• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (60 min)

      • Meyer, Writing Ground by Alonzo King - Maison de la Danse de Lyon

        MEYER and WRITING GROUND; Two choreographies by Alonzo King; Lines Ballet; MEYER; Original music by Edgar Meyer; Lights by Axel Morgenthaler; Costumes by Robert Rosenwasser; WRITING GROUND; Sacred music from the Jewish, Christian, Muslim and Tibetan traditions; Lights by Axel Morgenthaler; Costumes and sets by Robert Rosenwasser; Alonzo King founded the Alonzo King Lines Ballet in 1982. 31 years later, it has become one of the world's most prestigious companies. Alonzo King is a great admirer of classical ballet, in which he sees a wonderful science of movement. To this virtuoso technique, he brings a physical, muscular sensuality, an almost feline fluidity refined to the point of pure esthetic pleasure. Meyer, his last creation, was premiered on the 30th anniversary of the company. Written in collaboration with American composer and bass player Edgar Meyer, the music brings purpose and rhythm to bodies and movement. Writing Ground draws its inspiration from the words of writer Colum McCann. In this piece, Alonzo King explores the wealth of traditional music from the Jewish, Christian, Muslim and Tibetan traditions. His choreography becomes a language, at once poetic and electrifying. Recorded at the Maison de la Danse in Lyon, 29 November 2013; Directed by Denis Caiozzi; 05.06.2022 P10001633 (86 min)

      • New York City Ballet in Paris - Théâtre du Châtelet

        New York City Ballet in Paris; Walpurgisnacht Ballet; Choreography, George Balanchine; © The George Balanchine Trust; Music, Charles Gounod | extrait de Faust (1859, ballet ajouté en 1869); Costume, Karinska; Lights, Mark Stanley; Sonatine; Choreography, George Balanchine; © The George Balanchine Trust; Music, Maurice Ravel (1906); Lights, Mark Stanley; La Valse; Choreography, George Balanchine; © The George Balanchine Trust; Music, Maurice Ravel | Valses Nobles et Sentimentales (1911, orchestré en 1912), La Valse (1920); Costume, Karinska; Sets, Jean Rosenthal; Lights, Mark Stanley; Symphony in C (Le Palais de Cristal); Choreography, George Balanchine; © School of America Ballet. Inc. Music, Georges Bizet | Symphony in C major (1855); Costume, Marc Happel; Lights, Mark Stanley; Ballet Master, Peter Martins; Prométhée Orchestra; Conductor, Daniel Capps; Recorded on juilly 2016 at the Théâtre du Châtelet; TV Direction, Vincent Bataillon; 05.06.2022 P10069056 (101 min)

      • The Cleveland Orchestra plays Brahms in Vienna: Symphonies No.2 & 3

        The Cleveland Orchestra, Franz Welser-Möst (conductor); Johannes Brahms (1833 - 1897); Symphony no. 3 in F major, op. 90; Symphony no. 2 in D major, op. 73; Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna; TV Director Brian Large 07.06.2022 P10004224 (73 min)

      • InterMezzo

        (30 min)

      • Sophie Alour, Exil(s) - Jazz sous les Pommiers

        Sophie Alour "Exil (s)"; Sophie Alour (saxophone, flute, compositions); Mohamed Abozékry (oud); Donald Kontamanou (drums); Philippe Aerts (double bass); Damien Argentieri (piano); Wassim Halal (derbouka, bendir); Recorded on May 30, 2019 at Jazz sous les Pommiers; TV Directors, Laurent Hasse & Thierry Villeneuve; 04.06.2022 P10062799 (62 min)

      • Jacky Terrasson Trio - Jazz sous les Pommiers

        Jacky Terrasson Trio; Jacky Terrasson (Piano); Lukmil Perez (Drums); Sylvain Romano (Double Bass); Line up; The Call; Kiss Jannette For Me; Baby Plum; Smile / Harry Potters; La Valse Des Soignants; Love For Sale; Caravan; La Marseillaise; Maraba Blue; Palindrome; Lacrimosa Mozart; Recorded on November 18, 2020 at Jazz sous les Pommiers Festival; TV Director, Laurent Hasse; 04.06.2022 P10069456 (65 min)

