• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (60 min)

      • Gilberto Gil - Jazz in Marciac

        Gilberto Gil; Gilberto Gil guitar, voice; Thiagô Queiroz saxophone, flute; Diogo Gomes trumpet, bugle; Bem Gil musical director, guitar, voice; Danilo Andrade keyboard, piano; Bruno Di Lullo bass; Jose Gil batterie, percussion; Domenico Lancellotti drums, percussion; Nara Gil voice, chorus; Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac; TV Director, 06.08.2022 P10066459 (62 min)

      • The Rosenberg Family Project - Jazz in Marciac

        The Rosenberg Family Project; The Rosenbergs; Mozes Rosenberg guitar solo; Johnny Rosenberg rythmic guitar; Sani van Mullem double bass; The Rosenberg trio; Stochelo Rosenberg guitar solo; Nonnie Rosenberg double bass; In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods; Recorded on July 31, 2019 at Jazz in Marciac; TV Director, Jean-Marc Birraux P10066458 (61 min)

      • Christian Scott aTunde Adjuah - Jazz á Vienne

        Christian Scott aTunde Adjuah; Christian Scott, trumpet, Reverse Flugel, Sirenette; Lawrence Fields, piano and keyboard; Max Moran (b); Mike Mitchell, percussion; Elena Pinderhughes, flute; Weedie Braimah, drums; 27 year old Christian Scott embodies the new generation of New Orleans trumpeters, a seminal dynasty that started with the legendary King Oliver and Louis Armstrong and continued with Wynton Marsalis, Terence Blanchard and Nicholas Payton. The trumpeter trained at Berklee College of Music in Boston and his warm tone and unusual round notes are instantly recognisable. After working with McCoy Tyner, Prince, Marcus Miller, Eddie Palmieri, Mos Def, Thom Yorke and Solange Knowles, the musician from Crescent City is now the pin-up boy for jazz fusion. His grandfather is the iconic Big Chief Donald Harrison Sr. who managed four tribes of Black Indians (Christian actually started out in one in 1989). The Louisiana trumpeter's sound straddles hip hop, soul and jazz and he appeared a decade ago with the album Rewind That (2006). He was hit by the full force of Hurricane Katrina and devoted his next record (Anthem, 2007) to portraying the human and cultural disaster. After Live at Newport, he recorded Yesterday You Said Tomorrow in 2010 inspired by the 60s groovy jazz played by artists on the Blue Note record label. Christian Scott is one of a long line of Louisiana artists who have been reinventing jazz music for over a century. Recorded on 2017, June 30th at the Vienne Jazz Festival; TV Director, Fabien Raymond 06.08.2022 P10044236 (60 min)

      • InterMezzo

        (120 min)

      • Wiener Philharmoniker, Herbert Blomstedt: Honegger, Brahms - Salzburg Festival

        Wiener Philharmoniker, Herbert Blomstedt (Conductor); Arthur Honegger (1892 – 1955); Symphony No. 3 ‘Liturgique’; Johannes Brahms (1833 – 1897); Symphony No. 4 in E minor op. 98; Salzburg, Grosses Festspielhaus, 28 August 2021; TV director, Dick Kuijs 1258746_1 (79 min)

      • Berliner Philharmoniker, Daniil Trifonov, Kirill Petrenko: Waldbühne 2022

        Berliner Philharmoniker, Kirill Petrenko (conductor); Daniil Trifonov (piano); Anatoly Lyadov (1855 – 1914); Kikimora, op. 63; Sergei Rachmaninov (1873 – 1943); Concerto for Piano and Orchestra No. 2 in C minor, op. 18; Modest Mussorgsky (1839 – 1881); Pictures at an exhibition (orch. Maurice Ravel); Berlin, Waldbühne, 25 June 2022 1265269_1 (105 min)

      • InterMezzo

        (56 min)

      • Lac by Jean-Christophe Maillot, Les Ballets de Monte-Carlo

        Lac (Lake); Choreographer, Jean-Claude Maillot; Music, P.I. Tchaikovsky; Additional music, Bertrand Maillot; Monte-Carlo Philharmonic Orchestra; Conductor, Nicolas Brochot; Scenography, Ernest Pignon-Ernest; Costume, Philippe Guillotel; Dramaturgy, Jean Rouaud; Lights: Jean-Claude Maillot and Samuel Thery; Les Ballets de Monte-Carlo; Directed by Denis Caiozzi; Recorded at the Grimaldi Forum in Monte-Carlo in January 2013 CHOR11368 (93 min)

