
Mezzo Live HD
Mezzo Live HD od do
Concerto Budapest, András Keller: Bartók, Bluebeard’s Castle
Concerto Budapest, András Keller (conductor); Angelica Girl’s Choir (choir master: Zsuzsanna Gráf); Barnabás Kelemen (violin); Lilla Horti (mezzo-soprano, Judith), Miklós Sebestyén (bass, Bluebeard); Béla Bartók 1881 - 1945; Allegro Barbaro. Sz. 49; Three village scenes, BB 87b; Violin Concerto No. 2, Sz. 112, BB 117; Bluebeard’s Castle, Op. 11, Sz. 48, BB 62; Budapest, Liszt Academy, 27 September 2025 1311024_1 (118 min)
Mariana Flores, Cappella Mediterranea, Leonardo García Alarcón: Cavalli - Bayreuth Baroque 2025
Cappella Mediterranea, Leonardo García-Alarcón (Conductor); Mariana Flores (Soprano); Francesco Cavalli (1602–1676); ‘Mira questi due lumi’ | Le nozze di Teti e di Peleo (1639); ‘Or con pania e con esca’ | Le nozze di Teti e di Peleo; ‘Volgi, deh volgi il piede’ | Gli amori di Apollo e Dafne (1640); Sinfonia di viole a 5 | Le nozze di Teti e di Peleo; ‘Amanti, se credete’ | Egisto (1643); ‘Aprite, aprite gl’occhi’ | L’Ormindo; ‘Udite, amanti’ | Doriclea (1645); ‘A tuo dispetto Amor’ | Scipione affricano (1664); ‘Occhi per pianger nati’ | La virtú dei strali d’Amore (1642); ‘Dell’antro magico’ | Giasone (1649); ‘Dimmi Amor, che faró?’ | Oristeo (1651); ‘Lassa, che far degg’io?’ | Giasone; ‘Una stila di speme’ | Ercole amante (1662); ‘Restino imbalsamate’ | La Calisto (1651); ‘Speranze voi che siete’ | Erismena (1655); ‘Ed é pur vero, o core’ | Xerse (1655); ‘Quest’é un gran caso al certo’ | Hipermestra (1658); Sinfonia a 3 (Prologo) | L’Orione (1653); ‘Menfi, mia patria, regno’ | La Statira (1655); ‘Pur ti stringo, pur t’annodo’ | Eliogabalo (1667); ‘E vuol dunque Ciprigna’ | Ercole amante; Directed by John Blanch; Bayreuth, Ordenskirche St. Georgen (Bayreuth Baroque Opera Festival), 11 September 2025 1310659_1 (90 min)
Valer Sabadus sings Graun - Bayreuth Baroque Opera Festival
Valer Sabadus (Countertenor); {oh!} Orkiestra, Martyna Pastuszka (conductor and violin); Carl Heinrich Graun (1704/05–1759); Overture from ‘Rodelinda, Regina de’ Longobardi’; Quest’ o Dio lugubre aspetto; Aria from ‘Rodelinda, Regina de’ Longobardi’; Ma il lento mormorio – Fonte ch’accresci l’onda; Aria from ‘Rodelinda, Regina de’ Longobardi’; Overture from ‘Cesare e Cleopatra’; Sulle sponde del torbido lete; Aria from ‘Artaserse’; Barbaro non comprendo; Aria from ‘Adriano in Siria’; Overture from ‘Adriano in Siria’; O piú tremar non voglio; Aria from ‘Demofoonte’; Misero pargoletto; Aria from ‘Demofoonte’; Overture from ‘Catone in Utica’; Ah Gandarte, ah germana – Dov’é? s’affretti; Recitativo accompagnato and Aria from ‘’Alessandro e Poro’; Si, per la rea congiura; Aria from ‘Montezuma’; Bayreuth, Margravial Opera House, 8 September 2023 1279791_1 (83 min)
Budapest Festival Orchestra, Iván Fischer: Mahler - Festival de Granada
Budapest Festival Orchestra, Iván Fischer (conductor); Gerhild Romberger (mezzo-soprano); Gustav Mahler (1860-1911); Kindertotenlieder; Symphony No. 5 in C-sharp minor; Festival de Granada, 27 June 2025 31.12.2025 1306920_1 (103 min)
InterMezzo
(14 min)
Nutcracker - English National Ballet
