Mezzo Live HD
Mezzo Live HD od do
InterMezzo
(58 min)
Crystal Pite: Revisor
Revisor; Crystal Pite (choreography); Kidd Pivot (dance company); Directed by Jeff Tudor; Recorded at the Sadler's Wells, London; Neither simply dance or traditional theatre, but an exciting and exhilarating new form that transcends either genre. Revisor is performed by 10 incredible dancers of Pite’s company Kidd Pivot, to a soundtrack recorded by 9 voice actors. The dancers lip sync to the actors’ words in Pite’s trademark fluid, expressive and witty style. Revisor is based on a Russian anecdote about mistaken identity that surfaced in 1833, and quickly spread. It is now widely accepted as probably true. In 1836, the story took shape in a five-act play: The Government Inspector (Revisor) by Nikolai Gogol. The play premiered in St. Petersburg before the Czar who, according to reports, laughed and applauded, and is said to have remarked “Everybody gets it, and I most of all!” The play was in disguise as a comedy. Ten dancers embody the recorded dialogue of some of Canada’s finest actors, exploring conflict, comedy and corruption in the potent relationship between language and the body. Revisor reunites the creators of the international stage hit Betroffenheit (winner of the Olivier Award for Best New Dance Production 2017) with director Jeff Tudor, who won the Rose d’Or (Arts) and Golden Prague Awards 2018 for his capture of Betroffenheit for the BBC. 1267576_1 (91 min)
Coppél-I.A by Jean-Christophe Maillot and Les Ballets de Monte-Carlo
Coppél-I.A. Choreography: Jean-Christophe Maillot; Original Music and arrangement of Leo Delibe’s score: Bertrand Maillot; Sets, Costumes: Aimée Moreni; Lighting: Jean-Christophe Maillot et Samuel Thery; Dramaturgy: Jean-Christophe Maillot et Geoffroy Staquet; Les Ballets de Monte-Carlo; Monaco, Grimaldi Forum, 5 June 2022 1265422_1 (81 min)
Brahms: Cello Sonata No.1, Violin Sonata No.1
François Salque (cello), Eric Le Sage (piano); Johannes Brahms (1833 - 1897); Cello sonata No 1, op. 38; Pierre Fouchenneret (violin), Romain Descharmes (piano); Johannes Brahms (1833 - 1897); Violin sonata No 1, op. 78; Recorded on June 9, 2018 at the Bouffes du Nord Theater, Paris; TV directors, Marc Wieviorka and Guillaume L'Hôte P10054437 (53 min)
InterMezzo
(65 min)
Fre3 Women - Banlieues Bleues
Fre3 Women; Susana Santos Silva (trumpet); Morgane Carnet (saxophone); Blanche Lafuente (drums); Recorded on March 11, 2020 at the festival Banlieues Bleues; RV Director, Guillaume Dero, P10068496 (50 min)
Magic Malik - Banlieues Bleues
Magic Malik Kafrobeat invites Sandra Nkaké, Gaston Bandimic; Magic Malik voice, flute; Olivier Laisney trumpet; Maciek Lasserre saxophones; Mailys Maronne keyboards; Oscar Emch guitar; Mathilda Haynes guitar; Jean-René Zapha bass; Maxime Zampieri drums; David Mirandon percussion; Isabel González, voice; Valerie Belinga voice; Guests: Sandra Nkake, voice; Gaston Bandimic voice, rap; Julien Reyboz sound system; Pantin, La Dynamo, April 20, 2022; Directed by Guillaume Dero 1264318_1 (70 min)
Antonin Tri-Hoang - Ornette, Apparitions - Banlieues Bleues
Ornette | Apparitions; Antonin Tri Hoangn, Alto saxophone, clarinet, Geoiffroy Gesser, Tenor saxophone, Pierre Borel, Amtp saxophone, Aymeric Avice, trompet, Isabel Sörling, voice, Romain Clerc-Renaud, piano, Keyboard, Thibault Cellier, double bass, Yann Joussein, drums, Elie Duris, drums; La musique d'Ornette Coleman a changé le cours des choses. On a parlé de free jazz, mais " ce n'est pas un autre jazz, c'est une musique autre, créative ". Depuis ses débuts (dans l'ONJ de Daniel Yvinec), Antonin Tri Hoang n'est pas sans évoquer Ornette: meme lyrisme tarabiscoté, meme gout du dérapage contrôlé. Au lieu d'une dissertation sur l'œuvre, il a proposé des reves, des ponts évocateurs, " pas un revival, mais un survival ". Avec, aux manettes, le quartette Novembre et des invités qui maîtrisent á la perfection l'art du zapping et du collage. Ce qui n'est pas sans rappeler John Zorn, un autre grand fils (spirituel) d'Ornette. Recorde on April 19 avril 2016 at Banlieues Bleues, MC93; TV Director, Stéphane Jourdain P10062696 (56 min)