      • Cinderella by Jean-Christophe Maillot, Les Ballets de Monte-Carlo

        Cinderella; Choreography, Jean-Christophe Maillot; Music, Serge Prokofiev; Scenography, Ernest Pignon-Ernest; Costume, Jérôme Kaplan; Lights, Dominique Drillot; Bernice Coppieters, fairy/mother; Chris Roelandt, father; Aurélia Schaefer, Cinderella; Francesco Nappa, prince; Gioia Masala, mother in lax; Agalie Vandamme, Francesca Dolci, sisters in law; Jérôme Marchand, Gaëtan Morlotti, Superintendents of pleasure; and the dancers from Les Ballets de Monte-Carlo; TV Director, Jean-Christophe Maillot; Recorded on 2007 at Monte Carlo, Salle Garnier CHOR52043 (97 min)

      • InterMezzo

        (20 min)

      • Gilberto Gil - Jazz in Marciac

        Gilberto Gil; Gilberto Gil guitar, voice; Thiagô Queiroz saxophone, flute; Diogo Gomes trumpet, bugle; Bem Gil musical director, guitar, voice; Danilo Andrade keyboard, piano; Bruno Di Lullo bass; Jose Gil batterie, percussion; Domenico Lancellotti drums, percussion; Nara Gil voice, chorus; Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac; TV Director, 06.08.2022 P10066459 (62 min)

      • The Rosenberg Family Project - Jazz in Marciac

        The Rosenberg Family Project; The Rosenbergs; Mozes Rosenberg guitar solo; Johnny Rosenberg rythmic guitar; Sani van Mullem double bass; The Rosenberg trio; Stochelo Rosenberg guitar solo; Nonnie Rosenberg double bass; In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods; Recorded on July 31, 2019 at Jazz in Marciac; TV Director, Jean-Marc Birraux P10066458 (61 min)

      • Christian Scott aTunde Adjuah - Jazz á Vienne

        Christian Scott aTunde Adjuah; Christian Scott, trumpet, Reverse Flugel, Sirenette; Lawrence Fields, piano and keyboard; Max Moran (b); Mike Mitchell, percussion; Elena Pinderhughes, flute; Weedie Braimah, drums; 27 year old Christian Scott embodies the new generation of New Orleans trumpeters, a seminal dynasty that started with the legendary King Oliver and Louis Armstrong and continued with Wynton Marsalis, Terence Blanchard and Nicholas Payton. The trumpeter trained at Berklee College of Music in Boston and his warm tone and unusual round notes are instantly recognisable. After working with McCoy Tyner, Prince, Marcus Miller, Eddie Palmieri, Mos Def, Thom Yorke and Solange Knowles, the musician from Crescent City is now the pin-up boy for jazz fusion. His grandfather is the iconic Big Chief Donald Harrison Sr. who managed four tribes of Black Indians (Christian actually started out in one in 1989). The Louisiana trumpeter's sound straddles hip hop, soul and jazz and he appeared a decade ago with the album Rewind That (2006). He was hit by the full force of Hurricane Katrina and devoted his next record (Anthem, 2007) to portraying the human and cultural disaster. After Live at Newport, he recorded Yesterday You Said Tomorrow in 2010 inspired by the 60s groovy jazz played by artists on the Blue Note record label. Christian Scott is one of a long line of Louisiana artists who have been reinventing jazz music for over a century. Recorded on 2017, June 30th at the Vienne Jazz Festival; TV Director, Fabien Raymond 06.08.2022 P10044236 (60 min)

      • InterMezzo

        (27 min)

