• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (102 min)

      • Evgeny Kissin at the Klavier-Festival Ruhr: Bach, Mozart, Beethoven, Chopin

        Evgeny Kissin (piano); Johann Sebastian Bach (1685 – 1750); Toccata and Fugue in D minor BWV 565; Wolfgang Amadeus Mozart (1756 – 1791); Adagio in B minor KV 540; Ludwig van Beethoven (1770 – 1827); Sonata No. 31 in A flat major op. 110; 1. Moderato cantabile molto Espressivo; 2. Allegro molto; 3. Adagio, ma non troppo; Frederic Chopin (1810 – 1849); Mazurkas (Selection); Andante spianato et Grande Polonaise in E flat major op. 22; Wuppertal, Historische Stadthalle (Klavier-Festival Ruhr), June 27, 2022 1265806_1 (90 min)

      • Orchestre Philharmonique de Monte-Carlo, Kazuki Yamada, Francesco Piemontesi: Mozart, Schoenberg

        Monte Carlo Philharmonic Orchestra, Kazuki Yamada (conductor); Francesco Piemontesi (piano); Wolfgang Amadeus Mozart (1756-1791); Serenade No.13 in G major K 525 'A little night music'; Piano Concerto No.12 in A major K414/385p; Arnold Schonberg (1874-1951); Transfigured Night, Op.4 (1943 version); Recorded on 2 August 2020 in the Court of Honour of the Prince's Palace, Monaco; Directed by Julien Faustino P10068476 (83 min)

      • InterMezzo

        (120 min)

      • Orchestre National de Lille, Alexandre Bloch: Mahler's Seventh Symphony

        Orchestre National de Lille, Alexandre Bloch (Conductor); Gustav Mahler (1860 - 1911); Symphony no 7; Recorded at the Nouveau Siécle, Lille, 18 October 2019; TV director, Nicolas Foulon P10065957 (78 min)

      • Swan Lake by Valery Kovtun - Ballet Company of The National opera of Ukraine

        Swan Lake; Ballet in three acts; Libretto by Vladimir Begichev and Vasily Geltser; Music, Piotr Ilyich Tchaikovsky; Choreography, Marius Petipa, Lev Ivanov, Alexandre Gorski, Fedor Lopukhov, Vladimir Burmeister; Choreographic version, Valery Kovtun (premiered in 1986); Stage Designer, Maria Levitskaya; Costumes, Oxana Zinchenko; Ballet Company of The National opera of Ukraine; Orchestra of The National opera of Ukraine; Musical direction, Mykola Dyadura; (Odette/ Odile) Natalia Matsak; (Prince Siegfried) Denys Nedak; (Rothbart), Yaroslav Tkachuk; (Pas de trois) Ganna Muromtseva, Olga Skripchenko, Oleksandre Skulkine; (The Brides) Margarita Alyanakh, Irina Borisova, Ganna Muromtseva, Svetlana Onipko; (Big Swans) Margarita Alyanakh, Irina Borisova, Ganna Muromtseva, Svetlana Onipko; (Little Swans) Elisaveta Goguidze, Katerina Didenko, Inna Chorna, Katerina Chupina; (Venetian Dance) Oleksandre Skulkine; (The Tutor) Sergey Litvinenko; (The Knight) Vladislav Ivashchenko; (The Queen) Ludmila Melnik P10064456 (129 min)

      • InterMezzo

        (34 min)

      • Rameau's Platée at the Opéra national de Paris

        Platée; ‘Comédie lyrique (ballet bouffon)’ in a prologue and three acts by Jean-Philippe Rameau (1683-1764); Libretto by Adrien-Joseph Le Valois d'Orville; First performance in Versailles, la Grande Ecurie, 31 March 1745; Orchestre des Musiciens du Louvre, Marc Minkowksi (Conductor); Chœurs de l’Opéra national de Paris, Ching-Lien Wu (Chorus Master); Laurent Pelly (Stage Director, Costumes); Chantal Thomas (Sets), Joël Adam (Lighting), Laura Scozzi (Choreography); Lawrence Brownlee (Platée); Julie Fuchs (Thalie | la Folie); Nahuel di Pierro (Un satyre | Cithéron); Marc Mauillon (Momus); Reinoud Van Mechelen (Mercure); Tamara Bounazou (L'amour | Clarine); Jean Teitgen (Jupiter); Adriana Bignani-Lesca (Junon); Paris, Opéra National de Paris, Palais Garnier, 21 June 2022 1265368_1 (160 min)

