• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (60 min)

      • Rafael Riqueni, Nerja - Chaillot - Théâtre national de la Danse

        Rafael Riqueni, Salvador Gutiérrez, Manuel De la Luz (guitars); María Moreno (bailaora); Nerja; Paris, Chaillot – Théâtre national de la Danse, 18 February 2022; TV director, Patrick Lauze 19.11.2022 1262936_1 (98 min)

      • Gala Andalucía Flamenca: Women's Chant - Granada Festival

        Singing: María Vargas (Sanlúcar de Barrameda); Juana la del Pipa (Jerez); Herminia Borja "La Chula" (Sevilla); Dolores Agujetas (Jerez); Mari Peňa (Utrera); La Nitra (Granada); Chonchi Heredia (Granada); Rocío Segura (Almería); Anabel Valencia (Lebrija); Lela Soto (Jerez); Guitars: Paco Cortés (Granada); Antonio Malena (Jerez); Manuel Parrilla (Jerez); Carlos de Jacoba (Granada); Rhythm and hand-clapping:: Ángel Moreno "El Pirulo"; Markito Carpio; Manuel Jesús Blanco; Festival de Granada, 6 July 2021; TV Director, Arnaud Lalanne 19.11.2022 P10070916 (48 min)

      • Juan Carmona Septet - Jazz á Vienne

        Juan Carmona Septet; Juan Carmona (guitar, composition); Piculabe (Voice); Noemie Humanes (Voice), Gest dancer, Paco Carmona (guitar), Domingo Patricio (flute), Kike Terron (percussions), El Bachi (bass); Juan Carmona is one of a kind in modern flamenco. A French gypsy of Andalusian origin, born in Lyon (in 1963), loyal to the Aubagne region where he plays out his passion (and where he runs the Nuits Flamencas festival), the guitarist has won countless prizes and awards and is renowned in Spain and around the world. Carmona spent ten years living in Jerez de la Frontera in Andalusia to gain in-depth knowledge of the flamenco culture. Whilst there he performed with singers such as Agujetas and Duquende and recorded with Chano Domínguez, the Cadix pianist, among others. The Frenchman's rich array of sounds, ingenious compositions, pure instrumentals and, most importantly, his talent for improvisation in this harmonic jazz-heavy piece, makes him one of the most respected guitarists in the last 30 years. Alchemya (2013) is still a flamboyant self-portrait of a record blending flamenco with jazz fusion. With his 35 guest cadors, Juan Carmona also gives us a great lesson in the art of hospitality. The borderless musician returned from an Asian tour with Perla de Oriente in 2016 with an album recorded live in the studio. A new travel journal in which the gypsy wanders the duende paths alongside El Piculabe's​ raspy melismas. Recorded on July 03, 2019 at Jazz á Vienne; TV Director, MFabien Raymond 19.11.2022 P10063026 (60 min)

      • Isabelle Faust, Alexander Melnikov: Beethoven's Violin Sonatas No. 3, 4 & 5

        Isabelle Faust (violin), Alexander Melnikov (piano); Ludwig van Beethoven; Violin Sonata No. 4 in A minor, Op. 23; Violon Sonata No. 5 in F major, Op. 24 'Spring'; Violin Sonata No. 3 in E flat major, Op. 12; Recorded on July 11, 2020 au Tanzsaal an der Panke, Berlin; TV Director, Jan Schmidt-Garre P10068096 (63 min)

      • InterMezzo

        (24 min)

      • Orchestre Philharmonique de Monte-Carlo, Kazuki Yamada,Véronique Gens - Granada Festival

        Orchestre Philharmonique de Monte-Carlo, Kazuki Yamada (Conductor); Véronique Gens (soprano); Hector Berlioz (1803-1869); Le Corsaire, Overture, Op. 21; Les nuits d’été, Op. 7; Symphonie fantastique, épisode de la vie d’un artiste, Op. 14; Granada, Palacio de Carlos V (Festival de Granada), 3 July 2022; Directed by Yan Proefrock 1267196_1 (90 min)