InterMezzo
(58 min)
Orchestre Philharmonique Royal de Liége, Gergely Madaras: Walton, Liszt
Orchestre Philharmonique de Liége, Gergely Madaras (conductor); Gautier Capucon (cello); William Walton (1902 – 1983); Concerto for cello and orchestra; Franz Liszt (1811 – 1886); Faust-Symphonie (version for solo orchestra, 1854); Liége, Philharmonic Hall, September 16, 2022 1261537_1 (104 min)
Karina Canellakis and the Munich Philharmonic: Beethoven, Adams
Münchner Philharmoniker, Karina Canellakis conductor); Ludwig van Beethoven (1770 - 1827); Symphony No.4 in B flat major, op. 60; John Adams (born 1947); Shaker Loops; Recorded at Munich Philharmonie im Gasteig, Directed by Benedict Mirow P10070016 (64 min)
InterMezzo
(42 min)
Crystal Pite: Revisor
Revisor; Crystal Pite (choreography); Kidd Pivot (dance company); Directed by Jeff Tudor; Recorded at the Sadler's Wells, London; Neither simply dance or traditional theatre, but an exciting and exhilarating new form that transcends either genre. Revisor is performed by 10 incredible dancers of Pite’s company Kidd Pivot, to a soundtrack recorded by 9 voice actors. The dancers lip sync to the actors’ words in Pite’s trademark fluid, expressive and witty style. Revisor is based on a Russian anecdote about mistaken identity that surfaced in 1833, and quickly spread. It is now widely accepted as probably true. In 1836, the story took shape in a five-act play: The Government Inspector (Revisor) by Nikolai Gogol. The play premiered in St. Petersburg before the Czar who, according to reports, laughed and applauded, and is said to have remarked “Everybody gets it, and I most of all!” The play was in disguise as a comedy. Ten dancers embody the recorded dialogue of some of Canada’s finest actors, exploring conflict, comedy and corruption in the potent relationship between language and the body. Revisor reunites the creators of the international stage hit Betroffenheit (winner of the Olivier Award for Best New Dance Production 2017) with director Jeff Tudor, who won the Rose d’Or (Arts) and Golden Prague Awards 2018 for his capture of Betroffenheit for the BBC. 1267576_1 (91 min)
Coppél-I.A by Jean-Christophe Maillot and Les Ballets de Monte-Carlo
Coppél-I.A. Choreography: Jean-Christophe Maillot; Original Music and arrangement of Leo Delibe’s score: Bertrand Maillot; Sets, Costumes: Aimée Moreni; Lighting: Jean-Christophe Maillot et Samuel Thery; Dramaturgy: Jean-Christophe Maillot et Geoffroy Staquet; Les Ballets de Monte-Carlo; Monaco, Grimaldi Forum, 5 June 2022 1265422_1 (81 min)
InterMezzo
(38 min)
Orchestre Philharmonique Royal de Liége, Gergely Madaras: Brahms, Dohnányi
Orchestre Philharmonique Royal de Liége, Gergely Madaras (Conductor); Liza Ferschtman (violin); Johannes Brahms (1833 – 1897); Violin concerto in D major Op. 77; Ernő Dohnányi (1877 —1960); Ruralia hungarica, Op.32d; Liége, Salle Philharmonique, 29 April 2023 1272087_1 (90 min)
Orchestre Philharmonique Royal de Liége, Gergely Madaras: Dvořák, Franck
Orchestre Philharmonique Royal de Liége, Gergely Madaras (Conductor); Victor Julien-Laferriére (Cello); Antonín Dvořák (1841 – 1904); Cello Concerto in B minor Op. 104; César Franck (1822 – 1890); Symphony in D minor; Liége, Salle Philharmonique, 25 November 2021 1260263_1 (91 min)
InterMezzo
(59 min)
Wagner's Lohengrin at the Bayerische Staatsoper