      • InterMezzo

        (45 min)

      • Alexandre Bloch and the Orchestre National de Lille: Chausson, Ravel, Stravinsky

        Orchestre national de Lille, Alexandre Bloch (Conductor); Véronique Gens (soprano); Ernest Chausson (1855-1899); Poéme de l'amour et de la mer; Maurice Ravel (1875-1937); La Valse; Igor Stravinsky (1882-1971); The Rite of Spring; Recorded on January 18 & 20, 2018, et the Nouveau Siécle, Lille; Directed by Nicolas Foulon P10050439 (81 min)

      • Vasily Petrenko, Truls Mork and the Oslo Philharmonic: Elgar, Sibelius

        Oslo Philharmonic Orchestra, Vasily Petrenko (Conductor); Truls Mork (Cello); Geirr Tveitt (1908 - 1981); A hundred Folk tunes; Edward Elgar (1857 - 1934); Concerto pour violoncelle en mi mineur, op. 85; Jean Sibelius (1865 - 1957); Symphonie n° 2 en ré majeur, op. 43; Recorded on March 18, 2017, at the Taiwan International Festival of Arts (National Concert Hall); Directed by Julien Jaunet P10040816 (106 min)

      • InterMezzo

        (23 min)

      • La Forza del destino by Verdi at the Opéra Royal de Wallonie-Liége

        La Forza del destino; Opera in four acts by Giuseppe Verdi (1813 – 1901); Libretto by Francesco Maria Piave after ‘Don Alvaro, o La fuerza del destino’ by Duque de Rivas; First performance in Saint Petersbourg, Imperial Theatre, 10 November 1862; Orchestre de l'Opéra Royal de Wallonie-Liége, Paolo Arrivabeni (Conductor); Choeur de l'Opéra Royal de Wallonie-Liége, Denis Segond (Chorus master); Gianni Santucci (Stage direction); Alex Brok (Lighting design), Fernand Ruiz (Costume design), Gary Mac Cann (Set design); Alexei Gorbatchev (Il Marchese di Calatrava); Marcelo Álvarez (Don Alvaro); Maria José Siri (Donna Leonora); Simone Piazzola (Don Carlo di Vargas); Michele Pertusi (Padre Guardiano); Enrico Marabelli (Fra Melitone); Nino Surguladze (Preziosilla); Maxime Melnik (Mastro Trabuco); Angélique (Noldus Curra); Liége, Opéra Royal de Wallonie, 12 September 2021 1258747_1 (189 min)

      • InterMezzo

        (51 min)

      • Sergey Khachatryan, Kazuki Yamada, Orchestre philharmonique de Monte-Carlo: Takemitsu, Schubert, Sibelius

        Orchestre Philharmonique de Monte-Carlo, Kazuki Yamada (Conductor); Sergey Khachatryan. (Violin); Toru Takemitsu (1930 – 1996); How Slow The Wind; Franz Schubert (1797 – 1828); Symphony no. 8 in B minor, D.759 ‘Unfinnished’; Jean Sibelius (1865 – 1957); Violin Concerto in D minor, op.47; Monaco, Cour d’Honneur du Palais Princier, 1 August 2021; Directed by Olivier Simonnet 1258743_1 (79 min)

      • InterMezzo

        (54 min)

      • Guillaume Perret - Jazz á Vienne

        Guillaume Perret; Guillaume Perret, saxophone, machines; The saxophonist from Annecy (born in 1980) racked up the pressure on the contemporary jazz scene (from 2009) with his group The Electric Epic. Three years later and John Zorn himself described it as "a whirlwind of emotion" and released the extravert, panoramic and electric fusion on his Tzadik record label. It was an explosion of sound with funky beats and quirky harmonies blending metal, electro, Africa, psychedelia and the hot wind of free style. After two incredible albums with Electric Epic, Guillaume Perret is going it alone with his new album Free (2016). Perret's sense of solitude is comparable to Deleuze's opening to Mille Plateaux: "Since there were many of all of us, there were already too many people." You can spot the almost symphonic ramped-up saxophone and the deafening rhythmic loops that make Guillaume Perret multiple, all-encompassing and so spectacular. Recorded on 2017, July 13th at the Jazz Festival in Vienne; TV Director, Nicolas Micha; P10044243 (74 min)

