• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (87 min)

      • Daniel Harding and the Bavarian Radio Symphony Orchestra: Elgar, Beethoven, Brahms

        Bavarian Radio Symphony Orchestra, Daniel Harding (Conductor); Rudolf Buchbinder (piano); Edward Elgar (1857 - 1934); The Dream of Gerontius op. 38: Prelude; Ludwig van Beethoven (1770 - 1827); Piano Concerto no 2 in B flat major, op. 19; Johannes Brahms (1833 - 1897); Symphony no 4 in E minor, op. 98; Recorded at the Philharmonie, Luxembourg, 4 november 2019; Directed by Michael Ciniselli; P10064396 (83 min)

      • London Symphony Orchestra, Harry Christophers: Haydn, The Creation

        London Symphony Orchestra, Harry Christohers (conductor); London Symphony Chorus, Simon Halsey (chorus director); Lucy Crowe (soprano), Andrew Staples (tenor), Roderick Williams (baritone); Joseph Haydn (1732 – 1809); The Creation (sung in English); London, Barbican Hall, 3 March 2022; 1263511_1 (110 min)

      • Les Pecheurs de perles by Bizet - Julie Fuchs, Orchestre national de Lille

        Les pecheurs de perles (The Pearl Fishers); Opera in three acts by Georges Bizet (1838 - 1875); Libretto by Eugéne Cormon and Michel Carré; First performance in Paris, Théâtre Lyrique, 30 September 1863; Concert Version; Orchestre national de Lille, Les Cris de Paris, Alexandre Bloch (Conductor); Julie Fuchs (Leila); Cyrille Dubois (Nadir); Florian Sempey (Zurga); Luc Bertin-Hugault (Nourabad); Recorded on May 9 & 10 2017, at Le Nouveau Siécle, Lille; Directed by Stéphane Vérité; P10042318 (115 min)

      • The Tale of Tsar Tsaltan by Rimsky-Korsakov at La Monnaie, Brussels

        The Tale of Tsar Tsaltan; Opera in a prologue and four acts by Nikolay Rimsky-Korsavov (1844 - 1908); Libretto by Nikolay Andreyvich Belsky after Alexander Pushkin; Fist performance in Moscow, Solodovnikov Theatre, 3 November 1900; Symphony Orchestra and Chorus of the Monnaie Theatre, Alain Altinoglu (Conductor); Dmitri Tcherniakov (Stage direction, sets); Elena Zaytseva (Costumes), Gleb Filshtinsky (video, lighting); Ante Jerkunica (Tsar Saltan); Svetlana Aksenova (Tsaritsa Militrisa); Stine Marie Fischer (Tkatchikha); Bernarda Bobro (Povarikha); Carole Wilson (Babarikha); Bogdan Volkov (Tsarevich Gvidon); Olga Kulchynska (Tsarevna Swan-Bird / Lyebyed); Vasily Gorshkov (Old man); Alexander Vassiliev (Skomorokh / Shipman); Nicky Spence (Messenger / Shipman); Alexander Kravets (Shipman); Recorded at the Monnaie-De Munt Theatre, Brussels, 27 June 2019; TV Director, Andy Sommer P10062376 (157 min)

      • InterMezzo

        (64 min)

      • Enrico Rava Special edition 80th Birthday - Like a jazz Machine

        Enrico Rava Special edition 80th Brithday; Enrico Rava - trumpet & bugle; Gianluca Petrella - trombone; Francesco Diodati - guitar; Giovanni Guidi - piano; Gabriele Evangelista - bass guitar; Enrico Morello - drums; Famed trumpeter Enrico Rava first appeared in the Italian and international jazz scenes over 50 years ago, working with Gato Barbieri and Steve Lacy, Roswell Rudd, Carla Bley, John Abercrombie and Cecil Taylor. Throughout his extensive career, he has played alongside notable musicians such as Lee Konitz, Richard Galliano, Pat Metheny, John Scofield, Dave Douglas, Geri Allen, Miroslav Vitous, Philip Caterine, Tomasz Stanko, Michel Petrucciani, John Abercrombie, Joe Lovano... Rava was famously inclined to work with young musicians too. Giovanni Guidi is a revered pianist among the young Italian generation of jazz musicians. He won Top Jazz 2007 as best new national talent. Gianluca Petrella is hailed as one of the most significant jazz trombonists in the world. Gabriele Evangelista is a praised Italian bass player with extraordinary precise skills combined with wild creativity and distinctive interplay. Enrico Morello emerged from a strong academic background, widely known for his refined drumming style and remarkable swing. Recorded on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut 08.04.2022 P10062536 (60 min)

