
Mezzo Live HD
Mezzo Live HD od do
InterMezzo
(60 min)
Orchestre Philharmonique de Monte-Carlo, Kazuki Yamada: Saint-Saëns, Massenet
Orchestre Philharmonique de Monte-Carlo, Kazuki Yamada (Conductor); Monte-Carlo Opera Chorus; Marie-Nicole Lemieux (alto), Sibylle Duchesne (violin), Alexandre Fougeroux (cello), Alexandre Kantorow (piano); Camille Saint-Saëns (1835 – 1921); Ouverture de Fete, Opus 133; Jules Massenet (1842 – 1912); Piano Concerto; Camille Saint-Saëns; La Muse et le poéte, op. 132; Mélodies persanes, op. 26; Jules Massenet; La Nef triomphale; Monte-Carlo, Palais Princier, 17 July 2022 1267202_1 (90 min)
Orchestre Philharmonique de Monte-Carlo, Kazuki Yamada, Truls Mork: Saint-Saëns, Franck
Monte-Carlo Philharmonic Orchestra, Kazuki Yamada (conductor); Truls Mork (cello); Gounod (1818 - 1893); Symphony No. 1 in D; Camille Saint-Saëns (1835 - 1921); Cello Concerto No. 1 in A minor, Op. 33; César Franck (1822 - 1890); Symphony in D minor; Monte-Carlo, Auditorium Rainier III, November 28, 2021; TV director, Christophe Boula 1261718_1 (108 min)
InterMezzo
(95 min)
David et Jonathas by Charpentier at Opéra Royal, Versailles
David et Jonathas; Biblical tragedy in five acts with prologue by Marc-Antoine Charpentier (1643 – 1704); Libretto by François Bretonneau; First performance in Paris, Collége Louis-le-Grand, February 28, 1688; Ensemble Marguerite Louise, Gaétan Jarry (Conductor); Marshall Pynkoski (Stage director); Jeannette Lajeunesse Zingg (Choreography), Antoine and Roland Fontaine (Sets), Hervé Gary (Lighting), Christian Lacroix (costumes); Reinoud Van Mechelen (David); Caroline Arnaud (Jonathas); David Witczak (Saul); François-Olivier Jean (Pythonisse); Antonin Rondepierre (Joabel); Geoffroy Buffiére (The shadow of Samuel); Virgil Ancely (Achis); Château de Versailles, Royal Chapel, 10 November 2022 1270607_1 (150 min)
InterMezzo
(90 min)
Israel Philharmonic Orchestra, Lahav Shani: Pärt, Sibelius, Beethoven
Israel Philharmonic Orchestra, Lahav Shani (conductor); The Munich Bach Choir, Felix Mayer (choir master); The Gary Bertini Israeli Choir, Ronen Borshevsky (choir master); Lisa Batiashvili (violin), Chen Reiss (soprano), Bernarda Fink (mezzo-soprano), Matthew Newlin (tenor), Mikhail Petrenko (baritone); Arvo Pärt (B. 1935); Swansong; Jean Sibelius (1865 – 1957); Violin Concerto in D minor op. 47; Ludwig van Beethoven (1770 – 1827); Symphony no. 9 in D minor op. 125; Tel Aviv, Charles Bronfman Auditorium, 13 October 2022 1269561_1 (90 min)
Orchestre de Paris, Lahav Shani, Kirill Gerstein: Beethoven, Tchaikovsky
Orchestre de Paris, Lahav Shani (conductor); Kirill Gerstein (piano); Ludwig van Beethoven (1770–1827); Piano Concerto No. 2 in E flat major, Op. 19; Pyotr Tchaikovsky (1840–1893); Symphony No. 5 in E minor, Op. 64; Paris, Philharmonie, 14 December 2022 1271495_1 (90 min)
InterMezzo
(30 min)
Lully's Atys at the Opéra Royal, Versailles
Atys; ‘Tragédie en musique’ in a prologue and five acts by Jean-Baptiste Lully (1632 - 1687); Libretto by Philippe Quinault after Ovid's 'Fasti'; Creation in Saint-Germain-en-Laye, January 10, 1676; Cappella Mediterranea, Leonardo García Alarcón (Conductor); Choir of the Grand Théâtre de Genéve, Alan Woodbridge (Chorus Master); Ballet of the Grand Théâtre de Genéve; Angelin Preljocaj (Stage Direction and choreography); Prune Nourry (Sets), Jeanne Vicérial (Costumes), Eric Soyer (Lighting); Nicholas Scott (Zéphyr | Le Sommeil); Marta Fontanals-Simmons (Melpoméne); Matthew Newlin (Atys); Giuseppina Bridelli (La Déesse Cybéle); Ana Quintans (Sangaride); Andreas Wolf (Celaenus); Gwendoline Blondeel (Iris | Doris | Divinité fontaine); Michael Mofidian (Idas | Phobetor | Un songe funeste); Valerio Contaldo (Morphée | Dieu de fleuve); José Pazos (Phantase); Luigi De Donato (Le Temps | Le Fleuve Sangar); Lore Binon (La Déesse Flore | Mélisse | Divinité fontaine); Versailles, Château de Versailles, Opéra, 23 March 2022 1263206_1 (177 min)
InterMezzo
(30 min)
Coppél-I.A by Jean-Christophe Maillot and Les Ballets de Monte-Carlo