The Nutcracker; English National Ballet and Guest Artists Delilah Wiggins (Clara child); Ivana Bueno (Clara adolescent); Junor Souza (Drosselmeyer); Francesco Gabriele Frola (Nutcracker Prince); Rhys Antoni Yeomans (Nutcracker Doll); Emma Hawes (Sugar Plum Fairy | Mrs. Stahlbaum); Aitor Arrieta (Sugar Plum Cavalier | Dr. Stahlbaum); Rentaro Nakaaki (Uromys Grimsewer | Rat King); Anna Nevzorova (Isolde, the Ice Queen); Aaron S. Watkin, Arielle Smith (choreography & concept); Dick Bird (costume and set design, concept); Paul Pyant (lighting design); Leo Flint (video design); John Bulleid (illusion designer and director); English National Ballet Philharmonic, Maria Seletskaja (conductor); Directed by Peter Jones; London, Coliseum, 2024 1311057_1 (90 min)
English National Ballet - Swan Lake in-the-round
English National Ballet - Swan Lake in-the-round; English National Ballet; Derek Deane (choreographer and director); Peter Farmer (sets), Howard Harrison (lighting); English National Ballet Philharmonic, Gavin Sutherland (conductor); London, Royal Albert Hall, 22 June 2024; Directed by Peter Jones 1310882_1 (127 min)
InterMezzo
(22 min)
Verdi: La Traviata - Aida Garifullina - Opéra de Monte-Carlo
La Traviata; Opera in four acts by Giuseppe Verdi (1813-1901); Libretto by Francesco Maria Piave after ‘La Dame aux Camélias’ (1852) by Alexandre Dumas fils, a piece taken from his homonymous novel; First performance in Venice, Teatro La Fenice, March 6, 1853; Monte-Carlo Philharmonic Orchestra, Chorus of the Monte-Carlo Opera; Massimo Zanetti (Musical Director); Jean-Louis Grinda (Stage director); Rudy Sabounghi (Sets), Jorge Jara (Costumes), Laurent Castaingt (Lighting), Eugénie Andrin (Choreography); Aida Garifullina (Violetta Valery); Loriana Castellano (Flora Bervoix); Federica Sardella (Annina); Javier Camarena (Alfredo Germont); Massimo Cavalletti (Giorgio Germont); Alejandro Del Angel (Gastone); Roberto Accurso (Douphol); Fabrice Alibert (D'Obigny); Alessandro Spina (Grenvil); Vincenzo di Nocera (Giuseppe); Monte-Carlo, Opera, March 23, 2023 1275335_1 (135 min)
Jean-Yves Thibaudet, San Francisco Symphony Orchestra, Esa-Pekka Salonen: Scriabin - Prometheus
San Francisco Symphony Orchestra, Esa-Pekka Salonen (conductor); Jean-Yves Thibaudet (piano); Mathilde Laurent (perfumer); Alexander Scriabin 1872 - 1915; Prometheus, The Poem of Fire; Alexander Scriabin’s symphonic poem ‘Prometheus, The Poem of Fire’ celebrates synesthesia and cosmic unity. Devised by San Francisco Symphony Music Director Esa-Pekka Salonen, pianist Jean-Yves Thibaudet, and Cartier in-house perfumer Mathilde Laurent, the San Francisco Symphony and Cartier present a multisensory production of ‘Prometheus’. This collaborative world premiere combines dynamic musical and light performance with olfactory curation, subsuming audiences in Scriabin’s creative vision more than a century after the piece of total art was composed. Directed by Sébastien Glas; San Francisco, Davies Symphony Hall, 3 mars 2024 1295211_1 (46 min)
Max Emanuel Cencic, Les Talens Lyriques, Christophe Rousset: Keiser, Haendel, Scarlatti, Corelli