      • Gala Andalucía Flamenca: Women's Chant - Granada Festival

        Singing: María Vargas (Sanlúcar de Barrameda); Juana la del Pipa (Jerez); Herminia Borja "La Chula" (Sevilla); Dolores Agujetas (Jerez); Mari Peňa (Utrera); La Nitra (Granada); Chonchi Heredia (Granada); Rocío Segura (Almería); Anabel Valencia (Lebrija); Lela Soto (Jerez); Guitars: Paco Cortés (Granada); Antonio Malena (Jerez); Manuel Parrilla (Jerez); Carlos de Jacoba (Granada); Rhythm and hand-clapping:: Ángel Moreno "El Pirulo"; Markito Carpio; Manuel Jesús Blanco; Festival de Granada, 6 July 2021 04.06.2022 P10070916 (48 min)

      • InterMezzo

        (60 min)

      • Orchestre de Chambre de Lausanne and Klaus Mäkelä: Mozart, Schumann

        Orchestre de Chambre de Lausanne, Klaus Mäkelä (Conductor); Javier Perianes (piano); Sauli Zinovjev (b. 1988); Un grande sospiro; Wolfgang Amadeus Mozart (1756 - 1791); Piano Concerto no 21 in C major, KV 467; Robert Schumann (1810 - 1856); Symphony no 4 in D minor, op.120; Recorded at the Salle Métropole, Lausanne, 11 December 2019; P10062325 (90 min)

      • Santtu-Matias Rouvali and the Orchestre de Chambre de Lausanne: Prokofiev, Beethoven

        Orchestre de Chambre de Lausanne, Santtu-Matias Rouvali (Conductor); Boris Brovtsyn (violin); Sergei Prokofiev (1891 - 1953); Violin Concerto no 2 in G minor, op. 63; Ludwig van Beethoven (1770 - 1827); Symphony no 7 in A major, op. 92; Recorded at the Salle Métropole, Lausanne, 18 December 2019; P10062324 (70 min)

      • InterMezzo

        (46 min)

      • Meyer, Writing Ground by Alonzo King - Maison de la Danse de Lyon

        MEYER and WRITING GROUND; Two choreographies by Alonzo King; Lines Ballet; MEYER; Original music by Edgar Meyer; Lights by Axel Morgenthaler; Costumes by Robert Rosenwasser; WRITING GROUND; Sacred music from the Jewish, Christian, Muslim and Tibetan traditions; Lights by Axel Morgenthaler; Costumes and sets by Robert Rosenwasser; Alonzo King founded the Alonzo King Lines Ballet in 1982. 31 years later, it has become one of the world's most prestigious companies. Alonzo King is a great admirer of classical ballet, in which he sees a wonderful science of movement. To this virtuoso technique, he brings a physical, muscular sensuality, an almost feline fluidity refined to the point of pure esthetic pleasure. Meyer, his last creation, was premiered on the 30th anniversary of the company. Written in collaboration with American composer and bass player Edgar Meyer, the music brings purpose and rhythm to bodies and movement. Writing Ground draws its inspiration from the words of writer Colum McCann. In this piece, Alonzo King explores the wealth of traditional music from the Jewish, Christian, Muslim and Tibetan traditions. His choreography becomes a language, at once poetic and electrifying. Recorded at the Maison de la Danse in Lyon, 29 November 2013; Directed by Denis Caiozzi; 05.06.2022 P10001633 (86 min)

