
Mezzo Live HD
Mezzo Live HD od do
InterMezzo
(91 min)
William Christie conducts Titon et l'Aurore by Mondonville at the Opéra Comique
Titon et l'Aurore; 'Pastorale héroique' in a prologue and three acts by Jean-Joseph Cassanéa de Mondonville (1711 - 1772); Libretto by Antoine Houdar de la Motte; First performance in Paris, Académie Royale de Musique, 9 January 1753; Les Arts Florissants, William Christie (Conductor); Basil Twist (Stage Direction, sets, costumes, puppets); Daniel Brodie (Video Design), Jean Kalman (Lighting design); Reinoud Van Mechelen (Titon); Gwendoline Blondeel (L'Aurore); Emmanuelle de Negri (Palés); Marc Mauillon (Eole); Julie Roset (Amour); Renato Dolcini (Prométhée); Virginie Thomas, Maud Gnidzaz, Juliette Perret (Nymphes); Valentin Arnoux, Coline Fouilhé, David Girondin Moab, Cristina Iosif, Sylvain Menard, Diana-Elizabeth Neva Jaramillo, Candice Picaud, Philippe Rodriguez-Jorda (puppeteers); Recorded at the Opéra Comique, Paris, 19 January 2021; P10070497 (127 min)
InterMezzo
(170 min)
Les Siécles, François-Xavier Roth: Stravinsky
Les Siécles, François-Xavier Roth (Conductor); Igor Stravinsky (1882 – 1971); Firebird; Petrouchka; The Rite of Spring; Paris, Théâtre des Champs-Élysées, 30 September 2022 1269555_1 (105 min)
Silvesterkonzert - Staatskapelle Dresden, Christian Thielemann
Staatskapelle DDresde, Christian Thielemann (conductor); Hanna-Elisabeth Müller (soprano), Saimir Pirgu (ténor), Igor Levit (paino); Gottfried Huppertz; Excerpts from the suite for the film "Metropolis" (1927); Ralph Erwin; "I kiss your hand, Madame" from the film of the same name (1929); Werner Richard Heymann; "There's only one time, that won't come back" from the film "The Congress Dances" (1931); Anton Profes; "What is Maier doing in the Himalayas?" Based on an arrangement by Marek Weber; Werner Richard Heymann; »Somewhere in the world« from the film »A blond dream«; George Gershwin; "Rhapsody in Blue"; Leonello Casucci; "Just a Gigolo"; George Gershwin; "Someone to Watch Over Me" from the musical "Oh, Kay!"; "I Got Rhythm" from the musical "Girl Crazy"; Johann Strauss (son), arr. Ralph Benatzky; "In Hispania's hot summer country" from the revue operetta "Casanova"; "I stand by you - I love you" from the revue operetta "Casanova"; Franz Lehár; "O girl, my girl" from the operetta "Friederike"; "All my feelings, all my longings" from the operetta "Friederike"; Marek Weber; “The jazz band“ Foxtrot ”from the operetta“ The Duchess of Chicago ”is already playing in heaven, based on an arrangement by; Marek Weber; Paul Abraham; "Toujours l’amour" from "Ball in the Savoy"; "Are you loyal to me" from "Ball in the Savoy"; Enrique Santeugini; Paso doble "For you, Rio Rita" based on an arrangement by Marek Weber; Ralph Benatzky; Medley from the Singspiel "Im Weisse Rößl"; Dresde, Semperoper, 31 December 2021 1261201_1 (82 min)
InterMezzo
(53 min)
Staatskapelle Dresden, Antonio Pappano: Rachmaninov's Symphony No.2
Staatskapelle Dresden, Antonio Pappano (Conductor); Sergei Rachmaninov (1873-1943); Symphony No. 2 in E minor, Op. 27; Dresden, Semperoper, 2018; Directed by János Darvas 1267559_1 (62 min)
Maurizio Pollini, Christian Thielemann, Staatskapelle Dresden: Brahms and Busoni
