• Mezzo Live HD

    • Mezzo Live HD od do

      • Fractus V by Sidi Larbi Cherkaoui

        Fractus V; Choreography, Sidi Larbi Cherkaoui; Music Live, Shogo Yoshii, Woojae Park, Kaspy N'Dia, Soumik Datta, Sidi Larbi Cherkaoui, Johnny Lloyd, Dimitri Jourde; Musical composition, Shogo Yoshii, Woojae Park, Sidi Larbi Cherkaoui, Johnny Lloyd, Soumik Datta; Dramaturgy, Antonio Cuenca Ruiz; Set design, Herman Sorgeloos, Sidi Larbi Cherkaoui; Lights,Krispijn Schuyesmans; Costumes, Sumire Hayakawa; Recorded on May 18, 2017 at the Maison de la Danse de Lyon; TV Director, Denis Caiozzi P10067376 (78 min)

      • InterMezzo

        (33 min)

      • Cécile McLorin Salvant at the Festival International de Jazz de Montréal

        Cécile McLorin Salvant (voice); Festival International de Jazz de Montréal, Monument national, Canada, 2 july 2022 1266042_1 (60 min)

      • The Magic Flute by Mozart at the Glyndebourne Festival

        Die Zauberflöte (The Magic Flute); Singspiel by Wolfgang Amadeus Mozart (1756 - 1791); Libretto by Emmanuel Schikaneder; First performance in Vienna, Theater auf der Wieden, 30 September 1791; Orchestra of the Age of Enlightenment, Ryan Wigglesworth (Conductor); The Glyndebourne Chorus; Barbe & Doucet (Stage Direction, Sets); Patrick Martel (Puppet Designer), Guy Simard (Lighting Designer); David Portillo (Tamino); Esther Dierkes (First Lady); Marta Fontanals-Simmons (Second Lady); Katharina Magiera (Third Lady); Björn Bürger (Papageno); Caroline Wettergreen (Queen of the Night); Jörg Schneider (Monostatos); Sofia Fomina (Pamina); Michael Kraus (Speaker); Brindley Sherratt (Sarastro); Thomas Atkins (Second Priest and First Man in Armour); Martin Snell (First Priest and Second Man in Armour); Alison Rose (Papagena); Puppeteers; Richard Booth, Mikey Brett, Ashleigh Cheadle, Jack Parker, Ben Thompson, Scarlet Wilderink; Recorded at the Glyndebourne Festival, 1 August 2019; Directed by François Roussillon; P10062557 (165 min)

      • InterMezzo

        (70 min)

      • Orchestre Symphonique de Montréal, Rafael Payare: Bruckner's Symphony No.7

        Orchestre symphonique de Montréal, Rafael Payare (Conductor); Anton Bruckner (1824 – 1897); Symphony no. 7 in E major; Montréal, Salle Symphonique, 10 May 2022 1261964_1 (60 min)

      • City of Birmingham Symphony Orchestra, Sheku Kanneh-Mason and Mirga Gražinytė-Tyla at the BBC Proms

        City of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla (conductor); Sheku Kanneh-Mason (cello); Dorothy Howell (1898 - 1982); Lamia; Edward Elgar (1857 - 1934); Concerto for cello in E minor, op. 85; Mieczyslaw Weinberg (1919 - 1996); 24 Preludes for cello, Op. 100 (n ° 18, Sarabande); Oliver Knussen (1952 - 2018); The Way to Castle Yonder; Mieczyslaw Weinberg; Symphony No.3 in B minor; Recorded on August 22, 2019 at the Royal Albert Hall, London P10068836 (100 min)

      • InterMezzo

        (75 min)

