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Vinci's Alessandro nell’Indie Vinci at the Bayreuth Baroque Opera Festival
Alessandro nell'Indie; 'Dramma per musica' in three acts by Leonardo Vinci; Libretto by Pietro Metastasio, First perfomance in Rome, Teatro delle Dame, 2 January 1730; oh!} Orkiestra, Martyna Pastuszka (conductor); Max Emanuel Cencic (stage director); Domenico Franchi (sets), Giuseppe Palella (costumes), David Debrinay (lighting), Sumon Rudra (choreography); Franco Fagioli (Poro); Bruno de Sá (Cleofida); Jake Arditti (Erissena); Denis Orellana (Alessandro); Stefan Sbonnik (Gandarte); Nicolas Tamagna (Timagene); Bayreuth, Bayreuth Baroque Opera Festival, 7 September 2022 1267744_1 (229 min)
InterMezzo
(10 min)
Royal Concertgebouw, Mirga Gražinytė-Tyla, Gabriela Montero: Šerkšnytė, Tchaikovsky, Weinberg
Royal Concertgebouw Orchestra, Mirga Gražinytė-Tyla (Conductor); Gabriela Montero (piano); Raminta Šerkšnytė (born in 1975); De Profundis (Dutch premiere); Pyotr Ilyich Tchaikovsky; Piano Concerto No. 1; Mieczyslaw Weinberg; Symphony No. 3; Amsterdam, Concertgebouw, 21 April 2023 1273145_1 (90 min)
Julia Lezhneva at the Bayreuth Baroque Opera Festival
Julia Lezhneva (Soprano); Orchestra in Residence of the Bayreuth Baroque Opera Festival 2022, Martyna Pastuszka; Operatic arias by Nicola Antonio Porpora; Bayreuth, Magravial Opera House, (Bayreuth Baroque Opera Festival) 1267737_1 (80 min)
Jeanine de Bique at the Bayreuth Baroque Opera Festival
Jeanine De Bique (Soprano); Concerto Köln; George Frideric Handel (1685–1759); Overture from Partenope HWV 27; Carl Heinrich Graun (1704/1705–1759); Risolvere non oso from Rodelinda; George Frideric Handel; Ritorna o caro from Rodelinda HWV 19; Suite from Rodrigo HWV 5; Ouvertüre – Gigue – Sarabande – Matelot; Riccardo Broschi (c. 1698–1756); Mi restano le lagrime from L’isola d’ Alcina; Carl Heinrich Graun; L’empio rigor del fato from Rodelinda; Leonardo Vinci (c. 1690–1730); Sinfonia from Partenope; George Frideric Handel; L’alma mia from Agrippina HWV 6; Georg Philipp Telemann (1681– 1767); Rimembranza crudel from Germanicus TWV 21:3b; George Frideric Handel; Suite from Rodrigo HWV 5; Menuett I – Bourée – Menuett II; Che sento? Oh dio! – Se pietá from Giulio Cesare in Egitto HWV 17; Suite from Rodrigo HWV 5 (part 3); Passacaglia; Carl Heinrich Graun; Tra le porcelle assorto from Cleopatra e Cesare; Bayreuth, Margravial Opera House, (Bayreuth Baroque Opera Festival) 8 september 2022 1267742_1 (96 min)
Bobby McFerrin, Chick Corea Duo - Jazz á Vienne
BOBBY McFERRIN & CHICK COREA DUET - JAZZ A VIENNE 2012; Director: Patrick SAVEY; Sound: Jean-Marc ARINGOLI; Production: Zycopolis Productions / Jazz á Vienne; Year 2012 CMU_05345 (57 min)
Royal Concertgebouw, Mirga Gražinytė-Tyla, Gabriela Montero: Šerkšnytė, Tchaikovsky, Weinberg
Royal Concertgebouw Orchestra, Mirga Gražinytė-Tyla (Conductor); Gabriela Montero (piano); Raminta Šerkšnytė (born in 1975); De Profundis (Dutch premiere); Pyotr Ilyich Tchaikovsky; Piano Concerto No. 1; Mieczyslaw Weinberg; Symphony No. 3; Amsterdam, Concertgebouw, 21 April 2023 1273145_1 (90 min)
John Eliot Gardiner conducts Berlioz's Benvenuto Cellini
