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Emmanuelle Haim and Le Concert d'Astrée in Versailles: Rameau, Mondonville, Campra
Le Concert d'Astrée, Emmanuelle Haim (Conductor); Marie Perbost (Dessus), Samuel Boden (Haute-contre), Zachary Wilder (Taille), Victor Sicard (Basse-taille); Jean-Philippe Rameau (1683-1764); In convertendo Dominus; Jean-Joseph Cassanéa de Mondonville (171 P10065784 (96 min)
InterMezzo
(26 min)
Lully's Phaéton at the Opéra Royal, Versailles
Phaéton; 'Tragédie en musique' in a prologue and five acts by Jean-Baptiste Lully (1632 - 1687); Libretto by Philippe Quinault after Ovid's 'Metamorphoses'; First performance in Versailles, 6 January 1683; Le Poéme Harmonique, musicAeterna, Vincent Dumestre P10065496 (154 min)
InterMezzo
(26 min)
The Tatarstan State Symphony Orchestra and Alexander Sladkovsky: Strauss, Mahler
Tatarstan National Symphony Orchestra, Alexander Sladkovsky (conductor); Anastasia Kalagina (soprano); Richard Strauss (1864 - 1949); Death and Transfiguration, tone poem, Op. 24 /; Four Last Songs, for soprano and orchestra, Op. 150/; Gustav Mahler (1860 - 1911); Symphony No. 5 in C-sharp minor; Recorded at the Tchaikovsky Concert Hall, Moscow, 16 February 2019; P10066936 (122 min)
Simon Rattle and the London Symphony Orchestra: Knussen, Turnage, Britten
London Symphony Orchestra, Simon Rattle (Conductor); Lucy Crowe (soprano), Allan Clayton (tenor); Oliver Knussen (1952 - 2018); Song & A Sea Interlude (from 'Where the Wild things'; Mark Anthony Turnage (b. 1960); Last song for Olly (World Premiere); Benjamin Britten (1913 - 1976); Serenade for tenor, horn and strings; Recorded at St Luke's, London, 9 September 2020; 08.04.2022 P10068256 (72 min)
Simon Rattle and the London Symphony Orchestra: Berg, Beethoven
London Symphony Orchestra, London Symphony Chorus, Sir Simon Rattle (conductor); Simon Halsey (chorus director); Iwona Sobotka (soprano), Anna Stéphany (mezzo-soprano), Robert Murray (tenor), Florian Boesch (baritone); Alban Berg (1885 - 1935); Lulu-Suite; Ludwig van Beethoven (1770 - 1827); Symphony no 9 in D minor, op. 125 'Choral'; Live from the Barbican Hall, London; 08.04.2022 P10065556 (110 min)
InterMezzo
(53 min)
London Symphony Orchestra, Michael Tilson Thomas, Yuja Wang: Grieg, Rachmaninov, Beethoven
London Symphony Orchestra, Michael Tilson Thomas (conductor); Yuja Wang (piano); Edvard Grieg (1843 - 1907); The Last Spring Op. 34 No. 2; Sergei Rachmaninov (1873 - 1943); Piano Concerto No 2 in E Minor Op. 27; Ludwig van Beethoven (1770 - 1827); Symphony No 5 in C minor Op. 67; London, Barbican Hall, 27 May 2021 P10070882 (88 min)
Kazushi Ono and the London Symphony Orchestra: Dvorak, Janacek
London Symphony Orchestra, London Symphony Chorus, Kazushi Ono (conductor); Lucie Vagenknechtová (soprano), Lucie Hilscherová (alto), Aleš Briscein (tenor), Jan Martiník (bass); Leoš Janáček (1854 - 1928); Ballad of Blaník; Antonín Dvořák (1841 - 1904); The Golden Spinning Wheel; Leoš Janáček; Glagolitic Mass (1927 version); Live from the Barbican Hall, London; TV Director, François-René Martin; 08.04.2022 P10061979 (86 min)
InterMezzo
(36 min)
Raphaël Pichon and Pygmalion: Monteverdi's Vespro della Beata Vergine
Pygmalion, Raphaël Pichon (Conductor); Lea Desandre (Soprano); Eva Zaicik (Soprano); Claudio Monteverdi (1567-1653); Vespro della beata Vergine; Recorded at the Chapelle Royale, Château de Versailles, 9 February 2019; TV Director, Colin Laurent P10058136 (118 min)
Emmanuelle Haim and Le Concert d'Astrée in Versailles: Rameau, Mondonville, Campra