      • Ariadne auf Naxos by Richard Strauss at the Festival d'Aix-en-Provence

        Ariadne auf Naxos; Opera in 1 act preceded with a prologue; Richard Strauss (Music); Hugo von Hofmannsthal (Libretto); Orchestre de Paris; Marc Albrecht (conductor ); Katie Mitchell (Staging ); Martin Crimp (Dramaturgy ); Chloe Lamford (Sets ); Sarah Blenkinsop (Costumes ); James Farncombe (Lighting ); With; (The Prima donna / Ariadne) Lise Davidsen - (The tenor / Bacchus) Eric Cutler - (Zerbinetta) Sabine Devieilhe - (The Composer) Angela Brower - (Harlequin) Huw Montague Rendall - (Brighella) Jonathan Abernethy - (Scaramouche) Emilio Pons - (Truffaldino) David Shipley - (naiad) Beate Mordal - (Dryad) Andrea Hill - (Echo) Elena Galitskaya - (The Music Master) Josef Wagner - (The Dancing Master) Rupert Charlesworth - (An officer) Petter Moen - (A Wig-Maker) Jean-Gabriel Saint Martin - (Le Buttler) Maik Solbach - (A Lackey) Sava Vemić - (The richest man in Vienna) Paul Herwig - (His wife) Julia Wieninger; Recorded on July 2 & 11, 2018 at the Théâtre de l'Archevéché, Festival International d'Art Lyrique d'Aix-en-Provence; TV Director, Corentin Leconte P10055458 (132 min)

      • InterMezzo

        (73 min)

      • Alexandre Kantorow, Kazuki Yamada an the Orchestre Philharmonique de Monte-Carlo: Saint-Saëns, Bizet

        Orchestre Philharmonique de Monte-Carlo, Kazuki Yamada (Coductor); Alexandre Kantorow (piano); Camille Saint-Saëns (1835 – 1921); Ouverture de fete, Op.133; Piano Concerto no. 5, Op.103 in F major ‘Egyptian’; Georges Bizet (1838 – 1875); Symphony in C; Monaco, Cour d’Honneur du Palais Princier, 5 August 2021; Directed by Olivier Simonnet 09.07.2022 1258745_1 (75 min)

      • Sergey Khachatryan, Kazuki Yamada, Orchestre philharmonique de Monte-Carlo: Takemitsu, Schubert, Sibelius

        Orchestre Philharmonique de Monte-Carlo, Kazuki Yamada (Conductor); Sergey Khachatryan. (Violin); Toru Takemitsu (1930 – 1996); How Slow The Wind; Franz Schubert (1797 – 1828); Symphony no. 8 in B minor, D.759 ‘Unfinnished’; Jean Sibelius (1865 – 1957); Violin Concerto in D minor, op.47; Monaco, Cour d’Honneur du Palais Princier, 1 August 2021; Directed by Olivier Simonnet 09.07.2022 1258743_1 (79 min)

      • InterMezzo

        (51 min)

      • Varvara Nepomnyashchaya and the Orchestre National de Lille: Rachmaninov's Piano concertos No.1 & 3

        Orchestre National de Lille, Yaron Traub (Conductor); Varvara Nepomnyashchaya (piano); Sergei Rachmaninov (1873 - 1943); Piano Concerto no 1 in F-sharp minor, Op. 1; Piano Concerto no 3 in D minor, Op. 30; Recorded at the Nouveau Siécle, Lille, 8 February 2019; TV Director, Nicolas Foulon P10059113 (83 min)

      • René Jacobs conducts Beethoven's Missa solemnis

        Freiburger Barockorchester, RIAS Kammerchor, Rene Jacobs (conductor); Polina Pastirchak (soprano), Sophie Harmsen (contralto), Steve Davislim (tenor), Johannes Weisser (bass); Ludwig van Beethoven (1770 - 1827); Missa solemnis in D major, op. 123; Recorded at the Philharmonie, Berlin, 13 May 2019; TV Director, Michael Beyer 09.07.2022 P10062316 (79 min)

      • InterMezzo

        (73 min)

