• Mezzo Live HD

    • Mezzo Live HD od do

      • Arvo Pärt, Robert Wilson: Adam's Passion

        Tallinn Chamber Orchestra, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste (conductor); Robert Wilson (Stage Direction, Set Design & Lighting Concept); Michalis Theophanous, Lucinda Childs (dancers); Arvo Pärt 1935 -; Adam’s Lament; Tabula rasa; Miserere; Sequentia; Directed by Andy Sommer; Noblessner Foundry, Tallinn, Estonia, May 12th, 2015 1306867_1 (94 min)

      • InterMezzo

        (12 min)

      • Daniil Trifonov, Berliner Philharmoniker, Kirill Petrenko: Brahms, Wagner, Strauss

        Berliner Philharmoniker, Kirill Petrenko (conductor); Daniil Trifonov (piano); Johannes Brahms 1833 - 1897; Concerto for Piano and Orchestra No. 2 in B flat Major, Op. 83; Richard Wagner 1813- 1883; Die Meistersinger von Nürnberg, Prelude to Act 1; Richard Strauss 1864 - 1949; Der Rosenkavalier, Waltz Sequence No. 2; Salome, Op. 54: Dance of the seven veils; Directed by Henning Kasten; Berlin, Philharmonie, 31 December 2024 1299199_1 (84 min)

      • Berliner Philharmoniker, Gustavo Dudamel: Waldbühne 2025

        Berliner Philharmoniker, Gustavo Dudamel (conductor); Ryan Speedo Green (bass-baritone); Gabriela Ortiz; Kauyumari; Arturo Márquez; Danzón No. 8 ‘Homenaje to Maurice Ohana’; Antonio Estévez Aponte; Mediodía en el llano; Aaron Copland; Old American Songs, First Set (arr. for voice and orchestra); Evencio Castellanos; Santa Cruz de Pacairigua; Jessie Montgomery; Strum for string orchestra; Roberto Sierra; Alegría; Leonard Bernstein; West Side Story, Symphonic Dances; Berlin, Waldbühne, 28 June 2025 1305151_1 (98 min)

      • Alexandre Kantorow, Daniel Lozakovich, Gautier Capuçon: Mendelssohn, Brahms

        Alexandre Kantorow (piano), Daniel Lozakovich (violin), Gautier Capuçon (cello); Felix Mendelssohn 1809–1847; Trio n°1, op. 49; Johannes Brahms 1833 - 1897; Trio n°1, op. 8; Paris, Fondation Louis Vuitton, June 3, 2025 1304886_1 (66 min)

      • InterMezzo

        (45 min)

      • Denisov: L'Ecume des jours - Opéra de Lille

        L'Ecume des jours (The Foam of Days); Opera in three acts by Edison Denisov 1929-1996; Libretto by the composer based on the eponymous novel by Boris Vian; Paris, Opéra Comique, 15 mars 1986; Orchestre National de Lille, Chœur de l’Opéra de Lille, Bassem Akiki (conductor); Anna Smolar (stage director); Anna Met (set design), Julia Kornacka (costumes), Felice Ross (lighting), Paweł Sakowicz (choreography), Natan Berkowicz (video); Josefin Feiler (Chloé, Le Chat); Cameron Becker (Colin); Katia Ledoux (Alise); Elmar Gilbertsson (Chick); Edwin Crossley-Mercer (Nicolas); Natasha Te Rupe Wilson (Isis); Robin Neck (Pégase, Le Pretre, Le Sénéchal); Maurel Endong (Jésus, Le Directeur de la fabrique); Matthieu Lécroart (Coriolan, Professeur Mangemanche); Małgorzata Gorol (La Souris); Lille, Opéra, 12 November 2025 1311966_1 (150 min)