Le Concert d'Astrée, Emmanuelle Haim (Conductor); Marie Perbost (Dessus), Samuel Boden (Haute-contre), Zachary Wilder (Taille), Victor Sicard (Basse-taille); Jean-Philippe Rameau (1683-1764); In convertendo Dominus; Jean-Joseph Cassanéa de Mondonville (1711-1772); In exitu Israël; André Campra (1660-1744); Messe de Requiem; Recorded at the Chapelle Royale, Château de Versailles, 20 November 2019; TV Director, Olivier Simonnet P10065784 (96 min)
Enrico Rava Special edition 80th Birthday - Like a jazz Machine
Enrico Rava Special edition 80th Brithday; Enrico Rava - trumpet & bugle; Gianluca Petrella - trombone; Francesco Diodati - guitar; Giovanni Guidi - piano; Gabriele Evangelista - bass guitar; Enrico Morello - drums; Famed trumpeter Enrico Rava first appeared in the Italian and international jazz scenes over 50 years ago, working with Gato Barbieri and Steve Lacy, Roswell Rudd, Carla Bley, John Abercrombie and Cecil Taylor. Throughout his extensive career, he has played alongside notable musicians such as Lee Konitz, Richard Galliano, Pat Metheny, John Scofield, Dave Douglas, Geri Allen, Miroslav Vitous, Philip Caterine, Tomasz Stanko, Michel Petrucciani, John Abercrombie, Joe Lovano... Rava was famously inclined to work with young musicians too. Giovanni Guidi is a revered pianist among the young Italian generation of jazz musicians. He won Top Jazz 2007 as best new national talent. Gianluca Petrella is hailed as one of the most significant jazz trombonists in the world. Gabriele Evangelista is a praised Italian bass player with extraordinary precise skills combined with wild creativity and distinctive interplay. Enrico Morello emerged from a strong academic background, widely known for his refined drumming style and remarkable swing. Recorded on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut 08.04.2022 P10062536 (60 min)
Arthur Possing Quartet - Like a jazz Machine
Arthur Possing Quartet; Pierre Cocq-Amann, saxophones; Arthur Possing, piano, compositions; Sebastian "Schlapbe" Flach, double bass; Pit Huberty, drums; Arthur Possing is a young Luxembourgish pianist, born in 1996 into a family in which music has always played a significant role. He started classical percussion at the age of 6 and classical piano at the age of 10, later in the class of well-known pianist Jean Muller. In 2009, he began studying jazz piano with Marc Mangen and vibraphone in 2011 with Guy Cabay. In 2016, he began further studies in jazz piano at the Conservatoire Royal de Bruxelles with Eric Legnini. The Arthur Possing Quartet was originally formed in 2013. Its members met in high school and soon started playing together regularly. Since 2017, the musicians are originally from Germany, France and Luxembourg and have studied at the Royal Conservatory of Brussels, the Centre des Musiques Didier Lockwood near Paris and the Musikhochschule Mannheim. Their repertoire consists both of own compositions and tunes of appreciated jazzmen. In 2017, the quartet released their first album 'Four Years', which was released in March'18 on the Belgian label Hypnote Records. It was well acclaimed by the audience and press and won "Hits" at Couleurs Jazz in France. Recode on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut 08.04.2022 P10062537 (59 min)
Stephane Kerecki - French Touch - Like a jazz machine
Stéphane Kerecki - French Touch; Stéphane Kerecki, double bass; Julien Lourau, saxophone; Fabrice Moreau, drums; Jozef Dumoulin, piano, Fender Rhodes; Stéphane Kerecki made a name for himself by playing with Daniel Humair, Sheila Jordan, Michel Portal, Jacky Terrasson. He is leading his own trio, with saxophonist Matthieu Donarier and drummer Thomas Grimmonprez. His recordings received many awards, including the Grand Prix de l'Académie Charles Cros, Disque d'Emoi de l'année 2007 (Jazz Magazine), Choc du Monde de la Musique a.o. Kerecki's most ambitious project to date, " Nouvelle Vague ", an homage to the movies of Jean-Luc Godard, François Truffaut, Louis Malle, Jacques Demy, and the music it generated, features re-adapted works by Miles Davis, Martial Solal, Georges Delerue, Antoine Duhamel and Michel Legrand. His new project "French Touch" explores the influence of contemporary French popular music, made by groups like Air, Daft Punk, Motorbass, Kavinsky and Phoenix, on today's music scene worldwide. Recode on May 11, 2018 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut 08.04.2022 P10051956 (57 min)