      • Arthur Possing Quartet - Like a jazz Machine

        Arthur Possing Quartet; Pierre Cocq-Amann, saxophones; Arthur Possing, piano, compositions; Sebastian "Schlapbe" Flach, double bass; Pit Huberty, drums; Arthur Possing is a young Luxembourgish pianist, born in 1996 into a family in which music has always played a significant role. He started classical percussion at the age of 6 and classical piano at the age of 10, later in the class of well-known pianist Jean Muller. In 2009, he began studying jazz piano with Marc Mangen and vibraphone in 2011 with Guy Cabay. In 2016, he began further studies in jazz piano at the Conservatoire Royal de Bruxelles with Eric Legnini. The Arthur Possing Quartet was originally formed in 2013. Its members met in high school and soon started playing together regularly. Since 2017, the musicians are originally from Germany, France and Luxembourg and have studied at the Royal Conservatory of Brussels, the Centre des Musiques Didier Lockwood near Paris and the Musikhochschule Mannheim. Their repertoire consists both of own compositions and tunes of appreciated jazzmen. In 2017, the quartet released their first album 'Four Years', which was released in March'18 on the Belgian label Hypnote Records. It was well acclaimed by the audience and press and won "Hits" at Couleurs Jazz in France. Recode on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut 08.04.2022 P10062537 (59 min)

      • Stephane Kerecki - French Touch - Like a jazz machine

        Stéphane Kerecki - French Touch; Stéphane Kerecki, double bass; Julien Lourau, saxophone; Fabrice Moreau, drums; Jozef Dumoulin, piano, Fender Rhodes; Stéphane Kerecki made a name for himself by playing with Daniel Humair, Sheila Jordan, Michel Portal, Jacky Terrasson. He is leading his own trio, with saxophonist Matthieu Donarier and drummer Thomas Grimmonprez. His recordings received many awards, including the Grand Prix de l'Académie Charles Cros, Disque d'Emoi de l'année 2007 (Jazz Magazine), Choc du Monde de la Musique a.o. Kerecki's most ambitious project to date, " Nouvelle Vague ", an homage to the movies of Jean-Luc Godard, François Truffaut, Louis Malle, Jacques Demy, and the music it generated, features re-adapted works by Miles Davis, Martial Solal, Georges Delerue, Antoine Duhamel and Michel Legrand. His new project "French Touch" explores the influence of contemporary French popular music, made by groups like Air, Daft Punk, Motorbass, Kavinsky and Phoenix, on today's music scene worldwide. Recode on May 11, 2018 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut 08.04.2022 P10051956 (57 min)

      • InterMezzo

        (33 min)

      • Aida by Verdi at the Grand Théâtre de Genéve

        Aida; Opera in four acts by Giuseppe Verdi (1813 - 1901); Libretto by Antonio Ghislanzoni after a scenario by Auguste Mariette; First performance in Caire, Opera House, 24 December 1871; Orchestre de la Suisse Romande, Antonino Fogliani (conductor); Chœur du Grand Théâtre de Genéve; Phelim McDermott (Stage Direction); Tom Pye (Sets), Kevin Pollard (Costumes), Simon Trottet (Lighting), Basil Twist (Choreography); Nazhmiddin Mavlyanov (Radames); Serena Farnocchia (Aida); Anna Smirnova (Amneris); Alexey Markov (Amonasro); Liang Li (Ramfis); Donald Thomson (Il Re); Denzil Delaere (Un messaggero); Claire de Sévigné (Sacerdotessa); Recorded at the Grand Théâtre, Geneva, 15 & 17 October 2019; TV Director, Sébastien Glas P10062329 (153 min)

      • InterMezzo

        (57 min)

      • London Symphony Orchestra, Michael Tilson Thomas, Yuja Wang: Grieg, Rachmaninov, Beethoven

        London Symphony Orchestra, Michael Tilson Thomas (conductor); Yuja Wang (piano); Edvard Grieg (1843 - 1907); The Last Spring Op. 34 No. 2; Sergei Rachmaninov (1873 - 1943); Piano Concerto No 2 in E Minor Op. 27; Ludwig van Beethoven (1770 - 1827); Symphony No 5 in C minor Op. 67; London, Barbican Hall, 27 May 2021 P10070882 (88 min)