      • Richard Bona - Jazzopen Stuttgart

        Richard Bona - Jazzopen Stuttgart 2024; Richard Bona (bass, vocals), Mica Lecoq (keyboards), Nicolas Viccaro (drums), Ciro Manna (guitar), Alex Herichon (trumpet); Stuttgart, Jazzopen, 22 July 2024 1289863_1 (74 min)

      • Ron Carter Quartet, Marcus Miller - Monte-Carlo Jazz Festival

        Ron Carter Foursight Quartet special guest appearence Marcus Miller; Monte-Carlo, Opéra Garnier, 18 November 2023 1284318_1 (115 min)

      • Steve Gadd Band - Monte-Carlo Jazz Festival

        Monte-Carlo Jazz Festival: Steve Gadd Band; Steve Gadd (drums); Monte-Carlo, 22 November 2023 1284801_1 (56 min)

      • InterMezzo

        (30 min)

      • Puccini: Manon Lescaut - Opéra de Monte-Carlo

        Manon Lescaut; ‘Dramma lirico’ in four acts by Giacomo Puccini (1858-1924); Libretto by Mario Praga, Domenico Oliva, Giulio Ricordi, Luigi Illica and Giuseppe Giacosa based on the abbé Prévost; First performance in Torino, Teatro Regio, 1 February 1893; Orchestre Philharmonique de Monte-Carlo, Chœur de l’Opéra de Monte-Carlo, Pinchas Steinberg (Conductor); Stefano Visconti (Chorus Master); Guy Montavon (Stage Direction, lighting); Hank Irwin Kittel (sets), Christopher Kempf (Costumes); Anna Netrebko (Manon Lescaut); Claudio Sgura (Lescaut); Yusif Eyvazov (Des Grieux); Alessandro Spina (Geronte di Ravoir); Luis Gomes (Edmond); Rémy Mathieu (Dance Master); Luca Vianello (The Innkeeper); Loriana Castellano (a musician); Monte-Carlo, Opéra, 22 April 2022 1264784_1 (131 min)

      • Jean-Yves Thibaudet, San Francisco Symphony Orchestra, Esa-Pekka Salonen: Scriabin - Prometheus

        San Francisco Symphony Orchestra, Esa-Pekka Salonen (conductor); Jean-Yves Thibaudet (piano); Mathilde Laurent (perfumer); Alexander Scriabin 1872 - 1915; Prometheus, The Poem of Fire; Alexander Scriabin’s symphonic poem ‘Prometheus, The Poem of Fire’ celebrates synesthesia and cosmic unity. Devised by San Francisco Symphony Music Director Esa-Pekka Salonen, pianist Jean-Yves Thibaudet, and Cartier in-house perfumer Mathilde Laurent, the San Francisco Symphony and Cartier present a multisensory production of ‘Prometheus’. This collaborative world premiere combines dynamic musical and light performance with olfactory curation, subsuming audiences in Scriabin’s creative vision more than a century after the piece of total art was composed. Directed by Sébastien Glas; San Francisco, Davies Symphony Hall, 3 mars 2024 1295211_1 (46 min)

