• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (60 min)

      • Crystal Pite: Betroffenheit

        Betroffenheit; Crystal Pite (choreography); Music by Owen Belton, Alessandro Juliani & Meg Roe; Kidd Pivot, Electric Company Theatre; Jay Gower Taylor — Stage design; Tom Visser — Lighting; Nancy Bryant — Costumes; Linda Chow — Costumes; Nicola Ryall — Costumes; Bryan Arias — Dancer; David Raymond — Dancer; Cindy Salgado — Dancer; Jermaine Spivey — Dancer; Tiffany Tregarthen — Dancer; Jonathon Young — Actor; Heidi Wilkinson — Puppets; Omanie Elias — Puppets; The kind of spectacle we rarely see on the theatre or opera stage is offered up here by the innovative Crystal Pite and Jonathon Young. In German, ‘Betroffenheit’ denotes a state of shock and disbelief. This unusual ballet was inspired by terrible events in the life of choreographer Young, who lost his daughter, niece, and nephew in a terrible fire during a family vacation. A mix of tap, salsa, spoken-word, song, and puppet show, this stirring artistic statement is guaranteed to stir the emotions with its poignant depiction of personal hardship and of the struggle to come to terms with tragedy, beautifully realized by Kidd Pivot and the Electric Company Theatre on the stage of London's Sadler's Wells Theatre. London, Sadler's Wells Theatre, 2017; Directed by Jeff Tudor 1278362_1 (106 min)

      • Wiener Philharmoniker, Jakub Hrůša: Kodaly, Bartók, Dvořák, Janáček

        Wiener Philharmoniker, Jakub Hrůša (conductor); Zoltán Kodaly 1882 - 1967; Dances of Galánta; Béla Bartók 1881 - 1945; Le Mandarin miraculeux, Concert Suite, op. 19; Antonín Dvořák 1841 - 1904; The Wild Dove, Op. 110; Leoš Janáček 1854 - 1928; Taras Bulba; Vienna, Musikverein, 7 December 2025 1312928_1 (90 min)

      • Orchestre National du Capitole de Toulouse, Tarmo Peltokoski: Mahler

        Orchestre National du Capitole de Toulouse, Tarmo Peltokoski (conductor); Gustav Mahler (1860 – 1911); Symphony No. 1 in D major ‘Titan’; Amsterdam, Concertgebouw, 10 July 2023 1278510_1 (60 min)

      • InterMezzo

        (40 min)

      • Connie Han - Bayfront Jazz Festival

        Connie Han (piano), Kim Cass (bass), Ilia Rayskin (drums); 22 November 2025 - Bayfront Jazz Festival, Miami 1312668_1 (59 min)

      • Lakecia Benjamin - Bayfront Jazz Festival

        Lakecia Benjamin (saxophone); 22 November 2025 - Bayfront Jazz Festival, Miami 1312665_1 (60 min)

      • Nik West - Bayfront Jazz Festival

        Nik West (bass); 22 November 2025 - Bayfront Jazz Festival, Miami 1312666_1 (59 min)

      • InterMezzo

        (60 min)

      • Héléne Grimaud and the Camerata Salzburg: Mozart, Schumann

        Héléne Grimaud (piano); Camerata Salzburg, Alexander Radulescu (director); Wolfgang Amadeus Mozart (1756–1791); Concerto for piano and orchestra No. 20 in D minor K. 466; Symphony No. 40 in G minor K. 550; Robert Schumann (1810–1856); Concerto for piano and orchestra in A minor op. 54; Hamburg, Elbphilharmonie, 30 March 2022 1264401_1 (103 min)

      • Orchestre National du Capitole de Toulouse, Tarmo Peltokoski: Wagner, Schoenberg, Strauss

        Orchestre National du Capitole de Toulouse, Tarmo Peltokoski (Conductor); Richard Wagner (1813 – 1833); The Mastersingers of Nuremberg, overture; Arnold Schoenberg (1874 – 1951); Violin Concerto, Op. 36; Richard Strauss (1864 – 1949); Thus spoke Zarathustra, op. 30; Toulouse, Halle aux Grains, 2 December 2023 1281098_1 (85 min)

      • InterMezzo

        (20 min)