      • Musica Boscareccia - Granada Festival

        Musica Boscareccia: Ancient and baroque sounds; Alicia Amo (soprano), Andoni Mercero (violin and conductor), Alexis Aguado (violin), Mercedes Ruiz (cello), Carlos García Bernalt (harpsichord and organ), Juan Carlos de Mulder ( archluth et guitar); Francisco Corselli (1705-1778); Second Lamentation on the Holy Friday in C minor, for soprano and strings (transcription: A. Mercero); Sebastián de Albero (1722-1756); Fugue in D minor (Allegro) et Sonata (Allegro) in D major for harpsichord (arranged for strings: A. Mercero); Giovanni Battista Pergolesi (1710-1736); Salve Regina in C minor for soprano and strings; Antonio Soler (1729-1783); Sonata for harpsichord No. 117 (adaptation: B. García-Bernalt); José de Nebra; Salve Regina in G minor, for soprano, violins and basso continuo (transcription: B. García-Bernalt); Francisco Corselli; Concertino a cuatro (1770); Regina caeli laetare in G minor, for soprano and strings (1750. Transcription: A. Mercero); Festival de Granada, 2002. Directed by Yan Proefrock. 1267195_1 (90 min)

      • InterMezzo

        (60 min)

      • Fuenteovejuna - Antonio Gades Company - Teatro Real

        Fuenteovejuna; Faustino Núnez (music); Companía Antonio Gades; Cristina Carnero (Laurencia); Ángel Gil (Frondoso); Joaquín Mulero (Comendador); Alberto Ferrero (Mayor); Antonio Gades (direction and choreography); José Manuel, Caballero Bonald, Antonio Gades (script); Pedro Moreno (costumes); Stella Arauzo (artistic director); Teatro Real, Madrid, 2011 1267581_1 (95 min)

      • Carmen - Antonio Gades Company - Teatro Real

        Carmen; Companía Antonio Gades; Vanesa Vento (Carmen); Ángel Gil (Don José); Joaquín Mulero (Husband); Jairo Rodríguez (Bullfighter); Antonio Gades & Carlos Saura (Script, choreography & lighting); Antonio Saura (Stage setting); Stella Arauzo (Artistic director); Music by Antonío Gades, Antonio Solera, Ricardo Freire Gonzales, Georges Bizet (Carmen), José Ortega Heredia and Federico García; Teatro Real, Madrid, 2011 1267580_1 (99 min)

      • InterMezzo

        (16 min)

      • Rafael Riqueni, Nerja - Chaillot - Théâtre national de la Danse

        Rafael Riqueni, Salvador Gutiérrez, Manuel De la Luz (guitars); María Moreno (bailaora); Nerja; Paris, Chaillot – Théâtre national de la Danse, 18 February 2022; TV director, Patrick Lauze 19.11.2022 1262936_1 (98 min)

      • Gala Andalucía Flamenca: Women's Chant - Granada Festival

        Singing: María Vargas (Sanlúcar de Barrameda); Juana la del Pipa (Jerez); Herminia Borja "La Chula" (Sevilla); Dolores Agujetas (Jerez); Mari Peňa (Utrera); La Nitra (Granada); Chonchi Heredia (Granada); Rocío Segura (Almería); Anabel Valencia (Lebrija); Lela Soto (Jerez); Guitars: Paco Cortés (Granada); Antonio Malena (Jerez); Manuel Parrilla (Jerez); Carlos de Jacoba (Granada); Rhythm and hand-clapping:: Ángel Moreno "El Pirulo"; Markito Carpio; Manuel Jesús Blanco; Festival de Granada, 6 July 2021; TV Director, Arnaud Lalanne 19.11.2022 P10070916 (48 min)

