• Mezzo Live HD

    • Mezzo Live HD od do

      • Cécile McLorin Salvant - Festival International de Jazz de Montréal

        Cécile McLorin Salvant (vocals); Festival International de Jazz de Montréal, Monument national, Canada, 2 july 2022; TV director, Sîla 1266042_1 (86 min)

      • InterMezzo

        (33 min)

      • Coppél-I.A by Jean-Christophe Maillot and Les Ballets de Monte-Carlo

        Coppél-I.A. Choreography: Jean-Christophe Maillot; Original Music and arrangement of Leo Delibe’s score: Bertrand Maillot; Sets, Costumes: Aimée Moreni; Lighting: Jean-Christophe Maillot et Samuel Thery; Dramaturgy: Jean-Christophe Maillot et Geoffroy Staquet; Les Ballets de Monte-Carlo; Monaco, Grimaldi Forum, 5 June 2022 1265422_1 (81 min)

      • Ghost Light by John Neumeier, Hamburg Ballet

        Ghost Light; John Neumeier (Choreography); Franz Schubert (Music); Hamburg Ballet; David Fray, piano; Festspielhaus Baden-Baden, 2020; TV director, Myriam Hoyer; A Ghost Light – a single lamp that illuminates the stage when rehearsals or performances are finished – is part of a long theatrical tradition. Legend says that originally, the night light was for the ghosts of former artists so that they may cavort throughout the night and not disturb or disrupt current performances! At this very moment, because of the pandemic, countless stages, particularly in America, are illuminated by Ghost Lights. The Hamburg Ballet was one of the first ballet companies internationally to return to its studios after the first lockdown. Observing a strict hygiene concept, John Neumeier created ‘Ghost Light’, a new full-length ballet, for his entire ensemble of 55 dancers. The ballet “Ghost Light” deals with isolation and the feelings and fantasies an empty stage may evoke. Developed in fragments using small groups of dancers and under the constraints imposed by Covid-19, the choreography reflects situations, fears, relationships, memories and emotions experienced during the pandemic. John Neumeier dedicates this work to his dancers. For this recording, the solo piano music is performed by the star pianist David Fray whose Franz Schubert recordings inspired the choreographer. 1261168_1 (107 min)

      • InterMezzo

        (105 min)

      • Samara Joy - Festival International de Jazz de Montréal

        Samara Joy (vocals); Pasquale Grasso (guitar), Keith Balla (drums), Sam Edward (bass); Montreal International Jazz Festival, July 2, 2022; Directed by Sila 1270458_1 (54 min)

      • Marquis Hill - Festival International de Jazz de Montréal

        Marquis Hill (trumpet); Joël Ross (vibraphone, piano), Makaya McCraven (drums), Paul Junius (bass); Montreal International Jazz Festival, July 3, 2022; Directed by Sîla 1270457_1 (67 min)

      • Cécile McLorin Salvant - Festival International de Jazz de Montréal

        Cécile McLorin Salvant (vocals); Festival International de Jazz de Montréal, Monument national, Canada, 2 july 2022; TV director, Sîla 1266042_1 (86 min)

      • InterMezzo

        (33 min)

      • Budapest Festival Orchestra, Iván Fischer, Vilde Frang: Monteverdi, Bartók, Schubert

        Budapest Festival Orchestra, Iván Fischer (Conductor); Vilde Frang (violin); Claudio Monteverdi (1567 – 1643); A Selection From Scherzi Musicali; Béla Bartók (1881 – 1945); Violin Concerto No. 1, Sz. 36, Bb 48ª; Franz Schubert (1797 – 1828); Symphony No. 9 In C Major ‘The Great’ D. 944; Budapest, Müpa, Béla Bartók National Concert Hall, 14 November 2022 1270870_1 (90 min)

      • Iván Fischer, Vilde Frang and the Budapest Festival Orchestra: Enescu, Stravinsky, Prokofiev