      • Con Brio - Jazz á Vienne

        Con Brio; Ziek McCarter, vocal; Brendan Liu, trumpet; Marcus Stephens, saxopone; Benjamin Andrews, guitar; Patrick Glynn, keyboard; Jonathan Kirchner, bass; Andrew Laubacher, percussion; Seven musicians formed Con Brio in 2003 with the same passion for the Bay Area's signature funk and psychedelic soul. San Francisco is where Sly and The Family Stone, Tower Of Power, The Headhunters and Darondo flourished. Con Brio produced their first EP, Kiss The Sun, in 2015 and are already famous on the West Coast for their electric concerts and Ziek McCarter's velvety vocals. After touring the US and Europe alongside veterans Galactic and Fishbone, the Californians headed to the studio to put their buzzing live energy on record in 2016. The result is called Paradise, an album in which "We tried to create a narrative arc in the same way as we link tracks when we play live," says McCarter. Con Brio has set the stages at the top US festivals Bonnaroo, Lollapalooza and Summerfest on fire. A good omen. Recorded on 2017, July 13th at the Jazz Festival in Vienne; TV Director, Nicolas Micha P10044244 (84 min)

      • Rhoda Scott's Lady Quartet with Bernard Purdie - Jazz á Vienne

        Lady Quartet; Rhoda Scott (organ), Airelle Besson (trumpet), Lisa Cat-Berro (saxophone alto), Géraldine Laurent (saxophone alto); Sophie Alour (Saxophone tenor); Julie Saury (drums); Special guest; Bernard Purdie (drums); Since 2004, the organist Rhoda Scott has been at the helm (sparked by an idea from Jazz á Vienne) of the torrid and well-named Lady Quartet, in the company of her Amazons Lisa Cat-Berro, Julie Saury and Sophie Alour. As euphoric and punchy as her young companions in the heat of the action, Rhoda Scott is one of the few still to use the pedals on her Hammond organ. Hence her nickname, 'the barefoot organist' (or 'the absolute toe' in the words of Luigi Trussardi!). After helping to raise the temperature in French jazz venues for the past 50 years, Lady Scott will be celebrating her eightieth birthday this year. She'll be blowing out the boogie candles and setting the gospel cake and soulful chorus on fire. The organist is the daughter of a travelling pastor from New Jersey and grew up in religious communities. She graduated with a master's degree from the Manhattan School of Music and set off for France to complete her studies with Nadia Boulanger. Back in New York, she began by playing with Count Basie. But then she decided to try her luck in Paris, where she arrived right in the month of May 1968. Featuring original compositions and covers ranging from Trenet to Wayne Shorter, 'We Free Queens' (2017), with the title proudly adapted from 'We Free Kings' by Roland Kirk, was recorded live. For Vienne a Lady All-Stars is billed, with Airelle Besson (trumpet), Géraldine Laurent (tenor saxophone) and Anne Pacéo (drums), plus the drummer Bernard Purdie. Recorded on July 3, 2018 at the Festival Jazz á Vienne; TV Director, Fabien Raymond P10053796 (59 min)

      • InterMezzo

        (80 min)

      • Alexandre Kantorow, Kazuki Yamada an the Orchestre Philharmonique de Monte-Carlo: Saint-Saëns, Bizet

        Orchestre Philharmonique de Monte-Carlo, Kazuki Yamada (Coductor); Alexandre Kantorow (piano); Camille Saint-Saëns (1835 – 1921); Ouverture de fete, Op.133; Piano Concerto no. 5, Op.103 in F major ‘Egyptian’; Georges Bizet (1838 – 1875); Symphony in C; Monaco, Cour d’Honneur du Palais Princier, 5 August 2021; Directed by Olivier Simonnet 1258745_1 (75 min)

      • Berliner Philharmoniker, Daniil Trifonov, Kirill Petrenko: Waldbühne 2022

        Berliner Philharmoniker, Kirill Petrenko (conductor); Daniil Trifonov (piano); Anatoly Lyadov (1855 – 1914); Kikimora, op. 63; Sergei Rachmaninov (1873 – 1943); Concerto for Piano and Orchestra No. 2 in C minor, op. 18; Modest Mussorgsky (1839 – 1881); Pictures at an exhibition (orch. Maurice Ravel); Berlin, Waldbühne, 25 June 2022 1265269_1 (105 min)