Mezzo Live HD
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Marin Alsop, Khatia Buniatishvili and the Orchestre de Paris: Beethoven, Shostakovich
Orchestre de Paris, Marin Alsop (Conductor); Khatia Buniatishvili (piano); Ludwig van Beethoven (1770 - 1827); Piano Concerto no. 1 in C major, Op. 15; Dmitri Shostakovich (1906 - 1975); Symphony no. 5 in D minor, Op. 47; Live from the Philharmonie de Paris P10068276 (93 min)
InterMezzo
(50 min)
Antonin Tri-Hoang - Ornette, Apparitions - Banlieues Bleues
Ornette | Apparitions; Antonin Tri Hoangn, Alto saxophone, clarinet, Geoiffroy Gesser, Tenor saxophone, Pierre Borel, Amtp saxophone, Aymeric Avice, trompet, Isabel Sörling, voice, Romain Clerc-Renaud, piano, Keyboard, Thibault Cellier, double bass, Yann Joussein, drums, Elie Duris, drums; La musique d'Ornette Coleman a changé le cours des choses. On a parlé de free jazz, mais " ce n'est pas un autre jazz, c'est une musique autre, créative ". Depuis ses débuts (dans l'ONJ de Daniel Yvinec), Antonin Tri Hoang n'est pas sans évoquer Ornette: meme lyrisme tarabiscoté, meme gout du dérapage contrôlé. Au lieu d'une dissertation sur l'œuvre, il a proposé des reves, des ponts évocateurs, " pas un revival, mais un survival ". Avec, aux manettes, le quartette Novembre et des invités qui maîtrisent á la perfection l'art du zapping et du collage. Ce qui n'est pas sans rappeler John Zorn, un autre grand fils (spirituel) d'Ornette. Recorde on April 19 avril 2016 at Banlieues Bleues, MC93; TV Director, Stéphane Jourdain P10062696 (56 min)
Fre3 Women - Banlieues Bleues
Fre3 Women; Susana Santos Silva (trumpet); Morgane Carnet (saxophone); Blanche Lafuente (drums); Recorded on March 11, 2020 at the festival Banlieues Bleues; RV Director, Guillaume Dero, P10068496 (50 min)
Magic Malik - Banlieues Bleues
Magic Malik Kafrobeat invites Sandra Nkaké, Gaston Bandimic; Magic Malik voice, flute; Olivier Laisney trumpet; Maciek Lasserre saxophones; Mailys Maronne keyboards; Oscar Emch guitar; Mathilda Haynes guitar; Jean-René Zapha bass; Maxime Zampieri drums; David Mirandon percussion; Isabel González, voice; Valerie Belinga voice; Guests: Sandra Nkake, voice; Gaston Bandimic voice, rap; Julien Reyboz sound system; Pantin, La Dynamo, April 20, 2022; Directed by Guillaume Dero 1264318_1 (70 min)
Rinaldo by Haendel at the Festival de Peralada
Rinaldo, opera in three acts by Georg Friedrich Haendel (1685 - 1759); Libretto by Giacomo Rossi after Torquato Tasso's 'Gerusalemme liberata'; First performance in London, Queen's Theater, February 24, 1711; Concert version; Vespres d'Arnadi Orchestra, Dani Espasa (Conductor); Xavier Sabata (Rinaldo), Núria Rial (Almirena), Hillary Summers (Argante), Mary-Ellen Nesi (Armida), Juan Sancho (Goffredo), Josep Ramón Olivé (A Magician, A Herald). Recorded on August 5, 2018 at the Carmen Church as part of the Festival Castell de Peralada; Réalisé par Sébastien Bergé; P10055420 (99 min)
InterMezzo
(15 min)
Orchestre de Paris, Esa-Pekka Salonen, Gautier Capuçon: Shostakovich, Bruckner
Dmitri Chostakovitch (1906 – 1975); Cello Concerto no. 1 in E-flat major Op. 107; Anton Bruckner (1824 – 1896); Symphony no. 6 in A major; Paris, Philharmonie, 2 December 2021 1260270_1 (98 min)
Orchestre de Paris, Khatia Buniatishvili, Klaus Mäkelä: Falla, Tchaikovsky, Debussy, Ravel
Orchestre de Paris, Klaus Mäkelä (Conductor); Khatia Buniatishvili (Piano); Manuel de Falla (1876 - 1946); The Three Cornered Hat, suite no. 2; Piotr Ilitch Tchaikovsky (1840 – 1893); Piano Concerto no.1 in B flat minor Op. 23; Claude Debussy (1862 – 1918); Images; Maurice Ravel (1875 – 1937); Boléro; Paris, Philharmonie, 23 March 2022 1263099_1 (113 min)
InterMezzo
(28 min)
Coppél-I.A by Jean-Christophe Maillot and Les Ballets de Monte-Carlo