Max Emanuel Cencic (Countertenor); Les Talens Lyriques, Christophe Rousset (Musical Director and Harpsichord); Reinhard Keiser (1674-1739); Diana: Ouverture; Claudius: Chaconne; Georg Friedrich Handel (1685-1759); Tamerlano: Bell’Asteria | Benche mi sprezzi; Georg Friedrich Handel; Almira: Ouverture, Sarabande; Alessandro Scarlatti (1660-1725); Sonata a quattro after Concerto grosso in sette parti no. 3; Georg Friedrich Handel; Giulio Cesare: Va tacito; Arcangelo Corelli (1653-1713); Concerto grosso in D Majeur, op. 6, no. 1; Johann Mattheson (1681-1764); Porsenna: Ouverture; Boris Goudenow: Menuet; Nicola Porpora (1686-1768); Ifigenia in Aulide: Dall’Eolie | O se la sua beltá; Georg Philipp Telemann (1681-1767); Miriways: Ouverture; Damon: Chacon; Nicola Porpora; Ifigenia in Aulide: O di spieta | A Numi | Tu spietato; Bayreuth, Margravial Opera House (Bayreuth Baroque Opera Festival), 14 September 2024 1293606_1 (79 min)
Sandrine Piau, Les Talens Lyriques, Christophe Rousset: Montéclair, Corelli, Scarlatti, Handel
Sandrine Piau (Soprano); Les Talens Lyriques, Christophe Rousset (Musical Director, harpsichord); Michel Pignolet de Montéclair (1667–1737); ‘La Morte di Lucretia’, Secular Cantata for Solo Voice, 2 Violins and Basso continuo; Arcangelo Corelli (1653–1713); Concerto grosso in D Major, op. 6 no. 1; Domenico Scarlatti (1685–1757); ‘Tinte a note di sangue’, Secular Cantata for Solo Voice, 2 Violins and Basso continuo; Alessandro Scarlatti (1660–1725); Sonata a quattro, after the Concerto grosso in F Major from 6 Concerti grossi in sette parti no. 3; George Frideric Handel (1685–1759); ‘Agrippina condotta a morire’, HWV 110, Secular Cantata for Solo Voice, 2 Violins and Basso continuo; Bayreuth, St George’s Church (Bayreuth Baroque Opera Festival), 8 September 2024 1293605_1 (81 min)
InterMezzo
(47 min)
Puccini: Manon Lescaut - Opéra de Monte-Carlo
Manon Lescaut; ‘Dramma lirico’ in four acts by Giacomo Puccini (1858-1924); Libretto by Mario Praga, Domenico Oliva, Giulio Ricordi, Luigi Illica and Giuseppe Giacosa based on the abbé Prévost; First performance in Torino, Teatro Regio, 1 February 1893; Orchestre Philharmonique de Monte-Carlo, Chœur de l’Opéra de Monte-Carlo, Pinchas Steinberg (Conductor); Stefano Visconti (Chorus Master); Guy Montavon (Stage Direction, lighting); Hank Irwin Kittel (sets), Christopher Kempf (Costumes); Anna Netrebko (Manon Lescaut); Claudio Sgura (Lescaut); Yusif Eyvazov (Des Grieux); Alessandro Spina (Geronte di Ravoir); Luis Gomes (Edmond); Rémy Mathieu (Dance Master); Luca Vianello (The Innkeeper); Loriana Castellano (a musician); Monte-Carlo, Opéra, 22 April 2022 1264784_1 (131 min)
Daniel Lozakovich, Mikhail Pletnev: Schubert, Grieg, Shor, Franck - Inclassica, Dubai
Daniel Lozakovich (violin), Mikhail Pletnev (piano); Franz Schubert 1797 - 1828; Sonatina for Violin and Piano, Op. 137, No. 1 in D major, D.384; Edvard Grieg 1843 - 1907; Violin Sonata No.3 in C minor, Op. 45; Alexey Shor 1970 –; Mikhail Pletnev 1957 -; Violin Sonata; César Franck 1822 - 1890; Violin Sonata in A major, FWV 8; Dubai, Opera, 21 April 2025 31.12.2025 1303537_1 (100 min)