      • New York City Ballet in Paris - Théâtre du Châtelet

        New York City Ballet in Paris; Walpurgisnacht Ballet; Choreography, George Balanchine; © The George Balanchine Trust; Music, Charles Gounod | extrait de Faust (1859, ballet ajouté en 1869); Costume, Karinska; Lights, Mark Stanley; Sonatine; Choreography, George Balanchine; © The George Balanchine Trust; Music, Maurice Ravel (1906); Lights, Mark Stanley; La Valse; Choreography, George Balanchine; © The George Balanchine Trust; Music, Maurice Ravel | Valses Nobles et Sentimentales (1911, orchestré en 1912), La Valse (1920); Costume, Karinska; Sets, Jean Rosenthal; Lights, Mark Stanley; Symphony in C (Le Palais de Cristal); Choreography, George Balanchine; © School of America Ballet. Inc. Music, Georges Bizet | Symphony in C major (1855); Costume, Marc Happel; Lights, Mark Stanley; Ballet Master, Peter Martins; Prométhée Orchestra; Conductor, Daniel Capps; Recorded on juilly 2016 at the Théâtre du Châtelet; TV Direction, Vincent Bataillon; 05.06.2022 P10069056 (101 min)

      • InterMezzo

        (18 min)

      • Berliner Philharmoniker, François-Xavier Roth: Stravinsky, Bach

        Berliner Philharmoniker, François-Xavier Roth (conductor); Albrecht Mayer (Oboe d'amore); Igor Stravinsky (1882 – 1971); Divertimento, orchestral suite after the ballet ‘Le Baiser de la fée’; Johann Sebastian Bach (1685 – 1750); Concerto for Oboe d'amore, Strings and Continuo in A major, BWV 1055R; Igor Stravinsky; Petrushka; Baden-Baden, Festspielhaus, 10 April 2022 1264232_1 (90 min)

      • The Orchestre de Chambre de Lausanne and Christoph Eschenbach: Haydn, Schumann

        Orchestre de Chambre de Lausanne, Christoph Eschenbach (Conductor); Christopher Park (piano); Joseph Haydn (1732-1809); Symphony no 92 in G major, 'Oxford'; Robert Schumann (1810 -1856); Piano Concerto in A minor, op. 54; Introduction and Allegro appassionato (Konzertstück) in G major, op. 92; Joseph Haydn; Symphony no 104 in D major, 'London'; Recorded at the Salle Métropole, Lausanne, 11 September 2018; P10056936 (110 min)

      • InterMezzo

        (40 min)

      • Idoménée by Campra at the Opéra de Lille

        Idoménée; ‘Tragédie en musique’ by André Campra (1660–1744); Libretto by Antoine Danchet; First peformance in Paris, Opéra, 12 January 1712; 1731 version; Le Concert d’Astrée, Emmanuelle Haim (conductor); Compagnie Dantzaz; Álex Ollé | La Fura dels Baus (Stage direction); Alfons Flores (sets), Lluc Castells (Costumes), Urs Schönebaum (lighting), Emmanuel Carlier (Video), Martin Harriague (Choreography); Eva Zaicik (Vénus); Tassis Christoyannis (Idoménée); Samuel Boden (Idamante); Héléne Carpentier (Électre); Lucy Page (Ilione); Frédéric Caton (Arbas | Protée); Victor Sicard (La Jalousie | Némésis); Yoann Dubruque (Éole | Neptune); Enguerrand de Hys (Arcas); Cécile Dalmon (Une Crétoise, Deuxiéme Bergére); Emmanuelle Ifrah (Une Troyenne); Cécile Granger (Premiére Bergére); Lille, Opera, 2 October 2021 05.06.2022 1259750_1 (140 min)

      • InterMezzo

        (90 min)

      • Vox Luminis - Monteverdi - Granada Festival

        Vox Luminis, Lionel Meunier (Conductor); Claudio Monteverdi (1567 - 1643); Selva morale e spirituale SV 258-288 (excerpts); Adoramus te Christe, SV 289; Letanie della Beata Vergine, SV 204; Christe, adoramus te, SV 294; Recorded at the Festival de Granada, San Jerónimo Monastery, 6 July 2019; TV Director, Arnaud Lalanne 04.06.2022 P10061843 (74 min)