Orchestre Révolutionnaire et Romantique, Monteverdi Choir, John Eliot Gardiner (Conductor); Michael Spyres (tenor) (Benvenuto Cellini); Sophia Burgos (soprano) (Teresa); Maurizio Muraro (bass) (Giacomo Balducci); Lionel Lhote (baritone) (Fieramosca); Tareq Nazmi (bass) (Pape Clément); Adéle Charvet (mezzo-soprano) (Ascanio); Vincent Delhoume (tenor) (Francesco); Ashley Riches (baritone) (Bernardino); Hector Berlioz (1803-1869); Benvenuto Cellini; 'Opéra-comique' in two acts and four tableaux; Libretto by Léon de Wailly and Auguste Barbier; First performance in Paris, 1838. Recorded on 7 & 8 September 2019 at the Opéra Royal, Château de Versailles; TV Director, Sébastien Glas P10064796 (173 min)
Esperanza Spalding - Jazz á Vienne
ESPERANZA SPALDING - JAZZ A VIENNE 2012; Multi-instrumentalist and singer Esperanza Spalding had an eclectic musical upbringing. A graduate of Berklee University, the African American double bass player released her first album "Junjo" in 2006, and "Esperanza" in 2008. Her jazzy style, praised by the critics, acquired a larger following with "Chamber Music Society" in 2010. She played on the stage of the "Théâtre antique" in Vienne on 8 July 2012, in a sophisticated yet accessible performance. CMU_08562 (60 min)
José James - Jazz á Vienne
José James; José James (voice, guitar); Marcus Machado (guitar); Aneesa Strings (bass, voice); Aaron Steele (drums); Since bursting onto the international scene a little over a decade ago, José James and his honey-sweet voice are still as bewitching. The Minneapolis artist admits to being inspired by Marvin Gaye, the producer Flying Lotus and John Coltrane for his stylish blend of what makes up Great Black Music. Flitting between raw soul, soul folk, hip hop and jazz, James is in the microcosm of vocalists capable of keeping the crossover created by Ray Charles in the 50s alive. His first album (The Dreamer, 2008) pays tribute to Martin Luther King. The next one, Blackmagic, features the beatboxer Taylor McFerrin. His fourth album (in the meantime he recorded with Junior Mance, Chico Hamilton, Flying Lotus and the pianist Jef Neve), No Beginning No End, is on Blue Note. The more soulful than ever singer is back with Lean On Me (2018). After leaning on Billie Holiday and John Coltrane, this time he pays tribute to the living legend of American pop and the immense soulman Bill Withers. There are twelve unforgettable tracks by Withers, who celebrates his 80th birthday in July, produced by Don Was and recorded by a dream band: bassist Pino Palladino, Kris Bowers (fabulous Rhodes on the cover of Ain't No Sunshine), Brad Allen Williams and Nate Smith. Recorded on July 02, 2019 at Jazz á Vienne; TV Director, Mikaël Favard P10063025 (60 min)
InterMezzo
(20 min)
Vinci's Alessandro nell’Indie Vinci at the Bayreuth Baroque Opera Festival
Alessandro nell'Indie; 'Dramma per musica' in three acts by Leonardo Vinci; Libretto by Pietro Metastasio, First perfomance in Rome, Teatro delle Dame, 2 January 1730; oh!} Orkiestra, Martyna Pastuszka (conductor); Max Emanuel Cencic (stage director); Domenico Franchi (sets), Giuseppe Palella (costumes), David Debrinay (lighting), Sumon Rudra (choreography); Franco Fagioli (Poro); Bruno de Sá (Cleofida); Jake Arditti (Erissena); Denis Orellana (Alessandro); Stefan Sbonnik (Gandarte); Nicolas Tamagna (Timagene); Bayreuth, Bayreuth Baroque Opera Festival, 7 September 2022 1267744_1 (229 min)
