of the "Banlieues Bleues" Festival; TV Director, Gilles Le Mao; 05.11.2022 P10040220 (58 min)

      • InterMezzo

        (73 min)

      • Carmen - Antonio Gades Company - Teatro Real

        Carmen; Companía Antonio Gades; Vanesa Vento (Carmen); Ángel Gil (Don José); Joaquín Mulero (Husband); Jairo Rodríguez (Bullfighter); Antonio Gades & Carlos Saura (Script, choreography & lighting); Antonio Saura (Stage setting); Stella Arauzo (Artistic director); Music by Antonío Gades, Antonio Solera, Ricardo Freire Gonzales, Georges Bizet (Carmen), José Ortega Heredia and Federico García; Teatro Real, Madrid, 2011 06.11.2022 1267580_1 (99 min)

      • Fuenteovejuna - Antonio Gades Company - Teatro Real

        Fuenteovejuna; Faustino Núnez (music); Companía Antonio Gades; Cristina Carnero (Laurencia); Ángel Gil (Frondoso); Joaquín Mulero (Comendador); Alberto Ferrero (Mayor); Antonio Gades (direction and choreography); José Manuel, Caballero Bonald, Antonio Gades (script); Pedro Moreno (costumes); Stella Arauzo (artistic director); Teatro Real, Madrid, 2011 06.11.2022 1267581_1 (95 min)

      • Gianandrea Noseda, Yefim Bronfman and the Royal Concertgebouw Orchestra: Kodaly, Liszt, Dvorak

        Royal Concertgebouw Orchestra, Gianandrea Noseda (Conductor); Yefim Bronfman (piano); Antonín Dvořák (1841 - 1904); The Noon Witch, Op.108; Zoltán Kodály (1882 - 1967); Variations on 'Fölszállott a páva' (Peacock Variations); Franz Liszt (1811 - 1886); Piano Concerto no. 2 in A major; Recorded on 13 January 2021, Amsterdam, Concertgebouw; Directed by Ferenc Soeteman; 07.11.2022 P10070416 (63 min)

      • InterMezzo

        (42 min)

      • La Tipica Melingo - Banlieues Bleues

        LA TÍPICA MELINGO; Recorded at the Nouveau Théâtre de Montreuil, April 13th, 2022; The iconoclast Melingo revisits his cursed tangos with a large orchestra typical of the balls of the 40s in Buenos Aires. He is one of the most fascinating artists of the Argentinean scene. Singer and actor with a hoarse voice, Melingo oscillates on stage between Charlie Chaplin and Tom Waits, and reinvests since a long time the field of the tango, that of the underworld and the bad boys, with sharpened texts, that he propels in the current events. "My role, as an artist, is to put in poetry and in music the forgotten of the society". He returns to Banlieues Bleues with the Orquesta Típica, directed by Maestro Juan Pablo Gallardo, who has arranged the music of the Maestro by reproducing, with a very feminized team, the historical format of the orchestras that made the whole of Buenos Aires dance in the 1940s. Melingo singing, clarinet; Orquesta Típica: Romain Lecuyer double bass, Juan Pablo Gallardo piano, musical direction, Andrea Pujado violin, Anne Le Pape violin, Aurélie Gallois violin, Line Kruse violin, Marion Chiron bandoneon, Carmela Delgado bandoneon, Facundo Torres bandoneon; Directed by Gilles Le Mao 05.11.2022 1264319_1 (57 min)

      • Magic Malik - Banlieues Bleues

        MAGIC MALIK KAFROBEAT invites SANDRA NKAKÉ, GASTON BANDIMIC; Pantin, La Dynamo, April 20th, 2022; Magic Malik and his new crew have found their Africa-Oasis, made of melodies, rhythms and unheard-of songs. The project and the record are called Kafrobeat, in reference to the Guadeloupean Ka and the Afrobeat of Fela. The flutist-composer and eternal experimenter brought together nine talented musicians to set up a musical writing process in line with an oral tradition, with a precise aesthetic goal: to go in search of this link to Africa, whether it is personal, cultural or musical. The experience proved to be fascinating, creating a totally new music and a group with a formidable rhythmic and melodic coherence. And if several first-rate voices are invited to the affair - Sandra Nkaké, the Senegalese rapper Gaston Bandimic - it is also the first time that Malik assumes himself as a singer, with his voice with magical flights. Magic Malik voice, flute, Olivier Laisney trumpet, Maciek Lasserre saxophones, Mailys Maronne keyboards, Oscar Emch guitar, Mathilda Haynes guitar, Jean-René Zapha bass, Maxime Zampieri drums, David Mirandon percussion, Isabel Gonzalez voice, Valerie Belinga voice, Guests: Sandra Nkaké voice, Gaston Bandimic voice, rap, Julien Reyboz sound system; Directed by Guillaume Dero 05.11.2022 1264318_1 (52 min)

      • Naissam Jalal - Banlieues Bleues

        Naissam Jalal Live at Banlieues Bleues 2017; Naissam Jalal feat. Hamid Drake, Quest of invisible F. Naissam Jalal, compositions, flute, nay; Leonardo Montant, piano; Claude Tchamitchian, bass; Harmid Drake, battery, drums; The flautist continues her search for meaning with a dream quartet to approach the mystical and spiritual side of jazz. From her early days, Naissam Jalal has been oscillating between the West, symbolized by the traverso she studied at the Conservatory, and the East, represented by the ney, which she studied with great masters in Damascus and Cairo. In residence at the Dynamo, she sets a new objective: to integrate improvised modal jazz with non-western traditions, like the Arab dhikr, the Indian raga, and Gnawa trance. A specialist of the genre, drummer and percussionist Hamid Drake immediately recognized in her the ability he himself acquired alongside Don Cherry and Pharoah Sanders. He is now part of the adventure. Recorded on 2017, March 28th at the Dynamo of Banlieues Bleues, Pantin, as part of the "Banlieues Bleues" Festival; TV Director, Gilles Le Mao; 05.11.2022 P10040220 (58 min)