      • Juan Carmona Septet - Jazz á Vienne

        Juan Carmona Septet; Juan Carmona (guitar, composition); Piculabe (Voice); Noemie Humanes (Voice), Gest dancer, Paco Carmona (guitar), Domingo Patricio (flute), Kike Terron (percussions), El Bachi (bass); Juan Carmona is one of a kind in modern flamenco. A French gypsy of Andalusian origin, born in Lyon (in 1963), loyal to the Aubagne region where he plays out his passion (and where he runs the Nuits Flamencas festival), the guitarist has won countless prizes and awards and is renowned in Spain and around the world. Carmona spent ten years living in Jerez de la Frontera in Andalusia to gain in-depth knowledge of the flamenco culture. Whilst there he performed with singers such as Agujetas and Duquende and recorded with Chano Domínguez, the Cadix pianist, among others. The Frenchman's rich array of sounds, ingenious compositions, pure instrumentals and, most importantly, his talent for improvisation in this harmonic jazz-heavy piece, makes him one of the most respected guitarists in the last 30 years. Alchemya (2013) is still a flamboyant self-portrait of a record blending flamenco with jazz fusion. With his 35 guest cadors, Juan Carmona also gives us a great lesson in the art of hospitality. The borderless musician returned from an Asian tour with Perla de Oriente in 2016 with an album recorded live in the studio. A new travel journal in which the gypsy wanders the duende paths alongside El Piculabe's​ raspy melismas. Recorded on July 03, 2019 at Jazz á Vienne; TV Director, MFabien Raymond 19.11.2022 P10063026 (60 min)

      • Un ballo in maschera by Verdi at the Liceu

        Un Ballo in maschera; Melodramma in three acts by Giuseppe Verdi (1813 - 1901); Libretto by Antonio Somma; First performance in Rome, Teatro Apollo, 17 February 1859; Symphony Orchestra and Chorus of the Gran Teatre del Liceu, Renato Palumbo (Conductor); Conxita Garcia (Chorus Master); Vincent Boussard (Stage Director); Christian Lacroix (Costumes); Piotr Beczala (Riccardo); Carlos Álvarez (Renato); Keri Alkema (Amelia); Dolora Zajick (Ulrica); Katerina Tretyakova (Oscar); Damián del Castillo (Silvano); Roman Ialcic (Samuel); Antonio Di Matteo (Tom); Joan Prados (A Judge); Josep Lluís Moreno (Amelia's servant ); Recorded on October 21 & 24, 2017 at the Gran Teatre del Liceu, Barcelona; Directed by Fabrice Castanier; P10047916 (142 min)

      • Laurence Equilbey, Insula Orchestra: Beethoven, Farrenc

        Insula Orchestra, Laurence Equilbey (Conductor); Alexandra Conunova (violin), Natalie Clein (cello), David Kadocuh (piano); Ludwig van Beethoven (1770 - 1827); Concerto for violin, cello, piano and orchestra in C major, Op. 56; Louise Farrenc (1804 - 1875); Symphony no. 3 in G minor, Op. 36; The Seine Musicale, Boulogne-Billancourt, 17/02/2018; Directed by Marie Guilloux P10070604 (80 min)

      • Orchestre Philharmonique Royal de Liége, Jan Lisiecki, Gergely Madaras: Franck, Chopin, Dvorak

        Orchestre Philharmonique Royal de Liége, Gergely Madaras (Conductor); Jan Lisiecki (piano); César Franck (1822 – 1890); Les Éolides; Frédéric Chopin (1810 – 1849); Piano Concerto no 1 in E minor Op. 11; Antonin Dvořák (1841 – 1904); Symphony no 8 in G major op. 88; Liége, Salle Philharmonique, 3 June 2021 P10070837 (96 min)

      • Mozart - Sophie Karthaüser, Orchestre Philharmonique Royal de Liége, Christian Arming

        Orchestre Philharmonique Royal de Liége, Christian Arming (conductor); Sophie Karthäuser (soprano); Peter Petrov (piano); Wolfgang Amadeus Mozart (1756 - 1791); Piano Concerto no 9 in E flat major K 271 'Jeunehomme'; Voi avete un cor fedele K 217; Bella mia fiamma K 528; Ch'io mi scordi di te K 505; Recorded on February 3rd 2018 vt the Philharmonique de Liége concert hall P10051939 (65 min)