        Budapest Festival Orchestra, Iván Fischer (Conductor); Vilde Frang (violin); George Enescu (1881-1955); Romanian rhapsody no.1; Igor Stravinsky (1882 - 1971); Violin Concerto In D Major; Serguei Prokofiev (1891-1953); Symphony no.5; Recorded at the Müpa Budapest, Béla Bartók National Concert Hall, 20 November 2020 P10068776 (84 min)

      • InterMezzo

        (30 min)

      • Coppél-I.A by Jean-Christophe Maillot and Les Ballets de Monte-Carlo

        Coppél-I.A. Choreography: Jean-Christophe Maillot; Original Music and arrangement of Leo Delibe’s score: Bertrand Maillot; Sets, Costumes: Aimée Moreni; Lighting: Jean-Christophe Maillot et Samuel Thery; Dramaturgy: Jean-Christophe Maillot et Geoffroy Staquet; Les Ballets de Monte-Carlo; Monaco, Grimaldi Forum, 5 June 2022 1265422_1 (81 min)

      • Ghost Light by John Neumeier, Hamburg Ballet

        Ghost Light; John Neumeier (Choreography); Franz Schubert (Music); Hamburg Ballet; David Fray, piano; Festspielhaus Baden-Baden, 2020; TV director, Myriam Hoyer; A Ghost Light – a single lamp that illuminates the stage when rehearsals or performances are finished – is part of a long theatrical tradition. Legend says that originally, the night light was for the ghosts of former artists so that they may cavort throughout the night and not disturb or disrupt current performances! At this very moment, because of the pandemic, countless stages, particularly in America, are illuminated by Ghost Lights. The Hamburg Ballet was one of the first ballet companies internationally to return to its studios after the first lockdown. Observing a strict hygiene concept, John Neumeier created ‘Ghost Light’, a new full-length ballet, for his entire ensemble of 55 dancers. The ballet “Ghost Light” deals with isolation and the feelings and fantasies an empty stage may evoke. Developed in fragments using small groups of dancers and under the constraints imposed by Covid-19, the choreography reflects situations, fears, relationships, memories and emotions experienced during the pandemic. John Neumeier dedicates this work to his dancers. For this recording, the solo piano music is performed by the star pianist David Fray whose Franz Schubert recordings inspired the choreographer. 1261168_1 (107 min)

      • InterMezzo

        (22 min)

      • Israel Philharmonic Orchestra, Lahav Shani: Pärt, Sibelius, Beethoven

        Israel Philharmonic Orchestra, Lahav Shani (conductor); The Munich Bach Choir, Felix Mayer (choir master); The Gary Bertini Israeli Choir, Ronen Borshevsky (choir master); Lisa Batiashvili (violin), Chen Reiss (soprano), Bernarda Fink (mezzo-soprano), Matthew Newlin (tenor), Mikhail Petrenko (baritone); Arvo Pärt (B. 1935); Swansong; Jean Sibelius (1865 – 1957); Violin Concerto in D minor op. 47; Ludwig van Beethoven (1770 – 1827); Symphony no. 9 in D minor op. 125; Tel Aviv, Charles Bronfman Auditorium, 13 October 2022 1269561_1 (90 min)

      • Orchestre de Paris, Lahav Shani, Kirill Gerstein: Beethoven, Tchaikovsky

        Orchestre de Paris, Lahav Shani (conductor); Kirill Gerstein (piano); Ludwig van Beethoven (1770–1827); Piano Concerto No. 2 in E flat major, Op. 19; Pyotr Tchaikovsky (1840–1893); Symphony No. 5 in E minor, Op. 64; Paris, Philharmonie, 14 December 2022 1271495_1 (90 min)

      • InterMezzo

        (60 min)