InterMezzo
(48 min)
Aida by Verdi at the Grand Théâtre de Genéve
Aida; Opera in four acts by Giuseppe Verdi (1813 - 1901); Libretto by Antonio Ghislanzoni after a scenario by Auguste Mariette; First performance in Caire, Opera House, 24 December 1871; Orchestre de la Suisse Romande, Antonino Fogliani (conductor); Chœur du Grand Théâtre de Genéve; Phelim McDermott (Stage Direction); Tom Pye (Sets), Kevin Pollard (Costumes), Simon Trottet (Lighting), Basil Twist (Choreography); Nazhmiddin Mavlyanov (Radames); Serena Farnocchia (Aida); Anna Smirnova (Amneris); Alexey Markov (Amonasro); Liang Li (Ramfis); Donald Thomson (Il Re); Denzil Delaere (Un messaggero); Claire de Sévigné (Sacerdotessa); Recorded at the Grand Théâtre, Geneva, 15 & 17 October 2019; TV Director, Sébastien Glas P10062329 (153 min)
InterMezzo
(87 min)
Daniel Harding and the Bavarian Radio Symphony Orchestra: Elgar, Beethoven, Brahms
Bavarian Radio Symphony Orchestra, Daniel Harding (Conductor); Rudolf Buchbinder (piano); Edward Elgar (1857 - 1934); The Dream of Gerontius op. 38: Prelude; Ludwig van Beethoven (1770 - 1827); Piano Concerto no 2 in B flat major, op. 19; Johannes Brahms (1833 - 1897); Symphony no 4 in E minor, op. 98; Recorded at the Philharmonie, Luxembourg, 4 november 2019; Directed by Michael Ciniselli; P10064396 (83 min)
London Symphony Orchestra, Harry Christophers: Haydn, The Creation
London Symphony Orchestra, Harry Christohers (conductor); London Symphony Chorus, Simon Halsey (chorus director); Lucy Crowe (soprano), Andrew Staples (tenor), Roderick Williams (baritone); Joseph Haydn (1732 – 1809); The Creation (sung in English); London, Barbican Hall, 3 March 2022; 1263511_1 (110 min)
Les Pecheurs de perles by Bizet - Julie Fuchs, Orchestre national de Lille
Les pecheurs de perles (The Pearl Fishers); Opera in three acts by Georges Bizet (1838 - 1875); Libretto by Eugéne Cormon and Michel Carré; First performance in Paris, Théâtre Lyrique, 30 September 1863; Concert Version; Orchestre national de Lille, Les Cris de Paris, Alexandre Bloch (Conductor); Julie Fuchs (Leila); Cyrille Dubois (Nadir); Florian Sempey (Zurga); Luc Bertin-Hugault (Nourabad); Recorded on May 9 & 10 2017, at Le Nouveau Siécle, Lille; Directed by Stéphane Vérité; P10042318 (115 min)
The Tale of Tsar Tsaltan by Rimsky-Korsakov at La Monnaie, Brussels
The Tale of Tsar Tsaltan; Opera in a prologue and four acts by Nikolay Rimsky-Korsavov (1844 - 1908); Libretto by Nikolay Andreyvich Belsky after Alexander Pushkin; Fist performance in Moscow, Solodovnikov Theatre, 3 November 1900; Symphony Orchestra and Chorus of the Monnaie Theatre, Alain Altinoglu (Conductor); Dmitri Tcherniakov (Stage direction, sets); Elena Zaytseva (Costumes), Gleb Filshtinsky (video, lighting); Ante Jerkunica (Tsar Saltan); Svetlana Aksenova (Tsaritsa Militrisa); Stine Marie Fischer (Tkatchikha); Bernarda Bobro (Povarikha); Carole Wilson (Babarikha); Bogdan Volkov (Tsarevich Gvidon); Olga Kulchynska (Tsarevna Swan-Bird / Lyebyed); Vasily Gorshkov (Old man); Alexander Vassiliev (Skomorokh / Shipman); Nicky Spence (Messenger / Shipman); Alexander Kravets (Shipman); Recorded at the Monnaie-De Munt Theatre, Brussels, 27 June 2019; TV Director, Andy Sommer P10062376 (157 min)