Royal Concertgebouw, Mirga Gražinytė-Tyla, Gabriela Montero: Šerkšnytė, Tchaikovsky, Weinberg
Royal Concertgebouw Orchestra, Mirga Gražinytė-Tyla (Conductor); Gabriela Montero (piano); Raminta Šerkšnytė (born in 1975); De Profundis (Dutch premiere); Pyotr Ilyich Tchaikovsky; Piano Concerto No. 1; Mieczyslaw Weinberg; Symphony No. 3; Amsterdam, Concertgebouw, 21 April 2023 1273145_1 (90 min)
Jeanine de Bique at the Bayreuth Baroque Opera Festival
Jeanine De Bique (Soprano); Concerto Köln; George Frideric Handel (1685–1759); Overture from Partenope HWV 27; Carl Heinrich Graun (1704/1705–1759); Risolvere non oso from Rodelinda; George Frideric Handel; Ritorna o caro from Rodelinda HWV 19; Suite from Rodrigo HWV 5; Ouvertüre – Gigue – Sarabande – Matelot; Riccardo Broschi (c. 1698–1756); Mi restano le lagrime from L’isola d’ Alcina; Carl Heinrich Graun; L’empio rigor del fato from Rodelinda; Leonardo Vinci (c. 1690–1730); Sinfonia from Partenope; George Frideric Handel; L’alma mia from Agrippina HWV 6; Georg Philipp Telemann (1681– 1767); Rimembranza crudel from Germanicus TWV 21:3b; George Frideric Handel; Suite from Rodrigo HWV 5; Menuett I – Bourée – Menuett II; Che sento? Oh dio! – Se pietá from Giulio Cesare in Egitto HWV 17; Suite from Rodrigo HWV 5 (part 3); Passacaglia; Carl Heinrich Graun; Tra le porcelle assorto from Cleopatra e Cesare; Bayreuth, Margravial Opera House, (Bayreuth Baroque Opera Festival) 8 september 2022 1267742_1 (96 min)
InterMezzo
(45 min)
Stravinsky's Les Noces and Rite of Spring at the Ljubljana Festival
Les Noces; The Rite of Spring; Music: Igor Stravinsky; Choreographer: Edward Clug; Conductor: Simon Krečič, SNG Maribor Ballet Ensemble; Assistant Choreographer: Gaj Žmavc; Set designer: Marko Japelj; Costume designer: Leo Kulaš; Lighting designer: Tomaž Premzl; Les Noces; Andreja Zakonjšek Krt, soprano; Dada Kladenik, alt; Tim Ribič, tenor; Janko Volčanšek, bass; Dancers: Bride: Monja Obrul; Bridegroom: Tamas Darai; Bride’s Mother: Evgenija Koškina; Bridegroom’s Father: Sergiu Moga; False Bride: Sytze Jan Luske; Tea Bajc, Beatrice Bartolomei, Olesja Hartmann Marin, Tijuana Križman Hudernik, Asami Nakashima, Ema Peric, Mirjana Šrot, Mina Radakovic, Davide Buffone, Tomaž Viktor Abram Golub, Matteo Magalotti, Lucio Mautone, Yuya Omaki, Andrea Schifano, Christopher Thompson, Maro Vranaričič; Pianists: Sofia Ticchi, Stefan Pajanović, Kristina Golob & Tomaž Zamuda; SNG Maribor Opera Choir; Chorus master: Zsuzsa Budavari Novak; LE SACRE DU PRINTEMPS; Sound designers: Gregor Mendaš; The Chosen One: Evgenija Koshkina; Tijuana Križman Hudernik, Catarina de Meneses, Asami Nakašima, Mirjana Šrot, Tea Bajc; Davide Buffone, Tamas Darai, Tomaž Viktor Abram Golub, Sytze Jan Luske, Matteo Magalotti, Yuya Omaki; SNG Maribor Symphonic Orchestra; Križanke, Ljubljana (Ljubljana Festival), 11 Jully 2022 1269250_1 (67 min)
Swan Lake by the Bolshoi ballet