Coppél-I.A. Choreography: Jean-Christophe Maillot; Original Music and arrangement of Leo Delibe’s score: Bertrand Maillot; Sets, Costumes: Aimée Moreni; Lighting: Jean-Christophe Maillot et Samuel Thery; Dramaturgy: Jean-Christophe Maillot et Geoffroy Staquet; Les Ballets de Monte-Carlo; Monaco, Grimaldi Forum, 5 June 2022 1265422_1 (81 min)
Crystal Pite: Revisor
Revisor; Crystal Pite (choreography); Kidd Pivot (dance company); Directed by Jeff Tudor; Recorded at the Sadler's Wells, London; Neither simply dance or traditional theatre, but an exciting and exhilarating new form that transcends either genre. Revisor is performed by 10 incredible dancers of Pite’s company Kidd Pivot, to a soundtrack recorded by 9 voice actors. The dancers lip sync to the actors’ words in Pite’s trademark fluid, expressive and witty style. Revisor is based on a Russian anecdote about mistaken identity that surfaced in 1833, and quickly spread. It is now widely accepted as probably true. In 1836, the story took shape in a five-act play: The Government Inspector (Revisor) by Nikolai Gogol. The play premiered in St. Petersburg before the Czar who, according to reports, laughed and applauded, and is said to have remarked “Everybody gets it, and I most of all!” The play was in disguise as a comedy. Ten dancers embody the recorded dialogue of some of Canada’s finest actors, exploring conflict, comedy and corruption in the potent relationship between language and the body. Revisor reunites the creators of the international stage hit Betroffenheit (winner of the Olivier Award for Best New Dance Production 2017) with director Jeff Tudor, who won the Rose d’Or (Arts) and Golden Prague Awards 2018 for his capture of Betroffenheit for the BBC. 1267576_1 (91 min)
InterMezzo
(38 min)
Antonin Tri-Hoang - Ornette, Apparitions - Banlieues Bleues
Ornette | Apparitions; Antonin Tri Hoangn, Alto saxophone, clarinet, Geoiffroy Gesser, Tenor saxophone, Pierre Borel, Amtp saxophone, Aymeric Avice, trompet, Isabel Sörling, voice, Romain Clerc-Renaud, piano, Keyboard, Thibault Cellier, double bass, Yann Joussein, drums, Elie Duris, drums; La musique d'Ornette Coleman a changé le cours des choses. On a parlé de free jazz, mais " ce n'est pas un autre jazz, c'est une musique autre, créative ". Depuis ses débuts (dans l'ONJ de Daniel Yvinec), Antonin Tri Hoang n'est pas sans évoquer Ornette: meme lyrisme tarabiscoté, meme gout du dérapage contrôlé. Au lieu d'une dissertation sur l'œuvre, il a proposé des reves, des ponts évocateurs, " pas un revival, mais un survival ". Avec, aux manettes, le quartette Novembre et des invités qui maîtrisent á la perfection l'art du zapping et du collage. Ce qui n'est pas sans rappeler John Zorn, un autre grand fils (spirituel) d'Ornette. Recorde on April 19 avril 2016 at Banlieues Bleues, MC93; TV Director, Stéphane Jourdain P10062696 (56 min)
Fre3 Women - Banlieues Bleues
Fre3 Women; Susana Santos Silva (trumpet); Morgane Carnet (saxophone); Blanche Lafuente (drums); Recorded on March 11, 2020 at the festival Banlieues Bleues; RV Director, Guillaume Dero, P10068496 (50 min)
Magic Malik - Banlieues Bleues
Magic Malik Kafrobeat invites Sandra Nkaké, Gaston Bandimic; Magic Malik voice, flute; Olivier Laisney trumpet; Maciek Lasserre saxophones; Mailys Maronne keyboards; Oscar Emch guitar; Mathilda Haynes guitar; Jean-René Zapha bass; Maxime Zampieri drums; David Mirandon percussion; Isabel González, voice; Valerie Belinga voice; Guests: Sandra Nkake, voice; Gaston Bandimic voice, rap; Julien Reyboz sound system; Pantin, La Dynamo, April 20, 2022; Directed by Guillaume Dero 1264318_1 (70 min)
InterMezzo
(28 min)
The Enchantress by Tchaikovsky at the Frankfurt Opera