Staatskapelle Dresden, Christian Thielemann (conductor); Maurizio Pollini (piano); Ferruccio Busoni; Lustspiel-Ouvertüre op. 38; Johannes Brahms (1833 - 1897); Piano Concerto No.2 in B flat major, Op. 83; Symphony No.2 in D major, Op. 73; Directed by Henning Kasten 1261905_1 (112 min)
InterMezzo
(30 min)
Juan Diego Flórez at Gstaad
Juan Diego Flórez (tenor), Vincenzo Scalera (piano); Franz Schubert; An die Musik, D. 547; Swansong, D. 957 | Serenade; Richard Strauss; Devotion, op. 10 n°1; Cäcilie, op. 27 n°2; Vincenzo Bellini; Largo e tema in F minor; Six ariettes de chambre dédiées á Marianna Pollini | Malinconia, ninfa Gentile - Per pietá, bell'idol mio; La Ricordanza; Gioachino Rossini; La Pietra del Paragone | Oh come il fosco impetuoso nembo; Semiramide | Ah, dov'é, dov'é il cimento? Péchés de vieillesse | Allegretto moderato (Danse sibérienne); Gaetano Donizetti; Dom Sébastien, roi de Portugal | Seul sur la terre; Salvatore Cardillo; Core 'ngrato; Elpidio Ramírez/Pedro Galindo; Malagueňa salerosa; Gaetano Donizetti; La Fille du Régiment | L'ennemi s'avance; Giacomo Puccini; Turandot | Nessun dorma; Gstaad, Eglise de Saanen (Sommes Musicaux de Gstaad), 4 February 2022 1262953_1 (72 min)
Sandrine Piau and the Kammerorchester Basel: Baroque arias and concertos
Kammerorchester Basel, Anne Katharina Schreiber (Conductor); Sandrine Piau (Soprano); Giuseppe Torelli (1658 - 1709); Concerto grosso in G minor op. 8 no 5; Leonardo Leo (1694 - 1744); Rendimi il figlio mio (from Ciro riconosciuto); Nicola Porpora (1686 - 1768); Mentre rendo a te la vita (from Angelica); Johann Adolph Hasse (1699 - 1783); Cleofide, Overture; Faró ben io fra poco (from Ruggiero); Nicola Porpora; La Festa d'Imeneo, Sinfonia (Parte II); Smanie d’affanno (from Poliferno); Giuseppe Torelli; Concerto grosso in D major op. 8 no 12; Georg Friedrich Haendel (1685 - 1759); Sen vola lo sparvier (from Admeto); Ah! crudel (from Rinaldo); Recorded at the Eglise de Saanen, Sommets Musicaux de Gstaad, 25 January 2019; TV Director Olivier Simonnet; P10059018 (77 min)
InterMezzo
(61 min)
Shabaka and the Ancestors - Montreux Jazz Festival
Shabaka and the Ancestors; Shabaka Akua Lumumba Kamau Hutchings (saxophone ténor); Mthunzi Mvubu (saxophone alto); Siyabonga Mthembu (voix); Ariel Zomonsky (Basse); Tumi Mogorosi (batterie); Gontse Makhene (Percussions); Playlist; . Nguni (Shabaka Hutchings, Siyabonga Mthembu); . The Sea (Shabaka Hutchings); . The Observer (Shabaka Hutchings, Siyabonga Mthembu); . Joyous ( (Shabaka Hutchings); . Natty (Shabaka Hutchings); . Mzwandile (Shabaka Hutchings, Siyabonga Mthembu); . Chik CHIkka (Lykaty Astatke); Refocusing jazz could be Shabaka Hutchings' mantra. The tenor saxophonist recently went to Johannesburg to soak up South African heritage and to surround himself with the country's best musicians. It led to a celebratory, spiritual sound on the vibrant Wisdom of Elders, recorded in just one day in Johannesburg. The music composed by the saxophonist is primitive, spontaneous, and unpredictable. It's infused with drummer Tumi Mogoros's polyrhythmic beats and the hypnotic sounds of singer Siyabonga Mthembu. British Shabaka Hutchings has Barbadian roots. He's been recognized as a key player on the London jazz scene for a few years now. He got noticed when he brought African and Caribbean sounds to Sons Of Kemet and by playing with the electro-cosmic sounds of The Comet Is Coming. Enregistré le 12 juillet 2017 au Montreux Jazz Festival (Montreux Jazz Club); Réalisation, Marc Schütrumpf P10052156 (93 min)