      • Bruno de Sá at the Bayreuth Baroque Opera festival

        Bruno de Sá (Soprano); Il Pomo d’Oro, Francesco Corti (Conductor); Alessandro Scarlatti (1660–1725); Sinfonia from Telemaco (1718); Dì che sogno, o che deliro (Griselda’s aria from Griselda (1721)); Antonio Vivaldi (1678–1741); Senza l’amato ben (Leocasta’s aria from Il Giustino (1724)); Per noi soave e bella (Arianna’s aria from Il Giustino (1724)); Arcangelo Corelli (1653–1713); Trio Sonata op. 3 No. 5 in D Minor; Grave. Andante – Allegro – Largo – Allegro; Giuseppe Arena (1713–1784); Del sen gl’ardori nessun mi vanti (Deidamia’s aria from Achille in Sciro (1738)); Nicola Antonio Porpora (1686–1768); Vorresti a me sul ciglio (Giuditta’s Aria from Carlo il Calvo (1738)); Gioacchino Cocchi (1712–1796); Timida pastorella (Adelaide’s aria from Adelaide (1743)); Johann Adolph Hasse (1699–1783); Non mi chiamar crudele (Sestia’s aria from Cajo Fabricio (1732)); Baldassare Galuppi (1706–1785); Concerto a quattro No. 3 in D Major; Maestoso – Allegro – Andantino; Gaetano Latilla (1711–1788); Vanne barbaro alle selve (Ersilia’s aria from Romolo (1739)); Antonio Vivaldi; Sinfonia from Il Giustino; Allegro – Andante – Allegro; Niccoló Piccinni (1728–1800); Furie di donna irata (Marchesa Lucinda’s aria from La buona figliuola (1760)); Bayreuth, Margravial Opera House (Bayretuh Baroque Opera Festival), 16 September 2022 1267745_1 (87 min)

      • Gergely Madaras, Orchestre Philharmonique Royal de Liége - Beethoven, Wagner, Mahler

        Orchestre Philharmonique Royal de Liége, Gergely Madaras (Conductor); Jennifer Holloway (soprano); Ludwig van Beethoven (1770 – 1827); Egmont, overture op. 84; Richard Wagner (1813 – 1883); Wesendock-Lieder; Gustav Mahler (1860 – 1911); Symphony No. 1 in D major 'Titan'; Liége, Salle Philharmonique, 16 September 2023 04.01.2026 1277708_1 (89 min)

      • InterMezzo

        (62 min)

      • Concerto Budapest, András Keller: Bartók, Bluebeard’s Castle

        Concerto Budapest, András Keller (conductor); Angelica Girl’s Choir (choir master: Zsuzsanna Gráf); Barnabás Kelemen (violin); Lilla Horti (mezzo-soprano, Judith), Miklós Sebestyén (bass, Bluebeard); Béla Bartók 1881 - 1945; Allegro Barbaro. Sz. 49; Three village scenes, BB 87b; Violin Concerto No. 2, Sz. 112, BB 117; Bluebeard’s Castle, Op. 11, Sz. 48, BB 62; Budapest, Liszt Academy, 27 September 2025 1311024_1 (118 min)

      • Coppél-I.A by Jean-Christophe Maillot and Les Ballets de Monte-Carlo

        Coppél-I.A. Choreography: Jean-Christophe Maillot; Original Music and arrangement of Leo Delibe’s score: Bertrand Maillot; Sets, Costumes: Aimée Moreni; Lighting: Jean-Christophe Maillot et Samuel Thery; Dramaturgy: Jean-Christophe Maillot et Geoffroy Staquet; Les Ballets de Monte-Carlo; Monaco, Grimaldi Forum, 5 June 2022 04.01.2026 1265422_1 (81 min)

      • InterMezzo

        (39 min)

      • Verdi: La Traviata - Aida Garifullina - Opéra de Monte-Carlo

        La Traviata; Opera in four acts by Giuseppe Verdi (1813-1901); Libretto by Francesco Maria Piave after ‘La Dame aux Camélias’ (1852) by Alexandre Dumas fils, a piece taken from his homonymous novel; First performance in Venice, Teatro La Fenice, March 6, 1853; Monte-Carlo Philharmonic Orchestra, Chorus of the Monte-Carlo Opera; Massimo Zanetti (Musical Director); Jean-Louis Grinda (Stage director); Rudy Sabounghi (Sets), Jorge Jara (Costumes), Laurent Castaingt (Lighting), Eugénie Andrin (Choreography); Aida Garifullina (Violetta Valery); Loriana Castellano (Flora Bervoix); Federica Sardella (Annina); Javier Camarena (Alfredo Germont); Massimo Cavalletti (Giorgio Germont); Alejandro Del Angel (Gastone); Roberto Accurso (Douphol); Fabrice Alibert (D'Obigny); Alessandro Spina (Grenvil); Vincenzo di Nocera (Giuseppe); Monte-Carlo, Opera, March 23, 2023 1275335_1 (135 min)