Cleveland Orchestra, Franz Welser-Möst, Simon Keenlyside - Mahler
Cleveland Orchestra Franz Welser-Möst (conductor); Simon Keenlyside (baritone); Gustav Mahler (1860 – 1911); Frühlingsmorgen (Sechs frühe Lieder No. 3) (Arrangement for Baritone and Orchestra: Luciano Berio); Ablösung im Sommer (Fünf frühe Lieder No. 1) (Arrangement for Baritone and Orchestra: Luciano Berio); Revelge (Des Knaben Wunderhorn); Urlicht (Des Knaben Wunderhorn); Rheinlegendchen (Des Knaben Wunderhorn); Hans und Grethe (Sechs frühe Lieder No. 1) (Arrangement for baritone and orchestra: Luciano Berio); Symphony No. 7 in E minor; Vienna, Konzerthaus, 18 October 2023 1281642_1 (105 min)
The Cleveland Orchestra, Franz Welser-Möst: Beethoven, Janáček
The Cleveland Orchestra, Franz Welser-Möst (conductor); Asmik Grigorian (soprano); Ludwig van Beethoven 1770 – 1827; Symphony No. 5 in C minor Op. 67; Leoš Janáček 1854 – 1928; 'From the House of the Dead', suite (arr. Jílek); Ludwig van Beethoven; Leonore Overture No. 3 op. 72b; Cleveland, Mandel Concert Hall, 15 March 2025 1302355_1 (80 min)
InterMezzo
(52 min)
Yom & Théo et Valentin Ceccaldi - Jazz á Porquerolles
The Rhythm of Silence; Yom (clarinet); Théo Ceccaldi (violin); Valentin Ceccaldi (cello); Hyéres, Jazz á Porquerolles, 12 July 2025 1309217_1 (60 min)
Ballaké Sissoko and Piers Faccini - Jazz in Porquerolles
Ballaké Sissoko and Piers Faccini in Porquerolles; Piers Faccini (guitar, vocals); Ballaké Sissoko (Kora); Directed by Giuseppe de Vecchi; Jazz á Porquerolles, July 14, 2025 1307628_1 (60 min)
Jowee Omicil - Jazz á Porquerolles
Jowee Omicil in Porquerolles; Jowee Omicil (saxophone, clarinets, flutes, cornets, keyboards, vocals); Jendah Manga (Basse); Yoann Danier (drums); Arnaud Dolmen (drums); Jonathan Jurion (Piano); Directed by Valentine Gautier; Jazz á Porquerolles, 12 July 2025 1307627_1 (60 min)
Berliner Philharmoniker, Riccardo Chailly: Shostakovich, Rota, Respighi
Berliner Philharmoniker, Riccardo Chailly (conductor); Dmitri Shostakovich 1906 – 1975; Suite No. 2 for Jazz Orchestra; Nino Rota 1911 - 1979; La Strada Suite; Ottorino Respighi 1879 - 1936; Fountains of Rome; Pines of Rome; Directed by Henning Kasten; Berlin, Waldbühne, 2011 01.01.2026 1306962_1 (105 min)
InterMezzo
(11 min)
The Cleveland Orchestra, Esa-Pekka Salonen: Ravel, Salonen, Sibelius
The Cleveland Orchestra, Esa-Pekka Salonen (conductor); Senja Rummukainen (cello); Maurice Ravel 1875 - 1937; Le Tombeau de Couperin; Esa-Pekka Salonen 1958 -; Cello Concerto; Jean Sibelius 1865 – 1957; Symphony No. 5 in E-flat Major, Op. 82; Directed by Clyde Scott; Cleveland, Severance Hall, 2024 1310844_1 (102 min)
Marc-André Hamelin, David Robertson, The Cleveland Orchestra: Copland, Gershwin, Ellington
The Cleveland Orchestra, David Robertson (conductor); Marc-Andre Hamelin (piano); Aaron Copland 1900 - 1990; Suite from ‘Appalachian Spring’ (1945 orchestration); George Gershwin 1898 - 1937; Rhapsody in Blue (original jazz band version arranged by Ferde Grofe); Duke Ellington 1899 - 1974; New World A-Comin’; Aaron Copland; Suite from ‘The Tender Land’; Directed by Clyde Scott; Cleveland, Severance Hall, 2024 1310843_1 (87 min)