      • Fabio Biondi at the Festival de Granada: Bach

        Fabio Biondi (violin); Johann Sebastian Bach (1685 - 1750); Sonata for Solo Violin No. 2 in A minor, BWV 1003; Partita for solo violin No. 1 in B minor, BWV 1002; Partita for Solo Violin No. 2 in D minor, BWV 1004; Recorded at the Granada Festival, Fundación Rodríguez-Acosta, on July 8, 2020 04.06.2022 P10067998 (59 min)

      • InterMezzo

        (46 min)

      • Vivaldi, Bach - Les Talens Lyriques, Christophe Rousset

        Les Talens Lyriques, Christophe Rousset (direction); Gilone Gaubert (violon); Antonio Vivaldi (1678 - 1741); Le Quattro Stagioni (The Four Seasons) from 'Il cimento dell'armonia e dell'inventione' Op. 8; Concerto No. 1 in E major, 'La primavera' (Spring), RV 269; Concerto No. 2 in G minor, 'L'estate' (Summer), RV 315; Concerto No. 3 in F major, 'L'autunno' (Autumn), RV 293; Concerto No. 4 in F minor, 'L'inverno' (Winter), RV 297; Johann Sebastian Bach (1685 - 1750); Harpsichord Concerto in A major, BWV 1055; Recorded at the Festival de Saintes, 19 July 2020 07.06.2022 P10068037 (58 min)

      • InterMezzo

        (55 min)

      • Meyer, Writing Ground by Alonzo King - Maison de la Danse de Lyon

        MEYER and WRITING GROUND; Two choreographies by Alonzo King; Lines Ballet; MEYER; Original music by Edgar Meyer; Lights by Axel Morgenthaler; Costumes by Robert Rosenwasser; WRITING GROUND; Sacred music from the Jewish, Christian, Muslim and Tibetan traditions; Lights by Axel Morgenthaler; Costumes and sets by Robert Rosenwasser; Alonzo King founded the Alonzo King Lines Ballet in 1982. 31 years later, it has become one of the world's most prestigious companies. Alonzo King is a great admirer of classical ballet, in which he sees a wonderful science of movement. To this virtuoso technique, he brings a physical, muscular sensuality, an almost feline fluidity refined to the point of pure esthetic pleasure. Meyer, his last creation, was premiered on the 30th anniversary of the company. Written in collaboration with American composer and bass player Edgar Meyer, the music brings purpose and rhythm to bodies and movement. Writing Ground draws its inspiration from the words of writer Colum McCann. In this piece, Alonzo King explores the wealth of traditional music from the Jewish, Christian, Muslim and Tibetan traditions. His choreography becomes a language, at once poetic and electrifying. Recorded at the Maison de la Danse in Lyon, 29 November 2013; Directed by Denis Caiozzi; 05.06.2022 P10001633 (86 min)

      • New York City Ballet in Paris - Théâtre du Châtelet

        New York City Ballet in Paris; Walpurgisnacht Ballet; Choreography, George Balanchine; © The George Balanchine Trust; Music, Charles Gounod | extrait de Faust (1859, ballet ajouté en 1869); Costume, Karinska; Lights, Mark Stanley; Sonatine; Choreography, George Balanchine; © The George Balanchine Trust; Music, Maurice Ravel (1906); Lights, Mark Stanley; La Valse; Choreography, George Balanchine; © The George Balanchine Trust; Music, Maurice Ravel | Valses Nobles et Sentimentales (1911, orchestré en 1912), La Valse (1920); Costume, Karinska; Sets, Jean Rosenthal; Lights, Mark Stanley; Symphony in C (Le Palais de Cristal); Choreography, George Balanchine; © School of America Ballet. Inc. Music, Georges Bizet | Symphony in C major (1855); Costume, Marc Happel; Lights, Mark Stanley; Ballet Master, Peter Martins; Prométhée Orchestra; Conductor, Daniel Capps; Recorded on juilly 2016 at the Théâtre du Châtelet; TV Direction, Vincent Bataillon; 05.06.2022 P10069056 (101 min)