Lohengrin; 'Romantische Oper' in three acts by Richard Wagner (1813 - 1883); Libretto by Richard Wanger; First performance in Weimar, Grossherzoliches Hoftheater, 28 August 1850; Bayerisches Staatsorchester, François-Xavier Roth (Conductor); Chorus of the Bayerische Staatsoper; Kornél Mundruczó (Stage director); Monika Pormale (Set Design), Anna Axer-Fijalkowska (Costume Design), Felice Ross (Lighting), Kata Wéber (Dramaturgy); Mika Kares (Heinrich der Vogler); Klaus Florian Vogt (Lohengrin); Johanni van Oostrum (Elsa von Brabant); Johan Reuter (Friedrich von Telramund); Anja Kampe (Ortrud); André Schuen (Heerrufer des Königs); Munich, Bayerische Staatsoper, 3 December 2022 1269661_1 (210 min)
InterMezzo
(30 min)
Orchestre de Paris, Khatia Buniatishvili, Klaus Mäkelä: Falla, Tchaikovsky, Debussy, Ravel
Orchestre de Paris, Klaus Mäkelä (Conductor); Khatia Buniatishvili (Piano); Manuel de Falla (1876 - 1946); The Three Cornered Hat, suite no. 2; Piotr Ilitch Tchaikovsky (1840 – 1893); Piano Concerto no.1 in B flat minor Op. 23; Claude Debussy (1862 – 1918); Images; Maurice Ravel (1875 – 1937); Boléro; Paris, Philharmonie, 23 March 2022 1263099_1 (113 min)
Orchestre de Paris, Esa-Pekka Salonen, Gautier Capuçon: Shostakovich, Bruckner
Dmitri Chostakovitch (1906 – 1975); Cello Concerto no. 1 in E-flat major Op. 107; Anton Bruckner (1824 – 1896); Symphony no. 6 in A major; Paris, Philharmonie, 2 December 2021 1260270_1 (98 min)
Saint-Saëns meets Havana
Saint-Saëns meets Havana; “Saint-Saëns meets Havana” is a film project, which will stage; the Danza Contemporanea of Cuba and the Trio Zadig in the interpretation of; major works of Camille Saint Saëns. Rameau – Saint-Saëns: 1st concerto; Saint-Saëns: Trio with piano N°2 opus 92; Liszt- Saint-Saëns: Orpheus; Saint-Saëns: La Havanaise; Trio Zadig, Boris Borgolotto; Ian Barber; Marc Girard Garcia; Danza contemporanea de Cuba (dance company); George Cespédes (choreographer); Patrick Lauze (realisator); Lyceum Mozartiano, La Havane from 22 to 30 october 2021; TV Director, Patrick Lauze P10070696 (53 min)
InterMezzo
(30 min)
Crystal Pite: Revisor
Revisor; Crystal Pite (choreography); Kidd Pivot (dance company); Directed by Jeff Tudor; Recorded at the Sadler's Wells, London; Neither simply dance or traditional theatre, but an exciting and exhilarating new form that transcends either genre. Revisor is performed by 10 incredible dancers of Pite’s company Kidd Pivot, to a soundtrack recorded by 9 voice actors. The dancers lip sync to the actors’ words in Pite’s trademark fluid, expressive and witty style. Revisor is based on a Russian anecdote about mistaken identity that surfaced in 1833, and quickly spread. It is now widely accepted as probably true. In 1836, the story took shape in a five-act play: The Government Inspector (Revisor) by Nikolai Gogol. The play premiered in St. Petersburg before the Czar who, according to reports, laughed and applauded, and is said to have remarked “Everybody gets it, and I most of all!” The play was in disguise as a comedy. Ten dancers embody the recorded dialogue of some of Canada’s finest actors, exploring conflict, comedy and corruption in the potent relationship between language and the body. Revisor reunites the creators of the international stage hit Betroffenheit (winner of the Olivier Award for Best New Dance Production 2017) with director Jeff Tudor, who won the Rose d’Or (Arts) and Golden Prague Awards 2018 for his capture of Betroffenheit for the BBC. 1267576_1 (91 min)
Coppél-I.A by Jean-Christophe Maillot and Les Ballets de Monte-Carlo
Coppél-I.A. Choreography: Jean-Christophe Maillot; Original Music and arrangement of Leo Delibe’s score: Bertrand Maillot; Sets, Costumes: Aimée Moreni; Lighting: Jean-Christophe Maillot et Samuel Thery; Dramaturgy: Jean-Christophe Maillot et Geoffroy Staquet; Les Ballets de Monte-Carlo; Monaco, Grimaldi Forum, 5 June 2022 1265422_1 (81 min)