The Enchantress; Opera in four acts by Piotr I. Tchaikovsky (1840–1893); Libretto by Ippolit W. Schpaschinski; First performed in Saint Petersburg, Mariinsky Theater, November 1st 1887; Frankfurter Opern- und Museumsorchester, Oper Frankfurt's Chorus, Valentin Uryupin (Conductor); Tilman Michael (Chorus Master); Vasily Barkhatov (Stage Director); Christian Schmidt (Set Designer), Kirsten Dephoff (Costume Designer), Gal Fefferman (Choreography), Olaf Winter (Lighting), Christian Borchers (Video), Zsolt Horpácsy (Dramaturgy); Asmik Grigorian (Nastasia); Iain MacNeil (Prince); Claudia Mahnke (Princess); Alexander Mikhailov (Prince Yuri); Frederic Jost (Mamyrow | Kudma); Zanda Švēde (Nenila); Božidar Smiljanić (Iwan Schuran); Dietrich Volle (Foka); Nombulelo Yende (Polja); Jonathan Abernethy (Balakin); Pilgoo Kang (Potap); Kudaibergen Abildin (Lukasch); Magnús Baldvinsson (Kitschiga); Michael McCown (Paisi); Frankfurt, Opera House, 14 December 2022 1271092_1 (204 min)
InterMezzo
(36 min)
Orchestre Philharmonique Royal de Liége, Gergely Madaras: Dvořák, Franck
Orchestre Philharmonique Royal de Liége, Gergely Madaras (Conductor); Victor Julien-Laferriére (Cello); Antonín Dvořák (1841 – 1904); Cello Concerto in B minor Op. 104; César Franck (1822 – 1890); Symphony in D minor; Liége, Salle Philharmonique, 25 November 2021 1260263_1 (91 min)
Orchestre Philharmonique Royal de Liége, Gergely Madaras: Brahms, Dohnányi
Orchestre Philharmonique Royal de Liége, Gergely Madaras (Conductor); Liza Ferschtman (violin); Johannes Brahms (1833 – 1897); Violin concerto in D major Op. 77; Ernő Dohnányi (1877 —1960); Ruralia hungarica, Op.32d; Liége, Salle Philharmonique, 29 April 2023 1272087_1 (90 min)
InterMezzo
(59 min)
Klaus Mäkelä, Yuja Wang, Orchestre de Paris: Sibelius, Lindberg, Tchaikovsky
Orchestre de Paris, Klaus Mäkelä (conductor); Yuja Wang (piano); Jean Sibelius (1865 – 1957); Valse triste, Op. 44, No. 1; Magnus Lindberg (born 1958); Piano Concerto No. 3; Pyotr Ilyich Tchaikovsky (1840 – 1893); Symphony No. 6 in B Minor, Op. 74, ‘Pathétique’; Paris, Philharmonie, 13 April 2023 1275683_1 (97 min)
Marin Alsop, Khatia Buniatishvili and the Orchestre de Paris: Beethoven, Shostakovich
Orchestre de Paris, Marin Alsop (Conductor); Khatia Buniatishvili (piano); Ludwig van Beethoven (1770 - 1827); Piano Concerto no. 1 in C major, Op. 15; Dmitri Shostakovich (1906 - 1975); Symphony no. 5 in D minor, Op. 47; Live from the Philharmonie de Paris P10068276 (93 min)
Le Caravansérail, Bertrand Cuiller: Couperin - Festival de Saintes
Le Caravansérail, Bertrand Cuiller (musical direction, organ); François Couperin (1668 - 1733); Prélude en ré mineur; Leçons de ténébres I. Incipit Lamentatio Jeremiae Prophetae (soprano, continuo); Second ordre pour le clavecin; Leçons de ténébres II. Vau. Et egressus est a Filia Sion (soprano, bass viol, organ); Marin Marais (1656 - 1728); Tombeau pour Monsieur Lully; François Couperin; Leçons de ténébres III. Jod. Manum suam misit hostis (2 sopranos, continuo); Recorded at the Festival de Saintes, 23 July 2020; TV Director, Sébastien Glas P10068042 (59 min)
InterMezzo
(45 min)
The Enchantress by Tchaikovsky at the Frankfurt Opera
The Enchantress; Opera in four acts by Piotr I. Tchaikovsky (1840–1893); Libretto by Ippolit W. Schpaschinski; First performed in Saint Petersburg, Mariinsky Theater, November 1st 1887; Frankfurter Opern- und Museumsorchester, Oper Frankfurt's Chorus, Valentin Uryupin (Conductor); Tilman Michael (Chorus Master); Vasily Barkhatov (Stage Director); Christian Schmidt (Set Designer), Kirsten Dephoff (Costume Designer), Gal Fefferman (Choreography), Olaf Winter (Lighting), Christian Borchers (Video), Zsolt Horpácsy (Dramaturgy); Asmik Grigorian (Nastasia); Iain MacNeil (Prince); Claudia Mahnke (Princess); Alexander Mikhailov (Prince Yuri); Frederic Jost (Mamyrow | Kudma); Zanda Švēde (Nenila); Božidar Smiljanić (Iwan Schuran); Dietrich Volle (Foka); Nombulelo Yende (Polja); Jonathan Abernethy (Balakin); Pilgoo Kang (Potap); Kudaibergen Abildin (Lukasch); Magnús Baldvinsson (Kitschiga); Michael McCown (Paisi); Frankfurt, Opera House, 14 December 2022 1271092_1 (204 min)