Hugh Coltman - Montreux Jazz Festival
Hugh Coltman; Recorded on July 11, 2018, at Montreux Jazz Club, at Montreux Jazz Festival; TV Drector, Marc Schütrumpf P10060217 (61 min)
Joao Bosco - Montreux Jazz Festival
Joao Bosco; Recorded on July 5, 2018, at Montreux Jazz Club, at Montreux Jazz Festival; TV Director, Julian Nicole Kay P10060216 (83 min)
Les Contes d'Hoffmann by Offenbach at the Staatsoper Hamburg
Les Contes d'Hoffmann (The Tales of Hoffmann); 'Opéra fantastique' in five acts by Jacques Offenbach (1819 - 1880); Jules Barbier's libretto after the play by Jules Barbier and Michel Carré based on works by E.T.A. Hoffmann; First performance in Paris, Opéra-Comique, February 10, 1881; Published by Michael Kaye and Jean-Christophe Keck; Philharmonisches Staatsorchester Hamburg, Chor der Hamburgischen Staatsoper, Kent Nagano (Conductor); Daniele Finzi Pasca (Stage Direction); Hugo Gargiulo (Stage design), Giovanna Buzzi (Costumes), Daniele Finzi Pasca, Marzio Picchetti (Lighting), Roberto Vitalini (Video), Maria Bonzanigo (Choreography); Benjamin Bernheim (Hoffmann); Olga Peretyatko (Olympia | Antonia | Giulietta | Stella); Angela Brower (Nicklausse); Luca Pisaroni (Lindorf | Coppélius | Miracle | Dapertutto); Jürgen Sacher (Spalanzani); Dongwon Kang (Nathanaёl); Gideon Poppe (Andres | Cochenille | Frantz | Pitichinaccio); Bernhard Hansky (Hermann Schlémil); Daniel Schliewa (Wilhelm); Martin Summer (Crespel Luther); Kristina Stanek (La voix de la mére); Hamburg, Staatsoper, 22 September 2021 1258825_1 (181 min)
InterMezzo
(59 min)
Renaud Capuçon, Martha Argerich, Orchestre de Chambre de Lausanne: Prokofiev Beethoven Fauré Ravel
Orchestre de Chambre de Lausanne, Renaud Capuçon (Conductor); Martha Argerich (piano); Sergei Prokofiev (1891 – 1953); Symphony No. 1 in D major op. 25 'Classical'; Ludwig van Beethoven (1770 – 1827); Piano Concerto No. 1 in C major op. 15; Gabriel Fauré (1845 – 1924); Pelléas et Mélisande, Suite op. 80; Maurice Ravel (1875 – 1937); Ma mére l’Oye, Suite; Lausanne, Salle Métropole, 8 December 2022 1270276_1 (90 min)
Maurizio Pollini, Christian Thielemann, Staatskapelle Dresden: Brahms, Reger
Staatskapelle Dresden, Christian Thielemann (conductor); Maurizio Pollini (piano); Johannes Brahms (1833 - 1897); Tragic overture op. 81; Piano Concerto No. 1 in D minor, Op. 15; Max Reger (1873 - 1916); Romantic Suite op. 125; Directed by Agnes Méth 1261909_1 (95 min)
InterMezzo
(120 min)
Hamlet by Ambroise Thomas at the Opéra-Comique
Hamlet; Opéra in five acts by Ambroise Thomas (1811 - 1896); Libretto by Michel Carré and Jules Barbier after William Shakespeare; First performance in Paris, Opéra, 9 March 1868; Orchestre des Champs-Elysées, Louis Langrée (Conductor); Les Eléments, Joël Suhubiette (Chorus Master); Cyril Teste (Stage Direction); Ramy Fischler (Sets), Isabelle Deffin (Costumes), Leila Adham (Dramaturgy), Julien Boizard (Lighting), Nicolas Dorémus, Mehdi Toutain-Lopez (Video); Stéphane Degout (Hamlet); Sabine Devieilhe (Ophélie); Recorded 19 and 21 December 2018 at the Opéra-Comique, Paris; Directed by François Roussillon; P10057976 (171 min)