      • InterMezzo

        (80 min)

      • A Tribute to Manuel de Falla - Granada Festival

        Orquesta Nacional de Espaňa, Josep Pons (conductor); María Toledo (flamenco Singer), Josep Colom (piano); Manuel de Falla (1876-1946); Nights in the Gardens of Spain; Love, the Magician (second version, 1925); Interlude and Dance from The Brief Life; The Three-Cornered Hat (Suites no. 1 and 2); Granada, The Palace of Charles V, 4 July 2021; TV director, Arnaud Lalanne 1235822_1 (88 min)

      • Martha Argerich, Charles Dutoit, Orchestre Philharmonique de Monte-Carlo: Ravel, Tchaikovsky

        Orchestre Philharmonique de Monte-Carlo, Charles Dutoit (Conductor); Martha Argerich (piano); Maurice Ravel (1875-1937); Le tombeau de Couperin; Piano Concerto in G major; Pyotr Ilyich Tchaikovsky (1840-1893); Symphony No. 4 in F minor, Op. 36; Granada, Palace of Charles V (Festival de Granada) 5 July 2022; Directed by Yan Proefrock 1267197_1 (90 min)

      • Laurence Equilbey, Insula Orchestra: Beethoven, Farrenc

        Insula Orchestra, Laurence Equilbey (Conductor); Alexandra Conunova (violin), Natalie Clein (cello), David Kadocuh (piano); Ludwig van Beethoven (1770 - 1827); Concerto for violin, cello, piano and orchestra in C major, Op. 56; Louise Farrenc (1804 - 1875); Symphony no. 3 in G minor, Op. 36; The Seine Musicale, Boulogne-Billancourt, 17/02/2018; Directed by Marie Guilloux P10070604 (80 min)

      • InterMezzo

        (10 min)

      • Juditha Triumphans by Vivaldi at the Greek National Opera

        Juditha triumphans; Oratorio by Antonio Vivadi (1678 – 1741); Librettto by Iacopo Cassetti; Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor); Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children’s Chorus Master); Thanos Papakonstantinou (Stage Direction); Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography); Roxana Constantinescu (Juditha); Kristina Hammarström (Holofernes); Inga Kalna (Vagaus); Theodora Baka (Abra); Sophia Patsi (Ozias); Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021; Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith’s faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d’amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments. P10070780 (125 min)

      • Salome by Strauss at the Opéra national de Paris

        Salome; ‘Musikdrama’ in one act by Richard Strauss (1864 – 1949); Libretto by Richard Strauss after ‘Salomé’ by Oscar Wilde; First performance in Dresden, Hofoper, 9 December 1905; Orchestre de l'Opéra national de Paris, Simone Young (Conductor); Lydia Steier (Stage direction); Momme Hinrichs (Sets, Video), Andy Besuch (Costumes), Olaf Freese (Lighting), Maurice Lenhard (Dramaturgy); Elza van den Heever (Salome); Iain Paterson (Jochanaan); John Daszak (Herodes); Karita Mattila (Herodias); Tansel Akzeybek (Narraboth); Katharina Magiera (Page der Herodias); Matthäus Schmidlechner (Erster Jude); Éric Huchet (Zweiter Jude); Maciej Kwaśnikowski (Dritter Jude); Mathias Vidal (Vierter Jude); Sava Vemić (Fünfter Jude); Luke Stoker (Erster Nazarener); Yiorgo Ioannou (Zweiter Nazarener); Dominic Barberi (Erster Soldat); Bastian Thomas Kohl (Zweiter Soldat); Alejandro Baliňas Vieites (Cappadocier); Thomas Ricart (Ein Sklave); Paris, Opéra-Bastille (Opéra national de Paris), 27 October 2022 1266165_1 yes (105 min)