      • Berliner Philharmoniker, Riccardo Chailly: Shostakovich, Rota, Respighi

        Berliner Philharmoniker, Riccardo Chailly (conductor); Dmitri Shostakovich 1906 – 1975; Suite No. 2 for Jazz Orchestra; Nino Rota 1911 - 1979; La Strada Suite; Ottorino Respighi 1879 - 1936; Fountains of Rome; Pines of Rome; Directed by Henning Kasten; Berlin, Waldbühne, 2011 1306962_1 (105 min)

      • InterMezzo

        (12 min)

      • Mariana Flores, Cappella Mediterranea, Leonardo García Alarcón: Cavalli - Bayreuth Baroque 2025

        Cappella Mediterranea, Leonardo García-Alarcón (Conductor); Mariana Flores (Soprano); Francesco Cavalli (1602–1676); ‘Mira questi due lumi’ | Le nozze di Teti e di Peleo (1639); ‘Or con pania e con esca’ | Le nozze di Teti e di Peleo; ‘Volgi, deh volgi il piede’ | Gli amori di Apollo e Dafne (1640); Sinfonia di viole a 5 | Le nozze di Teti e di Peleo; ‘Amanti, se credete’ | Egisto (1643); ‘Aprite, aprite gl’occhi’ | L’Ormindo; ‘Udite, amanti’ | Doriclea (1645); ‘A tuo dispetto Amor’ | Scipione affricano (1664); ‘Occhi per pianger nati’ | La virtú dei strali d’Amore (1642); ‘Dell’antro magico’ | Giasone (1649); ‘Dimmi Amor, che faró?’ | Oristeo (1651); ‘Lassa, che far degg’io?’ | Giasone; ‘Una stila di speme’ | Ercole amante (1662); ‘Restino imbalsamate’ | La Calisto (1651); ‘Speranze voi che siete’ | Erismena (1655); ‘Ed é pur vero, o core’ | Xerse (1655); ‘Quest’é un gran caso al certo’ | Hipermestra (1658); Sinfonia a 3 (Prologo) | L’Orione (1653); ‘Menfi, mia patria, regno’ | La Statira (1655); ‘Pur ti stringo, pur t’annodo’ | Eliogabalo (1667); ‘E vuol dunque Ciprigna’ | Ercole amante; Directed by John Blanch; Bayreuth, Ordenskirche St. Georgen (Bayreuth Baroque Opera Festival), 11 September 2025 1310659_1 (90 min)

      • Valer Sabadus sings Graun - Bayreuth Baroque Opera Festival

        Valer Sabadus (Countertenor); {oh!} Orkiestra, Martyna Pastuszka (conductor and violin); Carl Heinrich Graun (1704/05–1759); Overture from ‘Rodelinda, Regina de’ Longobardi’; Quest’ o Dio lugubre aspetto; Aria from ‘Rodelinda, Regina de’ Longobardi’; Ma il lento mormorio – Fonte ch’accresci l’onda; Aria from ‘Rodelinda, Regina de’ Longobardi’; Overture from ‘Cesare e Cleopatra’; Sulle sponde del torbido lete; Aria from ‘Artaserse’; Barbaro non comprendo; Aria from ‘Adriano in Siria’; Overture from ‘Adriano in Siria’; O piú tremar non voglio; Aria from ‘Demofoonte’; Misero pargoletto; Aria from ‘Demofoonte’; Overture from ‘Catone in Utica’; Ah Gandarte, ah germana – Dov’é? s’affretti; Recitativo accompagnato and Aria from ‘’Alessandro e Poro’; Si, per la rea congiura; Aria from ‘Montezuma’; Bayreuth, Margravial Opera House, 8 September 2023 1279791_1 (83 min)