      • Kazushi Ono and the London Symphony Orchestra: Dvorak, Janacek

        London Symphony Orchestra, London Symphony Chorus, Kazushi Ono (conductor); Lucie Vagenknechtová (soprano), Lucie Hilscherová (alto), Aleš Briscein (tenor), Jan Martiník (bass); Leoš Janáček (1854 - 1928); Ballad of Blaník; Antonín Dvořák (1841 - 1904); The Golden Spinning Wheel; Leoš Janáček; Glagolitic Mass (1927 version); Live from the Barbican Hall, London; TV Director, François-René Martin; 08.04.2022 P10061979 (86 min)

      • InterMezzo

        (66 min)

      • The Taming of the Shrew by Jean-Christophe Maillot - Les Ballets de Monte Carlo

        The Taming of the Shrew (La Mégére Apprivoisée); Ballet in two acts; Choreography, Jean-Christophe Maillot; Music, Dimitri Chostakovitch; With, Les Ballets de Monte-Carlo; and with the exceptional participation of Ekaterina Krysanova & Vladimir Lantratov, Etoiles of the Bolshoi Ballet; Choreography Assistant, Bernice Coppieters; Scenography, Ernest Pignon-Ernest; Lighting, Dominique Drillot; Costume, Augustin Maillot; Costume Assistant, Jean-Michel Lainé; Story, Jean Rouaud after William Shakespeare's play; Video, Dominique Drillot et Matthieu Stefani; Cast; (Katharina), Ekaterina Petina; (Petruchio), Matéj Urban; (Bianca), Katrin Schrader; (Lucentio), Jaeyong An; (Hortensio), Simone Tribuna; (Gremio), Adam Reist; (The Governess), April Ball; (Baptista), Christian Tworzyanski; (The Widow), Anna Blackwell; (Grumio), Asier Edeso; (The Maids), Ksenia Abbazova, Portia Adams, Chelsea Adomaitis, Taisha Barton-Rowledge, Anyssa Bruley, Candela Ebbesen, Juliette Klein, Gaelle Riou, Anne-Laure Seillan, Kaori Tajima, Hannah Wilcox; (The Servants), Jaat Benoot, Koen Havenith, Alexandre Joaquim, Artjom Maksakov, Zino Merckx, Roger Neves, Christian Oliveri, Lennart Radtke, Francesco Resch, Alessio Scognamiglio, Benjamin Stone; Recorded at the Grimaldi Forum, Monaco, on July 23, 24 & 25 2020; TV Director, Louise Narboni; 09.04.2022 P10068236 (84 min)

      • Ravel: Exhibition by Sidi Larbi Cherkaoui and Ma mére l'Oye by Jeroen Verbruggen

        Exhibition; Sidi Larbi Cherkaoui | choreographer; Ma mére l'Oye; Jeroen Verbruggen | Choreographer; Tim Van Steenbergen | Set & costume; Fabiana Piccioli | lighting designer; Jason Kittelberger | Assistant choreography; Koen Bollen | Dramaturgy; Music | Modest Moussorgski (Maurice Ravel's orchestration ), Pictures of an exhibition / Maurice Ravel, Pavane pour une Infante défunte, Ma Mére l'Oye; Royal Ballet of Flanders; Flanders opera symphonic orchestra Orchestre Symphonique de l'Opéra des Flandres; Yannis Pouspourikas | Conductor; Recorded on 2016 at the Antwerp Opera; TV Director, Andreas Morell; 09.04.2022 P10068437 (80 min)

      • Riccardo Chailly conducts Mahler's Symphony no 2 at La Scala, Milan

        Teatro alla Scala Orchestra and Chorus, Riccardo Chailly (Conductor); Anna Prohaska (soprano), Wiebke Lehmkuhl (alto); Gustav Mahler (1860 – 1911); Symphony No. 2 in C minor ‘Resurrection’; Milano, Teatro alla Scala, 3 April 2022 LIVE BROADCAST 1264240_1 (100 min)

      • Dido and Aeneas by Purcell at the Grand Théâtre, Geneva

        Dido and Aeneas; Tragic opera in three acts by Henry Purcell (1659 - 1695); Libretto by Nahum Tate after Virgil's 'Aeneid'; Le Concert d'Astrée, Emmanuelle Haim (Conductor); Franck Chartier (Stage Direction, Choreography); Peeping Tom; Eurudike De Beul, Leo De Beul, Marie Gyselbrecht, Hunmok Jung, Brandon Lagaert, Chen-Wei Lee, Yichun Liu, Romeu Runa; Justine Bougerol (Sets), Anne-Catherine Kunz (Costumes), Giacomo Gorini (Lightings); Marie-Claude Chappuis (Dido | Sorceress); Emőke Baráth (Belinda | First Witch); Marie Lys (Second Woman | Second Witch); Jarrett Ott (Aeneas | Sailor); Recorded at the Grand Théâtre, Geneva, 2 May 2021; 09.04.2022 P10070716 (104 min)