      • Rhoda Scott's Lady Quartet with Bernard Purdie - Jazz á Vienne

        Lady Quartet; Rhoda Scott (organ), Airelle Besson (trumpet), Lisa Cat-Berro (saxophone alto), Géraldine Laurent (saxophone alto); Sophie Alour (Saxophone tenor); Julie Saury (drums); Special guest; Bernard Purdie (drums); Since 2004, the organist Rhoda Scott has been at the helm (sparked by an idea from Jazz á Vienne) of the torrid and well-named Lady Quartet, in the company of her Amazons Lisa Cat-Berro, Julie Saury and Sophie Alour. As euphoric and punchy as her young companions in the heat of the action, Rhoda Scott is one of the few still to use the pedals on her Hammond organ. Hence her nickname, 'the barefoot organist' (or 'the absolute toe' in the words of Luigi Trussardi!). After helping to raise the temperature in French jazz venues for the past 50 years, Lady Scott will be celebrating her eightieth birthday this year. She'll be blowing out the boogie candles and setting the gospel cake and soulful chorus on fire. The organist is the daughter of a travelling pastor from New Jersey and grew up in religious communities. She graduated with a master's degree from the Manhattan School of Music and set off for France to complete her studies with Nadia Boulanger. Back in New York, she began by playing with Count Basie. But then she decided to try her luck in Paris, where she arrived right in the month of May 1968. Featuring original compositions and covers ranging from Trenet to Wayne Shorter, 'We Free Queens' (2017), with the title proudly adapted from 'We Free Kings' by Roland Kirk, was recorded live. For Vienne a Lady All-Stars is billed, with Airelle Besson (trumpet), Géraldine Laurent (tenor saxophone) and Anne Pacéo (drums), plus the drummer Bernard Purdie. Recorded on July 3, 2018 at the Festival Jazz á Vienne; TV Director, Fabien Raymond 09.07.2022 P10053796 (59 min)

      • Guillaume Perret - Jazz á Vienne

        Guillaume Perret; Guillaume Perret, saxophone, machines; The saxophonist from Annecy (born in 1980) racked up the pressure on the contemporary jazz scene (from 2009) with his group The Electric Epic. Three years later and John Zorn himself described it as "a whirlwind of emotion" and released the extravert, panoramic and electric fusion on his Tzadik record label. It was an explosion of sound with funky beats and quirky harmonies blending metal, electro, Africa, psychedelia and the hot wind of free style. After two incredible albums with Electric Epic, Guillaume Perret is going it alone with his new album Free (2016). Perret's sense of solitude is comparable to Deleuze's opening to Mille Plateaux: "Since there were many of all of us, there were already too many people." You can spot the almost symphonic ramped-up saxophone and the deafening rhythmic loops that make Guillaume Perret multiple, all-encompassing and so spectacular. Recorded on 2017, July 13th at the Jazz Festival in Vienne; TV Director, Nicolas Micha; 09.07.2022 P10044243 (74 min)

      • Con Brio - Jazz á Vienne

        Con Brio; Ziek McCarter, vocal; Brendan Liu, trumpet; Marcus Stephens, saxopone; Benjamin Andrews, guitar; Patrick Glynn, keyboard; Jonathan Kirchner, bass; Andrew Laubacher, percussion; Seven musicians formed Con Brio in 2003 with the same passion for the Bay Area's signature funk and psychedelic soul. San Francisco is where Sly and The Family Stone, Tower Of Power, The Headhunters and Darondo flourished. Con Brio produced their first EP, Kiss The Sun, in 2015 and are already famous on the West Coast for their electric concerts and Ziek McCarter's velvety vocals. After touring the US and Europe alongside veterans Galactic and Fishbone, the Californians headed to the studio to put their buzzing live energy on record in 2016. The result is called Paradise, an album in which "We tried to create a narrative arc in the same way as we link tracks when we play live," says McCarter. Con Brio has set the stages at the top US festivals Bonnaroo, Lollapalooza and Summerfest on fire. A good omen. Recorded on 2017, July 13th at the Jazz Festival in Vienne; TV Director, Nicolas Micha 09.07.2022 P10044244 (84 min)

      • InterMezzo

        (22 min)

      • Swan Lake by Valery Kovtun - Ballet Company of The National opera of Ukraine

        Swan Lake; Ballet in three acts; Libretto by Vladimir Begichev and Vasily Geltser; Music, Piotr Ilyich Tchaikovsky; Choreography, Marius Petipa, Lev Ivanov, Alexandre Gorski, Fedor Lopukhov, Vladimir Burmeister; Choreographic version, Valery Kovtun (premiered in 1986); Stage Designer, Maria Levitskaya; Costumes, Oxana Zinchenko; Ballet Company of The National opera of Ukraine; Orchestra of The National opera of Ukraine; Musical direction, Mykola Dyadura; (Odette/ Odile) Natalia Matsak; (Prince Siegfried) Denys Nedak; (Rothbart), Yaroslav Tkachuk; (Pas de trois) Ganna Muromtseva, Olga Skripchenko, Oleksandre Skulkine; (The Brides) Margarita Alyanakh, Irina Borisova, Ganna Muromtseva, Svetlana Onipko; (Big Swans) Margarita Alyanakh, Irina Borisova, Ganna Muromtseva, Svetlana Onipko; (Little Swans) Elisaveta Goguidze, Katerina Didenko, Inna Chorna, Katerina Chupina; (Venetian Dance) Oleksandre Skulkine; (The Tutor) Sergey Litvinenko; (The Knight) Vladislav Ivashchenko; (The Queen) Ludmila Melnik 10.07.2022 P10064456 (129 min)