Swan Lake; Music Piotr Tchaikovsky; Choreography Yuri Grigorovich (2001 version); Scenes in choreography by Marius Petipa, Lev Ivanov,Alexander Gorsky used; Bolshoi orchestra; Pavel Sorokin, conductor; With, The Etoiles, the Soloists and the Corps de Ballet of the Bolshoi; Odette-Odile, Svetlana Zakharova; The Mother, Yekaterina Barykina; Prince Siegfried, Denis Rodkin; The Evil Genius, Artemy Belyakov; The Tutor, Alexei Loparevich; The Fool, Igor Tsvirko; Friends to the Prince, Kristina Kretova, Elizaveta Kruteleva; Master of Ceremonies, Alexander Fadeyechev; Hungarian Bride, Angelina Karpova; Russian Bride, Anna Rebetskaya; Spanish Bride, Anna Tikhomirova; Neapolitan Bride, Daria Khokhlova; Polish Bride, Maria Semenyachenko, Three Swans, Angelina Karpova, Olga Marchenkova and Ana Turazashvili; Four Swans, Yulia Lunkinan, Svetlana Pavlovan, Margarita Shrainern and Anna Voronkova; Waltz, Karim Abdullin, Ivan Alexeyevn, Dmitry Efremovn, Egor Khromushinn, Nelli Kobakhidzen, Anna Okunevan, Yanina Parienkon and Anna Rebetskaya; Recorded on Januarty 25th 2015 at the Bolshoi of Moscow; TV Director, Vincent Bataillon; P10015099 (125 min)
InterMezzo
(18 min)
The Barber of Seville by Rossini at the Royal Opera House
Il Barbiere di Siviglia; ‘Commedia’ in two acts by Gioachino Rossini (1792 - 1868); Libretto by Cesare Sterbini based on 'Le Barbier de Séville' by Pierre-Augustin Caron de Beaumarchais; First performance in Rome, Teatro Argentina, 20 February 1816; Orchestra of the Royal Opera House, Antonio Pappano (conductor); Royal Opera Chorus; Moshe Leiser, Patrice Caurier (stage direction); Joyce DiDonato (Rosina); Juan Diego Flórez (Almaviva); Pietro Spagnoli (Figaro); Ferruccio Furlanetto (Don Basilio); Alessandro Corbelli (Don Bartolo); Directed by David Stevens; London, Royal Opera House, Covent Garden, 2009 1272864_1 (155 min)
Lucas Debargue at the Philharmonie de Paris: Mozart, Chopin, Alkan
Lucas Debargue (piano); Wolfgang Amadeus Mozart (1756 – 1791); Piano Sonata No. 8 in A minor, KV 310; Frédéric Chopin 1810 - 1849; Ballade no. 2 op. 38; Prélude op. 45; Polonaise-Fantaisie op. 61; Charles-Valentin Alkan (1813 – 1888); Concerto for solo piano op. 39 No. 8; Paris, Philharmonie, April 3, 2023 1273224_1 (90 min)
Simon Rattle and the Berliner Philharmoniker: Symphony No.6 by Mahler
Berliner Philharmoniker, Simon Rattle (conductor); Gustav Mahler (1860 - 1911); Symphony No. 6 in A minor; Recorded on June 20, 2018, at the Philharmonie, Berlin; TV Director, Michael Beyer P10049539 (95 min)
The Barber of Seville by Rossini at the Royal Opera House
Il Barbiere di Siviglia; ‘Commedia’ in two acts by Gioachino Rossini (1792 - 1868); Libretto by Cesare Sterbini based on 'Le Barbier de Séville' by Pierre-Augustin Caron de Beaumarchais; First performance in Rome, Teatro Argentina, 20 February 1816; Orchestra of the Royal Opera House, Antonio Pappano (conductor); Royal Opera Chorus; Moshe Leiser, Patrice Caurier (stage direction); Joyce DiDonato (Rosina); Juan Diego Flórez (Almaviva); Pietro Spagnoli (Figaro); Ferruccio Furlanetto (Don Basilio); Alessandro Corbelli (Don Bartolo); Directed by David Stevens; London, Royal Opera House, Covent Garden, 2009 1272864_1 (155 min)