      • La Forza del destino by Verdi at the Opéra Royal de Wallonie-Liége

        La Forza del destino; Opera in four acts by Giuseppe Verdi (1813 – 1901); Libretto by Francesco Maria Piave after ‘Don Alvaro, o La fuerza del destino’ by Duque de Rivas; First performance in Saint Petersbourg, Imperial Theatre, 10 November 1862; Orchestre de l'Opéra Royal de Wallonie-Liége, Paolo Arrivabeni (Conductor); Choeur de l'Opéra Royal de Wallonie-Liége, Denis Segond (Chorus master); Gianni Santucci (Stage direction); Alex Brok (Lighting design), Fernand Ruiz (Costume design), Gary Mac Cann (Set design); Alexei Gorbatchev (Il Marchese di Calatrava); Marcelo Álvarez (Don Alvaro); Maria José Siri (Donna Leonora); Simone Piazzola (Don Carlo di Vargas); Michele Pertusi (Padre Guardiano); Enrico Marabelli (Fra Melitone); Nino Surguladze (Preziosilla); Maxime Melnik (Mastro Trabuco); Angélique (Noldus Curra); Liége, Opéra Royal de Wallonie, 12 September 2021 1258747_1 (189 min)

      • InterMezzo

        (51 min)

      • Vasily Petrenko, Truls Mork and the Oslo Philharmonic: Elgar, Sibelius

        Oslo Philharmonic Orchestra, Vasily Petrenko (Conductor); Truls Mork (Cello); Geirr Tveitt (1908 - 1981); A hundred Folk tunes; Edward Elgar (1857 - 1934); Concerto pour violoncelle en mi mineur, op. 85; Jean Sibelius (1865 - 1957); Symphonie n° 2 en ré majeur, op. 43; Recorded on March 18, 2017, at the Taiwan International Festival of Arts (National Concert Hall); Directed by Julien Jaunet P10040816 (106 min)

      • Alexandre Bloch and the Orchestre National de Lille: Chausson, Ravel, Stravinsky

        Orchestre national de Lille, Alexandre Bloch (Conductor); Véronique Gens (soprano); Ernest Chausson (1855-1899); Poéme de l'amour et de la mer; Maurice Ravel (1875-1937); La Valse; Igor Stravinsky (1882-1971); The Rite of Spring; Recorded on January 18 & 20, 2018, et the Nouveau Siécle, Lille; Directed by Nicolas Foulon P10050439 (81 min)

      • InterMezzo

        (53 min)

      • Couperin: Leçons de ténébres - Saintes Festival

        Le Caravansérail, Bertrand Cuiller (musical direction, organ); François Couperin (1668 - 1733); Leçons de ténébres; Recorded at the Festival de Saintes, 23 July 2020; TV Director, Sébastien Glas P10068042 (59 min)

      • Thomas dunford, Jean Rondeau - Marais, de Visée, d'Anglebert, Forqueray - Saintes Festival

        Jean Rondeau (harpsichord), Thomas Dunford (theorbo); Marin Marais (1656 - 1728); Robert de Visée (1650 - 1725); Henri d'Anglebert (1629 - 1691); Antoine Forqueray (1671 - 1745); Recorded at the Festival de Saintes, 22 July 2020; TV director, Sébastien Glas P10068041 (62 min)

      • Fauré, Berlioz, Debussy, Duparc - Lucile Richardot - Saintes Festival

        Lucile Richardot (mezzo-soprano), Le Kwartet; Gabriel Fauré (1845 - 1924); Hector Berlioz (1803 - 1869); Claude Debussy (1862 - 1918); Henri Duparc (1848 - 1933); Mélodies; Recorded at the Festival de Saintes, 19 July 2020; TV director, Sebastien Glas P10068039 (55 min)

      • InterMezzo

        (120 min)

      • Aida by Verdi at the Salzburg Festival

        Aida; Opera in four acts by Giuseppe Verdi (1813 - 1901); Libretto by Antonio Ghislanzoni after a scenario by Auguste Mariette; First performance in Caire, Opera House, 24 December 1871; Wiener Philharmoniker, Riccardo Muti (Conductor); Konzertvereinigung Wiener Staatsopernchor; Shirin Neshat (Stage Direction); Christian Schmidt (Sets), Tatyana van Walsum (Costumes), Reinhard Traub (Lighting); Martin Gschlacht (Video), Thomas Wilhelm (Choreographer); Roberto Tagliavini (Il Re); Ekaterina Semenchuk (Amneris); Anna Netrebko (Aida); Francesco Meli (Radamés); Dmitry Belosselskiy (Ramfis); Luca Salsi (Amonasro); Directed by Michael Beyer; Recorded at the Grosses Festspielhaus, Salzburg, 2017 P10059357 (161 min)