      • Piano Jazz Session: Yaron Herman Trio

        Yaron Herman Trio; Yaron Herman (piano); Matt Brewer (bass); Ziv Ravitz (drums); Paris, Fondation Louis Vuitton, 19 March 2022 1263524_1 (75 min)

      • Alan Buribayev conducts Mahler's Eighth Symphony

        Combined Choir and Combined Orchestra of the Republic of Kazakhstan, Choir and Symphony Orchestra of the Teatro Carlo Felice Genoa, Alan Buribayev (conductor); Saltanat Akhmetova, Zhupar Gabdullina, Aigul Niyazova (sopranos), Tatyana Vitsinskaya, Oksana Davydenko (altos), Nurlan Bekmukhambetov (tenor), Oleg Tatamirov (baritone), Tair Tazhi (bass); Gustav Mahler (1860 – 1911); Symphony No. 8 in E-flat major; Nur-Sultan, Astana Opera, 21 July 2017 1261457_1 (80 min)

      • Raphaël Pichon and Pygmalion: Bach's Motets

        Pygmalion, Raphaël Pichon (Conductor); Johann Sebastian Bach (1685 - 1750); Singet dem Herrn ein neues Lied BWV 225; Giovanni Gabrieli (1557 - 1612); Jubilate deo; Johann Sebastian Bach; Der Geist hilft unser Schwachheit auf BWV 226; Jacobus Gallus (1550 - 1591); Ecce, quomodo moritur iustus; Johann Sebastian Bach; Jesu meine Freude BWV 227; Vincenzo Bertolusi (ca 1550 - 1608); Osculetur meo; Johann Sebastian Bach; Komm Jesu komm BWV 229; Johann Sebastian Bach; Fürchte dich nicht, ich bin bei dir BWV 228; Hieroymus Praetorius (1560 - 1629); Tulerunt Dominum meum; Johann Sebastian Bach; Lobet den Herrn BWV 230; Recorded at the Festival d'Ambronay, 13 September 2019; P10062319 (101 min)

      • Pygmalion, Stéphane Degout and Raphaël Pichon: Schubert, Schumann, Weber

        Pygmalion, Raphaël Pichon (conductor); Stéphane Degout (baritone); Franz Schubert (1797 - 1828); Lacrimosa son'io D.131b - choir; Lazarus D.689 - Act 2, Recitative & Aria 'Wo bin ich... O könnt ich'; Alfonso und Estrella D.732 - Act 1, Chorus 'Zur jagd'; Alfonso und Estrella D. 732 - Act 2, Recitative & Air 'O sing mir vater... Der jäger'; Robert Schumann (1810 - 1856); Wiegenlied 4 Duets Op. 78 - Women's choir and harp; Franz Schubert / Franz Liszt (1811 - 1886); Der Doppelgänger D.957 (arr. Franz Liszt S 375/5 • R 651/5); Franz Schubert; Symphony No. 8 D.759, 'Unfinished' - I. Allegro moderato; Carl Maria von Weber (1786 - 1826); Oberon J.306 - Act 2, Air 'O wie wogt es so schon auf der Flut'; Franz Schubert; Symphony No. 8 D.759, 'Unfinished' - II. Andante con moto; Robert Schumann; 6 Romanzen für Frauenstimmen Vol.I op.69 no. 5 - Meerfey; Carl Maria von Weber; Euryanthe - Act 2 - Recitative & Air 'Wo berg ich mich.... So weih ich mich '; Franz Schubert; Alfonso und Estrella D.732 - Act III - Introduction; Franz Schubert / Johannes Brahms (1833 - 1897); Gruppe aus dem Tartarus D.583 (arr. Johannes Brahms); Franz Schubert; Ellens dritter Gesang III D. 839 op. 52, no. 6; Lazarus D.689 - Act 2, Recitative & Aria 'Wo bin ich... O könnt ich'; Robert Schumann; Szenen aus Goethes Faust - Part III. FaustsVerklärung - Air 'Hier ist die Aussicht frei'; Franz Schubert; Psalm 23 D.706 - 'Gott ist mein Hirt'; Recorded at the Philharmonie de Paris, December 14, 2020; Directed by François-Réné Martin P10070056 (91 min)