      • Lully's Atys at the Opéra Royal, Versailles

        Atys; ‘Tragédie en musique’ in a prologue and five acts by Jean-Baptiste Lully (1632 - 1687); Libretto by Philippe Quinault after Ovid's 'Fasti'; Creation in Saint-Germain-en-Laye, January 10, 1676; Cappella Mediterranea, Leonardo García Alarcón (Conductor); Choir of the Grand Théâtre de Genéve, Alan Woodbridge (Chorus Master); Ballet of the Grand Théâtre de Genéve; Angelin Preljocaj (Stage Direction and choreography); Prune Nourry (Sets), Jeanne Vicérial (Costumes), Eric Soyer (Lighting); Nicholas Scott (Zéphyr | Le Sommeil); Marta Fontanals-Simmons (Melpoméne); Matthew Newlin (Atys); Giuseppina Bridelli (La Déesse Cybéle); Ana Quintans (Sangaride); Andreas Wolf (Celaenus); Gwendoline Blondeel (Iris | Doris | Divinité fontaine); Michael Mofidian (Idas | Phobetor | Un songe funeste); Valerio Contaldo (Morphée | Dieu de fleuve); José Pazos (Phantase); Luigi De Donato (Le Temps | Le Fleuve Sangar); Lore Binon (La Déesse Flore | Mélisse | Divinité fontaine); Versailles, Château de Versailles, Opéra, 23 March 2022 1263206_1 (177 min)

      • InterMezzo

        (60 min)

      • Orchestre de Paris, Klaus Mäkelä: Saariaho, Strauss, López, Dusapin, Scriabin

        Orchestre de Paris, Klaus Mäkelä (conductor); Kaija Saariaho (born in 1952); Asteroid 4179: Toutatis; Richard Strauss (1864 – 1949); Also sprach Zarathustra; Jimmy López Bellido (born in 1978); New work (commissioned by the Orchestre de Paris, the Royal Concertgebouw Orchestra and the Chicago Symphony Orchestra, premiere); Pascal Dusapin (born in 1955); A Linea (commissioned by the Orchestre de Paris, premiere); Alexander Scriabin (1872 – 1915); Poéme de l'Extase; Paris, Philharmonie, September 8, 2022 1267956_1 (79 min)

      • Klaus Mäkelä and the Orchestre de Paris: Ravel, Beethoven

        Orchestre de Paris, Klaus Mäkelä (Conductor); Maurice Ravel (1875 - 1937); Le Tombeau de Couperin; Ludwig van Beethoven (1770 - 1827); Symphony no 7 in A major, Op. 92; Live from the Philharmonie de Paris; TV Director, Sébastien Glas P10067976 (69 min)

      • InterMezzo

        (120 min)

      • Coppél-I.A by Jean-Christophe Maillot and Les Ballets de Monte-Carlo

        Coppél-I.A. Choreography: Jean-Christophe Maillot; Original Music and arrangement of Leo Delibe’s score: Bertrand Maillot; Sets, Costumes: Aimée Moreni; Lighting: Jean-Christophe Maillot et Samuel Thery; Dramaturgy: Jean-Christophe Maillot et Geoffroy Staquet; Les Ballets de Monte-Carlo; Monaco, Grimaldi Forum, 5 June 2022 1265422_1 (81 min)

      • Ghost Light by John Neumeier, Hamburg Ballet

        Ghost Light; John Neumeier (Choreography); Franz Schubert (Music); Hamburg Ballet; David Fray, piano; Festspielhaus Baden-Baden, 2020; TV director, Myriam Hoyer; A Ghost Light – a single lamp that illuminates the stage when rehearsals or performances are finished – is part of a long theatrical tradition. Legend says that originally, the night light was for the ghosts of former artists so that they may cavort throughout the night and not disturb or disrupt current performances! At this very moment, because of the pandemic, countless stages, particularly in America, are illuminated by Ghost Lights. The Hamburg Ballet was one of the first ballet companies internationally to return to its studios after the first lockdown. Observing a strict hygiene concept, John Neumeier created ‘Ghost Light’, a new full-length ballet, for his entire ensemble of 55 dancers. The ballet “Ghost Light” deals with isolation and the feelings and fantasies an empty stage may evoke. Developed in fragments using small groups of dancers and under the constraints imposed by Covid-19, the choreography reflects situations, fears, relationships, memories and emotions experienced during the pandemic. John Neumeier dedicates this work to his dancers. For this recording, the solo piano music is performed by the star pianist David Fray whose Franz Schubert recordings inspired the choreographer. 1261168_1 (107 min)