Coppél-I.A. Choreography: Jean-Christophe Maillot; Original Music and arrangement of Leo Delibe’s score: Bertrand Maillot; Sets, Costumes: Aimée Moreni; Lighting: Jean-Christophe Maillot et Samuel Thery; Dramaturgy: Jean-Christophe Maillot et Geoffroy Staquet; Les Ballets de Monte-Carlo; Monaco, Grimaldi Forum, 5 June 2022 1265422_1 (81 min)
Ghost Light by John Neumeier, Hamburg Ballet
Ghost Light; John Neumeier (Choreography); Franz Schubert (Music); Hamburg Ballet; David Fray, piano; Festspielhaus Baden-Baden, 2020; TV director, Myriam Hoyer; A Ghost Light – a single lamp that illuminates the stage when rehearsals or performances are finished – is part of a long theatrical tradition. Legend says that originally, the night light was for the ghosts of former artists so that they may cavort throughout the night and not disturb or disrupt current performances! At this very moment, because of the pandemic, countless stages, particularly in America, are illuminated by Ghost Lights. The Hamburg Ballet was one of the first ballet companies internationally to return to its studios after the first lockdown. Observing a strict hygiene concept, John Neumeier created ‘Ghost Light’, a new full-length ballet, for his entire ensemble of 55 dancers. The ballet “Ghost Light” deals with isolation and the feelings and fantasies an empty stage may evoke. Developed in fragments using small groups of dancers and under the constraints imposed by Covid-19, the choreography reflects situations, fears, relationships, memories and emotions experienced during the pandemic. John Neumeier dedicates this work to his dancers. For this recording, the solo piano music is performed by the star pianist David Fray whose Franz Schubert recordings inspired the choreographer. 1261168_1 (107 min)
InterMezzo
(52 min)
Orchestre de Paris, Klaus Mäkelä: Mahler, Jolas
Orchestre de Paris, Klaus Mäkelä (Conductor); Chœur de l'Orchestre de Paris, Ingrid Roos (Chorus director); Mari Eriksmoen (Soprano), Wiebke Lehmkuhl (Alto); Betsy Jolas (b. 1926); Latest; Gustav Mahler (1860 – 1911); Symphony No. 2 in C Minor, ‘Resurrection’; Paris, Philharmonie, 30 November 2022 1271345_1 (100 min)
Orchestre de Paris, Khatia Buniatishvili, Klaus Mäkelä: Falla, Tchaikovsky, Debussy, Ravel
Orchestre de Paris, Klaus Mäkelä (Conductor); Khatia Buniatishvili (Piano); Manuel de Falla (1876 - 1946); The Three Cornered Hat, suite no. 2; Piotr Ilitch Tchaikovsky (1840 – 1893); Piano Concerto no.1 in B flat minor Op. 23; Claude Debussy (1862 – 1918); Images; Maurice Ravel (1875 – 1937); Boléro; Paris, Philharmonie, 23 March 2022 1263099_1 (113 min)
InterMezzo
(27 min)
Arabella by Strauss at the Teatro Real, Madrid
Arabella; ‘Lyrische Komödie’ in three acts Richard Strauss (1864-1949); Libretto by Hugo von Hofmannsthal; First performance at Dresden, Sächsisches Staatstheater, 1 July 1933; Principal Chorus and Orchestra of the Teatro Real, David Afkham (conductor); Andrés Máspero (Chorus Director); Christof Loy (Stage Direction); Herbert Murauer (Stage and Costume Design), Reinhard Traub (Lighting), Thomas Wilhelm (Choreography); Sara Jakubiak (Arabella); Sarah Defrise (Zdenka); Martin Winkler (Count Waldner); Anne Sofie von Otter (Adelaide); Josef Wagner (Mandryka); Matthew Newlin (Matteo); Dean Power (Count Elemer); Roger Smeets (Count Dominik); Tyler Zimmerman (Count Lamoral); Madrid, Teatro Real, 9 February 2023 1271940_1 (150 min)
InterMezzo
(120 min)
Iván Fischer, Vilde Frang and the Budapest Festival Orchestra: Enescu, Stravinsky, Prokofiev
Budapest Festival Orchestra, Iván Fischer (Conductor); Vilde Frang (violin); George Enescu (1881-1955); Romanian rhapsody no.1; Igor Stravinsky (1882 - 1971); Violin Concerto In D Major; Serguei Prokofiev (1891-1953); Symphony no.5; Recorded at the Müpa Budapest, Béla Bartók National Concert Hall, 20 November 2020 P10068776 (84 min)
Budapest Festival Orchestra, Iván Fischer, Vilde Frang: Monteverdi, Bartók, Schubert
Budapest Festival Orchestra, Iván Fischer (Conductor); Vilde Frang (violin); Claudio Monteverdi (1567 – 1643); A Selection From Scherzi Musicali; Béla Bartók (1881 – 1945); Violin Concerto No. 1, Sz. 36, Bb 48ª; Franz Schubert (1797 – 1828); Symphony No. 9 In C Major ‘The Great’ D. 944; Budapest, Müpa, Béla Bartók National Concert Hall, 14 November 2022 1270870_1 (90 min)