      • Crystal Pite: Betroffenheit

        Betroffenheit; Crystal Pite (choreography); Music by Owen Belton, Alessandro Juliani & Meg Roe; Kidd Pivot, Electric Company Theatre; Jay Gower Taylor — Stage design; Tom Visser — Lighting; Nancy Bryant — Costumes; Linda Chow — Costumes; Nicola Ryall — Costumes; Bryan Arias — Dancer; David Raymond — Dancer; Cindy Salgado — Dancer; Jermaine Spivey — Dancer; Tiffany Tregarthen — Dancer; Jonathon Young — Actor; Heidi Wilkinson — Puppets; Omanie Elias — Puppets; The kind of spectacle we rarely see on the theatre or opera stage is offered up here by the innovative Crystal Pite and Jonathon Young. In German, ‘Betroffenheit’ denotes a state of shock and disbelief. This unusual ballet was inspired by terrible events in the life of choreographer Young, who lost his daughter, niece, and nephew in a terrible fire during a family vacation. A mix of tap, salsa, spoken-word, song, and puppet show, this stirring artistic statement is guaranteed to stir the emotions with its poignant depiction of personal hardship and of the struggle to come to terms with tragedy, beautifully realized by Kidd Pivot and the Electric Company Theatre on the stage of London's Sadler's Wells Theatre. London, Sadler's Wells Theatre, 2017; Directed by Jeff Tudor 1278362_1 (106 min)

      • Wiener Philharmoniker, Jakub Hrůša: Kodaly, Bartók, Dvořák, Janáček

        Wiener Philharmoniker, Jakub Hrůša (conductor); Zoltán Kodaly 1882 - 1967; Dances of Galánta; Béla Bartók 1881 - 1945; Le Mandarin miraculeux, Concert Suite, op. 19; Antonín Dvořák 1841 - 1904; The Wild Dove, Op. 110; Leoš Janáček 1854 - 1928; Taras Bulba; Vienna, Musikverein, 7 December 2025 1312928_1 (90 min)

      • Orchestre National du Capitole de Toulouse, Kazuki Yamada, Jean Rondeau: Poulenc, Debussy

        Orchestre National du Capitole de Toulouse, Kazuki Yamada (Conductor); Jean Rondeau (Harpsichord); Akira Miyoshi (1933 – 2013); Concerto for Orchestra; Francis Poulenc (1899 – 1963); Concert champetre, fp. 49; Claude Debussy (1862 – 1918); Jeux; La Mer; Toulouse, Halle aux Grains, April 7, 2023 1274574_1 (90 min)

      • Tarmo Peltokoski, Orchestre du Capitole de Toulouse - Vaughan Williams, Korngold, Shostakovich

        Orchestre National du Capitole de Toulouse, Tarmo Peltokoski (Conductor); Chad Hoopes (Violin); Ralph Vaughan Williams (1872 – 1958); The Lark ascending; Erich Wolfgang Korngold (1897 – 1957); Violin Concerto in D major, Op. 45; Dmitri Shostakovich (1906 – 1975); Symphony no. 5 in D minor, Op. 47; Toulouse, Halle aux Grains, 21 October 2022 1268749_1 (100 min)

      • InterMezzo

        (48 min)

      • Lully: Atys - Opéra de Versailles

        Atys; ‘Tragédie en musique’ in a prologue and five acts by Jean-Baptiste Lully (1632 - 1687); Libretto by Philippe Quinault after Ovid's 'Fasti'; Creation in Saint-Germain-en-Laye, January 10, 1676; Cappella Mediterranea, Leonardo García Alarcón (Conductor); Choir of the Grand Théâtre de Genéve, Alan Woodbridge (Chorus Master); Ballet of the Grand Théâtre de Genéve; Angelin Preljocaj (Stage Direction and choreography); Prune Nourry (Sets), Jeanne Vicérial (Costumes), Eric Soyer (Lighting); Nicholas Scott (Zéphyr | Le Sommeil); Marta Fontanals-Simmons (Melpoméne); Matthew Newlin (Atys); Giuseppina Bridelli (La Déesse Cybéle); Ana Quintans (Sangaride); Andreas Wolf (Celaenus); Gwendoline Blondeel (Iris | Doris | Divinité fontaine); Michael Mofidian (Idas | Phobetor | Un songe funeste); Valerio Contaldo (Morphée | Dieu de fleuve); José Pazos (Phantase); Luigi De Donato (Le Temps | Le Fleuve Sangar); Lore Binon (La Déesse Flore | Mélisse | Divinité fontaine); Versailles, Château de Versailles, Opéra, 23 March 2022 1263206_1 (177 min)

      • InterMezzo

        (60 min)

      • Vivaldi, Bach, Telemann - Jean-Christophe Spinosi - Sommets Musicaux de Gstaad

        Ensemble Matheus, Jean-Christophe Spinosi (Conductor); Ana Maria Labin (soprano); Antonio Vivaldi (1678-1741); L'Olimpiade, RV 725 | Overture: Allegro; In furore giustissimae irae, RV 626; L'Olimpiade, RV 725| Siam Navi All'onde; Johann Sebastian Bach (1685-1750); Concerto No. 1 for harpsichord, strings and basso continuo in D minor, BWV 1052 | allegro; Antonio Vivaldi; L'Olimpiade, RV 725 | Il fidarsi della speme; Georg Philipp Telemann (1681-1767) /Jonas Forssell (1957); Concerto in E minor TWV 52:e1; Antonio Vivaldi; Griselda, RV 718 | Agitata da due venti; Juditha triumphans devicta Holofernis Barbary, RV 644 | Armate face and Anguibus; Gstaad, Saanen Church, 05/02/2022; TV director, Christophe Boula 1262954_1 (65 min)