      • Fractus V by Sidi Larbi Cherkaoui

        Fractus V; Choreography, Sidi Larbi Cherkaoui; Music Live, Shogo Yoshii, Woojae Park, Kaspy N'Dia, Soumik Datta, Sidi Larbi Cherkaoui, Johnny Lloyd, Dimitri Jourde; Musical composition, Shogo Yoshii, Woojae Park, Sidi Larbi Cherkaoui, Johnny Lloyd, Soumik Datta; Dramaturgy, Antonio Cuenca Ruiz; Set design, Herman Sorgeloos, Sidi Larbi Cherkaoui; Lights,Krispijn Schuyesmans; Costumes, Sumire Hayakawa; Recorded on May 18, 2017 at the Maison de la Danse de Lyon; TV Director, Denis Caiozzi P10067376 (78 min)

      • InterMezzo

        (90 min)

      • Rhoda Scott's Lady Quartet with Bernard Purdie - Jazz á Vienne

        Lady Quartet; Rhoda Scott (organ), Airelle Besson (trumpet), Lisa Cat-Berro (saxophone alto), Géraldine Laurent (saxophone alto); Sophie Alour (Saxophone tenor); Julie Saury (drums); Special guest; Bernard Purdie (drums); Since 2004, the organist Rhoda Scott has been at the helm (sparked by an idea from Jazz á Vienne) of the torrid and well-named Lady Quartet, in the company of her Amazons Lisa Cat-Berro, Julie Saury and Sophie Alour. As euphoric and punchy as her young companions in the heat of the action, Rhoda Scott is one of the few still to use the pedals on her Hammond organ. Hence her nickname, 'the barefoot organist' (or 'the absolute toe' in the words of Luigi Trussardi!). After helping to raise the temperature in French jazz venues for the past 50 years, Lady Scott will be celebrating her eightieth birthday this year. She'll be blowing out the boogie candles and setting the gospel cake and soulful chorus on fire. The organist is the daughter of a travelling pastor from New Jersey and grew up in religious communities. She graduated with a master's degree from the Manhattan School of Music and set off for France to complete her studies with Nadia Boulanger. Back in New York, she began by playing with Count Basie. But then she decided to try her luck in Paris, where she arrived right in the month of May 1968. Featuring original compositions and covers ranging from Trenet to Wayne Shorter, 'We Free Queens' (2017), with the title proudly adapted from 'We Free Kings' by Roland Kirk, was recorded live. For Vienne a Lady All-Stars is billed, with Airelle Besson (trumpet), Géraldine Laurent (tenor saxophone) and Anne Pacéo (drums), plus the drummer Bernard Purdie. Recorded on July 3, 2018 at the Festival Jazz á Vienne; TV Director, Fabien Raymond 09.07.2022 P10053796 (59 min)

      • Guillaume Perret - Jazz á Vienne

        Guillaume Perret; Guillaume Perret, saxophone, machines; The saxophonist from Annecy (born in 1980) racked up the pressure on the contemporary jazz scene (from 2009) with his group The Electric Epic. Three years later and John Zorn himself described it as "a whirlwind of emotion" and released the extravert, panoramic and electric fusion on his Tzadik record label. It was an explosion of sound with funky beats and quirky harmonies blending metal, electro, Africa, psychedelia and the hot wind of free style. After two incredible albums with Electric Epic, Guillaume Perret is going it alone with his new album Free (2016). Perret's sense of solitude is comparable to Deleuze's opening to Mille Plateaux: "Since there were many of all of us, there were already too many people." You can spot the almost symphonic ramped-up saxophone and the deafening rhythmic loops that make Guillaume Perret multiple, all-encompassing and so spectacular. Recorded on 2017, July 13th at the Jazz Festival in Vienne; TV Director, Nicolas Micha; 09.07.2022 P10044243 (74 min)