      • Luzerner Sinfonieorchester, Michael Sanderling: Schreker, Beethoven

        Luzerner Sinfonieorchester, Michael Sanderling (direction); Franz Schreker 1878 - 1934; Intermezzo for string orchestra op. 8; Ludwig van Beethoven 1770 - 1827; Symphony No. 7 in A major op. 92; Gstaad, Church of Saanen, 2 February 2024 1285435_1 (54 min)

      • Mario Joao Pires and Renaud Capuçon at Gstaad: Mozart, Beethoven

        Maria Joao Pires (piano), Renaud Capuçon (violin); Wolfgang Amadeus Mozart (1756 - 1791); Sonata for piano and violin No. 21 K. 304; Sonata for piano and violin No. 27 K. 379; Ludwig van Beethoven (1770 - 1827); Sonata for violin and piano No. 5 op. 24 (Spring); Violin Sonata No. 6 II. Adagio; Gstaad, Eglise de Saanen (Sommets Musicaux de Gstaad), February 3, 2022; TV director, Christophe Boula 1262952_1 (70 min)

      • Armenian State Symphony Orchestra, Sergey Smbatyan: Khachaturian, Baghdasaryan, Bizet

        Armenian State Symphony Orchestra, Sergey Smbatyan (conductor); Sevak Avanesyan (cello); Lilit Zakaryan (piano); Aram Khachaturian 1903 - 1978; Waltz – Masquerade; Edvard Baghdasaryan 1922 –1987; Nocturne (arr. Martin Unlikhanyan); Aram Khachaturian; Variation of Aegina and Bacchanalia - Spartacus; Adagio of Spartacus and Phrygia - Spartacus; Georges Bizet 1838 -1875; Les Toréadors - Carmen suite no 1; Pyotr Tchaikovsky 1840 – 1893; Waltz of the flowers | March |Trepak -The Nutcracker; Arno Babajanyan 1921 - 1983; Nocturne for Piano and Orchestra; Alexander Arutiunian 1920 - 2012; Impromptu for Cello and Orchestra; Aram Khachaturian; Mazurka | Gallop – Masquerade; Sabre dance – Gayaneh 1281588_1 (49 min)

      • InterMezzo

        (59 min)

      • Crystal Pite: Betroffenheit

        Betroffenheit; Crystal Pite (choreography); Music by Owen Belton, Alessandro Juliani & Meg Roe; Kidd Pivot, Electric Company Theatre; Jay Gower Taylor — Stage design; Tom Visser — Lighting; Nancy Bryant — Costumes; Linda Chow — Costumes; Nicola Ryall — Costumes; Bryan Arias — Dancer; David Raymond — Dancer; Cindy Salgado — Dancer; Jermaine Spivey — Dancer; Tiffany Tregarthen — Dancer; Jonathon Young — Actor; Heidi Wilkinson — Puppets; Omanie Elias — Puppets; The kind of spectacle we rarely see on the theatre or opera stage is offered up here by the innovative Crystal Pite and Jonathon Young. In German, ‘Betroffenheit’ denotes a state of shock and disbelief. This unusual ballet was inspired by terrible events in the life of choreographer Young, who lost his daughter, niece, and nephew in a terrible fire during a family vacation. A mix of tap, salsa, spoken-word, song, and puppet show, this stirring artistic statement is guaranteed to stir the emotions with its poignant depiction of personal hardship and of the struggle to come to terms with tragedy, beautifully realized by Kidd Pivot and the Electric Company Theatre on the stage of London's Sadler's Wells Theatre. London, Sadler's Wells Theatre, 2017; Directed by Jeff Tudor 1278362_1 (106 min)

      • Wiener Philharmoniker, Jakub Hrůša: Kodaly, Bartók, Dvořák, Janáček

        Wiener Philharmoniker, Jakub Hrůša (conductor); Zoltán Kodaly 1882 - 1967; Dances of Galánta; Béla Bartók 1881 - 1945; Le Mandarin miraculeux, Concert Suite, op. 19; Antonín Dvořák 1841 - 1904; The Wild Dove, Op. 110; Leoš Janáček 1854 - 1928; Taras Bulba; Vienna, Musikverein, 7 December 2025 1312928_1 (90 min)